label head honchos rhode & brown finally debut on their own imprint, slam city jams, after putting out music on fellow labels toy tonics and public possession. produced over the past two years, the wave 100 ep might be the most versatile record by the munich-based fellas so far. on the title track we have an euphoric hint of 80s synth nostalgia, slapped bass and banging woodsticks (did someone say safri duo?!). sparkle on a2 feels like the joy of a fresh breeze on hot summer days whilst living la vida loca in the clouds - b/w phat bass, sweet flutes & strings. on the flip there is love lane, a classic house track with a funked up bassline, shuffling snares and the most erotic vocal in human history. moon bells on b2 is the soundtrack to that road trip you did back in 86 with a juno 106 arpeggiator bassline, percussive drums and airy synths all around. over europe on b3 rounds off this special 5-tracker with beautiful ambient spheres straight from outta space.

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

repress - german duo obscure shape & shdw drop three robust techno tracks in their first full release on rekids this may. one of the most exciting acts in techno today, obscure shape & shdw are the founders of from another mind - the label and party series making waves in south-germany. aside from rekids, where they remixed radio slave’s ‘vision’ last year, the pair’s abilities in the studio have seen them invited by slam for two separate remixes of monoloc and envoy on soma, with more projects to be announced. ‘himmel und erde’ is a cavernous cut boasting colossal kicks and skipping percussion before a tantalising melody comes into play. ‘am ende der welt’ is more deep and atmospheric in comparison, blending dusky percussion with echoing synths until ‘gefallene engel’ demonstrates syncopated drums and an otherworldly hook that conjure up a mesmerising aesthetic to conclude the release.

after years of playing with the moroccan community of brussels, music maker and jazz musician luc mishalle knows every trick of the cross-fertilization of gnawa music, jazz & brass. gnawa is the northern african islamic sufi music with healing vibrations and spiritual lyrics, played by the descendants of african slaves. the album title “beats & pieces” refers to the collaborations with belgian percussionist roel poriau (think of one, antwerp gipsy-ska orkestra), tunisian electronic producer sofyann ben youssef (ammar808, kel assouf) and moroccan-belgian gnawa master maalem driss filali.

fuji is the heavily percussive and improvisational style of nigerian popular music, at once modern and yet deeply rooted in the traditional islamic yoruba culture of nigeria.
here on this album nigeria fuji machine’s striking and powerful lead vocalist taofik yemi fagbenro soars above a wild and energetic backdrop of polyrhythms played on traditional talking drums, trap drums, electronic and street percussion to create a powerful wall of intense sound.
this album is released as a limited-edition heavyweight vinyl edition with free download code included.

ossian’s debut solo ep comes out on south london analogue material (s.l.a.m), the label he created with ansome 3 years ago. after a previous joint release on s.l.a.m and a remix on perc trax, we get to see original tracks from ossian for the first time.

without artwork - standard cover / long time friend of the label myler finally makes his south london analogue material debut with ‘lord of the asbo’. the ep starts with driving kicks, hypnotic wandering synths and the noisy dissonant stabs of ‘mandem’ before taking a more melancholy turn. ‘shutter windows’ slows things down with eerie echoes, dusty thudding kick drums and subtle synths before ‘whiskey & white women’ finishes the last of the originals with a drum track full of trippy percussion and masterful groove. bad boy keepsakes is back on the label after slam003 and finishes the ep with his take on ‘shutter windows’.

long time friend of the label myler finally makes his south london analogue material debut with ‘lord of the asbo’. the ep starts with driving kicks, hypnotic wandering synths and the noisy dissonant stabs of ‘mandem’ before taking a more melancholy turn. ‘shutter windows’ slows things down with eerie echoes, dusty thudding kick drums and subtle synths before ‘whiskey & white women’ finishes the last of the originals with a drum track full of trippy percussion and masterful groove. bad boy keepsakes is back on the label after slam003 and finishes the ep with his take on ‘shutter windows’.

vinyl only , slamming jungle / dnb

nyc denizen arrives fresh off a stunning, singular album for l.i.e.s to deliver 3 tracks showcasing his swift growth as a producer. widescreen techno, stern, cracking percussion & feel good house all figure in.

another slamming release from veteran producers jay lumen (saved / mistakes) and gary beck (soma/perc trax). on their own they are pretty amazing so imagine what they are like when their talents are combined. this drumcode bomb is an essential for any techno box, lets face it this one will do the damage!

the classic 1996 paperclip people album by carl craig gets remastered for a brand new 2012 edition on double lp. spanking new artwork too...!

first only available on decks.de
early support by ray okpara, butch, slam, hugo, dan drastic, mihai popoviciu, bart skils, wally lopez, m.a.n.d.y., marcus meinhardt, björn wilke, d.diggler, marc miroir, patrick lindsey, siopis…. bondage-music welcomes miguel lobo&larry peters! after several releases on 8bit, brise and kling klong the duo from chile/spain delivers a percussive groovy release including fantastic remix from markus homm (highgrade)

we are happy to have a follow up of m.in on trapez ltd in collaboration with his fellow mate jonas fahz. the duo has released together already under their pseudonym of mucky pups on the trapez ltd 100 anniversary compilation in may. their a-side welcome to my house features again a jack track, produced and written this time by a whole team including: m.in, jonas fahz, peter eilmers and featuring nick maurer on vocals. bringing together old school and new school this was also the idea with m.in s debut a-side track teach me house . welcome to my house instead has more of a live jammed attitude to it... in this respect it is meaner, rougher and tougher as the predecessor! the alienated and twisted voice of nick maurer adds a psychedelic feeling that keeps you making funny faces to yourself . delgardo has been a long time favourite of m.in and jonas, it is an approved dance floor track, and indeed a slow moving... but funky rocker. fuelled by vocal snippets and fx sounds... the beat goes non stop beat non stop ! elephant blues is the favourite track of m.in and a bit of a mad and deadpan track. fitting very well to the actual chart breaking tunes that spread like a virus in the underground scene, this could be the most modern of the three tracks. equipped with a strong drive, whipping its percussion line into oblivion it is a sexy track. the original 3 tracks are Êsupported by alex piccini with a cool post detroit remix of welcome to my house and well as heartik who has speeded up elephant blues turning it into a cool techno- rush of a track.
played by: martin eyerer, stephan bodzin, timo maas, fra soler, orde meikle/ slam, hot chip/ felix, dj madskillz, paco osuna, steve lawler, ronan portela, lee pattison (deepgroove), patrick pulsinger, axel bartsch, beatamines, f.sonik, jules de pearl, taster peter, kiko, marcus sur, toni d, freska, zidan, scott byrne, danny tenaglia ...

2nd part with more slamming percussive prime time techno

olm029 - layo & bushwacka! - double a side summer gone/what do you say now layo and bushwacka! spent most of last year recording, the first offering from this period came at the end of last year with their endangered ep on plus 8. we now present their first release on their own label in eleven months. summer gone is a groove that starts on an up that slowly breaks down and brings in sounds, voices, rhythm and then kicks back with a really strong vocal and groove. what do you say now hits from the moment it begins with a stripped down sound and dub vocal and then slams with strong percussion and then back to the groove. totally tested out by layo & bushwacka! but supported big by the only two other djs with copies, richie hawtin and laurent garnier.

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

the spiros kaloumenos remix on the a-side of this 8th audio family is a great rework of the saimon & mezmeric track. funky vibez with a superb drive full of percusion and energy. a wicked view on how techno should be. just slamming! a favourite for the djs. the flip brings back the rolling thunder original by the guys and still full of the original energy. this timeless piece of techno will always work in any set. dejan milisevic with the cherry on top, great futuristic remix from this man! buy on sight!

slamming percussive deephouse (old skool flavoured)/ techhouse groover incl ilario alicante & dj wild remixes

support from scuba (hotflush) (scb) who likes the >dark vibes!< and paco osuna (plus 8), who says: >cool and dark tracks on.< deetron thinks that >tournesol is excellent< and he >loves the atmosphere and groove<. slam (soma records) stated that it is >nice dark tech< and meerestief a >great label< while trevor jackson simply >loves backtalk< cause it >is outstanding<. more support from peter van hoesen, electric indigo, mateo murphy, technasia, laurent garnier, xpansul, troy pierce, philip sherburne, pär grindvik, russ gabriel, dario zenker, stephan bodzin, perc, the advent, the black dog, brendon moeller...

soniculture welcomes a new artist to the family. bernard siefert, betterknown as nhar is known for his releases on labels such as mobilee, meerestief, plak and modelisme. his hypnotic sound is unique, adding at the same time fine tuned melodies and vocals, in this way, enriching the whole musical experience. with this release, nhar shows us a bit more energy, keeping the soul and exploring the feelings that characterize his productions, but making us dance even more than usual. this is an amazing piece of work from one of the most original producers of the new french techno scene. the a side begins with >derceto<, a very modern techno track but with an old school touch and an outstanding percussion arrangement. the hypnotic bassline is strong and involving and the vocals make it dirty, when needed. thinkfreak closes this side with a powerful remix, taking the energy to higher levels and making it a dance floor slammer for the craziest moments of the night (or day). with >owls are not what they seem<, nharshows us how hypnotic he can be. the track is filled with sophistication andthe production details are exquisite. this is electronic dance music at itsbest. dalessandro & expander present a version of >owls are not what theyseem< that is sexy and groovy and is for sure perfect for that special afterhour moment or simply when there is a special need for love.

supported by: nic fanciulli, slam, tedd patterson, lauhaus, plasmik, michel cleis, livio & roby, clive henry, paul woolford, guy gerber, mark henning, mr g, adultnapper, brothers vibe, afrilounge, catz n dogz, gorge, alex flitsch, meat, boris werner, ekkohaus, solomun, trickski, mazi, miss jools

germanys finest michael burkat and lars klein team up to bring you a very special collab release. bound and lk combine forces and deliver a true techno slammer. lars klein starts the ep with his changes. soundscapes introducing a deep and dark techno monster with a powerfull and uplifting vibe. changes all through the track resulting in a 12 minute workout! michael burkat on the flip with his special bound release. bound 026 was a great succes and many people are waiting for this follow-up. the first track is a bouncing track with a catchy feel, while the second takes it deeper. full support by perc, hertz and many more.

fortek superstars caie! & lagora join forces on this slammin techno release called dirty wings. caie!s white wings is a rough and nasty percussive dancefloor banger with influences of the 90s tribal scene combined with the wicked tricks of todays techno music. lagora comes with a storming take on black wings. deep basses and fat synth work provide for the perfect party at midnight! last but not least we bring you dirty wings in an amazing remix. byron bogues, head honcho of choke music and eruptive, manoeuvres things into deeper territory. his take on dirty wings is like taking an analogue bubblebath: warm and sexy!

vol.3 of 5 !! slamming harder percussive techno banger !!!

big with magda, dubfire, laurent garnier, steve lawler, slam, jamie jones, shinedoe, joris voorn, dan ghenacia, bushwacka!, funk dvoid, will saul, mathias kaden, hernan cattaneo, djulz, peter kruder, simon baker, nick curly,.. incl remixes by skylark (nic fanciulli & andy chatterly) and shenoda

slamming percussive electrohouse businezz!!!

support comes from chloe, simon baker, rob mello, nuno dos santos. two face was featured on the recent moodmusic 10 years mix-cd by sasse, with a softbottom bass but hardhitting percussion and synthwork, this has been a secret weapon for many. lars sandberg aka funk d void loved the original so much that he promised to deliver a remix - and he did. slamming claps combined with a early strictly rhythm stabs and immense breakdowns drives this to the top. watt zone is a totla diffent beast, based on a more house feel, combining dreamy synth yet driving beats , this will be a hot one for the more discerning floors

slamming hypnotic techhouse action from henry (known from his classic releases on container, harthouse , mfs, superstition...) and denis karimani aka remute. dominated by a sustaining synth-chord, percussive beats and a funky bassline-bit this tune sounds absolutely fresh... incl superb efdemin remix (dial, liebe*detail...)

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

ovum is proud to bring you a release from christian smith & john selway. known for their amazing releases on tronic , underwater, and intec are finally a part of the ovum family. they deliver a main room monster in silver bullet. this bass driven monster builds to a huge tension filled breakdown that comes back in with a punch that will blow up any floor. already being championed by marco carola, adam beyer, josh wink, loco dice, and carl cox. slam has delivered a percolating remix that has a very old school feel to it. this could be played in a techno set as well as a house set. a very diverse package that should be in every djs record box

the j&s project with their long awaited return to maya, and “talk to me” doesnt disappoint. this one is a sweaty peakhour club banger with two mixes on offer a main mix and a slamming techy dub that ll work for the big room sessions. joeskis tough percussion, energetic basslines and tripped out samples complementing the vocals perfectly on this latest must have ep

amnesia ibiza resident deejay les schmitz teams up once again with top producers david amo and julio navas to deliver out two quality tracks on this 9th release of spanish breakthrough label of the moment. (recently awarded by spanish deejay magazine). a- side >asteroids< is a powerfull and peaktime electrohouse track with slamming beats and hard hitting dirty bassline that will tear up dancefloors everywhere. will for sure gain support from steve lawler, john aquaviva, steve angello......on the b-side we have >gigistar< a very cool and underground electro-prog track for main rooms. groovy percusion, filled with a hypnotic rolling bassline in the stlye of d nox and beckers and with that personal fresco touch

excellent slamming percussive hardgroovin techno , cotains a huge paco osuna remix!!

slamming harder percussive techno with tribal flavours

last copies arriving in january for a special price!
since it’s inception in 1991 on the streets of glasgow, soma records has stood for uncompromising quality of the highest level in every area it operates. stuart mcmillan & orde meikle formed slam during the acid house explosion in the late 80’s and then together with friends glenn gibbons & dave clarke they forged one of electronic music’s most widely known and well respected labels. with mcmillan & meikle as the figureheads with their slam project and influenced by the early detroit techno scene, soma quickly began to develop it’s own sound and with their eyes firmly fixed on a vision of the future, the team began the quest to instill their unquenchable thirst for electronic music into the world around them. soma quickly became an international brand as slam’s anthemic “positive education” brought about an electronic renaissance that saw the group thrust into the limelight and green lit the furious rise of the label.
limited edition 5x12 inch box set with illustrated vinyl sleeves, poster and stickers.

tribal pulse is 5 years old, and we re celebrating with a special series of vinyl and compilation releases, and parties in some really insane locations, including a unique birthday celebration in the beautiful highlands of scotland. first up we have boom merchant s i see the future available on 180g vinyl and containing contributions from italian slammin techno kingpin johnny kaos and maltese 303 sniper acidulant. the title track is a morphing, energetic futurist techno cut. a powerful, bass-driven groove works alongside complex analogue percussion sequencing and growling distortion before detroit-style chords and atmospherics move in to take you higher, before slamming you back into the dark groove once again. this one is a real bomb waiting to go off. for sub mission boom merchant combines forces once again with johnny kaos, and in keeping with the theme of the ep, the results are dark, distorted and full of flavor. the track roars through lashings of sub and relentless machine bleeps, drums and noises, jumping in and out of breakbeats with a monster reese bass chasing you down from start to finish. to round off the ep, acidulant does what he does best, stripping the original back to its bare elements, looping the vocal and creating a roland-heavy roller full of squelchy goodness. we see the future, and we are bringing it to you on wax. we hope these tracks put a smile on your face.

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in.... forever ahead of the curve, matthew herbert dropped this 3 track ep on classic all the way back in 1996 and every track featured sounds like it could easily have been released yesterday. such is the genius of herbert, always managing to be one step ahead of most other producers, whether it s producing slamming house like you got to be moving , rolling emotive electronics like fat king fire or subtle, shifting percussion confusing jams like housewife all of his tracks retain this fresh energy that can t be pigeon holed. classic herbert is exactly that, a 3 tracker that defies genre, celebrates the eclecticism of it s producer and still manages to be slamming (& classic) in the process! essential stuff! this ep has always been tough to track down, proving to be a very sought after gem in the vinyl digging world. a repress was definitely needed! classic herbert has been legitimately re-released with the full involvement of matthew herbert for 2017 and remastered from the original sources specially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

nice price deal !!! 11th hour recordings is back with endless days , their most dancefloor excursion so far - 4 slamming new techno and electro cuts, starting with the outrageously tough beat and grinding basslines of kick it , followed by a stunning high-tech-funk remake by motech main man and ur assault squad member dj 3000, who takes the heavy bass of the original and layers on new jazzed out synth hooks and stripped down percussion. n the flip, cold restraint is a straight out dancefloor bomb - tough driving percussion threaded with a distorted bleep hook and searing strings, all pushed forward by one of the nastiest basslines around, whilst down and out in ec2 provides a deep, driving and endlessly shifting electro workout.

played by rolando, nathaniel jay, agnostic rhythm, natan h, deep a & biri...
for its premier release, division point industries is proud to announce a 4-track ep by rolling ones, a collaborative project featuring johannes auvinen (tin man) and jordan poling (jordan). rolling ones finds its voice in the synthesis of each artist s sound, combining tin man s acidic melodies with jordan s deep, textural pads. debuting at the division point industries residency at bushwick s notorious bossa nova civic club, rolling ones marked their arrival by playing a dj back-to-back set. opening the record is 93 mustang , a muscular, no-nonsense roller built around deep wells of warm bass and slick-piston percussion. as it builds, tin man s signature acidic squelch dances in the remaining space, giving the track a sense of both life and depth. next is faded delorian , an abyssal burner that refracts its ghostly tones around a panning labyrinth of crystalline synths. on the flip is slammed cadillac , a sinewy, stripped down stomper of clattering percussion and caustic 303s. jacked up impala finishes the record as a jacking acid tool. founded by jordan poling, division point industries is a new label built on the success of a collaborative residency with cory james at brooklyn s bossa nova civic club. having hosted artists ranging from the established to the underground, division point industries has crafted a no-nonsense take on deep house and techno that is rich in history while remaining focused on the future.

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

bulletdodges next instalment comes from us producer sean ray, delivering a single called deep 454 with 3 superb remixes from mgun, space djz & mr o and gareth whitehead. seans original track is a deep affair, heralding sparkling pads and grooving percussion. the track is cemented by a dark yet infectious piano riff and soulful bassline to make it a dancefloor classic. first up on remix duties is ur’s very own newcomer mgun. mgun has been taking the scene by storm lately with his incredible productions and his take on sean’s deep 454 is no exception. for this remix he has provided us with a detroit infused gem of a track. he has used soulful pads that eminate detroit and an upfront kick to create nothing short of a masterpiece. for the next remix we have an exciting collaboration between techno stalwarts space djz and one half of the detroit grand pubha’s mr o. their joint venture has produced a deep techno monster. it has a solid bassline and hypnotic use of the pads that shouts out 5am madness. lastly to remix deep 454 is bulletdodge’s head honcho gareth whitehead who has created a more old school stripped back deep house vibe. his tight drum programming and clever usage of the original tracks pads and piano riff rounds this perfect package off very nicely. supported so far by audio injection, colin dale, craig richards, dj deep, gary beck, paul mac, pig & dan, samuel l. session, sasha carassi, skream, slam, tom hades and vince watson plus many more!!!

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

supercool minialbum that both take you back to slammin parties in the 90s and as technical good it can be nowdays. pure techno & slammin acid produced by andreas tilliander.

ekhowax is the second personal release of george apergis (owner of modular expansion records). available in a limited 12 inch vinyl, ekhowax expands the artists club vision of his early detroit releases into a dub techno territory, filled with dark atmopsheres and a crowd pleasing vocal. the release inludes 3 massive remixes, the first one being the remix from the dynamic spanish duo nx1, that go darker with their pumping futuristic revision. the second remix comes from the legendary truncate aka audio injection, who creates the perfect club tool with his unique us chicago style, an instant hit. the release is sealed with the deep minimal and melodic cover, from the upcoming paris artist birth of frequency (of construct re-form crew).
supported by: laurent garnier, richie hawtin, damon wild, ben sims, mikael jonasson, the advent, umek, dj hyperactive , dvs1, paul brtschitsch, tommy four seven, francois x, bas mooy, vidal, space djz, speedy j, slam, billy nasty, alan fitzpatrick, perc, pig & dan, raffaelle attanasio, lee holman, mirko, kabale & liebe, spartaque, anderson noise, michel de hey ...

the finale in maylee todds >hieroglyphics< remix saga is this limited-edition 12 inch vinyl release with two totally different yet equally slamming treatments of her recent single: a head-nodding, hypnotic joint from next-generation beatmaster tall black guy, and a percussive tech-house banger from toronto production duo the makeover. this new release follows up on the now sold-out 7 inch remix by kon & the gang that had more of a disco boogie vibe.

counter pulse stays substantial to the underground model & presents a mysterious alias by the scandinavian artist lodbrok. in contrast to other vinyl labels today counter pulse show no agenda to pick up the current trends and safe-name remixers to gain quick sales.
feukt call ep is precisely all that in a nicely shaped up four tracker release including a remix by henning baer from sonic groove, plus a remix from and from black sun records.
ponderous irregular rhythms with a focus on erosion & intense hi-hat patterns with cautiously arranged stabs is what this ep is all about.
supported by: advanced human, truncate, developer, donor, jeroen search, luke slater, mattias fridell, perc, samuli kemppi, slam, vince watson, giorgio gigli, inigo kennedy, raiz, sawf, abdulla rashim, bcr boys, dead sound, logotech, markus suckut, nima khak, postulate, stingrays.

the second catalog number of the young label sono vivo is from the artist falomir. in his music he reflects inspiration of different cultures and artists. energetic and colourful would be the attributes to describe the track >asere<. melodious – impulsive sounds meet in an interaction that brings good mood. percussion and the sound of xylophone make this track to an experience which reminds of the beginning of spring … or maybe beautiful summer days! apart of this, you find on the a-side a remixed version from daniel mehlhart of >asere<.
support by: slam, affkt, paco osuna, matt star, patrick zigon, jam (jam & spoon), frank leicher, uglh, mirko violi, kiko martinez, joy kitikonti, edgar de ramon, dj linus ...