four unrelenting tracks produced by duel label owner - sept. comes on green marbled vinyl.

polish artist sept releases a 4-track ep on snts sub label sacred court.

high octane techno from sept, remixed by regal and somewhen. pressed on yellow marbled vinyl.

limited rsd 2021 release on purple coloured double vinyl.

sept with the ultimate seduction, luring in vtss for her remix magic. pressing on yellow & clear green mixed vinyl.

sept back on voxnox with remix support from setaoc mass and pfirter.

voxnox records mainstay and a&r sept returns home for vn034. remixes coming from headless horseman and violent.

big with ricardo villalobos, marcel dettmann !!

7th album ! triology ! canceled ?

debut album, lp, full cover inside out print

massive v/a compilation from driller on double vinyl with download code included.

originally released in sept 2020 this industrial and hypnotic techno record was written and composed by nicolo cantini and casanova bar records founder domingo casanova. back by popular demand we are releasing an additional small quantity for you. includes a ricardo garduno remix.

round one is the initial record of duel, a label established by sept, whose idea standing behind it is to push your musical boundaries to the next levels. pressing on dark red marbled vinyl.

snts’ sacred court label with its third v/a release.

part 2

third release in voxnox’ serpent series with 5 tracks on grey marbled vinyl.

180 g virgin vinyl pressing, limited gatefold edition, the wonderful rhythms of lation and jazz in the hands of ray barretto, herbie hancock, sergio mandes, tito uente, mongo santamaria, bebo valdes.. and many more

4x techno on 12 inch

prodigal son turns 10 - exal, jokasti & nek, sept and sosak bring a stormy serenade.

first release from la chinerie, highly expected repress of this wonderful 2x12” exploring house through 8 french producers.

5 1 1 5 9 3 is the first full-length album release of vienna based artist electric indigo, who started djing in the late 1980s, worked at the legendary hard wax record store in the early 1990s, and effortlessly manages to entertain the dancing crowd at berghain as much as the contemporary music avant-garde at wien modern. 5 1 1 5 9 3 combines influences of both worlds into a consistent and coherent album. crystalline metallic objects collide, embedded into fractured endless spaces, sparse rhythmical syncopations shaping grids, holding sonic particles in place. rare vocal transformations inject a human touch. 5 1 1 5 9 3 offers a unique universe, full of color and light, partially flirting with current club music and at other times diving deep into sublime sonic areas.

for the projects 5th release we welcome russian artist toki fuko. the label continues to source deeper soundscapes and toki delivers a hypnotic collection of deep techno grooves with rhythmic sequencing where he absorbs inspiration from the world that surrounds him. over the years he has worked with musicians such as joaschim spieth, estroe, hernan catanneo, wareika, brendon moeller, and published on incredible labels such as affin, star dub, rosedale and slowdance. elliot project is proud to showcase this 3 track ep which illustrates the incredible talent of toki fuko and tagir who provides a special edit for sept .

we begin our history with the first full-length dada ques release, written and produced by the founder of the label, flaty. called 1 (one or album one), the release is timed with the launch of anwo / amonari-no-word which has been conceived and designed as a creative platform for own musical projects and various other art initiatives. album one presents a wide array of styles grinded and melted into one solid and breathing soundscape, it s electronic romanticism with advanced detail. available sept 15 2017 on heavyweight vinyl.

supergenius records second release showcases too smooth christs house crafts. four mysterious jams conceived as encounters between fuzzy darkness and brighter bittersweet melodies. cold sept, a short drumless tracks closes the ep.

before there was a man in black, there were the sun records years, when cash began defining his peculiar and witty version of country music. born in arkansas in 1932, cash began recording as a top artist for sun records, for which he released his first full-length lp. this double lp set documents all the hits from 1955 to 1958, before cash signed to columbia records. these 35 “first steps” helped build the legend and are considered the milestones of an incredible career that ended with those passionate and soulful albums on the “american recordings” series released between 1994 and 2003, the year jr cash died on sept 12.

ltd ed to 200 copies, 4 tracks of dark and deep atmospheric deep techno from underground artist called * sum of things*.... first release of mb-labworks. each cover is numbered by perforation.

the seven ep is coming from none other than electric indigo, who is pushing things forward in the electronic music scene since the early ninetees. she also hosts the network „female pressure“, which tries to make female artists more visible and therefore holds a data base with information about many of them.

yalta is a resort city on the southern coast of the crimean peninsula surrounded by the black sea. this place has heavily influenced a talented artist pavel milyakov also known as buttechno. this album is his dedication to yalta, but it’s not just about geographical location, it’s about a special and sacred state of mind and soul that the producer calls -yalta-. this very personal work of a mature author reflects his deep and multifaceted approach to the research of the sound language.

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.

ichisan is slovenian igor skafar, and igors trademark sound is heavenly electronic blissed spaced out house with a sick amount of grooves layerd in. fab earlier releases on the grand airtight and unter the shade labels tell musical tales of this. and so it went that hoppsa fascinatd us yet againy with its mesmerizing 80s synth hook that you want to simply lock in and play away all day and night while kristina is an unmistakably philly affair with an edge, and edge, that means deep depth and a serious build between the woobly - and that is what we like! not being able to decide which one to favour, eventually, we released both. heres to you! kai & thomas, sept 2014

luckyme are very proud to present the ‘rosario ep from s-type.s-types rise started in spring 2012. emerging, gleaming and show-stopping from rustie’s seminal bbc essential mix was a track called ‘billboard’ from a new producer that was part of the luckyme family as far back as his teenage years. the track had soundcloud and blog commentators looking around for the hugest most galactic superlatives for this ‘superhero’ music. as skyscraping as the biggest us hip hop instrumentals but born of the ferment of glasgow’s world-wowing club world, it made it into end of year ‘best of’ polls as well as the dj sets of rustie, tnght,and benji b. s-type aka 27 yo scot bobby perman started getting recognised down the shops glasgow. he was catapulted onto a 30 + date us tour and found himself in the studio with kindred spirits araabmuzik and baauer. there were rumours of national electronic goods adverts in south korea and s-type tracks in the running for inclusion on drakes nothing was the same album. on 19th sept 2013, the buzz started all over again as luckyme family member Éclair fifi dropped a new s-type tune ‘rosario’ on her bbc radio 1 in new djs we trust show. now luckyme can announce the wait is over. lm017 aka s-type’s ‘rosario’ ep is coming out on 16/6/2014. ‘rosario’ sets the scene with a 2 min intro called ‘outside (inside)’, featuring rustie and yc the cynic, a rapper from hunts pont, the bronx that xxl called ‘one of the most promising artists in recent years’, the complex wordplay sounding perfect over bobby’s wide screen arrangement. ‘franco’ is a fierce club banger with plenty of his signature chord work. ‘lost girls’ stunts and fizzes in the way only an s-type track can. for the outro ‘inside (outro)’, bobby’s sweeping instrumental sets the scene for long island mc (and one time flipmode squad member) roc marciano, who sharply describes the beat as ‘historic’. s-type addicts, he’s back. early dj support from hudmo, kode 9, baauer, joker, rl grime and jackmaster.

coming off of a successful run of 3 hot vinyl releases from the same number of labels in the between mid-sept and mid-november,hit it n quit it(lumberjacks in hell label), mlk dreams/over my face(persnickety sounds label) & get up move your body (grimy edits label) cratebug slams you with yet another trio of bangers to feed your dance floor

its always been about the bass. climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of tristesse contemporaine. 2nd album is ready, its coming soon this year in sept. from record makers.

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

the eagerly anticipated debut solo album from the well respected and well know electronic artist danuel tate, who remains in heavy world-wide touring schedule with cobblestone jazz and the modern deep left quartet. danuel is featured on the new jules chaz album (in stores sept 13) and great upcoming releases by fellow cobblestone jazz member tyger dhula.

aeroplane, the remixers du jour and one of the most blogged and talked about acts in recent times, have been putting the finishing touches on their eagerly anticipated debut lp set for release on sept 6th through eskimo.
aeroplane undertook the 500th >essential mix< at the end of april on radio 1 and previewed the title track of their forthcoming longplayer and first single >we cant fly< for the first time.
having built a cult following off the back off their now legendary soundcloud mixes and stunningly original remixes for the likes of grace jones, friendly fires, lindström and mgmt, their debut album is set to cement their status as one of the most innovative and exciting new acts of 2010.

silver tears and early sept fuse disco elements with italo influences for a cosmic sound, we love so much!! remixes come from japans bocca grande and space ranger from germany!!

for his new album, heretic pride, darnielle has once more retreated into his imagination to conjure a suite of songs about mythical creatures, imaginary cults, slasher films and pulp fiction novelists. hes also come up with some of the most anthemic,impassioned and downright catchy songs of his career: sax rohmer, autoclave and lovecraft in brooklyn join a long line of glorious mountain goats shouters, they ll doubtless have audiences raising the roof at venues around the world in the coming months.

hot hit remixes by d.i.m. ,tomas barfod & surkin if you don t understand chromeo it s obvious you are a racist. only racists and deaf people are immune to the montreal duo s funky funk. but because everyone at turbo can both hear... and believes in racial harmony and equality for all. we dig chromeo.... and are proud, nay humbled, to >drop< their first single off the desperately anticipated second album: fancy footwork. what makes this >footwork< so fancy you ask? racist scum... step the fuck off and open your heart to the finest distillation of minneapolis groove since mazarati. the chromeo boys are back in the o-sept to heal the fractured soul of dance music. teenage lovers, 20 something blogpoders, 30 something burn-out ex-raver >graphic designers< and 40 something afro-americans can all finally party under one roof... and that roof has a name, and that roof is on fire, and the only ones who can put out that funk-fire also happen to be the guys the roof is named after: chromeo - going to be huge !!!

der treffsicherste von der modern love mannschaft kommt erneut zum einsatz & liebt es hier etwas reduzierter ! platz 1 in den groove charts (sept / oct 2006)

finally back in : 'made 2 play' jesse rose's own label and made just for the dance floor. it's not about gaining hype in the press. made to play was conceived as an outlet for quality dancefloor tracks, that you chuck in your bag and play. pure and simple. so this is what you get minimal and chunky, super bottom heavy steady glitchy house tracks dubsided/freerange/frontroom style. #6 in groove top 50 sept / oct 2005

classic !!!

digipack, 4c print w/ solid color. cover artwork expands over all pages, liner notes inside. 5 1 1 5 9 3 is the first full-length album release of vienna based artist electric indigo, who started djing in the late 1980s, worked at the legendary hard wax record store in the early 1990s, and effortlessly manages to entertain the dancing crowd at berghain as much as the contemporary music avant-garde at wien modern.