alborosie the on a mission reggae warrior licks back the dread at the controls rod taylor classic from 1978 his majesty (produced by mikey dread) to stunning effect. the latest production of mr. alberto d ascola aka puppa albo aka alborosie showcases established hit-makers gentleman (in combination with clay), mr. vegas, alborosie, etana, christopher martin, sizzla kalonji with all new exclusive tunes, alongside young lions like dann i, yung j.r., skygrass, sandy smith and martei corley, with all great voices and excellent performances. eleven superb tunes plus alborosies instrumental riddim version makes this a standout longplay release! run the rhythm!
-da best riddim eternal action krew- is a subtile mixture of musical influences: from the most old school hip hop beat to the most contemporary flow, going from west coast vibes to caribbean colors. da break is back!
this release sees roska dropping some new, serious fun, with the pad-tinged menace of windbreaker riddim and the carnival flavoured warming, both of which are made for the dancefloor.
the dub album any discerning house music lovers will enjoy! a playful mixture of modern beats with deep roots reggae influences, all heavily processed in an old-fashioned manner with a political and social messages expressed through.
dj support from brackles and peverelist. samrai is a founding member of swing ting, a dj and production squad behind club nights of the same name in manchester. they have two 12inches to their name on fat city (head gone and creepin) as well as remixes for mosca, murlo and beneath. riddim trax is samrais first solo release. his riddims are deceptively simple fusions taking in a spectrum of soundsystem influences and uk dance music, including dancehall, soca, afrobeats and uk garage. the ep opens with the summery let it ride, featuring swing ting mc mr fox s vocal in classic singjay mode. instrumental version responsibility riddim follows, before the b-side plunges into more rugged territory with problematic riddim and the brutal concrete riddim.
bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.
b.riddim is luis sequeira, a portuguese living in london. magic my ear is his second ep for third ear, following the (in) theory ep in 2012. formerly a driving force in the influential portuguese rap group g-ward under the name bellatur, luis followed his love of jamaican dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique.
big riddim recordings was created in 2008 by ak1200, who had previously worked with well known uk drum and bass labels, suburban base and moving shadow. the label started out as a platform for ak to continue with his quest of discovering new talent and promoting the sounds of dnb to anyone within reach.
after storming onto the scene in 2008, in four short years harvest has received support from the likes of andy c, dj hype, hazard, taxman, twisted individual, marky and heist. using his musical background as a foundation, the birmingham based producer has gone on to produce jump up, jungle, liquid and dark minimal - earning him recognition from all aspects in the scene.
it was his birthday a few days ago and to celebrate jaydan has decided to give us all a present, and its a whopper. showcasing the talent of the latest addition to his stable renegade, on the a its the co-lab, master and padwan together give us >dead people<. on the flip renegade steps up solo with >late night flex<.
rie lambdoll, known for electronics duo crossbred and respected among activities in variety of fields and free form unit dub magus from beirut arising from the breakup of the post hardcore band beirut5 in the search of even more inspiring sounds. 10inch split coupled with two geniuses prominent in the increasingly chaotic japanese underground has come out!
tech-house stomper with a reggae dub edge. side a featurs loads of percussion and a funky deep bass. the dub goes deeper as a true reggae dub, taking on a fantastic, skankin off-beat dancefloor vibe.
following on from their own ep, the latest offering from hanuman and atki2s steak house imprint sees baobinga, poirier and a host of mcs join the steak house family. steak 003 sees the label moving into bashment territory with the original bass music badman baobinga serving up three prime cuts of juicy vocal raggastep. backed by a remix by karnival king poirier, this record is crammed full of party heat. sam baobinga has been one of the most important producers on the british music scene over the last five years. with releases on labels such as soul jazz, ninja tune and positiva as well as his own build imprint and remixes for artists like guru, the ragga twins, and the wu tang clan, baobinga has consistently reinvented and reshaped his sound and stayed several steps ahead of the game. this release sees binga push his heavy raggastep sound, bass heavy vocal bashment with a nod to the lush full synth sounds of future garage and featuring original voicings by some of the uks hottest mcs. fire!
a seriously heavyweight plate from twisted, a member of germanys acclaimed dutty dubz crew. erratic is a grimey monster of a tune, the subtleties of the intro with its pattering bongos and stealthy pads giving no indication of the carnage to come. dropping harder than a ton of bricks, the filthy buzzsaw bass comes swooping in beneath slamming halfstep beats, squirming between the enormous bashy snares and sinister electro riff topline. on the flipside twisted goes a little more leftfield, tapping into the chiptune flavour thats currently permeating the dubstep scene via the likes of rustie and zomby.
m-high completes the catalog of the rutilance label with an ep composed by 4 tracks cut for the dancefloor. a remix by the talented paolo rocco completes this 27th opus.
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