this is the track that has been burning down the house this summer, this is punk-funk techno ... this is >fables and fairytales<. a deep, dark and wonderful cut of distorted house music from adam marshall and nicholas murray under the alias n/a featuring the voice of rosina… a creation that touches the heart, body and soul with an intensely passionate sound, producing one of the best crosstown rebels releases yet.
from the vocal chorus so hooky and cool - to the kind of bassline you will be humming hours after the club, this piece of lfo tech-funk brings adonis, the slits and the fatback band into the same room and melts them into one shining gem. falling horns and random stabs, a punk funk vocal that is truly infectious, crosstown rebels #54 grabs you at the beginning and doesnt let go for the next twelve minutes. a faultless anthem for the coming nights…
on the b side, the latest artist signed to rebels, the uniquely talented deniz kurtel, stretches the hook into a dubbed out trip of groove-infused techno. morphing and twisting the ferocious female voice to sensual whispers and heart-felt cries, she works more enchantment into this anthem and builds a serious groove for a dark room.

banging hardcore beats & synths meets female vocals in the break !

side a true feel good summer tech house tune that sets incredible atmosphere with wonderful female vocals and a great clubby arrangement. played by: joris voorn, r.hawtin, anja schneider, gel abril, coyu, osunlade, nick holder, jimpster, nils nuernberg

ophidian has added his magic to lenny dees classic release? forgotten moments. ophidans 10 min remix features spinetingling orchestral intro, live violin solo, upfront kick drums & female vocals. the original track is included, with that recognizable breakdown & melody. ophidians dj cut is a shorter version perfect for djs.

moxie takes you on an outer space 80s electro jam. theres the uptempo female version and the more mid tempo male version. warning... dance, break and party invasion!!

hyperdubs original female producer ikonika comes with this long awaited release that lives up to all expectations, presenting two brilliant tracks that set the scene for her debut album due early in 2010.

beautiful brazilian flavored organic house with a cool edit by shelter maestro timmi regisford who adds edgier beats to the wonderful arrangement of brazilian female vox, accoustic guitar and percussion.

the title track is a dreamy balearic disco number with perky female vocals (comes with a beatless alternate version). all out of order is a quirky throwback to eclectic 80s pop ballads, think laurie anderson on autotune (comes with a version sung in spanish)

new three track ep from beatfanatic. robots could be a kraftwerk hommage with an 80s movie score style. hot has more 80s style warm synths and jan hammer meets italo disco flair. guide (rayko cosmic remix) features rayco penas synths and beats with some nearly wordless sexy female vocals.

first press 12inch picture disc, limited! (feat. the unreleased b track >bluesy tuesday<) poison lips is a solide electro song dusted with some gorgeously sultry, breathy female vocals to lend the whole affair an air of debauched glamour and mystery

nice price deal !!! awesome feelgood vocal house tune with cool mixes from gennaro & drehregler. the track bounces in a straight electro feeling with modern disco styles and dressy female vocals. the track is comparably as a mixture of kid cuti and the ting tings!

written & produced by regis & ancient methods .... raw & industrial like

fukkk offf is back with a scorching second single from his debut album love me, hate me, kiss me, kill me. more than friends has been the dominating track from the album with its male/female hip hop duet about a sneaky encounter at the club and has been begging for an equally dominating remix package.

uk based joey silvero aka distant people is responsible for many club tunes featuring some of the greatest voices of the house music scene.let it rain is an uplifting female vocal stomper with a massive piano driven groove and annette bowen aka annie vocals on the mic. the project includes remixes by purple musics dario dattis (aka the funk ensemble) for a straighter peaktime jam.

classic female vocal house - oldschool strictly rhythm style us house incl dush & navigators remixes!

big with: joris voorn, marc romboy, brothersvibe, paul woolford, sis, smokin jo, danny howells, wally lopez, dennis ferrer, lee jones, kiki, gorge, kabale & liebe, audiofly, hector romeo, carl cox, arnaud le texier, solomun, karotte, marco resmann, julian chaptal, ramon tapia, livio & roby, osunlade, milton jackson, funk d void, butch, dj hell, chopstick, ben watt, slam, laurent garnier, delete, peter kruder, tiger stripes, affkt, davide squillace, martin eyerer, liapin, jimpster, dj wild, ripperton, anja schneider, fish go deep, agnes, luca bachetti, monika kruse, ... who doesn’t love balearic house? ok, well forget those cheesy parties in ibiza of the early 90’s, as all things can be appreciated when tastefully applied. and that is precisely what schumacher accomplishes with ‘slow’. a slowly building mild balearic groove – not even the slightest bit overbearing, rather inducing a bit of a more subdued hypnotic vibe. chronologically applying a series of effects to the female vocal snippets while shuffling them forward and back against the groove, indicate his ability to use simple effects to create intricate results.

this track has been getting rinsed out by dj ez regularly on his kiss 100 show and out and about in club land. hes had it on an exclusive for about 2 months, and hes sure made use of that honour. its an instant crowd pleaser with its catchy female vocal hook & fat production. kinda like bassline garage meets booty breaks...

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

incl sure shot remixes by thomas schumacher & westbam! 2raumwohnung in top form. this is the second 12 inch taken from their highly acclaimed new album. quality pop!

australias canyons (who you might recognize from their excellent releases on modular, hole in the sky, etc.) are featured for their debut release on the esteemed nyc label. fire eyes takes the a side with its deep disco house rhythms topped off with growling diva vocals, acid synths and all kinds off jungle sounds and percussion. they re definitely taking it there and it sounds huge. dancing on silk is on the flip with more female vocals, this time a lot more playful and sexy, over a warping disco beat complete with dubbed out horn solos and arpeggios. also includes the jaques renault living in the jungle mix of fire eyes that strips down the original while adding tight key stabs and dubby vox for more of a straight forward house groove

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

patrick begins with his techno bomb “tooth n nail”, a track that showcases a heavy detroit influence with smooth synth work reminiscent of productions from robert hood and carl craig. midway through the track, patrick keeps us guessing with a wobbly synth line that adds playfulness to an otherwise straightforward, moody journey. an understated use of serene female whispers throughout gives this tracks techno classicism a fresh sound. next patrick gives us “davinches”, a chugging tech-house track that pairs a deep, buoyant bass line with a tight, resonant kick, giving it a dynamic groove. patricks tight percussion work keeps things moving with its rims, clicks, and ticks set against a spooky, playful melody that energizes and propels the track to its finish. fans of guido schneider won’t want to miss this one! on the flip, nyc’s elon of clink recordings fame, and a newcomer to klectik, takes on remix duties with a minimal techno take on patrick’s “tooth n nail”. elons version is a pulsating, stripped down mind-bender marked by sub-bass and the sporadic clangs of raw machinery — sexy! this remix maintains the smooth character of patricks original in melodic sensibility, but stands on its own via sparse rhythmic patterns resulting in a deeper, moodier treatment.

after the re release on clone and some hot tracks on lets pet puppies another one rescued production of marcus mixx from obscurity! mr mixx featuring project democracys is this dream for real? paired with 3 more of marcus tracks. these rare tracks were only heard mostly in and around chicago during the late 80s. is this dream for real? is a deep and moody chicago house track. deep, infectious bassline with a gorgeous female vocal, the kind of track that makes you instantly say, wtf? simple, timeless, effective. and so are the other three tracks. raw jacking house tracks just as we like it!

support by luciano, sven vath & villalobos !! quick & dirty is a dirty track indeed. a fat bassline accompanied by some irresistible electro-ish groove provide the fierce backbone for this mighty dancefloor bomb! twisted synth sounds and other schizophrenics, supply for the craziness we all love. benin is another killer track with a minimal pace, a housey rhythm and spooky atmospherics, topped up by killer female vocals. ltd repress !!!

support by luciano, sven väth & villalobos !! quick & dirty is a dirty track indeed. a fat bassline accompanied by some irresistible electro-ish groove provide the fierce backbone for this mighty dancefloor bomb! twisted synth sounds and other schizophrenics, supply for the craziness we all love. benin is another killer track with a minimal pace, a housey rhythm and spooky atmospherics, topped up by killer female vocals. ltd repress

banging electrohouse club track with strong and catchy female vocals!!

female vocal house version of galt mcdermots >let the sunshine<

the second release on the newly formed barcelona label they are changing it comes from barcelona based american dj/producer fluen. on this ep fluen gives us a glimpse into his production range delivering an ep that has a clear chicago/ny house influence , but manages to avoid the conga fever that has swept the scene as of late, and at the same time sounds very current. on the a side, things take off with better days, fun and very dancefloor oriented. the second track on the b side, mary says stands out right away thanks to a catchy piano riff and female cut up vocals,reminiscent of old chicago records. on the b side, fluen mixes things up a bit with a song that catches you from the get go. music remains starts very basic, with a dreamy piano line and a kick that lay the foundations for a song that could easily be a hit, simple, beautiful and very dancefloor friendly. the vocals wisely remind us that >people come and go, times do change and allà. but the music remains<. limited edition of 500 units

markus schatz and brett longman brilliant combo delivers on frankie rec their so original deep and bleepy melodic techno à.we start with a1-funky bells phat bleepy house cut with warm weird female voices and heady original atmosphereàon a2-crazy bob is a piece of funky techno with distorded melodic synths àon the flip b1-frau jo with french vocals parts and a mental deep atmosphereàvery inspirated track with beautifull arrangements àsounds a great moment of contemplation àand b2-walking drops more straight techy beats with some jazzy incursions and shuffle cut voices àwell to sum up this ep looks like a great journey indeed!

ncludes the deep house original of ¶voyage,÷ plus a spaced out version that puts the future synths in the forefront over freeform keys and subtle claps. also includes ¶deep talking,÷ feat. coy female vocal loops and a sireny like synth over a throbbing house beat.

now out for real. hot on promo with support from masters at work, miguel migs, and more. a feel good disco house track perfect for the summer with a male vocal, female harmonies and some funky guitar(think tortured soul or brand new heavies). remixed by jon cutler on the flip. 180g vinyl

recording as lord cut-glass, alun woodward, formerly of the delgados, releases his first album since the delgados? ?universal audio? in 2004. extraordinarily ambitious, ?lord cut glass? was written, arranged and in large part performed by woodward, recalling the orchestral grandeur of his former band whilst forging a style of acerbic, sardonic songwriting all of his own. lord cut glass features galloping percussion, waltzes, marches and promenades of male and female harmony: delicate and serene creations punctuated by casual profanity and shot through with brazenly hilarious words-to-the-wise.

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

strong little techhouse number with sweet female vocals!! mixes by andrea bertolini and danilo rossini!

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

nice price deal !!! big room house/ electro/ dance smash. dj meeting hype! incl: tom pulse, stevie mycs, empyre one, extended mixes! the shining sun, the heat ... what you call holiday, is built in this track. nice female vocals, a fat mellow and some remixer like tom pulse

after a break from solo production for his own blueprint label, during which he released a well-received album ( the dash ) on the mighty tresor, and a brace of singles as o/v/r (with regis), james ruskin returns to home-ground with a cracking two-tracker. sabre is a classic ruskin production, booming bottom-end and a mind-mangling filtered fx loop swirling around over the top. deceptively simple production that is definitely greater than the sum of its parts, as all good techno should be. on the flipside, massk follows a similar template, with only 5 or 6 parts throughout the whole track, but the subtle changes in arrangement lure the listener in to the deep and dark world of mr ruskin...

berlin based sonar kollektiv artists trickski with a great double -header: a-side contains a slow sizzling jam with sultry female vocal licks. b-side is a oldschool chicago influenced jacker

second output from the needlight records imprint. this brand nu label has been settled up by cisco and miss chrysalide, 2 well established artists out of the parisian electronic scene.the label will cover a wide spectrum of electronic dance music. nothing but music without boundaries, as you will discover with this project >tribute to< by french female producer miss chrysalide (qalomota records, missive) releasing a dark, sweaty, hypnotic ep

a killer clubby groove from steve marshall û the kind that reminds us of the best indie singles from the late 70s disco years! steve plays alto sax here over a strutting, high stepping rhythm thats got plenty of warm touches û really glowing with a sense of soul thats great, and touched by some female chorus vocals that are very much in a philly mode! the disco mix is great û even more upbeat and extended than the 45 groove. in the country is a great bit of club jazz û smooth and sweet, but still with a snakey flute line in the middle û almost like some lost bobbi humphrey track from her epic years. do what you will is another chorus vocal number û and you are the world features some laidback mellow flute.

advanced excursions into industrial drone & techno music

part of the various production remix series, come another 7inch. various production remixing the majestic buds by pumajaw. starting with a wave of mystery, quality and limited vinyl releases, various survived a bidding war (warp, leaf, domino..) in 2006 to release their first full length on xl/beggars, the world is gone. detailed and highly original scattered beats and dark soundscapes balance out with forgiving female vocals. their work is enriched visually by the iconic art of bonesy, often featuring strange animals and beautiful women in flowing, neutral, yet somehow emotional forms.

james ruskin teams up with karl o connor aka regis to reactivate blueprint records with a deep and dark techno 3-tracker!

release #100 by tresor records, made in 1998, comes with 9 classic techno tunes by artists like christian vogel, regis, pacou, infiniti, heiko laux, blake baxter and more.

ultra cool marcel dettmann and regis edits

new female sensation from uk...more than a girls bans...more than a soul trio...more than a crazy electro production: high level remixes by mono, pink is punk, jody den broeder!

with the first circle music compilation, >the world of circle< the label presented itself as a community of artists, as a family, that proclaimed continuous movement, pure power and brilliant soundscapes in various styles which have these three attributes in common. with the new circle compilation >the mechanic side of nature<, now released as compilation ep series, the dualism of nature and life is represented in the mechanic character of electronic music art. by that it is possible to give the issue of circle music the face of its music: reflecting life consequently with electronic music and digital sound poems in all its facets. on the third part alex flatner & sascha barth, anderson noise, si o’,connor vs. sykes & jake and marc vision & franco lemon are presenting their tracks

big with pig & dan, lucas stern, joseph capriati, matt star, guy gerber, etc.. red is the colors of the hair..red is the artwork... red is the fresh flash!! 3 tracks for the new unpolite records from female side of the label. one of the most famous italian woman dj make 3 real intelligent bombs. >stop< is dark its minimal, >fresh< its absolutely the hit for the dancefloor... >one way< its the welcome to the dj reds world. a serious and cool release...