a collection of 15 tracks from the prodigy on silver coloured double 12 inch vinyl, including download code.

three modern cuts created from a new swedish duo, mount liberation unlimited. the duo have a long heritage in the swedish indie-pop scene but have now taken it further. with a lot of inspiration from techno and house have the appearence become something between indiepop and house, with a great body of analogue expression. junk yard connections is super happy to give out this lovely debut ep!

losers can win is the first ep from electro-pop superband starwalker, comprised of frenchman jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang). starwalker is a brand new collaboration between two electro-pop icons: jean-benoit dunckel (air) and icelandic composer bardi johannsson (bang gang, lady & bird). the title starwalker - suitably spatial and curious - is an umbrella term for the duo s new works together. included in this blossoming canon is the debut ep including singles bad weather and losers can win , a celestial song featuring the vocals of keren ann

i see sunrise ep comprises 3 blazing versions with vocals by bryan chambers who has been storming the pop and club charts for the best part of a decade making smash hits with well respected artists. let s bring light to the summer season of 2014!

a special dj double pack from emotional rescue brings together a collection of razormaid remixes, plus unreleased originals, of two projects from georg kajanus, the founder of 70s pop group, sailor and 80s synth poppers, data. with a career spanning late 60s psychedelic folk-rock in eclection, through to chart success as a member of 70s pop group, sailor, before embracing the synthesised sound of early 80s new wave and synth pop via the excellent data, georg kajunas music has covered a lot of ground.

repress 2023 , mexico: a hugely satisfying follow-up to past exploits and another step into the future of anthemic pop music.

in 1988 krs one made the poignant declaration of never trusting a big butt and a smile on boogie down productions song *jimmy*. truer words have never been spoken. fast forward 2 years later, bell biv devoe are smashing the charts (urban to pop) with their debut single *poison*, and in taking krss words of wisdom the exact phrase - never trusting a big butt and a smile has a major part of the chorus. the world over was singing it.

bryan jones & hugh cleal unleash their new label with a peak time deep track, a bit funk remix with a huge bassline & new elements that take the track to a new level, + 2 super dirty ghetto tech inspired tracks that stretch their range. pic sleeve.

nachdem das letztjährige jagwar ma-album -howlin- dance- und indie-pop-freunde gleichsam in seinen bann zog und die musikpresse in dem werk die direkte nachfolge zu primal screams -screamadelica- sah, ist nun die zeit reif für die -the time and space machine dub sessions-. beeinflusst von dub und krautrock hat sich richard norris (the grid) an die regler gesetzt und einige der schlüssel-tracks des albums nochmals radikal überarbeitet. jagwar ma spielen die beiden festivals melt! und dockville und werden dabei erstmals auf hiesigen bühnen ihre musik vorstellen.

english synth pop group gets a wicked disco re-work from ilo released on pleasure international exports from iceland. highly sought after, rare white label. now is your chance to grab this without it costing you 100dollar. 1-sided hand stamped white label. gonna be big. almost sold out already!

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

experimental electronica pop

after ipoly mates bracing ignition worlds are colliding on ipoly mate 002, just as alec troniq loves it. strong voices and discreet acoustic instruments meet electronic grooves. electronica hits rock music, pop strikes tech house. alec involves rock, jazz and pop musicians here.

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.

the ep finds jeremy mining the depths of bass music, synth pop, ambient hip-hop, and everything in between.

even though the only commonly known avant-pop/pseudo-world/cultural-rave outcome from lithuania exists for more than 15 years, which is, for a lithuanian band - a lot, it seems this machine will never stop from moving forward, to the contrary - the legendary avant-project spins in its own unstoppable wheel of fortune and change.

das debütalbum der belgischen indie pop-band

following up to their much applauded international debut save the youth, denmarks answer to warpaint,giana factory, return with their second album lemon moon this spring 2014. fronted by louise foo (sister of sharin of the raveonettes) and flanked by lisbet fritze (who also plays guitar in the trentemoller band) and sofie johanne, giana factory specialize in a wonderful kind of iced pop, beautiful songwriting with a lot of depth and diy attitude punch.

as liron himself says:>realitivity is my road to finding a new and fresh sound. a sound for which i found a lot of inspiration in my personal musical history of deejaying and buying records over the last 20 years. the album is just as much a journey, as it is a destination from which to move on to the next one, as i look to develop my music whilst not repeating myself.<

self release from the artist formally known as inga copeland. pop length songs, instrumentals & abstractions. to the point and powerful. featuring a co-production with actress. an excellent record thats swept us off our feet! limited copies... tip!

der erfrischende psychedelic-pop des gleichnamigen django django debütalbums wurde 2012 direkt für den mercury prize nominiert und in den weltweiten jahresbestenlisten abgefeiert (musikexpress #1, nme top 10, us-rolling stone top 30). nun stellt die band ihre persönliche afterhours-session zusammen, in der sie zeitlose perlen aus den plattensammlungen ihrer eltern (roy davis jr, nilsson, james last) mit hip hop und modernen bass-sounds von heute (ramadanman, tnght aka hudson mohawke & lunice, outkast) mischen, ohne dabei ihre einflüsse von sonnengetränktem sixties-pop (beach boys, seals & crofts) zu vergessen. als exklusives bonbon steuern django django zudem eine eigene coverversion des *porpoise song* von the monkees bei. und wie üblich beendet eine exklusive gutenacht-geschichte jedes set, diesmal erzählt von topdarsteller benedict cumberbatch, bekannt aus filmhighlights wie *12 years a slave*, *star trek* oder *the hobbit*

syracuse is back with two psychedelic songs, released on a 7 inch. a side is a dreamy pop song written & sung by isabelle. she delivers the first proper love song on the antinote label! b side is a killer synth groove ufo, that will fits perfectly with your summer romance.

we were evergreen are a celebration of life’s messy magic: their world is beautiful and deep, happy the trio of fabienne, william and michael are originally french, settling in london to pursue their music four years ago, a literal movement that’s been hugely influential on their fusion of the french lyrical tradition sung in english, married to a very anglo-pop sensibility.

tori amos gilt als rätselhaft, bizarr und voller leidenschaft. in den letzten 20 jahren ist sie zur kultfigur aufgestiegen und hat den ruf erlangt, eine der versiertesten künstlerinnen und songschreiberinnen zu sein. jetzt erscheint ihr 14. studioalbum unrepentant geraldines. nach einer serie mehr klassisch inspirierter und innovativer musikalischer ausflüge in den letzten fünf jahren, offenbart unrepentant geraldines die rückkehr zu ihrer ursprünglichen identität als schöpferin zeitgenössischer songs von außergewöhnlicher schönheit. diese werden mit großartigem bandsound zum leben erweckt und bringen tori amos genau zu dem singer/songwirter pop zurück, mit dem sie mehr als 12 mio alben verkauft hat und weltweite charterfolge feiern konnte. es ist auf gewisse weise eines der spannendsten comebacks des jahres - wenn tori amos auch nicht wirklich fort war, so hat sie doch andere pfade beschritten - und man wird davon beeindruckt, wie gut dieses neue popalbum klingt

after last years album *love & devotion* the husband and wife duo of mike paradinas and lara rix-martin follow up with *weird drift*. the album shows just how much their ability to write confident and thoughtful pop songs has developed, while still being able to retain the sleepy cushion of steamy synth pop that made the first record so rewarding to listen to. this time album features the vocals of a vezelay, a.k.a. french singer and producer matthieu le berre, who brings a gentle poised falsetto to the duos productions along with a delicate but hopeful angst. the vinyl lp comes with download code for the full album.

an leidenschaft und ideen mangelte es ihm ohnehin noch nie, denn schon immer war douglas greed ein getriebener, der es nicht lang auf nur einem fleck der musikalischen landkarte aushielt. mit seiner speziellen sozialisation zwischen hiphop jams, drum n bass-partys, den dunklen weggabelungen des pop a la joy division, depeche mode oder radiohead hat er als produzent und live-act in den vergangenen jahren immer auch ein stueck weit außerhalb des klassischen techno- und house rahmens gedacht. die ergebnisse dieser stets auch die stunden abseits des floors mit einbeziehenden denkprozesse zeigten sich bislang etwa auf seinem debütalbum krl (freude am tanzen)sowie singles für labels wie infine, acker oder gigolo

balearica brings the quality yet again with another stunning selection of unearthed eclectic gems. first up is one of the the all-time balearic/cosmic classics, the highly sought-after *i love you dancer* from french disco group voyage, a wonderfully funky floor-filling paean to fancy dancers and sweet romancers - total killer! followed by the dreamy instrumental version of italian crooner vasco rossis *una splendida giornata*, a beautiful sweeping slo-mo chugger. another instrumental opens the b-side, this time fonda raes in-demand dub of *heobah* with its relentless tripped-out synth groove. and lastly we have michael cretus little-known cosmic delight *flying to heaven*, a glorious slice of laid-back pop paradise hidden away on the b-side of a super-rare 1978 italian 12 inch. essential collection for lovers of the balearic sound.

limited edition on black 180 gram vinyl, including cd-version of the album and poster.
following the release of their collaborative ep, chasing honeybees, in february, uk producer stumbleine (aka peter cooper) and welsh vocalist/songwriter violet skies deliver their first full-length album, dissolver. in dissolver, the duo continues to explore the fusion of stumbleines electronic beats and dreamy, shoegaze guitars with violet skies soulful pop / rnb vocals.

>its killing!< nile rodgers a five track masterpiece of pure 8os influenced pop/funk/boogie from new york. mastered by herb powers (sade, eric b. & rakim, sharon redd, evelyn champagne king etc.)

vocal driven electronica, pop sensibilities and a touch of melancholia is a tried and tested recipe of silence music cuisine.

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts who are living half a world away from their birthplaces. their concept is a play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but retain their memories. for the first release, the homesick team have curated three pieces by drop out orchestra, late nite tuff guy, zimmer, and amadei. doo have carefully reworked -no scrubs- into a warm, bass driven, disco jam suited for the dancefloor, alntg has provided a solid groove theory lesson as only he can, and the ep is rounded-off with a special (double) bonus track for all the people who love 80s-era french pop music, reworked by zimmer and the asia-based newcomer amadei.

emotional rescue is delighted to announce bringing together two classic suicide songs reinterpreted by avant-garde pop auteur angel corpus christi. recorded as part of angel s personal take on the downtown nyc scene, this release brings her cover versions of this cult band on one dedicated release for the first time. singer, songwriter and accordionist, angel corpus christi has carved out a niche all her own, releasing 5 albums and numerous singles that hightlight her oft-nonchalant musings over off kilter production and a post-punk-pop aesthetic

david hasert and ada with two blissed-out slices of melancholic, pop-infused house. incl dj koze and matt karmil rmxs

ejecta ist das neu projekt von leanne macomber (aka neon indian) und joel ford, der mit daniel lopatin (oneothrix point never) das duo games bildete. die 10 ejecta songs verbinden elektronischen dream-pop frueher 4ad-releases von cocteau twins oder this mortal coil mit der disco-coolness eines kavinsky oder der chromatics. limitiertes lp-format.

rumpelmusig, das neue label von rumpelmeister kalabrese, geht in die nächste runde und macht da weiter, wo es mit dem kalabrese longplayer independent dancer aufgehört hat. hello asshole kommt mit knusprig-swingendem groove daher, der fast schon ein breakbeat ist und es rauscht vorzüglich im sounddesign. das kafi-lied auf der b-seite ist eine liebeserklärung an das kaffeetrinken, sich zeit nehmen am morgen und mit einer moody stimmung in den tag starten. sarah palin, die sängerin des rumpelorchesters, verleiht dem song mit ihrer stimme die kraft, um über allem zu strahlen und um sich gleich am morgen leidenschaftlich in den tag zu stürzen und zu verlieben. dance pop vom allerfeinsten!

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

deluxe 5x 10inch! edition with 10 single tracks for the first time released together on an exclusive 10inch format which is a wink to the 10years anniversary of ed banger we celebrated last year.

bet.e & stef eroberten mit ihrem pop meets jazz, bossa-nova und latin stylings das publikum im sturm, und auch das nicola conte dubstrumental von triste ist ganz großes kino und ein echter gewinner, der perfekte old school / nu school house-vibe. support von moodymann, gilles peterson, rainer trueby, u.v.a.! erste 10inch auf compost black label!

premium quality vinyl reissue of the highly collectible promo-only 12 inch *i, i, i* by unlikely balearic heroes the osmonds. first released in 1979, this fruitful collaboration between the proto-boyband and legendary pop-disco producer maurice gibb is a wonderful slab of chugging syncopated cosmic disco rock topped off with lush string arrangements which despite being criminally overlooked at the time of its original release, has recently garnered much favour with balearic aficionados. also surprisingly good is the flipsides *you re mine*, a more live sounding affair, coming across like steely dan met chicago at studio 54 and hit the studio on the way home. dont miss!

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

mario weise aka marlow ist definitiv kein newcomer mehr in dieser szene. er veröffentlichte bereits eine palette cluborientierter tanzmusik seit 1994. während der vergangenen 20 jahre bezauberte uns marlow mit releases auf prestigebehafteten deutschen labels, wie dem leipziger moon harbour recordings, dem berliner label konsequenz oder dem hamburger room with a view, um nur ein paar zu nennen. jetzt ist es an der zeit die karten neu zu mischen und marlow bei sonar kollektiv willkommen zu heißen. nach seinem remix für das kürzlich erschienene *re-set* von alex barck feat. pete josef, präsentiert er nun seinen ersten richtigen release auf dem berliner label. *backroom* ist ein verspieltes, bassgesteuertes sing-along im gewand von leichtfüßigem pop/house, was eher auf der heimischen anlage oder dem ipad erklingen wird und definitiv grenzüberschreitend die funkhäuser okkupiert. die b-seite beinhaltet einen weiteren herausragenden track, der den myteriösen namen *l4l (vertigo)* trägt.

two years after the release of her groundbreaking lp din, fay re emerges with her new exhilarating new masterwork deathwatch. treading many of the signature avant-pop and rough-and-tumble r&b tropes first heard on din, deathwatch expands the sonic palette pushing elements of drone, no wave/post-punk, and dub higher into the mix.

esoteric, kraut-inspired electronic pop from hamburg based duo, with an extended club remix from label co-founder ed davenport in electronic disco mode. originating from the gloriously inter-tangled scene between hamburg and berlin, circuit diagram are a live act and production duo fusing hypnotic psychedelic and krautrock tendencies with live drums and electronics

nach dem debuetalbum yes is more (2009) und remixes für röyksopp, radio slave & andrew weatherall präsentiert der londoner pop-elektroniker danton eeprom sein zweites album als hybriden aus leftfield-pop, detroit techno & chicago house, der zwischen catchy synth-pop (biscotto & chimpanzee), lasziven hiphop (hex tape), roxy music-charme (never ask, never tell), late-nite-house-sleaze (femdom, hungry for more) und kroenender eleganz (all eyes on me) variiert.

tensnake, love sublime taken from tensnakes upcoming debut album glow, released march 10th, love sublime is a delicious slice of disco pop adorned with the beguiling vocals of fiora and the irresistible and unique guitar riffs of the legendary nile rodgers.

nach touren mit everything everything, anna calvi und slow club veröffentlicht das dream-pop-quartett babe aus glasgow und bordeaux, zu dem u.a. auch gerard black von francois and the atlas mountains gehört, sein debütalbum auf moshi moshi. auf *volery flighty*, das physisch nur auf vinyl erscheint, paaren sich kammerpop-sensibilitäten mit sanften elektronischen strukturen. on backing vocals mit dabei ist auch ex-mitglied und aktuelle chvrches-frontfrau lauren mayberry.

yumi zouma sind freunde aus neuseeland, die in new york und paris leben. ihre musik ist stylish, spielerisch und intuitiver electro-pop vom feinsten. leichte gitarren noten sitzen auf programmierten drums und bilden das gerüst für die sanften und suchenden vocals. die vier songs auf yumi zoumas ep sind zeitlich und auf anhieb sympathisch. das 10 inch vinyl erscheint inklusive download-code.

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

if you ever have been seeking of tracks with a heart for pop music, the groove of house music and the humour of two guys who dont take anything serious but dance music you dont have to search any further - bottich (german for tub) is what you are looking for. a justin timberlake duo for the big-hearted, a groove machine for the lame and a couple of future hits for the karaoke machine