after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length . no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artists home label elusive on limited 2x12 inch vinyl, cd , cassette and digital. this album is another peek into slavaki s ever-expanding chest of musical treasures that never seems to fail to surpris

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

die fans im londoner hammersmith odeon ahnten nicht was passieren sollte, als sie gespannt auf ihr idol bowie aka ziggy stardust warteten. es sollte die letzte show der person ziggy stardust sein. ein furioses set mit allen hymnen aus bowie’s damaligen schaffens dokumentiert die großartigen live-qualitäten von ziggy und den spiders from mars. vor dem letzten song läutet bowie den “bühnentod” von ziggy stardust mit den worten ein: “of all the shows on this tour, this particular show will remain with us the longest, because not only is it the last show of the tour, but it s the last show that we ll ever do. thank you.”

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

fresh white label dbl header with massive disco action

ian pooley revisits his beloved 1998 lp meridian with 4 brand new remixes accompanying the much-demanded arrival of the original lp in digital formats for the first time. belfast house stars bicep apply their remix magic for the a1 cut, streamlining the pooley classic cold wait into a chunky uk house thumper which has already proven a winner in their sets, while white label boss oskar offermann delivers a subtle, grooving uk garage-inspired take on hit n run. the b side finds two alternate takes on whats your number by pooledmusic family member mathias show-b schober, whose remixes manifest themselves in a starry-eyed version that elevates the originals melancholic side, plus a stripped back beats n fx tool.

blue vinyl 12 inch + cassette + booklet + mp3 download card

punchy full range techno set in best viennese tradition

• extra strong 6 tracker from super secretive dutch producer xxx
• a new surface related label from boss nick dunton aka 65d mavericks / ever vivid and charlton ravenberg aka tapirus
• limited to 300 hand-stamped white labels

the new studio 14 release white series remixes is a vinyl that collects four of the most talented artist in electronic music delving into tracks from david att forthcoming st14.000 remixes.giorgio gigli, roberto bosco , unbalance & dars and remixes emerge as brilliant and emotional diferent versions of the original tracks. a mix of experience and youth, from the deepest sounds, to the classic detroit sound, different versions that make this release, a brilliant release.

nice price deal !!! bld makes a short break for the extended versions series and presents sour cream ep. 3 heavy duty analogue and nasty acid cuts that won t appear on cassette and will be only available on wax. white label hand-stamped vinyl only release that includes an a4 card board insert designed by planet luke aka luca lozano. limited copies!

innocent music presents their seventh vinyl only release called vinyl only tools vol.4! this time our label boss aney f. invites white brothers, matt time, rickzor & rumme!

leo james delivers salvation, his third installment in an ongoing series of 12&#8243,,s that sees him exploring a single conceptual theme across both sides of a record. salvation (part 1) burns slowly, a hybrid of industrial and balearic beat. salvation (part 2) builds on a relentless, monotone bass line. metal percussion enveloped in swirling reverb interplays with programmed congas and white noise. support from jamie tiller, soft rocks and suzanne kraft.

die r&b/soul-legende andre “mr rhythm” williams veröffentlicht mit “i wanna go back to detroit city” sein langerwartetes neues studioalbum. der 79-jährige amerikaner kann auf eine beachtliche karriere zurückblicken, williams, mittlerweile 79 jahre alt, ist seit den 50er jahren im musikgeschäft aktiv. er schrieb songs für u.a. parliament, funkadelic, stevie wonder, produzierte ike turner und managte soul-star edwin starr. er veröffentlichte alben und singles bei fortune records, epic, chess records und seit ende der 90er jahre auf bloodshot records. auf seinem fünften album für bloodshot liefert uns andre williams einen gelungenen potpourri aus psychedelic soul, r&b und blues. mit an bord sind u.a. dennis coffey (funk brothers), matthew smith (outrageous cherry, rodriguez), dan kroha (gories, demolition doll rods) und jim white (dirty three, cat power).
das album erscheint auf 180 gramm vinyl inklusive downloadcode.

london 2016, the rebirth of underground soulful disco keeps unfolding with more power than ever before, and los charly s orchestra stay firm and loyal to their authenticity after almost a decade its beginning. lco gets together with old friend, lead singer, vocal arranger andre espeut in order to produce their latest soulful-disco conveyor which is due to drop on the online shops as well as record stores under the name of -sunshine- beginning of june. following the earth wind & fire vibe from lco s previous single: -all around the world- and also paying tribute to disco/soul legend: maurice white who unfortunately joined the list of -departed music legends- quite recently, here it comes this brand new release. credits: vocals: andre espeut keys: milt mavrakakis guitar: raphael dephino bass: matheus nova drums: juan laya percussion: alejandro martinez strings: mr martin smith horns: eikel venegas production: juan laya & jorge montiel

der jüngste zuwachs im kreise der heavenly recordings-familie, amber arcades, verkündet den release ihres debütalbums “fading lines”, das am 03.06.2016 erscheinen wird. annelotte de graaf, so der bürgerliche name der niederländischen künstlerin, nahm die stücke für ihr erstlingswerk zusammen mit produzent ben greenberg (the men, beach fossils, destruction unit) in den strange weather studios in new york auf.
die lp erscheint auf grünem vinyl inklusive downloadcode.

favorite recordings presents this new official album reissue of shine the light of love by googie & tom coppola: a beautiful soul album sublimely produced with a sweet la groove! thomas wilkinson coppola (aka tom coppola) is a pianist and arranger, known for being a principal member of the funky prog-jazz group air (not to be confused with the french duo). he began working as a musician in manhattan in the 1960s, where he met carolyn brooks (aka googie coppola). if they only released one self-titled album with air in 1970, and shine the light of love as a duo in 1980, these two amazing talents have collaborated with artists such as herbie mann, lenny white, flora purim, ray barreto or jeremy steig to name just a few.

according to white material pair galcher lustwerk and alvin aronson, their first collaborative album under the studio ost alias contains a mix of breezy electro, aquatic dub, high speed jit, and shimmering atmospherics. while clearly tongue-in-cheek, it s a fairly accurate description. certainly, there s a fluidity, moodiness and palpable sense of atmosphere at the heart of scenes, which casually drifts between hard-edged club workouts, hazy post-club fare and dreamy, horizontal experiments. it was apparently recorded over a three-year period, during jam sessions at various new york studios. its the spontaneous aspect of its creation that has the biggest effect, and makes the whole thing feel like fleeting snapshots of moments in time.

introducing broken dreams, a new series of white label releases on rotterdam based pinkman label. first up is metropolis, who returns with four wave, electro and body music hybrids. a quartet of tracks that draw on lapien s diverse catalogue, this is undoubtedly some of his darkest music to date. acid, new beat and post-punk influences bubble and churn throughout. crisp beats crash, strings lament, vocals sigh and synth stabs squirm for an ep that refuses to conform to norms. a hoarse and harsh cry to open a new pinkman chapter.

hand-stamped white label business featuring 4 hot italo-via-wbmx style edits from chicago’s chrissy featuring webboes “under the wear-, an often overlooked album cut from lime, “extrasensory perception-, black star and a top secret mystery track!

rheintime releases 001 (white vinyl), 002 (grey marbled vinyl) & 003 (translucent red vinyl) plus impulse music 001 all bundled up for a special price!

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first 100 copies of each release are pressed in coloured vinyls. this release is individually 500 hand-numbered limited edition. the first 100 copies are pressed on white vinyls (lp ar007).

due to its 10th anniversary, kittball records presents a limited white vinyl series throughout the year 2015, as a special edition in four parts reflecting its most successful tracks within the past quarters.

stamped white label 10 inch, limited to 250 copies. the starter before the main course.

ahead of the release of his much anticipated second album on no.19 music, legendary canadian dj, vocalist and producer kenny glasgow serves up a scintillating single from it. the album comes seven years after glasgow’s last legendary lp, a taste of the low life, and in that time he has found global fame both as a solo producer and part of art department with jonny white. someone known for his beguiling vocal work and stripped back, slick and metallic tech house style, this limited, vinyl-only single is a truly mouth watering taste of the excellent full length album, circus tales, that is to come in summer.

following big releases on circus company and lph white in 2015, borrowed identity continues the good form with his first release of 2016, the amplified house ep on ben sims hardgroove imprint.

alex aq constructed “don’t break” and “shake it” as a reflection of the sounds heard at the club. pounding drums, rhythmic, scattered synths, white noise, and choice vocal snips that send you into a trance are the core characteristics of both tracks created by the cubanmeister.
on the flip, myles serge of knotweed records and his own label (ms) remixes “don’t break it”, taking it in a trippy direction, with 808 drums and dreamy stabs that sound fresher than ever.
last but not least, lpz’s own techno duo p. lopez & octavio take “shake it” and turn it into a techno monster consisting of heavy stabs and an undeniable groove.

ltd repress , luv*jam presents al zanders with his ltd edition limb valley ep 10 inch blind jacks journey. dream off white label with mysterious yetti hand stamp.

the 320kb rmx ep is the first release on desiderare. a vinyl label dedicated to special recordings, remixes, forgotten idea s and everything in-between. the first in this series gives 4 carefully selected remixes of tracks originally released on the very sought after italian label 320kb music. heavy support from the best in the business and as always tommy delivers the goods with his unique style, the ep deserves a space in your record box!

shall not fade kick off their white label series with a four track v/a featuring: aries (an alias of one of their previous release artists), lk, steven be calm & deejay astral. the four track ep, in one word is merry, tracks to be played at 5am as the night is starting to wind down. the ep consists of edits from some of the shall not fade rosters favourite tracks, straight white label business.

initial white label copies, inga copeland & john t. gast back on the bone - this time its for a 7inch of 3d pop/dub bliss backed with a weighty stepping version. tipped.

the „continuum 1991-1998“ white label series brings back the euphoria of the early days and remind us what techno sounded like before dogmatic blueprints, taking us into claustrophobic basements where boundaries were broken up in blinding flashes of strobe light.
future9192 offer the hysteria of rave culture in it’s rawest form, taking us from violently distorted 303s and uplifting pads in „plutronick“, industrial soundscapes and pulsating synths in „house of snax“, to „rhythm of slime“’s raging ebm-chords and stomping kicks, only to close with the epic „murder someone“, a hypnotic, bell-driven monster utilizing a droning „amen“-break as percussion.

white coloured vinyl, brilliant 80s inspired disco four track vinyl

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length. no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artist’s home label elusive at the beginning of 2016 on limited 2x12 inch vinyl. this album is another peek into slavakis ever-expanding chest of musical treasures that never seems to fail to surprise.

second release of dancing like quagmire, italian white label (vinyl only) born to make people dance shouting“giggity giggity go”!!! this second chapter is born to rock the house with three original tracks from bolognese jackie plus whistling and addictive remix from “the kaizer” kai alcé.the title track “natural” is ispired by ‘90s italian house with voyaging atmospheres on irresistible snares drums, a2 “honestly” represented a continous and goes more deep and straight to move the dancefloor, while on the bsideyou can find kai alcé’s distinctive touch on “natural” vibes where the unmistakable flote bring soul overan undying chicago house groove. “glimmer” on b2 side close the ep with positive and quite melodies.

ltd edition white vinyl pressing 300 copies only.
james barnsley makes a return to his vessel records imprint with two rhythmic numbers joined by laura jones and nightdrivers on remix duties. entering its fourth release, vessel records has seen a healthy launch with dj honesty, dj w!ld and label founder james barnsley kick-starting the discography. cutting his teeth at basics, where he spun records alongside the likes of chez damier, delano smith and josh wink, barnsley has long since built a reputation as a respectable name within the dj booth but it s his appearances on get physical, murmur and overall music that have placed him on the map as a reputable producer.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

reissue / repress , the artwork is presented in its original form, a gatefold sleeve with those typical 80s styled black & white pictures of michael, badder than ever!

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards the nothing special label.

label head marc romboy returns with this full remix package of his iceland series. you can find four different remixes of each track by the likes of audiojack, dosem, agents of time and alex niggemann, all producers know how to create a club tune. this 12inch comes once again along with a wonderful looking white vinyl, which is of course strictly

despite building their careers out of strikingly different musical places, both dbridge and radioactive man have taken influence from the field in which each other operate. dbridge (darren white) was part of the iconic drum & bass outfit bad company and he helms one of the scene’s most solid and quality imprints in exit records and radioactive man (keith tenniswood) was born from the acid house scene and the off kilter electronics of his two lone swordsman projects (alongside andrew weatherall) which led him to create his decidedly uk take on drexciyan electro. it’s by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they’ve also found a mutual respect and connection in the studio over the last few years, leading to the dbrm moniker for craig richards’ the nothing special label.

lack of depth returns to resopal with his 12“ follow up that continues to push gently outward against the boundaries of house music. although with a somehow decent melancholic note, the five deep and reduced tracks are drifting like clouds on a summer day. spindly arpeggios and quiet chords bounce against restrained drums. lack of depth sets hand drums and wood blocks against a limber house pattern while birdcalls and choirs punctuate the music with jubilant outbursts. coloured vinyl

the first 3 mono releases all bundled up for one special price!

after nearly a year of studio silence, and 9 releases under their belt the painfully anonymous dj / production trio italojohnson finally reveal that they are in fact the ghostbusters. to mark the anniversary of their 10th release they ve decided to amp up their usual white labels to black. who you gonna call?

seven years and five volumes of treats down the line, retreat flips the script in 2016 and introduces a brand new remix series (cheekily) entitled re-treats! with nebraska, session victim and quarion reworking stables fromthe rtr back catalogue, re-treats vol.1 is a brilliant showcase of the art of the remix as each artist comes up with a truly personal take on the original material

dave harringtons long-standing musical career is impressive and varied, yet the new york-native has never released an album of his own work. today, harrington is pleased to announce his first solo endeavor, dave harrington group, and the release of his debut album, become alive, which will be released april 15th on other people.

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

office recordings introduces trux with office 07, an extended ep tinged in a smokey blue hue of low-fidelity candour and aberrant compositions. blankets of white noise and distortion, lap over renditions of hazey house, stripped synth arrangements, jungle breaks, and queer patterns.