the prolific lord of the isles (aka scotlands neil mcdonald) has had a string of stunning 12 inches over the past few years on labels such as permanent vacation, unthank, shevchenko, mule and of course his four track > year of the city ep< on phonica, which was widely acclaimed upon its release in 2012. this time loti presents two long-form tracks, each a mini-masterpiece in itself. the 10 minute plus >greane< bursts into life after an intro of kicks and white noise hi-hats. it continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. truly original stuff! on the flip, a swirl of synthetic strings introduces ‘gigha’, in a manner that brings to mind rhythm is rhythm’s legendary ‘kao-tic harmony’, before the drums and infectious acid-line join in. over the 8 minutes they continue to interweave and play off each other to dazzling effect. artwork by jack featherstone, the designer of a number of sleeves for border community (including the highly praised campaign behind james holden’s ‘the inheritors’, its singles and live visuals), electric minds, warm and of course, phonica.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.

frozen border turns violent with this massive, industrial-noise ep by mysterious artist oxcure. acoustic claustrophobia while drowning in dark metal sounds and a powerful heavy bass remix by violet poison.

raucous, volatile, crackling brilliance from north japan, testing the monster-infested electric fencing between techno and noise. plus some witching, spasming, dancefloor eomac to polish you off.

scaled to fit is the debut ep from london s shift work. four tracks plus four interludes. machine music for hypno dance floors and home listening tranceouts. live shows forthcoming. in their own words: shift work wring everyday sounds into something you can dance to. snippets of woven speech, audio fragments stitched with waves of pulsing mid-priced synths - the noise of syncopation, cheap art, ringing ears, cracked snares, accidents and oscillations. and some very tidy wiring.

richard burkinshaw and james rial aka audiojack have been at the forefront of underground electronic music for nearly a decade now with the duo dropping their first full length ep on 2020vision in 2006, entitled white noise. here the duo return to the label with a fresh single, following recent output which saw them collaborate with lcd soundsystem’s nancy whang for a single on gomma, and a string of material and remixes on their hugely successful gruuv imprint.

formed in opposition to the media identity schizophrenia of the present, thought broadcast thrive upon the post-punk tactics of forgery and radical anonymity. *votive zero* is the second release on editions mego from this mysteriously coded american outfit. emerging from the us noise/punk background thought broadcast further trace a unique path with nine carefully considered obfuscations of rhythm and blurred takes on expressionism.

with their cinematic music and john carpenters cover albums, we wondered when a real soundtrack by zombie zombie is going to be out? well, here it is now , the two zombies cosmic neman and etienne jaumet finally sign their first film music for the first feature film from director , narimane mari, loubia hamra (bloody beans), to be released in spring 2014. and we found them there, where we do not expect, because it s not a horror movie, but a free movie, a journey of a group of children from a district of algiers during the war of algeria, who becomes aware of life and death.director narimane mari talks about her experience with zombie zombie and creation of the soundtrack for her movie:-i really wanted the music to be as blood flow of images and that is what it is. sharp, dull, full of strange noises, inner or surging, harmonious or disturbed by noise disorder, which allows to read beyond the visual narrative. we are in the bowels of childhood and it shakes us up when we let our-selves be takeover by the living: the profusion. i didn’t want to make a movie where psychology and reason rule and dominate until our senses are weakened, but a movie that we experience with the body and it is them who made it possible, this total immersion.

a electro classic, highly recommended for fans of new order, the human league, orchestral manoeuvres in the dark, yello, the art of noise.

back in february 2013, shortly after their impressive first release as a label, music is love launched a double va entitled lovebox: an 8 track double-vinyl release that included tracks from 8 talented up-and-coming producers on their roster. by innovatively previewing the producers in this way, the label laid the foundations for what listeners could expect for each artists subsequent eps. the artists who released on it were not hyped up flavours of the month, but rather emerging talents who sat perfectly with the labels musical ethos - quality and original underground house with a contemporary, dynamic feel. since the va, the label have gone from strength to strength and have firmly established themselves as one of the most brightest house labels around in the uk.

japan is the third release from the key ar:st dominant at parallel pain records. four tracks with the highest quality sounds, textures and rhythms where dub noise predominates in a constant :meless groove. two new faces at the record label complete the ep in a flawless remix format, they are analog people and ismael serrano. this record is an indispensable ep for any occasion and cannot be missing from your dj-�set.

• limited 300 pressing on clear yellow vinyl, including downloadcode.
first ever reissue of acclaimed 1986 ep from live skull - the band that defined nyc noise rock with swans & sonic youth. includes free download of 6 unreleased tracks and 24-page booklet with rare pics and extensive liner notes by band members tom paine & mark c.

380g deluxe sleeve incl. cd, download & postcard. limited edition of 333 copies worldwide

infinity ist yann tiersens nachfolgealbum des 2011er werks skyline, das von mojo -life affirming- genannt wurde, vom rolling stone -schön und abenteuerlich, voll von ungewöhnlichen, schwirrenden klängen, aufgehenden sonnen und dunklen wäldern, noise-gebirgen, unterwasser-sounds und psychedelisch wabernden stimmen-, während piranha -fasziniert- war von -seinen geheimnisvollen melodien-.
die doppel-lp erscheint inklusive download-code und booklet.

lets go 180/190 hardtek peur bleue style.. 4 superb progressives, non acid, industrial (very) hard techno, bring the noise and bring the cool dj friendly tool for a confortable mix and a true peur bleue experience! thanks to ireland and its blue clover!

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

the nixwax white label series continues our commitment to global warming by releasing limited slices of petrochemicals imprinted with noise. the a-side takes no nonsense and gets straight down to business with a catchy vocal hook and a powerful bassline that demonstrates nisse nilsons ability to fill a dancefloor and keep the punters hungry. on the flip-side, ojsmooth filters the elements of the track to their most arresting while keeping the warmth of the bassline front and centre. classic ojsmooth: all juice, no bits.

chesslo junior comes to kelpes drut recordings for his first ever vinyl release – a 6 track ep of house tempo jams and avant garde beat sculptures: long hum. with previous releases on wotnot as well as numerous self released hip hop bootlegs, chesslo becomes the first artist other than kelpe to release on his fledgeling label

nice price deal !!! retro-ist techno sounds ringing with dub! the label says: lot.te is mehmet irdel, a turkish-born artist who has been a friend of the bunker for a long time. hes currently based in brooklyn, where he co-runs rote productions, a company that releases music, graphic works, video compositions, and photography, and takes a strong stance against the concept of intellectual property. irdels early work consisted of soundscapes, noise, and power electronics

kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album

• follow up release to last year s side project by uk producer shifted
• full colour mira jacket design from silent servant...
revealed last year as a side project by uk producer shifted, covered in sand now returns with a new ep: crescent shaped scars will be released on the sister label of his own avian imprint mira, which serves as an outlet for the more experimental and duskier side of electronic music. the release features three abrasive noise workouts. thud of drums and ritualistic rhythms define the opener luarica on the a-side alongside a near-melodic whine that stays present throughout the tracks. orapa (an interview) on the flip swallows and evokes scuffed voices of a conversation, striving into isolation, while venetia resumes the haunting rhythm and layers of distortion. as per previous mira releases, the artwork is done by juan mendez aka silent servant

the latest drop from retrometro is not for the faint-hearted, as germanys myk derill brings the metal machine music. you are is a stomp and grind monster, with speaker-troubling kicks and torture chamber soundscapes. zerone is a brutal, relentless berlin warehouse workout, with deep reverbs, on-point percussion and a juicy roll on the low end. alert brings yet more of the factory floor pump, with its white noise build-ups and decayed percussion. and the caustic rhythms and haunting synths of between bring another dynamic to the ep! bruising!

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

produziert hat sie krautpop- und noise-gott schneider tm. *nervös*, ihr name, ist programm für chris imlers wesen und wirken. nervosität als angemessene haltung gegenüber einer gleichzeitig bedrohlichen wie aufreizend öden wirklichkeit. die songs auf dem album klingen wie alan vega, daf, silver apples, hasil adkins und joe meek gemeinsam - aber gespielt von einer person.
die vinyl-lp erscheint inklusive cd-version des albums.

niros (a.k.a. niro perrone) unconventional approach to production is reflected in this stunning 3 tracker for idriss d and fabrizio maurizis unique memento. taking inspiration from every noise surrounding him, the immensely talented italian artist and unclear records

3 new reworkings of this notorious snare driven assault from the 90s. one finger is a cult hit especially in germany and belgium. dj support: laurent garnier, dave clarke, anderson noise, droid crew in la

180gr vinyl 2lp & download code) for the first time on vinyl, includes cover art, excl. chris isaak cover version, download code for original latenightales mix as well as unmixed track version in both wav & mp3 formats

docile shapes tone and midi to make sense out of random noise. we refine and redefine melodies giving them the warmth of new life. our style is an unrelenting adherence to the simple. our groove moves cool and easy and is often following the path of a drunken love arrangement. our sound reaches childlike for a funk that is beautiful. docile is an artist label. our art is the craft of vinyl as well as the music on it. we are an independent voice that walks a lonely path no matter the cost. docile still believes.

churches schools and guns. a provocative name for a provocative album of techno from one of the genres most consistently intriguing producers, lucy. this, his second solo album, pushes forward from his debut full-length, 2011s wordplay for working bees, and firmly establishes him in a league of his own.

distinct sequences of sound, noise and rhythm. genetouche spits fire before going into acidic arp waves. hana bangs hard over a squelching bassline with seductive vocals. postulating creates a lush wall of sound. symp, emotive phasing patterns and slow harmonic rhythms.

beginning with tape experimentation, noise excursions and long-form drift and drone musics, love cult have steadily built up a discography based on decomposing and deconstructing. know ep is the first vinyl statement that sees the russian duo dive headlong into beat-forms and movement music.

snow bone debuts for lobster theremins second release, with the a-side roaring and crackling with noise and ebm-influenced toughness, whilst the flip plunges much housier territory featuring a jared wilson remix. the tracks blew the mastering console four times so you know this is going to bang. mastered by christoph at d&m. ectoplasm a4 insert as standard!

with a sprawling discography that can be traced as far back as 2005, the last few years have found the providence-based noise artist ren schofield shifting his attention towards his container guise with increasing vigour, delivering full-length albums for spectrum spools and i just live here, as well as an acclaimed ep for rabih beaini’s much-lauded morphine records.

stunning double album of grand bombastic melody filtered through noise & black metal aesthetics from m.c. de jong (gnaw their tongues). the marriage of wedding bells to blastbeats. limited edition of 300 copies on 180 gram black vinyl.

180 g vinyl! a real hip hop classic you ll all know this classic tracks - a must have

subwax bcn is proud to present, for the first time on vinyl another yagya album masterpiece! these beautiful timeless dub techno & ambient pieces was originally released in 2006 but only on cd. will i dream during the process is a timeless journey into dub techno & ambient heaven. essential!

giovanni damico (white rabbit recordings/ragrange records - salerno) is maybe the most productive producer we ve ever come across. and were not just talking quantity, were talking quality! for geography records sixth release weve had so much fantastic material to choose from so we decided to put out two eps by giovanni. the first one is called >cuttin, samplin, housin part one<.ranging from the kind of beautiful house music geography has been known for since the release of julius steinhoffs epic out in the woods ep back in 2011 on the a-side to the more fun loving style of the b-side, reminding us of our two latest top 40 hit-records by real cool and shakarchi & straneus.

first vinyl pressing limited to 500 copies on white vinyl, including download coupon.
ricardo tobar is releasing his long awaited debut album treillis on established french label desire (ike yard, monoton, live skull, keluar, deathday, egyptology, etc). inspired by mysticism & noise, ricardo uses old drum machines, analog equipment and also samples he has been storing since some years to create dirty sounding drums, modulated synth sounds and keeping far away from the more expected and polished sounds most artists are using.

the new single portends the mood of the ensuing album, a further foray into harris signature blend of house, modern classical, shoe-gaze and noise which is the artists most ambitious and accomplished work to date. as the sole dance floor moment on the lp, *you can always leave* picks up where harris cult hit *lostfound* left off, with vocals once again from danish vocalist gry bagien and the heartbreakingly august trumpet of no regular plays greg paulus. the remarkable terre thaemlitz delivers an epic 12 minute remix on the flip under his dj sprinkles guise which is sure to make this 12inch a sought after piece for house music s analog enthusiasts.

bow ep, the 5th modal analysis release, delivers two cutting-edge techno tracks from the manchester-based duo and, as well as a remix by russell haswell. bow #1 and bow #2 highlight the distorted broken-beat style that and specialize in. completing the record is haswell, who displays his own harsh, rhythmic noise aesthetic with a decomposition of bow #1.

brill deep techy floating monster

in their most furious release to date, blank code presents the strumpet ep. kicking off with the distorted dirty stomp of the original mix, drumcell and material object let loose this dark gem that thunders forth the forgotten language of noise. crowned with explosive hi hats, strumpet seems to tear through any speaker it touches.

hier kommt teil 2 der neuen hochkaraetigen, prominent besetzten, aber anonym gehaltetenen terror-techno liaison zwischen berlin und los angeles, zwischen den beiden top-labels boysnoize records (u.a. boys noize) und owsla (skrillex).300prozentiger break acid-tech-noise von dog blood. musik mit ausgestrecktem mittelfinger. inklusive mr. oizo remix (12inch-exklusiv).

zweite remix-maxi zum grandiosen cosmin trg album gordian . die holländische legende legowelt erschafft ein zeitloses techno-monster der superlative in post-detroit-manier, während miles whittaker, aka miles aka mlz sowie mitglied bei pendle coven und demdike stare, eine superbe demonstration deep-bassiger techno-dub-epik erzeugt.

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

fear of flying delve once more into the world of long players with leif, someone who has been a feature of the label since the labels inception, having contributed seven releases on their combined journey together. dinas oleu is the culmination of that journey. a sonically refined trip through hazy deep house and tripped out ambient skits.

after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound

the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...