tetine are brazilian artists/musicians bruno verner and eliete mejorado and are stars of sao paulos avant garde music scene - uniting electronic music with brazilian dark sambas, performance art, spoken word, super 8 movies and whatever came into their heads. their musical influences range from bands such as throbbing gristle, peaches, tuxedomoon to kraftwerk, can, but it also incorporates heavily the more experimental side of brazilian musicians such as paulinho da viola, os mutantes, chico buarque or the tropicalists and rio baile funk artists. since 2002 they have lived and worked in london. three years ago they brought baile funk to the uk with their slum dunk radio show and subsequently with slum dunk presents funk carioca album. in 2005 they compiled the sexual life of the savages for soul jazz records - an album of obscure early 80s underground post punk from são paulo. in 2006 tetine played at the opening night of tropicalia - a revolution in brazilian culture - at barbican centre alongside brazilian multi-artist assume vivid astrofocus.

after three albums for as many labels, dean blunt and inga copeland, also of the group hype williams, release their debut hyperdub lp, >black is beautiful<. amid rumours circulating, and confirmed by their advisor denna frances, the album was recorded during a tremulous period for the two: inga copelands arsenal girls tryouts, deans waschbärgate trial (he was implicated in being behind a one night robbing spree across 16 taxidermists based in london and the south east, allegedly only for racoons) and his subsequent conversion to nation of islam upon being acquitted. >black is beautiful< is laced with their signature hazy glow and is full of crunched eurovision lullabies, kinetic drum machine jams, unsettling funk, smeared walls of synth, moments of unadulterated opiated bliss, mogadon rap, infinite coughs and insights into the odd sexual behaviour of crackers. the word ebony occupies the albums entire front cover space in bold white print. >black is beautiful< is red and white.

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

the next chapter in truesouls evolving story comes from marc antona. with discography highlights that include releases for mobilee, highgrade, micro-fibers and, most recently, his own dissonant label, antona is an already familiar name to followers of quality techhouse and the deeper, groovier side of techno. impressive career credentials that have been galvanized by marcs appearances for cadenza as part of their vagabundos tours. with such experience behind the ibiza-based producer, it comes as no surprise that this ep brings the kind of sunshine sensuality to truesoul that has come to characterize the soundtrack of dance musics mecca with the sultry percussion and understated funk of >gloves off< or the perpetual bass groove and twitching rhythm of >darwins corner stone<.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

generic modification in effect here on this 3 tracker from seasoned producer and remixer travelling incognito, hush-hush and strictly on the q.t. . straight out of east london, pacific rim dubs mix up deep, bumpin house with soul and boogie, rude acid with funk and fidget grooves with pure disco. in a mash-up style, but without the comedy beats and not a whiff of irony in sight, pacific rim dubs vol1 takes a selection of infectious snippets from the soul/ boogie vaults and blends them into proper house floor fillers

for correspondant 06, we have invited another french producer who comes from paris and calls himself offset. after a series of jazz/funk projects, offset found his calling with electronic music. >gazoline< is the title track and its a straight dance floor burner that crawled under our skin on the first listen. >subversive< is proof that slow can be dark, groovy, powerful, and sexy all at the same time, and >addicted< has a taste of trance just the way we like it, not too much, but just enough.
supported by maetrik, karrotte, chloe, ewan pearson, ivan smagghe, the hacker ...

originally from the usa and now relocated to valencia spain, eric estornel is making incredible leaps and strides releasing some of the most devastating yet unique music in the industry. his sudonyms maetrik, mariel ito, plaex, and now maceo plex are under great demand for the rich dynamic production and unique blend of techno, house, funk, and electro that only eric can devise.

ferdinando apicella aka kernel key adds to his extensive discography with pass it on backed with a remix by sebastian leger the release will drop on italian imprint loose records this december. a sound engineer by trade, apicellas work as kernel key is inspired by detroit techno but sounds entirely his own man. having released his first release on mkt rec, a close affiliate of loose, last year his productions are solidly growing in stature.pass it on not only marks kernel keys debut for loose but also the first remix for the imprint from the irrepressible sebastien leger, whose version of pass it on opens the ep.frenetic, swinging and massively infections, legers version is pure dancefloor mayhem and sees the revered producer inject fun and funk into the original.kernel kes original pass it on is relentless groove with short melodic loops and nagging bass doing all the required work while bizarre filtered keys cut through the tracks nicely judged breakdown for maximum build.lady red rounds off the ep with yet another squarely aimed dancefloor cut. as tight and urgent as pass it on but with slightly detuned stabs and a freakier feel, its a peak time animal of a tune.

nice price deal !!! full cover art & and download code included!4 track instrumental 12 inch from l.a based via portland producer devonwho. sun drenched synths and g funk vibes are the order of the day here. tip!! strangebrew and sleet zip along with their low-slung bass and melodic purple keys while on the flip cactus takes the pace down a bit. slow jamz with a fast feel, these three rolling 4-4 workouts are rounded off with a fresh rework of the title track from fellow west coast funakateer - bay area’s b bravo.

allì borèm returns to desolat with two smashing tracks accompanied by dj rafik. there is quite a way that allì borèm went since scotch your mind, his debut release on desolat in 2011, that was compiled by sven väth for in the mix the sound of the twelfth season. with 2 new tracks allì develops further his musical vision with peak time sound of once and psychotic funk of jonk. the release is completed with a remix by dj rafik. rafik, founding member of lordz of fitness and dj who won dmc world championship 6 times, stands for a unique club sound - an eclectic mix of electronic music, breakbeat, hip hop and rock. with his impressive skills on the mpc, rafik turns once into a serious electro-funk floor shaker.

the album was unanimously praised and confirmed krazy as a special planet in the ed rec galaxy. depending on his mood, his music can be somber and melancholy or experimental, and with no warning slide into a warm almost poppy funk. his comps can be either built on a classical or jazz base, with funky synths and organic electro sounds, mostly with powerful bass lines inspired by british bass-music. for his second album the noise in the sky, krazy baldhead delved into his 70s influences: while on tour for the b-suite, he traveled by day listening to 70s.

12 inch album sampler from taken from hervas debut album meanwhile in madland will leave you literarily astonished!! a1 tech house bomb be like me, comes exclusively on vinyl as well as the deep & hypnotic dj nature remix!! meanwhile in madland is a work of rhythmic seduction and deep breath, with a relatively restricted, yet very distinctive canvas of sounds, digging into different genres, providing a refined and enchanting result. on this sampler youll also find triangle, an electorid trancey uk funky track prooving our youngster is reactive and prepared to the most recent floor developments. soul crash, is a spiritual electro-funk track with the right dose of angelic singing and charming keys, bringing back your memory to aphex twins selected ambient works volume i. the sampler story ends up with the sensual male-female singing interaction of breathe!

after appearing with c-beams recently,break sl strikes back with a massive track called desert flight that has already been causing a stir amongst the uncanny valley crew for quite a while.over the course of ten minutes the track unwinds as an analogue slowhouse trip that is dominated by a gritty synth figure.with typical sophisticated break sl drums,radio transmitted messages directly from the cockpit and a freaked out siren its a track that is not from this world. the flipside starts off in a more classical manner with the rumbling house of amorphed limits. the track is distinguished by rapturous synths and gets spiced up through additional drum work by break sls partner in crime manuel sander. beercase song originates from collaboration with dresdens universal genius max rademann. his quirky keys and break sls drum workshop create a dirty piece of funk which rounds up an eclectic ep by a versatile producer.the cover artwork was created by visual artist and designer julien simshäuser who illustrates the trip that is desert flight.

tom noble with a reprise 12inch of his great dancing hard track taken from the liger vision debut ep. mr. noble is recognized as one of the worlds top diggers when it comes to disco and rare funk. he got some help from his british equivalent mr al kent from million dollar disco fame, who got some help from his buddies ray harris on keys and kev mcshane on guitar to craft this awesome remix, or actual new recorded version of dancing hard! this is a limited edition remix twelve inch that comes in an edition of 500 copies! pre-orders are essential.

youth invasion muzik launches their label with some down rite funk. yi muzik from the minds of a small club in ibiza? negru is a monster,at least thats what ciudovishte translates to. this ep is no different. monster techhouse missiles& rooted grooves with the yi muzik vibe. more to come.

hot off the heels of william medagli s amazing debut, sleazys deepness continues to ooze disco funk straight from the underground. here we have a futuristic look into the minds of sasch bbc & caspar two artists in their own right from the rhein-main-area of germany. teaming up was clearly a clever decision as supersonic delivers what we hope you would of come to love about sleazy deep by now, just that - its all in our name.

nice price deal !!! patiently waiting for the year of the dragon to commence, nick chacona & anthony mansfield are finally back with a 3 track ep of epically mental proportions! hector works numero uno duo take on a true journey to house music neverland with the peter vs pan ep. almost two and half years in the making, the boys reveal their many facets of cosmic, sleaze disco and acid wonk. one the a side, pan vs peter is a tech funk heavy slow house burner, that shimmers with dubbed out guitar, thumps with low end and grooves the like the funk brothers at opium afterhours. think vacum boogie meets silver connection and you are almost there. starting off the b-side is the eps title track peter vs pan and its right out the gate ncam drunkhouse maddness. a timeless disco house groove with a bassline so big that we were certain that it was gonna blow out the lathe and never actually get cut (thankfully mastering made sure that didnt happen :). and to round things out, the boys get hard on the acid house tip with terrys nightmare, an ode to the grouchiest bartender at peter lugers steakhouse in brooklyn ny.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

not long after laxx’s debut release – the laxx ep, walsh and biscuit factory records are proud to bring another fresh face to the foreground. introducing farkas…originating from sweden, farkas, also known as joel metz, has already established himself as a regular favourite with leading swedish outfit all out dubstep. his soul and funk inspirations are clear to hear in his creative and unique style. this together with his excellent ability and understanding of various production techniques, show why farkas is going to be an artist to watch out for in 2012.

le peuple de l herbe eine mixtur aus triphoppiger electro, hip hop, dub, funk, jungle und alternative-rock, mit messerscharfen breaks und bläsersätzen.

madrid-based hip-hop, jazz, funk, dj and producer al-x rocks teams up with up there cleveland rapper replife.

brilliant jimmy edgars unique sound of electro - disco - funk - and - 80s - vs - future spirit....

die turntablerocker selbst bezeichneten ihre musik einmal als electronic wildstyle . eine wilde reise durch verschiedene genres, disco-pop mit einflüssen aus hip-hop und funk, schweißtreibend und mitreißend, eine begleitung durch die clubs der stadt.

support by: jozif, lee curtiss, paul woolford, reboot, fred everything, luca bacchetti, jimpster, robert dietz, thomas schumacher, dirt crew, nico lahs, lee burridge, funk d void

ghettomania counts seven and still jacks up all dancefloors. this time with support from mahatma (miditonal, knebbl, error), dj drops (ego plastix), dj duncan and trevor benz (fanatix)
transparent blue vinyl, smokey marbled.

straight japanese killer techno !!! tight, mechanical and brutal with an underlying funk, snow monkeys is the sort of multi-faceted beast that kobayashi is known for. the rough edges are allowerd full space to create tension but the track is tempered with some brilliant, shimmering and evocative melodies that slide into the mix for just the right amount of time before subsiding into the churning groove. one of the new school of japanese techno producer, a.mochi delivers a well pitched, moody version on the flip. pacey yet measured in its progression its a version that takes the originals tension to new levels and wont be a surprise for anyone who has heard his productions / remixes for the likes of figure, cocoon and a-wave. hideo kobayashi is one of the few producers who can skip from deep or vocal house though to searing techno with ease and snow monkeys is a perfect example of what he can do when it comes ot the tougher sounds

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

leeds/nottingham duo mak & pasteman might be in their 20s, but their musical influences stretch from the funk and soul of the 60/70s, through juan atkins proto-techno, to soulful house, d n b and uk garage. which wont surprise anyone listening to this, their debut ep for shifting peaks, a 4 track statement of intent that sounds like it couldnt have been made any time but 2012, but also feels like 20 years of hardcore continuum is embedded deep in its musical dna.

driving mixup between techno and house with a touch of funk and soul on titbit by dj simi & m. abbatangelo. dance!!

contains 3 fine thoughtless music eps. arthur oskan - fat mobile ep, dave vega - altars of magic ep, dietrich schoenemann / metalogic / bryan zentz - hollow strangers ep

we got a nice one coming up next….dj borka out slovenia who is making us happy with his supercool yugoraregroovemixtapes “tetkine radosti” serving for rx:tx imprint a megadope digital future-funk-release with a fullsteptreatment by josip klobucar on top….personal rec. saluting this pure niceness with a limited 7&#8243, vinyl coming up next……be ready!

so after our chart topping first allstar 45s release featuring the dancefloor outlaws & coldvet, where back with another special limited edition 45

this band from houston, texas scored several hits with >i cant stop dancing<, >tighten it up< and >strategy<.
archie bell & the drells released seven albums in ten years and the tension that existed on their previous two records, which slipped back and forth across the disco/funk divide, is gone here. >strategy<, including honky tonk pianos, swelling strings sections, thumping basslines and soul singing background vocalists making this one of their best albums. elements of barry white and harold melvin making this album a full disco album. it made it to #37 in the r&b charts, and music on vinyl has the honour to re-release it for the first time on vinyl since its original release.
180 grams audiophile vinyl preassing.

decks tip: funk monk (track 2) ... next sweatshop masterpiece by labelhead savas pascalidis and joel alter. raw and solid gooves combined with oldschool appeal.

after only a handfull of remixes and original productions, but a long period as a dj philipp adam as one part of two-b-music delivers his long awaited debut ep. he therefore provides four tracks full of soul, pendeling between warm harmonies, stargazern, melodies and magic funk always with one eye on these days back in detroit. we are very happy with this release and its gonna be available within a limited edition of 250 copies only.

great 12 inch featuring two superb rarities from renowned disco label sound of new york. run by legendary producer peter brown, this small harlem-based imprint garnered a massive reputation in the late 70s and early 80s turning out some of the best disco tracks ever made. first up here is ny disco funk favourite >dance freak< from chain reaction. produced by peter brown himself, this is pure dancefloor dynamite, as raw and funky as it gets with pumping horns, grinding bass, wild percussion and crazy synths building steadily to a high-octane blistering dancefloor freakout! on the flip is the equally fantastic >shout at the disco< from little scotty, another relentless rough grooving jam, also produced by the prolific mr b. with both these tracks super-expensive and extremely hard to find in the original, don t miss this chance to get your copy!

the last yam who? release on demo disc sold out in record time, now we have them back for the 15th in the demo disc series. two superb edits of soul drenched boogie/ funk tracks.

supported by spencer parker, iron curtis, frawl, kevin griffiths, nick harris (nrk), jeff k, dario zenker, pezzner, dj deep, red rack em, melon, clive henry, gavin herlihy and many more!

adjunct is back with force with its first piece of vinyl in 3 years! for adjunct23 we have label boss apendics.shuffle teaming up with the legendary mr. c for a dance floor masterpiece titled >something strange<. this is mr. cs first time spewing madness for adjunct and he needs no introduction, from the shamen to superfreq, you know him. this will be the party jam for years to come, mark our words! on remix duties we have the canadian berliner mike shannon giving us a slab of juicy juicy dope on wax that is sure to trip out the most trippy of folks with a disgusting techy housey dub of >something strange<. also on board is uks affie yusuf, from house of 909, slowing down the pace, kicking down some dirty water funk and laying it out for all you nutty ass muthafuckers! get it? got it? good! we do hope you enjoy, we sure do!

drei farben house from berlin and roman rauch from vienna first met at a gig in the ustrian capital last spring. the two guys discovered that they share a common interest in soul and funk music as well as digging for old vinyls on flea markets.when it comes to this joint record,its all about the magic of soulful vocals,deep house chords and a relaxed disco vibe. romans powerful beats and low frequency basses on hell below are contrasted by soft and funky accoustic drums and a warm bass guitar which drei farben house chose for fluid finish. nother classy tenderpark trip to realms of deep musicality.

stereofunk, the guy from dresden, is back with a new single on coco machete records called >el patron<. this is the second single from his upcoming full length album >radio robotic< due out next month. >el patron<, following last summers smash >get off< featuring d secret svc, is all hands-in-the-air, revved up dance floor sensuality for the electro disco generation. between the funk bass line, rising pianos, italo synths and imperative vocals, >el patron< just wont let up until you are hooked. >el patron< is the boss. but thats it for now folks, we hope you have enjoyed this sneak peek, stay tuned next month for more >radio robotic<.

10 track album of re-edits from the turkish super producer who has released 12 inches on gamm, square, plimsoll and others. a kickass mix of disco, funk & jazz tracks from gloria gaynor, stanley turrentine, don costa, quincy jones and more. double 180g vinyl in color sleeve.

we are delighted to present roland klinkenbergs now what ep. dieb audio boss john dalagelis strips down the parts of now what and delivers an absolute old school tech version of it, this ones not to be missed!

very welcome remastered reissue of the ultra-rare 1982 cut >you cant have it from cult nyc boogie label tnt unlimited inc. mixed by the legendary tony humphries, this excellent cut is hugely dancefloor-friendly featuring a massive feisty vocal performance along with some top bongo action and a killer groove. backed with a superb dubbed-out instrumental version, this is a stone-cold killer and deserves a place in any serious boogie or funk collection. essential!

another classy re-issue from boogie times, pure dope for any soul/funk/boogie-lover!

the impeccably talented organ grinder returns to the catapult records fold, with, believe it or not, only his 2nd solo single to date. the artists first sell out release obsession gained him some serious global attention with steffi charting the title in her 2011 end of year round up for clone. the organ grinder introduces vocalist jessy allen who will be a familiar name shortly with appearances on what i want by crst (forthcoming on valve records) and will also make an impression with her vocal contribution on the fourth studio album from high contrast the agony and the ecstasy on hospital records. for this outing he offers a simple and accessible track with an anthemic scope whipping up a combination of some serious teutonic funk and floor friendly, party-wise golden era of house vibes.

diynamic virtuoso stimming returns with a classic three-tracker, showcasing his skill and everlasting talent to surprise. again and again he reveals that his name stands for quality and permanent transubstantiation. the opener, windowshopping, is a catchy, floating and harmonic groover introducing the springtime, slightly transporting its warm breeze directly onto your skin. epic moog-stabs,string-hits, shuffled shakers and electric vocals are telling the story about of a stranger whos walking around a city-center during nighttime. on b1 stimming comes along with an old and firm friend. south african lazarusman, wellknown from stimmings funk with me or chang , again demonstrates his unique talent to deal with words, explaining that its not stimming but every listener himself which makes the song come alive. november morning is the slowest track stimming ever released so far. its name is program. weird violin-sounds, organic percussions and everlasting groove create a grey and moody vibe absorbing the listener.