thomas melchior and bruno pronsato return as melchior & pronsato with a new series of two eps on foom.

thomas melchior and bruno pronsato return to the dancefloor as melchior & pronsato with nijinski picnic – a new two ep series on foom, and their first outing since 2010’s puerto rican girls.

minimal florr stuff!

limited to 125

matthew herbert debuets on foom

two companion pieces make up the new foom 12inch. on the a-side, ostgut ton regular tobias freund artfully reframes patrick cowley & jorge socarras you laugh at my face. it was produced by patrick cowley and recorded in his home studio in california in the late 1970s. on the b-side, elegantly balanced between euphoria and melancholia, half hawaii (bruno pronsato & sammy dee) share watch the flash with us

the new york downtown producer/composer returns with his first new album in 3 years!
eighteen: the year of release, 2018. eighteen: the age at which i first used a synthesizer. in creating eighteen i worked independently in the studio, initially building up tracks with synthesizers and found sounds recorded in my daily comings and goings. after working with the tracks over a period of months, i shared them with a few musicians, who added their own instrumental layers. though working independently, we all shared a similar working process: working in our personal recording spaces, as opposed to larger recording studios.

bruno pronsato returns with his new album, a face wasted on the theatre, written & produced in collaboration with the israeli musician, yonatan levi.
pronsato and levi have been collaborating intermittently since 2014, with levi adding bass guitar to tracks on both pronsato’s us drag lp from last year and 2016’s ndf ep, cruel is the color, as well as contrabass on a track on pronsato’s archangel lp from 2014.
written in the afternoons and between two different studios in berlin’s prenzlauer berg, the album spans eight tracks, with yonatan levi playing on bass guitar on six of them. it also features guest appearances by downtown composer/producer peter gordon and israeli saxophonist yonatan yudkowitz on “bring me a kill.”

foom present frame loop from peter zummo. a newly discovered recording from 1984 including arthur russell on amplified cello on every track.

incl vilod version ( vilod = ricardo villalobos & max loderbauer)
key selling points :
javiera gonzález returns with the beat is on, the second release in her ongoing collaboration with tobias freund (tobias./nsi). recorded between santiago de chile and berlin, with vocals (improvised in one take) by javiera gonzalez, and music by tobias freund. on the b-side, ricardo villalobos & max loderbauer deconstruct freund’s arrangement, before reshaping and elongating it to fit their vilodian framework. produced by tobias freund

bruno pronsato returns with his first new artist album in 6 years. entitled us drag, it’s the follow-up to 2011’s critically acclaimed lovers do— lauded by pitchfork as a “striking and massive statement,” and decorated with a 4.5/5 rating by resident advisor. the new record, which finds the ex-punk rock drummer exploring dense, interlocking rhythms and unorthodox tuning systems, was recorded in berlin during the second half of 2016, and features a collaboration with liars’ frontman angus andrew. after the vast, complex arrangements of his previous albums, the 9 recordings on us drag are relatively more upfront and direct, with a particular focus on bells, tuned percussion and the sequential circuits six-trak synthesizer (used to create many of the album’s synth parts). pronsato’s ongoing collaboration with yonatan levi continues, with the israeli bassist appearing on the album’s second track

bruno pronsato’s debut album as archangel, the bedroom slant, released in 2014, saw the producer update the style he has developed over the last decade on labels such as hello?repeat, perlon, dfa and thesongsays, and in the process, manifesting his love of pop, rock and post-punk in his music for the first time. on this ep, selected tracks from the debut album are reworked by dean blunt, peter gordon & oliver coates. the vinyl release includes a downloadcode.

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!

nice price deal !!! the bedroom slant is the new album by one of electronic music s most vital and innovative producers, bruno pronsato, under his new archangel moniker.

as part of record store day 2014, peter zummos lateral pass album will be released by new london independent label foom.

bruno pronsato presents his new project, archangel - his first solo release in 2 years. this single highlights the developments that have occurred in the pronsato sound in that time, and features bruno himself on vocal duties.

dj/producer justin drake of peace division and accomplished dance music enthusiast and producer nicole moudaber join forces to remake this legendary house track and aim it directly at the 2007 ibiza crowd. both mixes stay faithful to the original while tweaking the classic elements for maximum appre ciation. the dub side really strikes out on it’s own with aneerily pleasing added synth line and a rumbling tribal(in the original sense) finish.

performed by love of life orchestra and produced by jeff jones the jedi master, with peter gordon. artwork by kit fitzgerald. album duration: 40 mins. comes with cd & cd booklet, download codes for wav, flac, mp3 files + dsd (sacd) files & video extras including live concert footage.

a collaboration between label boss mark seven and dance music legend boyd jarvis (r.i.p.) on keys here. deep house cuts with that chunky disco-dub sound, breathing echoes of ma foom bey and man friday amongst others. dope!

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s.

limited nice price action
waka waka! wer kennt nicht diese beiden wörter aus dem gleichnamigen nummer-eins-hit? hier ist nun eine großartige house-version von christian prommer (drumlesson) und alex barck (jazzanova), die auf >zangalewa<, einem von der kameruner makossa-band golden sounds adaptierten afrikanischen traditional basiert. erinnert ein wenig an den legendären tony humphries-mix des cultural vibe-hits >ma foom bey<

4 well known tracks get the rework from the players union aka dave wareing (redsoul music & playmore records) and keith griffiths ... pressed on solid yellow vinyl with hand stamped logo

marius takes a break from his recent studio lp work with prins thomas and delivers another killer release on maxi discs. continuing his journey into ny influenced dance music, he unleashes >glow of filter & dub< an epic 10 min ride into the musical world of legendary clubs like the paradise garage and body & soul that inspired him. it even has an old school drum break to drive your dance floor crazy. you can smell the sweat on this one - work it! on the flip, deep house heads 6th borough project work their subtle magic on >love gun< and create a house vibe that is deeper than deep. while disco deviant dicky trisco strips back >glow of filter & dub< to the bare essentials and works it to the max in a tribute to early tony humphries proto - house style cuts like ma foom bey.

this tenth volume is every bits as essential as its predecessors, opening with the twin attractions of the public image limited and the b-52s. elsewhere, youll find a dash of eurhythmics, the synth-laden instrumental soul-funk hustle of strut, some killer disco sweetness and a trio of brilliant boogie selections