dj preach with a hard funky, grooving stuff as rock hard 'n dark material! on the flip you will find some more ass-kicking material… whilst waldhaus fires a deadly projectile onto the dancefloor, young rising star carl max finds a perfect combination of throbbing aggression and funky rhythm

a grooved monster that balances dark bass against soulful vocals and a sound scape of nifty synth work, with great results. the flip side strips the vocal to a bare minimum leaving a quality dub that concentrates on the beats and synths. can you cope with this? we sure hope so!

george kranz' tribal tech remake !!! flip side with filter electro 80s space techno

a bad ass funk driven call to arms that sounds like a mix of greens keepers & derrick. on the flip you ll find 'loosen your collar' a killer wobbly, boompity tune with infectious vocalsand freaked out bouncy synth & bass parts. finally we have the r n b tinged 'shame' a soulful yet bittersweet ditty

very green velvet styled production on the flip side (ghoul woman)

split ep with two phantastic house tracks...eric prydz with a smashing remix for adevas classic tune and on the flip mr moonraker johnny dangerous with his unique style of gay club music with new york flavours.... massive plays by dj hell

this is a semi live project from the boss bear steve kotey. 'so cheeky' feel likes an authentic 80's electro boogie workout but plays like a main room smasher the drumtracks machine is the key ! on the flip 'i get deeper' was a live jam that recorded in one take the effect laden monster also has a vocal message for afrobutt

juna has everything what a girl needs: dirty basslines, sexy melodies and loads of creamy beats topped with a little bit of acid and trance reminiscence. on the flip you find dirt crew reworking this in their incredible hallucinating open souvereign electronic manner which takes the whole lot and rewinds it like a breath of fresh dusty air

punchy beats, and tripped out melodies are the order of the day here... while on the flip he teams up with luke chable, who provides one of his finest works to date... big chords & crunchy beats have made this a crowd fave for the likes of sasha, oakenfold, armin van buuren, tiesto, digweed, sander kleinenberg, john '00' flemming, anthony pappa, quivver, nick warren

the superbly-titled 'pimp doggy woo woo' is a pulsing acid house winner, blending chunky house beats with some killer acid lines and a rumbling bassline in fine style, think classic period plastikman as a point of reference. the flip goes for a deeper, more tech-house groover

excellent tribal house groover & on the flip a spacin deep house monster

long upbuilding hypnotic tech house with detroit-esque chords & spoken words ( monk ). flip side, 2 tracks of tricky spaced out minimal, analog bleeps & moody synth flavoured .for those who can t get down

john ciafone with phat deeper soulful house music! flip side with two mixes of a hundred birds - too close

huge new three-tracker! taking the spoken word vocal from the original, mr. g bangs it out with a vocal and dub, both pumping the clubby drums and bass to the max. typical jacked-up, pumping stuff right here. flip for a deeper groove with the black music remix

cool electro funk monster...flip side with a stunning main room breaker

an excellent two tracker. the a side is a killer chicago influenced techno track with plenty of bite. it has great melody hook lines and punchy drums. the flip is a real treat – it is an electro mix of altera – the previous smith and selway track from last year. a worthy purchase!

welcome to the world of altz - a new signing with full length lp already completed. the bearfamily will be giving you a taster via this 12inch . its fucking dope and on the flip we have the idjuts doing a version that only they could - super raw and haunting as ever

repress classic!! phantastic booty styled techno, flip with an amazing detroit electro breaker !!

these guys really know how to transport the spirit of early chicago to the present! on the flip we got the remix from jackmate and nik reiff, stripping the original to the bones.. straight jackin beats and a huge bassline…shake!

sweat dirty and exstacy in its purest form. no nonsense slamming beetz with kick-ass bassline drives the track with the vocal samples lifting the spirits to the next level. on the flip our rave-hero klaus wunderbaum m packs his adrenalin induced, dusty 303s out of the box and fires up a heavy acid slaughterhouse of no-nonsense ill house music. dark yet uplifting, this driving monster breaks the speedometer on the first lap!

aka manuel tur (refune), who delivers a fine funk laden peaktime housebomb of topclass, on the flip joia honcho sebastian ingrosso does his electro house thing. all in all this is another mainroom bomb that cannot be missed!

harter progressive house knaller (pusher) der auch jedes techno set gut aufmischt...tip, auf der flip seite kommt spank im jaguar style daher

tribute to basic channel a pure dub & crakling sweet techno with cinematic object and spoken words .on the flip side the rising star from vancouver hrdvsion aka nathan jonson (itiswhatitis ) does a massive remix : epic shuffle techno , when click house meets melancolic synth ….rave anthem ! already supported by mathew jonson, quenum (cadenza )

aaron dipping into the seedy world of ghetto tech, with a typical naughty female vocal backed by deep bassline and clapping beats on a minimal floor mover on the flip, 'south side 734' goes more for a techno feel, with stabbing dubby synths the main players

this one is another must-have: a-sides 'stepping out' is a stripped-down floor-banger welded with well-timed chord hits and a cool vocal. flip for some jazzier farina-styled action on the flip with 'to the beat' and 'get involved.' top-notch tracks for the deep, techy underground heads

a side is dedicated completely to the tango breakbeat diablo with a fat 4/4 dancefloor shaker by fauna flash and the original track flip for an homage to new york house music with believe and see and a hip hop track called mistress moonlight (sb)

midnight' is a minimal dubbed out techno gem, with it’s bubbling bassline and stellar minimal synths. on the flip, 'invader' features percolating synths, a driving bassline, and spacey effects a la red planet or purposemaker on a superbly atmospheric techno winner.

2 more tracks of dancefloor mayhem. give your body starts with a funky acid bassline and snapping drums, building a deep but rockin solid groove of psychedelic keys and spooky vocals for a ultimate 10 minute journey which sounds perfect at 7 in the morningÓ on the flip freestyle man remixes >its a dawgs life< to an early 90s murk versus mauriziopeaktime killer with stabs and filtered rolling synths. hot

ekudad is a cleverly put together sample based track oozing funk and soul, while on the flip, crusaders is a latin fused funky house cut featuring delicate piano, coupled with killer percussion and tight rhythms

dirty harry with soulful and funky house mixes...danny tenaglia mixes on the flip with a moody always progressive workout

here comes the french release of sneaks massive >que pasa<. this release feat. an exclusive rmx by phil weeks plus a bonus track on the flip called >inside<. hot!!

well known colorful chicago star delivers 2 underground re-edits as prince’s “controversy” instrumental gets mashed up with a bangin backbeat and pimpin vocal. flip for a human league style cutup. should be as big as the gem1

on the a-side youve got two fresh new mixes of emerald city, bothof them on a thumping, tripped-out 6 am deep house feel. on the flip king of clubs, feat. a ranting vocal over a child-friendly, marching beat is already played by germanys leading dj hell (gigolo) must be heard to be believed!

hot 2 tracker! da sunlounge takes care of the a side with a funky jacking house number, whilst on the flip he joins forces with office gossip for some deep twisted tech house action. ... support from inland knights, the lawnchair generals, the littlemen, hipp-e ,david duriez..

jt turns out two rock-solid floor-moving cuts on this ep, kicking the hypnotic filtered groove of 'makin’ music', a bumping cut that’s got farina and dj heather written all over it. for the flip jt drops the deepness on 'movin’ around', working the funky guitar licks, spacey synths and warm chords...

a stripped-down cut with some nice drums and a simple horn loop. must be heard on a monster system. 'all is possible' is an old school deep house romp with a cool uplifting vibe. on the flip the young governors (tony hewitt and joey youngman) keep their hot streak alive with a sizzling cut-up, dub-heavy mix of 'montevideo.' another essential ep from the tango camp!

ultraphat minimal techn track…on the flip mathew jonson strips the guitar from 'slide' and the pads from 'buttaface' and adds hi sown bouncy ananlogue bass-line, dubby hi-hats and crunchy snares, and re-builds a lush, throbbing and distinctly hypnotic techno groove

rocking tuff carnival club house track featuring one of londons best mc's chic a boo delivering ruff crowd animation raps. on the flip charlie dark serves up a dub stepping broken beat mix.

rough and stripped down oldschool house with a mysterious vibe and urging, erotic vocals. flip over for a more instrumental version with heavy acid twist. reminds us of the early u-star records that lit up little heads many moons ago, truly amazing!!

an increasingly rare item these days, the techno 7'', but gary martin has never been afraid of bucking the system. here you get an edited take on his recent detroit-meets-electro winner, 'serious business' (i-94 mix), while on the flip, the previously unreleased 'a thought becomes you”'is a quirky downtempo electronic track that has definite eastern flavours...

featuring the vocals of rob burns, this has the trademark busy joeski groove. tight bassline and warm keys, the vocal doesn?t have quite the range of say omar alxnder, but the beats are tough. the dub on the flip goes darker with far more techy bleepier flair and is hot !

a hybrid fusion of styles, combining detroit ish & funky breakbeats with an afghan mc and is strictly produced for the club– on the flip side shake_dub_shake takes a slightly more retro and electronic style

a-side main mix a moody and melodic late night gem in thetradition of classic fred everything cuts. flip for the funk, with the young governors adding a jacked-up swirl people-styled bump and “our man decode” closing things out with a tracky, dubby acid-styled cut. absolute must for the underground heads!

fred everything delivers and solid production that really packs a punch behind heathers deep and sexy vocals. deep sensual dub from phil weeks & jossua moog on the flip.

2 tracks both completely different but equally good the a side is smooth n funky houser for the summer whilst the flip is an electro based analogue journey with a mad breakdown. not the most prolific of labels, slide prove quality is better than quantity

song in mayleads in with clarks vocal and a deep funky bassline, before being joined by warm chords and crisp beats on this deep house gem, with both the main mix and instrumental takes sure to please. on the flip, kemit goes out in his kemistry guise, reworking the track with rearranged drum patterns, added layers of synths, and a great guitar hook.

two strong and tasty sound-cakes this vinyl bomb suites your taste.on the a-side its vcm nation , a simpatico funky and twisted minimal track, which welcomes you to the nation of voltage controlled modulation. on the flip side we have this old-school-but-extremly-fresh-sounding track which reminds one of the ralphie rosario tracks back in time

"fred everything giving the house makeover to outkast's ""spottieottiedopalicious"" track. his ""back in da day mix"" keeps andre 3000's vocal, and backs it with a pulsing bassline, stabbing synth chords, and giving the whole track an old skool acid house feel. on the flip, fred's ""club rub"" is a funkier take"

nice price deal !!! nice price deal !!! ambitiously varied 2 track mini lp - miles of smiles is like a 4-stage soundtrack of klf meets barry adamson meets glenn branca. flip it for a trippier intro and a sonically forceful middle (a la branca) followed by a streetwise percussive ending. black dice prove yet again that no record of theirs ever sounds the same