time for something a little different from public release.
eye o is the convergence of a few bay area stalwarts—kevin woodruff, formerly of tussle, and jason schwartz - and “deux o & debut” is their first studio-recorded public offering. the five-track, fifty-minute- long lp is a weaving journey through a pastiche of styles that’re all nephews, cousins, brothers, sisters of one another. kraut-rooted motorik drums reconfigure into more complicated math-y patterns, razor-sharp dance-punk guitars stretch out and dissolve into dubby post-rock atmospherics, synth loops you’d more commonly find in house tracks get grafted onto fuzzy psychedelic breakdowns, hard rock licks lock into chunky industrial grooves.
less for dancefloor destruction and more for trippy weekenders, the instrumental record manages to both be a focused, cerebral, conceptual hunk of fat to chew on and a spaced-out, intuitive ride through the cosmos. for use during those off-kilter small hours of the night just as much as it is vision quests and introspective weekends. it’s rare that an outpouring of so much can feel so simple and sublime.

the sun is shining, the drinks are flowing and the music is bumping. summer is well and truly here and what better way to top off the best season of the year than with a 4 track summer sampler from the blockhead camp. as we have come to expect from team blockhead, they have provided us with another solid release with 4 tracks of pure bumpy tech house that would appeal across a far and wide ranging dancefloor. deep basslines, high top shuffles and infectious melody hooklines will keep the feet stomping and heads nodding. give it a spin and see the floor bounce!

style of eye aka linus eklöw always saves his best work for tiny sticks. previous releases have come on the legendary classic recordings, mouthful, doubledown records, sugarcane and eye industries. following the success of his bigger sounding releases, hes back with a more stripped down, underground selection. rockett evolves around a very funky groove, a track with a lot of swing, it has all the hallmarks of a massive tune. sounding similar to john dahlback s huggotron style, a huge distorted electro riff takes over and drives it higher and higher. rockett comes with a dub version too. l.d.r. starts off with a bit more subtlety than rockett. starting with a lovely bouncy shuffling groove and expanding spacey keys and then getting more and more pumping as it goes on with giant drum rolls and shouty vox. another big one for the underground heads

2 riddims - 20 tracks - 10 women - 10 men. double vinyl in gatefold sleeve with download code included.

ltd repress! dominik eulberg’s third ep on his label apus apus features the track -abendpfauenauge- (eng. eyed hawkmoth) on the a side and -oleanderschwärmer- (engl. oleander hawkmoth) on the flip side. -abendpfauenauge- brings together a romantic outlook as well as a rave quality through sequential tight knit melodies which enables the dj to play the tune in the club. -oleanderschwärmer- on the contrary is a dreamy and airy 15 minute epic that is a true fascinating listening experience. a. abendpfauenauge the eyed hawkmoth owes its name to the distinctive eye drawing on its hind wings. the bark-colored forewings provide perfect camouflage when resting on tree trunks during the day. in case of a disturbance, it pulls the forewings up jerkily. the moth now gives off the appearance of a face that suddenly stares at the troublemaker. forward and backward swinging movements of the body intensify this threatening effect. b. oleanderschwärmer with its incredible colors, the oleander hawkmoth is a symbol of tropical beauty. it rarely flies into our fields as a migratory butterfly. with a wingspan of up to 13 centimeters, it is a true -jumbo-. it s flying style is similar to that of hummingbirds. it reaches speeds of up to 50 km/h. it’s proboscis, the tubular mouthpart used for feeding on the nectar of flowers, becomes as long as its body.

raw electro influenced energetic, industrial styled analog techno

following two previous appearances on the -contemporary dance- and -quiet eye- compilations the elusive lyubocha makes their first full ep release through black opal. -noblask- opens proceedings and instantly energises with a bass heavy acid jam, sitting on a simple motif and crunching away into the dance.-berzerk- pushes with a slow burning, deep and dubby tech sliced open by red hot hats. -nenavist- proffers a floral counterpoint to the earlier acid, bejewelled back drops host a perfectly wonked 303 line popping off to the horizon. closing track -nikogda- rolls re-pitched kalimba/xylo styles into a ball and jacks it against the wall, hard. simplicity is a powerful tool when used correctly. lyubocha nails a warm, lo-fi techno minimalism on this debut release.

joia records releases joia004, joia023 & joia041 all bundled up for one special price!

having given us a taster of things to come back in september 2016, with the pressing matters single, the cyclist returns to hypercolour with a brand new, full length album. and as the title suggests, sapa inca delirium leans heavily on south american mysticism, not just musically, but in the visual imagery that the eleven-track album paints so well across its various tempos and rhythms. from the tropical burst of mood setting opener, go back to the steamy and pacey percussive flow of inhale/exhale which features regular collaborator tanaya harper on vocals, the cyclist’s fourth long player is crammed full of intriguing atmospheres and soundscapes. antiexist, with its down-tempo rolling snare fills and ethereal gregorian chanting segues effortlessly into a blind girl drinks ayawaska, a suitably discordant and hallucinogenic skit that ensures the album flows into the more rhythmic cuts like skateboarding in the jungle and mirrors (the second album cut to feature harper on vocals). even the traditional jazzier vibes of when we all break down featuring joni are kept rugged and boisterous, with heavyweight bending bass, choppy breakbeats and fx’d ambience amongst the smooth jazzy chords and sweet vocal delivery. sapa inca delirium is one of those albums that will reward on repeat listen, such is the diversity of style on show here, and the detailed and wide eyed curiosity offered up across the long players fifty three minutes.

monumental house anthem alert! another classic jammer from 1992 lifted straight from the strictly vaults. this one s huge. phuture aka acid house pioneers spanky and dj pierre (with a little help from roy davis jr) turn in a driving, acidic monster in true wild pitch style. probably the only record that begins with a sinister voice saying this is cocaine speaking before diving head-long into one of the best anti-drug house records ever. absolutely brilliant. bubbling 303 basslines and cavernous handclaps combine with a funked out, dubbed out synth line that just doesn t stop. phuture will survive, and they weren t lying when they said that as this record (among too many others they had a hand in) still rock today. yep, still fresh. tried and tested, often imitated, never bettered. phuture are the originals. open up your eyes (and ears). this one s a tasty 2017 reissue and remaster, featuring all 4 mixes as per the original release way back when. essential stuff here. you simply need this one.

the fourth release from gardens of gods imprint sodai is the barcelona based, egyptian dj and producer raxon with his &#8203,,,detla ep&#8203,,. a trend-setter, the former-architect exhibits a cogent production style making him an fitting addition to the label. a special track for raxon, &#8203,,detla was created en route to cape town for a big festival. i thought i would need to make some changes after the show, as is often the case, but the track worked, so i left it exactly as it is in its first original arrangement&#8203,,. &#8203,,which any producer will know is rare&#8203,,. the ep kicks off with an enticing intro, growing layer by layer with a detailed arrangement of ethereal synths and minimalistic percussion. a full breakdown mid-track leaves you craving more, before the final drop in all it’s stomping glory. on the flipside, &#8203,,jungle express &#8203,,features a hastier intro and a balearic-inspired drum pattern. a siren hooks you in as it drops into a bass-ridden techno roller. raxon &#8203,,has &#8203,,received critical acclaim east of the mediterranean, boasting best dubai dj in 2013/14 by time out dubai. developing and collaborating, raxon has continued to develop his career working with imprints and artists including ellum and diynamic. catching the eye of tastemaker john digweed, raxon has featured as a special guest on his transitions radio show twice cementing his place in the techno scene.

after the first release in june 2016 and #002 following in early 2017, the berlin- based imprint through these eyes is ready to announce the next release. this time it features two heavy jungle tracks by austrian based artist sun people. on the name giving a-side of his through these eyes release sun people uses an iconic vocal sample, adds a gut-wrenching 95 style bass-line and tops it all off with some of the finest razor sharp percussions in the genre to deliver one of the most stomping tunes you ll hear this summer. nu gun on the flipside gets a lot more dubby with it s perfect jungle beat edits and moody chord stabs - all that laid out over a well known vocal sample. it can easily be considered a prime example of sun people s signature sound which is heavily rooted in dub, jungle and juke/footwork.

the summer breeze is never far away when the barefoot beats posse are in town! the limited edition 10inch vinyl series continues in some style with two mighty contributions from nyc taste maker jkriv and rio s very own rising star joutro mundo. razor-n-tape head honcho jkriv kicks things off with a seriously loose and funk-heavy groove that hits as hard as a mango caipirinha at dawn. while over on the flip, joutro mundo puts stars in our eyes with his deep and hypnotic brasilian vibes. the barefoot vibe is strong!

louie balo guzman dropped this fine slab of ny garage house, his debut ep, way back in 1994 on the legendary eightball records. this 4 tracker showcases all the us influences that were evident on a lot of subsequent uk garage records, it s all here the deep rolling bassline s, pads and that killer mid 90 s era drum programming, shuffling, metallic, funky. a dream for the djs, tools packed with pure soul! across the 4 cuts guzman drops a bevy of styles, each track sounding fresh and most importantly, as we said before funky! as we all know, this era of dance music from the us was extremely fertile, sometimes there are records that deserve more props, often coveted by the digging cognoscenti, and this is one of them, as good as the mood ii swings, the maws, blaze s or any of the other production outfits you d care to mention. somewhere in-between early tribal, deep house, and garage you ll find the boogiebalo ep. a rare record that s a tough one to get your hands on and a truly worthy addition to any self respecting house-heads record stash for real. the boogiebalo ep has been lovingly re-mastered and re-pressed with the original eightball label artwork intact in full conjunction with eightball records, nyc for 2017. dont sleep!

adult only 47 has arrived with pierre codarin dropping some funk on 3 originals alongside a remix from dan ghenacia and chris carrier.........a1 telefunk kicks off things and rolls with a wonky filtered drum pattern picking up a real swung groove before a subtle vocal is then joined by a bass line can only be described as something from a late night jazz workout in the deepest darkest realms of the parisian capitol...detroit style pads and intricate keys keep this groove interesting through out the track pushing it forward more and more with sweet drum edits and skips that are all to known from pierre. a2 morning eyes twists things up with trippy spacey pads and a very nice 303 sitting low in the mix. driving drums make this track work well as it draws to a stripped back moment where the 303 really comes through and does its thing. this really is 6 minutes of a funk fueled adult only workout!b1 telefunk remix dan ghenacia and chris carrier dan and chris bring their twist on pierre s telefunk coming through with a very interesting take on things producing a very tight rework........... b2 evening juice grooves along with a nice warped synth stabs, a bass line that throws it self around the room, the drum pattern keeps things energetic through out alongside a faintly obscure vocal fitting well in the track, evening juice brings the soul and finishes the ep nicely making this overall a very solid package from pierre.

if you’re setting out on an epic voyage to the electronic disco universe, it pays to recruit an experienced pilot. when it comes to intergalactic musical fusion, few are quite as experienced as cosmic disco pioneer and noted dancefloor explorer daniele baldelli. produced alongside friend and regular studio partner dario piana, zero gravity cannily updates baldelli’s early ‘80s cosmic disco blueprint for the 21st century. we think that the ep contains some of his strongest music to date, with each of the three cuts offering subtle nods to the italian maestro’s original cosmic club ethos. a-side “infinity machine” expertly combines many of baldelli’s greatest musical inspirations into one mind-bending late night workout. underpinned by a druggy, arpeggio style bassline, the track rises and falls through waves of funk-rock guitars, crunchy clavinet lines and intertwined synthesizer solos. throw in jammed-out electric pianos, and you have a near perfect fusion of cosmic disco and blazed funk-rock. the producer’s long-held love of african rhythms surfaces on “if you drive”, where bold acid bass, ricocheting percussion hits and weightless chords combine beautifully with starry melody lines and vintage analogue synthesizer motifs. it’s afro-cosmic for the nu-disco generation. a fine ep is completed by “air lock”, in which baldelli and piana pepper a rubbery, electrofunk-influenced groove with cascading synthesizer melodies, swirling pads and a swathe of fuzzy, eyes-closed guitar solos. it’s bold and assertive, but also as otherworldly and stratospheric as you’d expect from a pioneer at the peak of his powers.

chicago basement trax returns with an homage to the king of the raw himself ron hardy. those that experienced ron hardy first hand will tell you there was a vibe like no other. a minimal space with strobe lights and a bangin system. if you put your hands on an eq or isolator as a dj thank ron as being an innovator of this creative style of frequency manipulation. not only did ron drop the bass, he dropped whole songs to expose the beautiful crispy hi hats, vocals and then romanced you with the piano before slapping your whole body with the beat. this ep does its job to take you there, just close your eyes and blast off!

desolat label boss loco dice is back with what is sure to be a massive autumn package: he has remixed the seminal dance track ‘go’ by the legendary moby, twice, and has made it all his own in the process. moby needs little introduction: the american dance producer and live performer’s albums are classics of the genre that are celebrated far and wide. they have been used on thousands of adverts, have given rise to hit singles all over the world and have made him one of the most celebrated electronic music stars of our time. his ‘go’ track was what started it all for him back in the 90’s, and was a bona fide club classic of the day. it still resonates today and always gets crowds going. now it has been remixed twice by loco dice, who has added his own stamp to it in distinctive fashion. his first excellent version is eight minutes of chunky and tribal drums, with rubber kicks, clipped horn stabs and big hits all building the pressure. those most famous vocal cries really finish it off in style, and ensure that dance floors will go wild whenever it is dropped, as do wonky synths and big piano chords at the breakdown. the second version is more emotive, with big sweeping strings smeared in the background to help make it all the more dramatic, teary eyed and impactful on the floor. this one is for the peak time in any set and is sure to make the most memorable moment of any night. both remixes here pack a real punch, and whilst remaining true to the original, they both sound just like you would expect from modern dance heavyweight loco dice.

select remixes of tracks from the recent stowaway lp
perc trax s very own potter-loving boy wizard ansome returns with some of the choicest cuts from his debut album stowaway remixed by an array of uk talent. opening up the ep are james ruskin and regis working together as o/v/r. the blueprint and downwards bosses show their class with a precisely produced stepper of a remix, built on a wall of sub bass...opening the b-side perc provides the peak time moment of this 12- as he fires up the already energetic bad blood in his own confrontational style. closing things off, london s randomer makes his debut perc trax appearance with a radical take on ansome s original mix of back alley sally as swarming live percussion and synth stabs lead the charge… as with the original stowaway album elliot fox provides the main illustration, with perc trax design guru jonny costello creating the centre art

the shag edits return on roots for bloom with volume 5. label boss jamie trench starts things off with where the party at which reaches in to a hip hop flavour with that 90s sample feel. reece johnson rounds off the a side with a disco style cut that will bring the boogie to any floor. the b side sees the label welcome more newcomers in bristols j.morrison and the mysterious g.markus. brown eyes sees that 70s style funk brought to the table and bing! is a more house affair with a rolling feel to it.

having previously plied their wares on is it balearic and los grandes, spanish nu-balearic sorts two mamarrachos pop up on another suitably horizontal imprint, dependable leeds label joe s bakery. there style is sunkissed by druggy, with opener al andalus offering an exotic, chugging blend of foreboding, lowslung grooves and arabic synthesizer melodies. super disco dancer delves deep into the box marked experimental analogue electronic disco, with heady, spaced-out synthesizers sprawling all over a typically atmospheric, cosmic groove. let feel higher is, arguably, the most balearic of the three, with warm acoustic guitars and delayladen gospel vocal samples creating a suitably toasty, glassy-eyed mood

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

the first release of parallel pain comes in three cuts, two originals and marcos in dub vs rooteo remix. hag-ridden offers both minimal and techno equally. a cut with great quality sound, exudes class and style, reminds us the good techno from the nineties. the marcos in dub vs rooteo remix, has a personal and sincere approach, with a more dubby and playful sound. in dark matter we found a fabulous track, a powerful synth defines the width of cut. dark matter contains sound passages that invite to close your eyes and explore by yourself what the game is all about. parallel has landed and is here to stay.

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

leading deep house connoisseurs and creators of hold youth records seuil and le loup, gear up to unveil their labels debut ep >classics< – an excursion into blue-eyed soul and hip-hop infused grooves. retaining an element of mystery and authenticity, hold youth will be a vinyl only label, keeping it strictly underground. an outlet for seuil and le loups own productions, the label will feed on their musical inspirations, and nurture homegrown talent while exploring a range of sounds and styles, from hip-hop and soul through to house and techno. hold youth is also the name of the dj duo and their residency at social club in paris. >classics 001< is a split ep with two offerings from hold youth on the a-side. the first track >nautil us< is a rework, which modernises the 1974 >nautilus< by bob james while >paname< focuses on the solid underground house style with that all-important french touch and a sprinkling of nyc. on the b-side, seuil delves into funkadelic, hip-hop influenced waters with >khemestry<, which pays homage to trankilou and j. dillas deep side. le loup rounds off the ep with a track rooted in cuban salsa, but with brawny beats and a modern hip-hop twist.

syndrome picks up the pace again with another fat slab of rolling tech business. krone is the one taking the stand and starts off with a steamrolling roller made together with >malsum< we are not alone is one to keep your eyes on. like ghost train you can hear it coming in from miles away rattling along the tracks with the cries of all its zombie passengers inside.dont let this one get you as youll lose your brain.for babylon 21 krone trucks along solo style.. things turn a bit lighter but are all about the groove. like back in the old days before all the sounds got processed to death.. this one keeps it subtle groovy and funky all at the same time!

darek presents its ninth release and 2nd vinyl edition named >maremoto ep<. it includes three original tracks of dich also known as diego cheloni or katama and three remixes delivered by signal deluxe (trenton, eintakt, fade, blaq) from mexico df as well as demir & seymen (highgrade, pentagonik) from berlin and jimmi hendrik (deep vein audio, dirty monkey, tanztone) from plauen / jena. dich was born in fray bentos in uruguay, and nowadays, he is living in montevideo. he s very active as a dj, producer and remixer. his career began as a self-taught musician approaching to percussive instruments, guitar and piano. dichs productions go from minimal to conceptual and techno dub sounds. his music development embraces different styles and he is always ready to discover new horizons. his current work is definitely influenced by minimal and techno and it offers amazing variations of both styles. this new ep clearly shows that his production skills are very effective and he is definitely one to keep an eye on.

we would like to welcome deep a and biri to upon you records. these two up and coming young producers from israel have sent us three jackin house tracks, which we know you will enjoy. wed had an eye on them for a while after hearing their tracks that they released for kammer, trapez and rotary cocktail, all the better that they now have another platform for their darker house style. on a1 we have barzilay a track that is dedicated to the club in tel aviv where deep a is a resident and salutes the vibrant energy of the city. b1 is wilder and more psychedelic. deepa & biri made a gem called emergenze that subtly pushes itself forward then rolls over everything in its path. hoya on b2 keeps the mystical suspense level up where it should be, and adds a bouncier tom-groove to round things off perfectly. shalom!

deeply rooted in underground house disco & soul, wolf music have forged an identity for themselves as one of the hottest labels to keep your eye on in 2010. next up is the back from the future ep - again the wolf music boys give us 4 killer tracks from some of the hottest names around including croatian super producer ilija rudman (greg wilson is a big fan), up & coming talent from the north of england cottam, wolfs very own greymatter & detroits krl rounds things off in style...

l-vis 1990 is quickly solidifying himself as a bass-prodigy. you re forgiven if you re unfamiliar with the name but pay attention - this 25 year old from brighton has stormed on the scene and is making some of the most singular dance music we ve heard of late - this stuff is truly standout. with the ever-building epic come together and the floating then undeniably face smashing united groove , we re hearing a heavy sound with a new and refreshing take on structure and style. he has upcoming releases on kitsune & dim mak as well, plus a busy club schedule with his night slugs monthly in london, and one offs at the biggest european clubs (fabric london, social club paris, scala berlin, etc). oh and did we mention that with all that he still finds the time to make videos for the likes of dance area and riton!? definitely one to keep your eye on. in the meantime, these two tracks form a serious weapon. amazing new mad decent record that s making big waves worldwide. touches of grime, house, uk funky and your classic mad decent styles. big.

>there is nothing more alive or energetic than crystal fighters dazed & confused. offering raved-up folktronica and minimal electro pop and veering from fischerspooner-style euphoria to animal collective-toned delicacy time out crystal fighters reputation has rocketed in 2009, perhaps due to their uncanny ability to create carnage at every performance. loud & quiet forget what you think you know about londons party scene, crystal fighters have the perfect remedy for those jaded eyes and ears< fact

faste is back with rico puestel from germany offers here a huge 3 tracker ep titled >have you seen babba yaga? < great example of rico style starting with a1 >your poke<. a bunch of bleeps and cuts subtle arrangements and heady shuffle melodies. >your poke< is your thing to kick the floor! on a2 >segundo< with shuffle rythmics and heady synths. keep an eye on the break with the arrive of a low unexpected melodic sitar guitar for a brilliant atmosphere turn. great moment! on the flip >soul calyx< track - special mention for this so original cut. mental and loud! rico keeps heady pianos and incive drums. lot of lot of sounds indeed - just enough to keep an extra tension all track long. do not miss!

amazing techhouse tune with mixes by wally lopez and style of eye.

super versatile 3 track offering from malik alston ranging in style from abstract jazz house, to beautiful rnb and downtempo latinjazz

dj fred hush is back for more on the palm beachrecords. the label from brussels is starting to get real famous in country s like belgium, france and germany. after the >open your eyes< (pb 601) and the >dangerous disco< (pb 602) releases, the rubix ep follows in their known style. with the title track hush offers a track like a horse on a racetrack... its right after you and it wont stop running and running and running. solid electro–electronic music for discerning dancefloors and relaxing sofas. the flipside will break up your dancefloor because fred hush chooses to build up softly to reach an amazing climax. friendly but minimal electro – sounds with a warm and uplifting bassline..

like no other, armin van buuren sustains the magic of ibiza. a regular at the finest clubs on the island and a resident dj at ushuaïa across the summer season, the dutchman is a human conduit for the isle s charm, luring in listeners with a promise of audial wonder every time he steps behind the decks. and for those who d rather get the full experience at home, the ninth ibiza-tinged installment of his esteemed mix album series brings a piece of ibiza straight to the doorstep.

feat. tracks by omar s, joris voorn, lco dice, jay haze, guti, iron curtis.. balance music presents balance 021 mixed by nic fanciulli. the saved records boss delivers a stunningly intricate mix that highlights his ethos as dj and label owner. cd1, entitled simply balance is a subtle and expertly crafted mix that balances a plethora of diverse tracks, often three at a time, to create an expansive but well focused journey. on cd2, nic showcases the sound and ethos of his own saved records with a collection of records exclusive to the imprint. whilst keeping the focus on quality house music, the mix highlights the diversity within the label with a discernable collection of tracks that straddle various styles, atmospheres and tempos Ð many of which will be available exclusively through balance 021.

azuli return for their flagship compilation with three of the biggest house stars around at the moment. olav basoski, james talk and ridney will take the helm of this years offering, serving up a tough, peak-time mix of house music.