medical records presents its second contemporary artist release with roladex. imagine kraftwerk playing steven merritt songs. using an arsenal of analog instruments, roladex nostalgically borrows ideas from music of the past to carefully craft a unique brand of futuristic-mechanized pop, with an emphasis on songwriting and layered production. weaving sparse, sequenced arpeggios into fuzzy bass and bubbly melodies to create a bed of sound where they layout a somehow bright melancholia.
pressing on transparent, electric blue colored 180 gram vinyl with lyrics insert.

limited repress edition
tale of us are carmine conte & matteo milleri. born in north america, raised in italy, at home in berlin. and this is their first release for minus. both musical and minimal, tale of us strip things back to their most basic ingredients. circular phrases hinting at the melancholic slowly spiralling downwards.

the space lady began her odyssey on the streets of san francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. following the theft of her accordion, the space lady invested in a then-new casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of john maus, erol alkan and kutmah being devotees.

alaska kicks off 2014 in style with an emotional drum & bass and downtempo 12 inch from arctic music. alaskas 33rd vinyl release takes you on an escalating journey with its head-nodding breakbeats, layered pads, bass booms and chords. violin, piano and rhode keys lead the ascent into a passionate orchestral crescendo and jasheri is born.on the flipside alaska flexes the sample muscles and lowers the tempo to 85 bpm with the arctic-sleeze score of zoranine. xylophone riffs, oboe effects, guitar stabs, flutes and vintage keys float over a funky breakbeat groove for the first alaska downtempo excursion since novas from 2010s the mesozoic era lp.

at the end of the 90s a few friends united by love for music used to meet in an underground place dubbed last drop where they collected vinyl sharing music. our music comes from our souls and for us the music is the universal language of any hearts. last drop records born from the need of spread our concept to make music connecting with the universe ... music is connection.

born in hungary, gabor nemethy aka snilloc started djing at t he t ender age of 18, and event ually made his way t hrough a combinat ion of hard work and unceasing enthusiasm. by 2002 however, snilloc had come to the realization that a respected reputation as a dj in his home country was no longer enough. snilloc approaches each dancefloor with a childlike enthusiasm and a mature taste for music. this killer- combo – combined with his excellent sense of humour – makes every occasion in his presence an unforgettable one.

disruption and interference arent words you ordinarily associate with pop or dance music, but planningtorock is on a mission to unseat all norms. on her new album all loves legal, she leaves you in no doubt as to the seriousness of her vision of transnational gender equality. surprisingly, given that western dance music is born out of black, queer music, it rarely touches upon these themes, but all loves legal is a refreshingly direct statement of political intent

limited to 500! the ninth release from the well-formed holic trax label comes from italian born hot property tuccillo, fresh off the back of his massive ep for 2020vision and recent work as doublet with holic boss tomoki tamura. this new ep will get released on a limited run of 500 coloured vinyl. tucillos sound is a cultured but club ready one with plenty of melodic intricacies and cues taken from chill out, disco, house and techno in equal measure. these four new tracks prove he is a master of his form very much still on the rise

put simply, alexi delano and butane share a devotion to pure artistry that few in this industry are able to claim. both, over the breadth of expansive careers, have consistently chosen to forgo more commercial paths for wholesome, timeless, underground projects . after a chance meeting at an impromptu after-hours in brooklyn where they rocked a packed warehouse together well into sunday evening, the two decided to combine their talents in the recording studio, where they found an undeniable synergy. alexi, born in chile, raised in sweden and later adopted by new york, has been producing music for nearly 20 years. butane, born in the usa, dues paid in berlin, and currently calling new york home, has been djing professionally for 12 years and producing for almost 10. when 30+ years of experience comes together, one should take notice. here, the results are electric.

the label is debuting with a compilation dedicated to pacotek 10 years celebration, blending heavily layered jamming of contemporary big-room techno, tribal rooted house and driving acid with broken beat. all tracks are produced by various artists from tel aviv and perfectly reflect pacoteks musical vision. side a presents 2 driving techno tracks with a handful of slammin electronic rhythm and combined with mighty funk bass from outer space. side b – is dropping two low base trippy tracks by mikhail breen – a talented producer and dj, born in siberia, now lives in tel aviv.

180gr, reissue of the 1998 classic!! produced by ?uestlove, jay dee, james poyser, scott storch, a.o....feat mos def, jazzyfatnastees, erykah badu...

maddiscos second 12inch ep containing 3 monster disco funk jazz edits for the dance floor and 1 chilled ambient vocal song, all with a love them

sao paulo born ney faustini is an activist in the brazilian underground music scene. after releases on foul & sunk and appian sounds, he showcases a broad range of angles from which to approach deeper house music with hot as ice ep, on foxtrax.

the remains of the horsemans severed head are no where to be found so he has returned to sleepy hollow for vengeance. in >execution< you can hear his sword tear through the last human souls who were brave enough to step out side of their homes in the pitch black darkness. the headless horsemans >legend< has now been born in the neighboring villages but there was one survivor on his third attack. that was a gentleman named ancient methods, who showed his courage and strength so the horseman decided to let him live in return for his shield containing markings of times before his

rising label is born, a label working as an extension of the renowned rising management agency

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

der rock n roll hall of fame -ausgezeichntete buddy guy gehört mit seinen 75 jahren sicherlich zu den bekanntesten und typischsten vertretern des electric blues, sein einfluss auf das blues-genre sowie auf bedeutende gitarristen der rockmusik wie jimi hendrix, stevie ray vaughan.

changes is a single by the parisian electric duo faul & wad ad sampling on the refrain of the pnau song baby

after some sort of slumber, shabu recordings is proud to present its new series: sharmx. sharmx is pretty self-explanatory: these eps will be a retrospective that breathes new life into tracks from previous releases. these born-again tracks are then presented under a new form that is dictated by another party, not previously involved in any creative process of the affiliated release. the word shabu being japanese for splash, this leads us to our first installment in the series: splash splash vol.1

der schottische produzent lord of the isles hat in den letzten jahren mit releases auf labels wie ene records, firecracker, phonica, cocktail d amore oder seinem eigenen label little strong auf sich aufmerksam gemacht. permanent vacation begrüßt ihn jetzt mit einer expansiven fünf track ep, die sein ganzes talent widerspiegelt. cinematic soundscapes zwischen planet e-styled techno, sprudelnder electronica und analoger warehouse rauheit.

after a remix for dasos so sexy last year, the german-peruvian artist martin patiño confirms his presence on popcorn records with an entire ep. to begin with, solid ground is born from the collaboration with astrid. we already heard them on the great hunter ep on cadenza at the beginning of the year. the result of this new featuring is an original techno track with all the good components you expect from tr707 drums to a xylophone melody, in addition to the sexy and reassuring voice of astrid. the american pezzner honored us with a particular interpretation. a deep theme, with percussions, long and subtle panpipes breathe. as if pezzner was paying tribute to martin patinos roots. finally, routinary coffes comes to conclude this warm and deep record done for the sweating parties of the upcoming winter.

bristol born producer guido releases his second album *moods of future joy* through home town label tectonic recordings. alongside joker and gemmy, guido completed bristols purple trinity generation of dubstep producers, whose collective sound took the worldwide underground scene by storm in 2009.

wow how time has flown by.. it was almost a year ago to the day that the concept of pathway traxx was born, and we now find ourselves charging full steam ahead into our 3rd release.

after stumbling across good guy mikesh and making an edit of his track *freddy* - maceo plex delved deeper into the back catalogue and decided he was bona fide ellum material… one demo request later and the *from another world ep* was born. a trio of original tracks, one of which features production partner filburt, it is dark, beautiful and warm music for cold winter nights.

vinyl only! born in buenos aires, argentina, ronan portela & ariel rodz managed to feed on different musical genres throughout their careers, experiencing various production techniques, achieving the sound that characterizes them today.

newly born, retiree, recently kicked its way through the musical birth sac and into sydneys live scene, with a spate of vitalising performances.

scotland-born parisian paradise 100 (a.k.a. dj africa, a.k.a. graham peel) has been percolating stripped-back, bouncy-castle house constructs onto the web for a few years but never locked them in wax until now. high time. following his minimalist dictum *more than three tracks on a song is just indulgence*, his debut eps four cuts share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming and flashes of synth mirage into fluid, aerodynamic patterns. touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like the loin king and french kissing in the house of love). his own vision of the project is appropriately fantastical: *the image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts.* regal music for pleasure domes.

people must jam is our sydney based warehouse party that we have been running for five years. the ethos behind the night initially, was to bring djs to australia that we wanted to hear but that had never been, and to put them on in intimate spaces and let them dig deep into their collections to play whatever they wanted. over the years we have brought rahaan, al kent, leo zero, mark seven, trusme, frank booker and more to australia for the first time to play. floor jammers vol. 1 is the first in a series of eps from some of our favourite past and future guests. the record is pressed on 180gm vinyl and strictly limited to 300 copies.

hardcore legend dj ruffneck debutes with a brandnew album on his own imprint. that hardcore and drum n bass mix very well is already prooved by labels like prspct, one seven five and union. some even have an own new name put to the genre, crossbreed is born. this double 12inch album feat. collaberations from artists from both genres and is an absolute must for all the crossbreed fans. limited repress without the cd for the true vinyl collectors.

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

deep site recordings presents karmine roscianos >sending my love ep<, exclusively on vinyl. karmine is no stranger to deep house fans around the globe with damn fine releases on imprints like um records, incepto deep, and city life. first off on the ep is his original track, sending my love. its a smooth deep funk dancefloor number peppered with groovy guitar, lush orchestral pads, and a sweet female vocal refrain. next up is a melodic and resplendent remix by vincenzo (dessous). placing the vocals more upfront, he then adds a wickedly infectious garage styled bassline and electric piano chords over the original sounds, creating a scorchingly deep track. the third song is another original from karmine, with you. beautiful piano lines coupled with funk bass and guitar flourishes soar over a driving deep house structure that accentuates a percussive discothèque feel. the final tune is a remix from alex neivel (large music/rvs). taking the original elements to a completely new place, alex emphasizes the late night mood with rich floating pads, dark spacey atmospherics, as well as perfectly timed rhythmical pauses.

ac-in record was born in rome in 2005 by the synergy of the capitoline producer alessandro durante the artists of the electronic scene underground torinese marco tozzi, enrico gontero and gianluca vitanza ercole (which will become part of the production team in 2006) under the guidance and supervision of masters such as leo anibaldi, lory d.

recorded in berlin at studio schwedenstrasse one day in june 2010. recording engineer: marco paschke. mixed and mastered by daniel karlsson in stockholm at elektronmusikstudion. mika vainio - electric guitar, processing, metallic percussion. joachim nordwall - electronics, electric bass guitar, metal objects, hammond organ, vibraphone.

in a soft night of confusion the ape was born into his lion mothers lair. as he grew older, he danced in countless circles around his fathers fallen empire. spent by fires of ecstasy, the departed reptile king appeared in his sleep and told one love will show you how to fly, and he sang forget the world, cause no man will ever wake up from that insubstantial world of cycles...

a collaborative effort between marquis cooper (svengalisghost) and lili schulder (51717), this project was born in the winter of 2013. what can best be described as non-stop electronic erotic cabaret, the duo played a series of improvised performances which served as a structural backbone prior to the recording of this album. finished in merely two weeks, this 8 song double lp acts as a complete listening experience, engrossed in the down beat primitive electronics of the past whilst pushing further into the self-created anti-beat world of today. pulsing tones, off beat drums, melancholic vocals, and overall dark vibes characterize, but do not solely define what it is to truly trust in pain. mastered and cut by matt colton for maximum impact.

in a few short years laurel halo has demonstrated an unnerving ability to question established idioms in electronic music. throughout her body of work the michigan-born producer has expressed musical representations of merged dualities, spirituality in the inorganic, space in the claustrophobic, hope in dread. as a result there is something uncanny about laurel halos sound - the sonic templates may change, but the challenging of divides remains. laurel halo returns to lp format after two critically acclaimed eps with the driving, meditative *chance of rain*.

following on from medlars debut album *sleep*, wolf music return with their 21st release. this time they welcome back james welsh to the label with a full ep backed up by a remix by dutch rising star, frits wentink.

when it comes to top class releases produced by artists who were already being brilliant when some of us werent even born, it doesnt get any more legendary than the great oliver lieb. renowned and gaining heavy respect for former projects like spicelab, the ambush, paragliders, l.s.g. and remixing the likes of moby, yello, human league, sydney label elektrax recordings is proud to present the electronic bigfoot to its label with a 4-track release, called *the prophet ep*.

the second ep from the canadian-born / brooklyn-based duo that caught fire with the underground hit * hands to hold* sees bob moses continuing down a melodic deep house path paved with sweet melancholic pop vocals.

ewan pearson, alex smoke rmxs! vinly only!

photic fields next release comes from another (italy born) irishman, lerosa, whos known for an impressive series of releases over the years

truckstop76th is an independent label born in the 2002 in rome, and more precisely in ostia, a neighbourhood of the suburbs that looks onto the sea. this label was born from the will of the duo seventysix (that is mr.3p e nrn) to create a platform to diffuse their own music and that of their crew. the roots of the label sink in the roman illegal rave scene. here they present two deadly acid/electro tracks from franz & shape and ice one. no messing around with this killer 12 inch

gator boots, pimped out gucci suits and a quarter tank of gas in a new e-class benz. sometimes musical rules are just meant to be broken. with no exceptions, here comes gator boots, a new imprint born in the true spirit of underground. no holds barred, vinyl only and extraordinarily limited we proudly present bootlegs for the sake of bootlegs. can you dig it? we knew you could!

chicago native jordan fields drops an awesome 4 track ep for those who love chicago sound. a tape called 1990 - this lost track was created 2 decades ago with heavy influence from mr fingers. the just an illusion re-work feels like the soundtrack to a break dance movie.

if chicago and detroit are the cities in which house and techno were born and raised, it was in italy circa 1990 that this delirious party music experienced a piano-driven coming of age. so far, so spangled. but while that may be the official story, there are other italian narratives too. take francois le roy and nanni for instance - two djs and producers from southern italy for whom, in the early nineties, the likes of aphex twin, autechre and air liquide were important, alongside the machine funk of detroit and the immersive soundtracks of the ambient generation. both artists are steeped in underground club music, and their new release on shabby doll records is a fine example of tough, tech-edged house. the *crossing roads* ep features four tracks that showcase their melodic yet relentless groove, they may be based in milan, but on this record, the influence of detroit, chicago and new york runs deep.

its time for a new off recordings music delivery, and this time we put betoko, one of the most exciting names in the global scene, in charge. mexican-born but based in london, this notorious musically trained producer unleashes all his melodic arsenal in two outstanding tracks for our delight.

in the spring of 2012 yot teamed up with scottish born vocalist soom t (renegade masters). the product of this recording session? the first track on yot 4, the moody epic funk shuffle beat banger *the cure*. rising synths, tough beats and heaps of squelch all pushed up against soom ts unmistakable flow. a sure shot was born.
as well as vocal and instrumental versions of *the cure*, yot 4 features the grinding slow tempo burner *day won* and hypnotic ballad *g.i.m.p*. to record the ep the core four piece signed up a fifth member, multi-instrumentalist markus pyorala. it follows up last years *bitch bender*, which mixmag made album of the month, and drops on harmonia and losonofono.