2023 represss incoming!

12 inch with foldout 17 inch x 24 inch poster

comes with full picture sleeve, supported by many djs

decks tipp

repress - ive never met rod modell (deepchord) in person, but we have met through music. he found an obscure cassette of chi music (from 86), sent it to astral industries and paved the way for the release (30 years later) of the original recordings in 2016. since then, weve exchanged ideas and good music. i sent rod a preview of the kallikatsou recordings - he really liked it - and here came the idea for a remix of lanterns. i started working on some random, lo-fi samples from youtube, using audacity, perhaps the simplest way of producing loops and samples. it’s the only computer based system that feels like the tape recorders i used to work with. i sent the first sketches to rod on facebook, but they ended up in the wrong inbox. i forgot about them, but months later he came back saying he loved them. i decided to go back to working on them, maintaining the lo-fi approach. i began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic old speaker effects, delays and loops. i used a few field recordings, voices and samples from my early ambient cassettes, and they matched. ario from astral industries got involved and the experiment turned into a plan a vinyl release - red lantern at the kallkatsou.

reissue of the in-demand 2017 release from goatrance pioneers astral projection.

cinematic soundscapes....

reissue of the 1973 spiritual jazz classic from lonnie liston smith & the cosmic echoes. the vinyl lp comes in a gatefold sleeve.

son of chi is back on astral industries. tip!

new astral industries lp

the humble bee aka bernd hamblin aka craig tattersall

previously released only on cd

deep ambient trip - lp

clear vinyl 3x12 inch repress in full artwork sleeve and spot colour.

2020 repress !! about the bamboo recordings: jacobus derwort started exploring sonic soundscapes listening to his short-wave world receiver at the age of 12. there he would hear music from africa, china, japan, indonesia, south america and beyond. he started playing guitar, piano, percussion and saxophone. he met hanyo van oosterom in 1978 and they started the legendary cult rock band, the jones . derwort was playing the sax, van oosterom the drums. they started conducting sound experiments in hanyo’s small cellar in the dutch village of krimpen aan den ijssel. in the early eighties they made their first cassette, the kallikatsou . hanyo started the ambient collective chi in 1983. jacobus was the first musician to join chi. together, they went to the magic rock “the kallikatsou” on the island of patmos, greece. here, hanyo had stayed for months in a cave for some deep soul-searching. he heard the sound of chi in the silence of the night like a message from out of space. being together at the kallikatsou they shaped the foundation of chi, making handmade flutes from local bamboo and conducting field recordings of water, crickets, owls, goats, wind, etc...

spiritual jazz

final on vinyl

ltd 2020 repress - 250 copies only - chi started in the late punk years in the early eighties. a time of change and mind-blowing albums. we started doing sound experiments in an old farm in moordrecht (thanks to jan van rhee and kees van der veer). in the summer, all the doors and windows were open, birds flew in and out. in the distance we saw the highway to rotterdam. in the winter we sat close together, no heating, only blankets, candles and brandy.

the 2nd album from astral tv on vinyl lp, limited to 300 copies with download code included.

fusion of hip hop house and jazz

dont fear the sound comes in two different versions.

stunning new record from the chi factory mastered by noel summerville and has original artwork by theo ellsworth includes leaflet inside

hot collaboration of dj spinna and hugo lx

a couple of steps down and you ve entered the grooviest cave of undiscovered strobe light excesses. smoke machines and automatic funk. if spaghetti and meat balls would produce, they d be named fede lng and deejay astral. bringing serious thumpers to susan, their pack the pipe journey is wrapped in pirate material, recognizable vocals and the longing for a never-ending after party after the next after party. empty your ashtray, crack open six cold ones, turn off the halogen lamps and start thinking.

the passage ep brings together two of the chief champions of far reaching sounds in aybee, and lars bartkuhn. bartkuhn best known for his work with his iconic (needs) imprint, and aybee for his boundary pushing ethos at (deepblak). a project spawned of mutual love, and respect the two met at an impromptu jam performance at the xjazz fest where the seeds were planted for further collaboration. committed to stretching out beyond tight parameters they sought to capture the spirit of the dance. as the astral walkers- they set out to combine the fearless freedom of the jazzfunk era with the endless possibilities within electronic music

drumcode continues its commitment to releasing the scene s most cutting-edge techno. with releases this year already from adam beyer, pig&dan, alan fitzpatrick, dense & pika and julian jeweil, this july sees the return of enrico sangiuliano with astral projection. after his remix of mobys of why does my heart feel so bad back in november last year, enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. the result brings a mind and body melting release from the italian producer. the title track astral projection is a captivating, big room techno masterpiece. deep reverberations punch alongside a sinisterly crisp percussive drive. launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level. ‘blooming era has destructive dancefloor intent. there is no holding back with the low end synth modulation which enrico has mastered to perfection. a tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track. if you have seen label head honcho adam beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. road-tested to the max, and with much success.

after turning heads with their first two releases brisbanes radio show come record label beats of no nation (bonn) is here with release number three. the hollywood ep comes from bonn co-founder jad lee aka jad &the(fka jad & the ladyboy). off the back of recent 2017 releases on labels sonar kollektiv, 2mr, and axe on wax jad brings it home to beats of no nation with the hollywood ep which takes its name from the obscure samples jad pulled from a bundle of dusty vhs movie tapes. londoner deejay astral provides a remix of the a1 theatrical trailer and he masterfully takes the bass line from the original and makes the remix into something his own.

limited edition of 500 hand numbered copies on 180 grams black vinyl.
the label is called spettro (the word has two meanings in italian, it means “spectrum” but also “ghost”) and the releases will be split in two series : spettro library and spettro soundtrack - this is spettro library!

repress

antigone is an artists coming from the depth paris producing and digging for several years now. the three tracks are a travel in to different style of techno with the intention to reach a certain emotion that is close from nostalgia and really deep feeling. the challenge of this work was to find a good balance between sound and colour, focusing on an old sci-­&#8208,,,fi landscape. with a really mature perception this young artist is developing his own sound, a detroit atmospheres, openly characterize this ep, but it remains antigone work at the end with all his sense of details and perception.

after his first stomp in 2012 its time for the true first single astral projection out of his upcoming debut album micro mega (out in june)! for the new single strip steve is teaming up with the lucid and wild eyed dream-pop band puro instinct, young protégées of living legend ariel pink, straight outta sunny southern california. unlike his more dancefloor tunes stomp/mother circuit (bnr078), strip steve is taking us here on a trip painting lingering psychedelic-noir disco pop. astral projection goes more to the root and encapsulates musical influences from the beach boys, chic, and modern disco like amplified orchestra, highlighting the fact how versatile and multi faceted strip steves musical approaching can be. its the flirtyness with fragile lucency and the infantile embracement of the simple and still undiscovered popformula which leaves the song grow and breathe on its own. this cocktail is best served by the beauty of your own imagination. so relax & leave your soul wonder, cause astral projection will take you to a new dimension until youll have the pleasure to discover >micro mega< - strip steves debut album.

the might shelter production team of dj-legend timmy regisford and musical prodigy quentin harris add a deep tracky cut to the impeccable objektivity catalgoue. another sure-shot from dennis ferrer hyped label

2x 12inch 180g black vinyl

the first single taken from eric hilton’s forthcoming album corazon kintsugi is the pink vinyl 7” amor astral featuring the vocals of long-term thievery corporation collaborator natalia clavier. the b-side is previously unreleased track niemeyer.

»astral weeks« ist das zweite soloalbum des nordirischen musikers van morrison, mit dem der ehemalige them-sänger nach der auflösung der band seine solokarriere weiter ausprägte.
aufgenommen wurde die acht songs umfassende platte innerhalb von nur zwei tagen im september und oktober 1968 in den century sound studios in new york. unterstützung erhielt van morrison dabei von dem gitarristen jay berliner, dem bassisten richard davis, dem perkussionisten warren smith und dem schlagzeuger connie kay. es ist das erste album, das der sänger beim label warner brothers produzierte.
»astral weeks« ist eine mischung aus folk, blues und jazz. es gehört nicht zu den erfolgreichsten van-morrison-alben, hat jedoch bis heute bei seinen fans kultstatus erlangt.

2x 12 inch 180g black vinyl//gatefold cover // mastered by noel summerville // original artwork by theo ellsworth

180 g vinyl