a full length lp by ruins, an italian electro-wave duo. ruins formed in mestre in 1978 with the intention of experimenting with electronic devices and mixed media. they mainly created music out of self-expression without any intention of joining the mainstream. interested in multimedia, they had a strong visual aesthetic apparent via their album art, videos and projections. its where italo meets minimal wave. the -fire- videos are a must-see in order to grasp the full effect of the song, check out the first version here and rare second version here. the lp entitled -the art dance- features a collection of songs recorded between 1980-1984, some previously released, others never released before pressed on 180 gram vinyl and housed in a lovely hand-numbered glossy gatefold jacket lined with the bands history and photos, and accompanied by a lyrics insert sheet. tip!

b.h.f.v is the collaborative effort of arto mwambes cb funk and the live at robert johnson label manager oliver hafenbauer. originating from a cross-pollination of graffiti, train stations, red light districts and frankfurts club music roots, et 01 and et 06 are both all that those x-men and egyptian lovers ever wanted. two tracks, one sound. blueeyed electro-funk with sharp snares, jeep-boomin bass and haunting melody lines. retro fascists beware! this aint a historically correct or nerdy carbon copy, but a blast from the futures past. fresh as champagne morning dew. hip hop be bop.

balans records is the latest addition in the wolfskuil labelroster. devoted to pure and honost house, techno, acid and electro music with a distinct old school flavour, but also strongly settled in the here and now.
early support by norman nodge & laurent garnier.

limited backstock on this great industrial techno / electro release from 2001 by richard polson & nick dunton (surface records).

bonusround #5 is made by labelhead lukes anger himself, extra madness added by michael forshaw, paul birken and dzaxy. electro-breaks-dubstep-fusion to the max! ltd 2011 re-press

debut ep by london based duo chesca and elliott yorke aka royalty on the fresh undergound imprint five easy pieces. their electro-funk take on the boogie resurrection already receives support from dam funk.

with the huge anthem >run to you< featuring the male vocal talents of s.o.u.l, the quirky and unique electro influenced >fashion< and the euphoric love fest >skream<, this ep has been on heavy rotation in the clubs and has proved to be a firm favourite on both the dancefloor and radio 1!

limited copies! very unusual sound for exploited, very cool deep disco madness! total electro free ...

electro ragga and roots dubstep... super release.

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

lowkey & kardinal back on goog records with her friend commuter (skryptm) for tow big electro techno tracks ! enjoy.

roman ruins is the brainchild of graham hill. his sound combines elements of indie pop, electro-shoegaze, and hip-hop. draped in structure, you will most certainly count yourself among his legion of fans after landing a copy of the inaugural gold robot records release.

played by: tensnake, the revenge, aerroplane, erol alkan, diskjokke, 6th borough projekt, toby tobias, faze action ...
anyone in the dance industry get soft knees remembering back on this one. >jam on it< is one of that eras biggest tunes, period. its in the same league as >rappers delight<. newcleus was a pioneer in the electro-hip hop-boogie scene back in early 80s. >jam on it< sold more than one million copies world-wide back in 1984. so guess how excited we are to present this little gem to you. we invited the high and might chicken lips and they delivered what they do best, spaced-dubby disco.

the 2 first releases of db_24 (ac_02 & ac_03) were designed with splitted electro & techno sides.
the >urban works 3 ep< presents deep & powerful electro sessions by db_24.this special collector release features dark metallic bluish-gray monochrome cover and labels designed with industrial precision. the records are pressed with 180g natural translucent color vinyl.

in early 2011, crc, one half of finlands red-hot electro-duo morphology, returns to heliocentric music with two new blistering tracks in the vein of famous 90ies uk-idm techno like b12 or nuron/likemind. the contribution by myon is a 9-minute cut with huge basslines and strings that will rock your socks off! after the big success of their previous combined release, crc and myon team up again to deliver a record, which is highly inspired by detroit-techno in general and contains lots of… strings & harmonies!

calagad 13 is a spanish deejay / producer involved in the bboy breaks / funk / old school hip hop scene. he owns a versatile style and his sessions are ranging from rap, funk and dancehall to electro, nu skool breaks and jungle. his name on a club flyer means party.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

erell ranson is based in the north of france and has already released memorable records on arne weinbergs aw-recordings, as well as on his own myself label. he expresses his personality through these soulful productions, and this new release on adepth demonstrates how his great talent has developed even further. each track on the new everything needs to be clear ep is an individual musical journey in its own right. the 4 track ep begins with erells original version of >everything needs to be clear<. its combination of gentle chords with electro beats is the foundation of the musical ideas explored throughout this release. the second track, >so strange to explain<, is deeper and an adventurous fusion of dark, intense tones, swirling beats and insistent percussion. on the flipside, canadian rennie foster remixes the title track, and delivers a fine piece of modern dancefloor techno which respects the key elements of title track. erells >sandcastle< closes the ep, and its sophisticated yet punchy bassline and fragile synths recall some classic early 90s productions.

killekill002 comes from alex cortex solo. the a side track >tackle” is an old school minimalistic loop techno track with a weird bleepy melody inside. made for the late hours on big pas. b1 track >beach bass< is the hit of this record: a deep house number with a bassline that hits your heart immediately and makes you smile and want to dance. a house hit as it should be! b2 >boing boing< is an uncommon, strange electro track that rounds up this ep and shows the wide range of styles that can be expected from this label. alex cortex has been releasing electronic music of all kinds since 1996 on labels like source records, kanzleramt, klang elektronik, pomelo, platzhirsch and many more.

don your deck shoes, carelessly knot your cashmere knit and slip into some chinos, chromeos electro-boogie duet hot mess ft. la roux is ready for action. comes with a remix from armand van helden as duck sauce

southern florida, 1984. the sonarphonic sound was pioneered by james mccauley aka maggotron / dxj / basstech. originally produced for bound sound records in 1984, this is one of the earliest and rarest recordings from mccauley and marks the beginning of the underground miami bass electro movement. in the following years he recorded hundreds of tracks including >the bass that ate miami<, >temple of boom<, and >attack on the planet of bass<. maggotron is still active in the genre and is currently working on a new album. if you are unfamiliar with mccauleys musical adventure, let the sonarphonic be your guide. tip!!

skreeeetch …. de lorean skidmarks scratching the tarmac. it is 1984 all over again. the most freshestest sound ever - even fresher now. as this is the sam with the golden ame! rough electro boogieness in high definition. what happened? running back, the goonies of the clublands, unearthed a treasure from the uk eighties art funk vaults: nature makes a mistake - written and produced by chris bishop, originally released on the cassette sampler >sex & bestiality<, bain total, something so much more streetsounds than thoughtcrime which was restored and remastered for vinyl in 2010. after that the little diamond was given the treatment by those ueber-couturiers of electrical bliss-dom: ame (teaming-up with marcel dettmann in the mix). the result is probably one of the greatest ame efforts ever, maintaining the spirit of the original and teleporting it onto the dance floors of the 21st century, the age this piece of futurist art always was destined to have its true rightful place in time. words by kk.

next electro house bomb

optimum is malcolm chen, a new producer from south east london. he has collaborated with ikonika recently but planet mu are very happy to be releasing his first solo 12 inch.
the lead track >max power< lives up to its name, mixing tight electro-soca drums with a barrage of ravey riffs that build up with strange transporting noises, creating an almost unbearable, driving intensity without ever having to reach for the wobbly bass or other cliches.

>star of love< is the much anticipated debut album from the purveyors of boundary shattering electro crystal fighters, whose music melds animal collective toned delicacy with soulwax inspired rave.

finest electro-swing from the freshly squeezed camp. for fans of >swing bop< and everyone who likes a funky twist on the floor! known from the >white mink : black cotton 2< mix cd and a teaser for swing republics upcoming album.

the second volume follows the story with the same phylosophy of the first one. different visions between techno, electronica/idm and electro. tracks generated by ideograma, arcanoid and miguel mendoza but now we introduce a new tesla agent: shadow runner. hes here to provide a dark and deep powerfull techno track.vintage electronics, future classic tracks, the ancient methods for the world of tomorrow, the tesla agents are here to control the voice of the energy. video: http://vimeo.com/17881668

rack n ruins new >territory ep< featuring slarta john & mc navigator is now out on black butter records. the ep combines everything that rack n ruin stands for, a cross genre mash-up of jungle, electro, dubstep and more which we love at urban nerds! with outstanding feedback from the likes of breakage, a-track, sub focus, n- type and many more, he is going from strength to strength!

miss kittins brand new ep for mobilee, >all you need<, brings her sultry yet punchy vocals back to the floor with a classic electro bassline. with a remix from lee van dowski its not for the fainthearted. enjoy!

brendon moeller and shigeru tanabu aka manaboo deliver 2 cuts of dubby electro and electroid dubstep for immerse records.

sublimely convulsive shangaan electro-gospel by a pastor from giyani, limpopo, recorded in 2008, brimming with aching, plaintive, mournful spirituality. however fractured, multi-faceted and fresh the music comes across ù that signature whistle and sampled marimba, a little wonky high-life, rough, skittering drum patterns, no bass ù the surging vocal lines and harmonies are unmistakably rooted in traditional south african music.

>3.652 tage< : the track a day originated after my 10-year-old djs jubilee. from the mood of the eve, there originated thus the acoustics-percussion beat with emitter surfaces. >zeitfenster< : this track with miguel aka electric gloss, to a friend from portugal produced. he has visited me for two days in frankfurt, meanwhile we were diligent in the studio. the sound capes remind me of a typical summer thunderstorm. >eureka< : this number has something incredible for me. a kind of space-electro with quite futuristic melody. if somewhat is inspired by the film barbarella. unambiguously one of my favourites on the album.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

after the epic global surveyor phase 3 triple album, germanys electrofunk resistance dominance electricity proudly presents a new milestone in new school electrofunk ...
blastromen >human beyond< (dr-044), the long awaited debut album by the finnish duo, known for their previous two ep releases on x0x records, is pure futuristic electrofunk madness in perfection! the eleven uniquely uplifting and boombastic produced tracks are packed with heroic synth melodies, haunting electro breakbeats and evil synthetic vocoder voices. take us to battlenet!
artwork by the zonders for dominance productions.

slamming electro house music

goose are back. four years after the release of their debut, bring it on, the belgian fourpiece return with a new sound on album two, synrise. on this ep, the first single from the album words is given the four to the floor remix treatment by boris dlugosch and mickael karkousses infectious baritone hook can be fully admired on the acapella. on the flip there are fantastic remixes from electro techno duo joe & will ask? and disco kings the living islands.
comes with code for free digital download.

volume 4 in the popular series from deadly sins another 4 killer boogie / electro / gospel re-works dj support from tornado wallace / feelmybicep / lewis dene / untracked / jon gazeebo & more. pressed on clear vinyl.

mesmerising minimalist house in emd tradition from the general electro camp.

brand new ep on qalomota records, after the successful >kolakola-dj steaw< (only on vinyl) we strike again with the new generation of french house music producer. the qalomota family is proud to present you lemy leopard. this young producer got 5 tracks to house u all night long. from old skool flavor with >from the jungle< featuring laetitia dana and >welcome to my house< lemy is crazy about old kerri chandler or bassmental stuff! on b side lemy and the wellknow jocelyn mathieu (maw rec, animal house, dj fudge) give us >state of the world<, this song is perfect for the actual dancefloor. the two other tracks, >lemy house music< sounds really detroit smooth house music, >true soldiers< is definitly close to larry heards work in the 90s. his first ep is just a little taste of what lemy could do, because this guy is absolutly incredible, from hip hop to house and electro, he is the man!

rising out of helsinkis local electro-pop-punk scene in 2007, sisters emma and mia kemppainens musical vehicle lcmdf (le corps mince de fran coise) was quickly picked up by blog gers and music fans across the globe. their incred ibly vibrant, left field pop gained them count less fans, earn ing them the top spot on the hype machine, out-ranking even kanye west.

for skrytom 7, the well known kompakt talent maxime dangles propose 3 different killer techno tracks. au unifer balearic deep techno track, a massive festival techno track and a banging electro-techno floor killer.

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

after his big success with nobody likes the records that i play or youre no good for me tocadisco is back with a great new track. dr moog is a fantastic and unique electro-house track with beautiful beats that reminds to the old days of tocadisco. the idiotproof remix goes directly into the head ...

footandmouths forth release sees the return of the prodigal sons s.a.s. after the success of fam001 they are back with another hot slice of vintage house pie! the a side is a great little vintage house rework, complete with great keyboard stabs, driving bass and ace vocal, tweaked for perfect peak time performance. a2 is a superb mid-tempo electro dub of the vocal…blinding! the flip features dreaming and were hit boogie territory with some aplomb! a serious 80s groove underpins soulful vocal and electro beats. the dub then hikes the tempo and jacks the groove into ny dub underground! great package from the s.a.s mystery men!

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.