killer mixes: joseph capriati + adam beyer & jesper dahlback dub

adam beyers drumcode is synonymous with the global sound that is techno. never content with resting on previous achievements, drumcode has taken on a fresh relevance in 2009 with a string of standout tracks from a new wave of producers like paul ritch, alan fitzpatrick, joseph capriati and tiger stripes to sit alongside established names like joey beltram, joel mull and adam beyer.

our man from up north, moodymanc returns on dessous with another impressive ep brimming with tasty drum dubs, lip smacking deepness and a sizzling remix from dplay & manuel tur. the entree tonight is omlette, a slow building exploration into the depths of moodymancs percussive, synth laden studio style. growing from reduced beats into a room filling perc-dub-house beast, complete with a generous side portion of crispy drums and club-ready high production values…! its a hynpotic, uk meets berlin lesson in modern deep house and were sure youll be hungry for more. stalwart deep housers dplay and manuel tur lend us their 5 star audio-cooking skills with a pumping and dramatic remix that lifts the energy to the rafters with its phasing synth themes and stacatto bass line. guaranteed for the floors, inside and open air alike, this stunning rework combines darkness and light in the unique and addictive way only this pair know how. on the flip we find talker (drum dub. reduced tribal percussion and intense spacial effects are the name of the game here as moodymanc lays down a must-have rolling drum tool that will no doubt find its way into the bags of more creative and djs out there… and stay there forever!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

in a fresh, light and nippy way mr. russell drums us out of the indian summer into the oriental autumn. pipes of pan prance above this cool arab beat and take a rocking guitar line in between. and because germany becomes extremely cold these days, fenou #9 heats up more pressing than its predecessors and warms us on top with a vocal taken from the arabian nights that crackles in our ears. the flip side shows more deepness and blows over a warm breeze of spanish dance air on the guitar. vocals whisper longingly above the drums, engrossed in thought far away at the seaside. with this record autumnal coldness is long forgotten and expelled.

ophidian has added his magic to lenny dees classic release? forgotten moments. ophidans 10 min remix features spinetingling orchestral intro, live violin solo, upfront kick drums & female vocals. the original track is included, with that recognizable breakdown & melody. ophidians dj cut is a shorter version perfect for djs.

under the stewardship of alan fitzpatrick (drumcode, figure, bedrock), 8 sided dice is considered one of the most exciting techno labels to emerge in recent times. 9 hours later, amsterdam, gas mask and continue led carl cox, adam beyer, dubfire, john digweed, nic fanciulli and len faki to champion the label, catapulting 8 sided dice on to playlists across the globe. ..

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

2009 has seen a slew of new detroit producers in what is turning out to be a stunning year of activity for the citys dance music. as the area experiences another test of its collective mettle, these musicians have emerged with some fresh insights. its detroits new wave, and its happening at a time when everyone wants to know whats really going on in the 313. as always planet e is on this wave with monty luke. following up releases on claude von strokes mothership music label, luke transplanted from california to detroit, shunning grace for grit and delivers his first offering for planet e, >art, love & war.< the labels first release since the 69 box set, >art, love & war< matches deep, stark piano stabs with sharp expansive drum hits, its upfront, its beat-driven, its for the dancefloor. the fantastic carl craig remix on the flip throws jagged edges of the original around in unexpected ways, its the first c2 remix on planet e since his epic remake of martin buttrichs >stoned autopilot<

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

big with: laurent garnier, luke slater, karotte, ame, tiefschwarz, damian lazarus, brothers vibe, mathias kaden, hot chip, john tejada, slam, shinedoe, mark broom,... the fourth release of polymorph are two pumpin tech- house tracks produced by youandme (ornaments, rotary cocktail, platzhirsch, dekadent, snork) with amazing dark vocals and a lot of minimal flavored sounddesign. special colored vinyl!!

dreamy summer-house in alexi delanos remix of >feel the drums< and on the flip a track and a title to get lost in: >a month of sundays<. i am dreaming now ...

drumcode artists, excellent phunkin sweden techno !!!

the phenomenal handclap band, are a many-membered ensemble which also features musicians from tv on the radio, jon spencer blues explosion and amy winehouses backing band the dap kings, all of whom contribute their individual talents to make for a very exciting whole. their sound is an anthemic, dancefloor-oriented blend of progressive rock, disco, electro, and 60s soul with sprinklings of hip hop-styled orchestral breakbeats and moody, synth-soaked & heavy hooks. using live instrumentation to evoke the intricate arrangements of norman whitfield, quincy jones and phil spector as well as the pared down beats of contemporaries like the neptunes and danger mouse.
a prime example of this melting pot of styles, this single >15 to 20< , combines >vintage sounds of blondie and esg with some css and james murphy thrown in< (zane lowe, bbc 1) to make for an instantly catchy disco pop concoction thats times-tabling chorus will be as popular in the playground as on the hottest dancefloors. >15 to 20< enjoyed spot plays from the likes of radcliffe & maconie, john kennedy and zane lowe, who made it his >hottest record in the world< and went on to describe it as his >breakthrough record of the year so far.< press-wise it has featured in the nmes 10 tracks you have to hear & in the guardians film & music playlist.
live they are a core band of 8 all of whom participated on the album, being daniel collas (organ / vox), sean marquand (keys/effects), quinn luke (guitar / vox), luke o malley (guitar / vox), nick movshon (bass), patrick wood (drums / vox) amanda tomme (lead vox), laura marin (lead vox) with special guests from the album popping in all of the time. dont be surprised to find a 15 piece psychedelic, disco-matic, get down, groovy, hippy cult, rock spectacle-supergroup that really is not to be missed!

no much is known about the new kid in the playground ladzinski, but what we do know is that he has his own sound placed firmly between the different schools of proper house music. he steps up to the plate to deliver a true gem of a first release with four varied but very modern house tracks, there are elements of chicago, new york, detroit and berlin spread across the whole ep. spacey chords, deep sub-bass and snappy drums give this ep a real warm feel for the dance floor.

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...

1994, the internet is in its infancy, the channel tunnel opens, and ibiza is rocking to the sound of a little unknown track by the name of waterfall. roll forward to today and paul thomas & myke smith bring atlantic oceans ibiza classic bang up to date. while keeping the instantly recognisable arpeggio, chords, they give it some heavy drums, side chained bass and nu skool production to bring it screaming into 2009.

today, krikors musical style has become more hybrid than ever, a personal synthesis of his musical obsessions : the fat groove and old drum machines of chicago house, the abstract sounds of minimal techno, the urge and energy of rock(abilly), the harshness of industrial music, the dark romantism of folk anti-heroes from the 60s and the forward thinking of grm lab rats (pierre schaeffer, pierre henry..). the result of this synthesis is a first album >land of truth< at last, after 10 years of waiting. its an intimate and ambitious album, bitter and sweet. 11 cinematic songs featuring the voices of krikor himself and also nicolas ker (from poni hoax) on >god will break it all< and >dogs on trial<, chloe (the french dj) on >everything fades< and chloe (the english punkette of battant) on >the times<.

original mix, jesse rose & oli $ remix, cage & aviary remix. taken from their forthcoming lp >generation hexed< the much hyped drums of death return with new track >got yr thing<.

vinyl only !!! on the a side, you will discover a massive drum tool with discrete vocal snippets from xxxx xxxxxxxx which is specially made to create chaos in the club. on the flip side, xxxxxx xxxxxxxxxx xxxxxx xxxxxxxxxx is beautifully revisited for a mature dancefloor moment and last but not least a xxxxxxx version which comes to challenge xxxxxx xxxxxxxxxxx from a few years back. vinyl only! 500 copies! ps. yes we have started the xxx weeks.

next drumcode killer vinyl !!!

introducing the hells of love! two disco reprimands with an unhealthy penchant for slap bass, synths and drum machines. having both released singles under various guises, michele tessadri (fratelli riviera, bearfunk) and luca sapo saponaro (member of the love supreme project on tirk) decided two disco heads were better than one and headed to the studio to battle it out. the resulting cacophony of squelches and bleeps resulted in the third release on new fledgling jisco affiliated label under the shade.

synth mistress lakaband launches her label mekalaka with the electronic goodness of >i have to dance<. after years spent honing her craft at her base in east london surrounded by analogue gear lakaband is now ready to deliver her own unique take on electronic dance. starting things in fine style, the title track blends raw drum machine rhythms with bubbling 303, off kilter synths and understated vocals to create a paean to the call to dance. on remix duties is elusive dissident recording artist gweilo, turning in a pulsing, synthetic disco dub. rolling bassline and a tough linn drum groove underpin the chopped up fx drenched vocals. with plenty of future releases lined up there is much, much more to come from lakaband. stay tuned

final release!! played by richie hawtin & loco dice !!! perc s debut release for ovum recordings, the mathlete ep - title track mathlete is an industrial soundscape. a living, breathing, composition, with a murmuring, metallic heart. percolating bass, delicate mood changing synths, twisted wah-wah guitar and steel drum percussion, all make this moody opener a hit for the floor.

ricardo jefferson is a producer and dj based in manchester, england. the four tracks on this ep demonstrate a distinctive style. the roots of his sound are in funk, disco, space rock, prog rock, but he has melded them into a sound that is more than just the sum of these elements. this is funky, bass-heavy, trippy techno for the dance floor. a1 a brutal truth. this is a big tune that builds relentlessly. the track has an inclusive, celebrational, feel which simply invites everyone to lose it on the dance floor. 124bpm. a2 persons unknown. this tune doesn t have the relentless build of a brutal truth. instead, this is a tune to drop when everyone on the dancefloor is in the zone and locked into the groove. a finely crafted trip created with multiple delays skittering around the sound field, anchored by the funky bass heavy groove. 123 bpm. b1 the egg part one. a track employing a tight kick drum of differing weights to propel the groove, overlayed with a circular keyboard motif. on the off-beat, add the processed sound of someone hitting a metal sheet, and viola! - one aggressively funky dance floor bomb! 123 bpm. b2 god of the machine. this track has a simple 4x4 kick and handclap pattern pinning down a delicious oscillating bass line, under a classic descending four chord circular chord progression. off kilter ride cymbals give the track its backbone, and fluidity. ricocheting handclap delays add dimension. sly stone would be proud of this groove. now get on the dance floor and strut your stuff! 119 bpm. the cover shows a still image from the music video a brutal truth directed by ricardo jefferson and laura lee.

moment psychedelik - its all said in the title, actually. it is easy to get lost in all those layers of mesmerizing sounds, swirling around you like bubbles sparkling out of a well shaken bottle. just before you lose it all, the kickdrum comes in to lead you to a winding path... upon glistering plains, through some dry land into a multicoloured jungle, populated with all kinds of textures and sounds. enter the next level - like the title suggests. the flipside utilises a more pronounced guide: mr talking drum himself will show you how to find the clearing of enlightenment where your heart gets filled with joy and your feet cant stop dancing. supported by lopazz, ame, tobi neumann.

2009 ist das jahr von kleinschmager audio. nach seinem debutalbum im märz folgen nun die ersten remixe. >helicotrema< wird von sven tasnadi (oh!yeah!, pokerflat) auf gekonnt minimal-technoide art und weisere-interpretiert. drums und percussions stehen von beginn an voll im vordergrund, werden aber nach und nach ausgedünnt, um in folge dieser spannungsgeladenen steigerung noch kraftvoller wieder einzusteigen. einenergetisches dj tool par excellence. >emphasis< bekommt von marko fürstenberg (ornaments, a.r.t.less, thinner) seinen gewohnt deepen detroit dub techno stempel aufgedrückt - einfach zeitlos. grund genug, diesem remix gern die komplette b-seite der 12“ zu geben. zwischen beide remixe gesellt sich mit >tuba auditiva< noch eine singleauskopplung. der track mit der saxophon-hook ist einer der knaller des albums und fehlte bisher einfach auf vinyl.

transport technical music equipment with ease and comfort in a solution backpack custom-made for djs. multiple access points to two neoprene protective sleeves for 17-inch laptop and documents. main cavity supports 50 vinyl records, removable 160 cd wallet & detachable headphone case. external seatbelt strap holds contents fast. a drumpoet community music label collaboration.
shell fabric: coated cotton canvas
lining: nylon with unique qwstion print
size: 34x43x16cm
volume: 23.4 l
weight: 1.56 kg cd sleeve 0.53 kg
colour: black

this teasing 4 track ep is a vinyl extract, taken from the second drumpoet label compilation v.a. drumpoems verse 2 - and combines the previously unreleased and exclusiv tracks of azuni, cavalier, demetrio giannice and the lost men on vinyl. deep house heaven!!

supported by josh wink, chris fortier, troy pierce, alexi delano, xpansul, agaric, mark henning, lee jones, someone else, ...
the brussels based sirius pandi label reaches a rounded 8th vinyl release with two tracks from spaniard labels boss fernando daxta and a remix by greek man of our time mr.statik (memo, rotary cocktail, immigrant, perplex, karloff…).
>drunvalos drums< is a track that has been being tested by fernando with positive audience reactions during live sets in demanding places like toy (stuttgart) electrosonic festival (burgos) or rioma (mexico city). its frequencies between house, techno and minimal make a celebrative ravy drummy atmosphere perfect for those times where warm ups are over… colombian singer natalia davila recently added the consciousness speech during a studio session in mexico city giving the track that special femenine touch.
the flip side of the record is completed by a perfect more retained still criminal drumatic treatment by chief mr. statik and an extra daxtas track, >quien anda ahi<, a more small room title featured in french trax magazine june’s edition cd sampler.

drumcode main man adam beyer teams up with pÄr grindvik for a slamming ep

55 d&b tracks on 2 cds! incl. empire of the sun, evil nine, dj fresh,logistics, danny bryd, london electricity and many more

2003 classic by w.j. henze aka gecko!!

rebolledo is an artist from xalapa, mexico, who is very much part of the comeme family of latin american artists. he s been around from the early days when he used to provide music for the buenos aires based bumbumbox street parties. so far he s had tracks on previous comeme releases, notably pitaya frenesi, but this is his first full release on his own. rebodello is the consummate comeme artist, with a quirky sense of humour, a unique latin american approach to dance music and a lean lo-fi approach to track making that is built to cut through on any sound system. lead track >guerrero< follows in comemes now established strange sense of humour, guerrero means warrrior and is a track about a >guerrero< who comes out at night and dresses in leather, it s all shouted vocals simple beats and 80s style synths. venganza y seduccion means vengeance and seduction and features suggestive panted echoing vocals over a cosmic disco bassline, while atmospheric chords build in the background, if this sounds strange it s because it is, but the combination works really well in a club.
the b side of the record is much harder and more techno-like - marchante is completely different, aggressive kick drums, a pulsing bassline and siren-like synths bring this track a panicked feel, which is offset by the way the drums build into tough patterns. raid features strange nonsense vocals over a pulsing rhythm track that reminds of old chicago acid, if it wasn t for the strange atmosphere. rebodello is a very welcome addition to the world of dance music.

with this new ep tom clark makes an impressive return to the highgrade release program. following a collaboration with marcus schatz and most recently with benno blome, he now comes back as a solo artist. after only a few beats, you’ll be sure to recognise his signature sound. tom needs surprisingly few elements to build a unique atmosphere and his matchless grooves. on the title track “scorpio“ we find a deep, rolling bassline and a slightly orientally influenced vocal, combined with the typically unique clarkish synth leads, and we’re ready to go. it’s a track that continually keeps the excitement moving while never letting the cat out of the bag, and more than deserves the a-side. then we come to “albino“, also featuring sparkling synths and rolling drums that create an impression of fluidity and an unhurried beginnings, but we also end up in a waterfall… who would have known!? in conclusion comes “sand flea“, as lively as a box of fleas, but not nearly as aggrivating! mister clark is again at his best, with a love for detail, an innate sence for strange sounds and an a significant quantity of leisurely energy, this tune also really hits the mark. this is not the work of a newbie who produces an aggressive sound to prove his talents. the result is the feature of this ep: seldom has an understatement sounded so fresh. + digital-only bonus track “12 notes“!

hit!!! a straight up techy dance floor stomper... grrr has a buzzing bass-line and pulsating rhythm sits perfectly alongside a thunderous kick-drum and cleverly thought out percussion, whilst rising fx sounds weave in and out of the mix!

fer br is the man! with releases on special series, relatives, innervate and soul access he set the standard and he still keeps moving on and on. with this ep he shows us his skills once again of how to fill a dancefloor. incredibly funky with a fierce drive and wicked drums. the great samplework and synth sound to it all of and we are ready for action! go go go!

all right, all right new vinyl straight from the streets of chicago through team synapsis. synapsis003 is arriving with some gems that brings unique flavor via four chicago producers. timeless chicago ep ranges from acid to deep featuring: hakim murphy, one half of team synapsis, leads off side a with an acid jam called ôdem shits shinobi.ö inspired by the anime show naruto, the track continues to move and develop like the character. this subtle chicago style track features old school yamaha drums with some sweet oscillating synths equaling the acid sound. house and techno heads will enjoy this tune. g. marcell is up next with ôyeah dat tu.ö jacking chicago house track period

alan fitzpatrick is a producer who has been making everyone sit up and take notice since his first appearance on the scene a little over 18months ago. with various outings on fergies excentric music label, and his own 8 sided dice imprint and forthcoming records on the seminal bedrock records, alan is without doubt the rising star of dance music with his cross genre sound. and if that wasnt enough here is the first outing on adam beyers mighty drumcode! adam, who is unbelievably fussy and purveyor of nothing but absolute quality, snapped up this two tracker instantly – a testament to alans awesome sound. both >statix< and >rubix< are earthshakingly good. both hard and funky, but at the same time extremely versatile, and will be excellent mixing tools and big records in ther own right. the kind of records that never leave the box. get it..

limited restock on this 1997 ovum release, featuring remixes by angel morales, harry romero and junior sanchez aka nitebreed, cloak going downtempo and jamie myerson himself, who turns the house into drum and bass.

the original instrumental mix of stardust was one of hed kandis favourites at el divino last summer, and with the new season already taken off with the ims and the opening fiestas last week, ibiza is the perfect place to drop the new vocal mix, which really sounds like the long awaited vocal version of pjanoo that has never seen the lights of the day. this adds a monster loleatta holloway sampling vocal to the large twisted disco groove of the original. a massive bomb that is set to be a big hit for the usuals! skylarks andy chatterley takes to the controls with a powerful interpretation, complete with sharp driving drums and an underlying techno rhythm. a more stripped down dub mix is enclosed also for those who like things a little bit darker and deeper. last but no by means least, tim hudson, fresh from his latest here comes the sun release on hysterical, turns in a hypnotic house groove to make you smile.

white out, with compulsive lead melodies underpinned with monster bass weight and vents unique drums full of mechanical textures and irrepressible nature. constantly shifting and evolving, and marked by several sections which keep rising until they seem to implode with shock out bass pressure and slick, seamless audio violence...

rmxs by pär grindvik, alexi delano & toni rohr !!

2003 classic by delirium mastermind w.j. henze!

including remixes by albin myers, greg cerrone and avicii

for his latest project theo parrish teams up with a constantly changing cast of soul / jazz musicians and singers. some of his heaviest,earthiest house- grooves so far combined with angelic vocals and hot live instrumentation. album split over three 12 inches.

with a plethora of well received releases on labels including creative source, exit records, dnaudio, quarantine, critical and shogun audio, survival?s deep, organic sound has rapidly earned him a reputation as one of the true craftsmen of modern drum & bass. collaborations with d-bridge, break, silent witness, fierce, sabre, chris inperspective and zero tolerance clearly illustrate the respect he commands from his peers.