the other man is a unique collaboration between up-and-coming young finnish producer janne tavi the flag-bearer of ibadans next generation nd acclaimed chicago house vocal legend robert owens. this ep is a superb rare gem that bridges global distances and combines a broad range of influences. the result is lush layers of sound, relentless energy, and intricate piano riffs and stabs. owensÆ poignant vocals seal the deal on this new house classic, taking it to sublime heights. the vocal dub kicks the heat up a notch with owensÆ seductive vocals and taviÆs stunning keys and arrangement. on the b-side, new york house legend kerri chandler makes a long-awaited return on ibadan. first up is a spirited vocal version with a dynamic bassline. chandler follows it up with an instrumental take, pared down to a tool and keeping the infectious groove going with deep and satisfying flavor.

after a long standstill, elypsia records is back in full-effect with an amazing release by scan 7, an artist collective from detroit whose existence goes back to the early days of detroit techno. scan 7 is considered by many as a pioneer of the underground detroit sound. this new release features the original version of scan 7’s “burdens down-, a brand-new song written & produced by detroit-techno newcomer mr. hooper featuring maurice jackson on vocals. the track - which has been performed live at the movement festival 2017 - has been very well-received by detroit insiders who see it as a new classic song of the genre. the package also includes the terrence parker’s radio edit of “burdens down” and the gospel-influenced “thank you lord-.

1981 classic by dublins finest rock export!! remastered 180g vinyl release with illustrated inner sleeve and quality booklet inside!!

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

the man, the myth, the legend that is danny soopasoul bennett has returned to spread the good word of funk once again. pushin weight is the storming new instrumental track from our man soopasoul and as usual it doesn t disappoint. rambunctious sax lines and soaking wet wah wah chords ride over the tight drums and grooving congas. there s more breaks than a fat man running a marathon with this floor filler and more exciting still, it s coming out on 7- vinyl for your listening pleasure. the aptly titled b-side and perfect foil to this funky monster is his classic track â&#128,&#147, the fan favourite: brand nu which has had a cheeky little 7- rework to make it, wellâ&#128,¦brand new.

the first reissue in the world building catalog! an under-the-radar white label gets a second chance at life! one mans quest released smiling faces 95 on their own vandal records label in (you guessed it) 1995. it would end up being the only release on the label & never properly distributed. produced by bon vega & douglas johnson, one man’s quest give the motown classic a unique 90s spin w/ both house and r&b versions. kinda rough, kinda smooth & very essential! hitting you hard and deep!!! excerpt from dance trax column in billboard magazine (jun 10, 1995): -the single kicks a thick and spare house groove, coated with a simple organ line and a worldly lyrical reading that hangs onto the brain long beyond its moments on the dancefloor. - larry flick (dance trax) one mans quest is a brothers vibe production. in memory of bon vega!

sunlightsquare s first single of 2017, oyelo, is a mixture of jazz, cuban and house music in its most authentic form. starting with moody latin-jazz piano and sun-drenched live percussion played by master percussionist giovanni imparato, the track is driven by the classic house beat of the tr-909 - the legendary 1980 s drum machine. ronnie scott s resident cuban singer rene alvarez delivers the impassioned vocals, followed by the main man claudio passavanti s heated montuno piano riffs, which combine seamlessly to create a blissful, dance-floor experience. it s a perfect marriage of organic grooves, lush beats and soulful vocals, joining the dots between different generations of latin dance music.
for the b side, london based, japanese producer kay suzuki transformed the original track into his signature psychedelic journey in 2 parts. his by the sea mix takes you to the havana beach with its synthesiser generated waves & seagulls right from the intro. the stripped-down beats and vocals are smoothly laid out with warm analogue synth textures, giving more space to claudio s tasteful latin-jazz keyboard improvisations. in contrast, the drum dub goes to the opposite side of the spectrum, all the musical elements have been removed, focusing solely on the live percussion and the raw tr-909 beat, all dubbed out with tape delays for a classic cosmic dub treatment.

good news! music lovers, soul searchers, and record diggers! los charly s orchestra are back!!! this time celebrating their 10th anniversary and featuring the tropical soul legend: omar, for their latest extravaganza of caribbean infused disco/boogie. lco has left an important landmark on the global soulful disco - jazz funk landscape since the very beginning, and their tireless production machine still continues today to deliver some of the most epic groovers, such as: -all around the world, everlasting love & sunshine-, in between many others. juan laya & jorge montiel (the two men behind this project), continue on their endless effort for producing enduring music by delivering their latest ep which contains an lco s re-make treatment of omar s classic: -it s so- plus a brand new boogie-reggaeish fusion track entitled: -history-, both tracks with their correspondent instrumentals for the delight of the vinyl junkie, and groove music aficionado.

ocean parkway, the new sublabel from brooklyn s names you can trust, continues into the deep with a future dance sureshot! prince of queens aka felipe quiroz normally lends his talented musicianship on keys and bass to the live ensembles of combo chimbita and maku soundsystem, but behind the closed doors of his bunker studio a new sector of blissfully solo, machine-made electronic rhythms are steadily bubbling to the surface. call it techno as imagined by a tropicalista, as the vintage analog tones of classic house are twisted by a kaleidoscope of influences both caribbean and chicagoan. from the wavy beachside vibes of the ep s opening number, to the deep, evolving arrangements of the scene over and the end scene, on to the jazz-chord-fueled robotic timbale rhythms of thank you friends, and finally forward to the future-tropical polyrhythmic sequencing of winter islander, it s an impressive range of style and skills on display from this talented and up and coming producer

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

bad education is a soulful heater that will shake your hips and your social consciousness. inspired by the afro-latin soul blends from the likes of joe bataan and ray barreto, this collaboration between timmion records and yemayá sol records - brainchild of bardo martinez (lead singer of chicano batman), makes a statement. the horn laden groove will transport the listener to a summer in new york. the memorable flute line by ernie hawks is flavorfully funky while the pulsating tumbao of the conga carries the vitality of a nuyorican neighborhood in full effect. the force of the rhythm section provides the vehicle by which martinez lays down a fiery indictment of educational institutions, defining them as a mouthpiece to the military industrial complex. the music and the message flow together in a very classic sense, packing a punch that gives it to the man, necessary now more than eve

we have already released the longer version of the northern classic ‘gone with the wind is my love’, but this kent 45 of rita & the tiaras’ masterpiece is the first time we have issued the doré single as it was originally put out. on the flip is the glorious instrumental version for lovers of that la orchestral soul sound.

black truffle is honored to present a new issue of annea lockwoodÆs classic 1970 tape piece tiger balm, unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice. created while lockwood was living in the uk, the side-long tiger balm is a singular work within the cannon of tape music. inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. breaking entirely with the dynamic language of the musique concrÞte tradition, lockwood uses a select palette of mainly unprocessed sonic elements chosen for their mysterious and erotic characteristics (a purring cat, a heartbeat, gongs, slowed down jaw harp, a tiger, a womanÆs breath, a plane passing overhead), presenting at most two sounds at once. as one sound flows organically into the next, their shared characteristics are highlighted, opening a space of dream logic and mysterious associations between nature and culture, the ancient and the modern. the b-side presents two pieces for percussion recorded here for the first time. amazonia dreaming (1987), performed by dominic donato, uses unaccompanied snare drum and voice to evoke the nocturnal soundscape of the amazon rainforest. unorthodox techniques and materials (marbles, chopsticks, a plastic jar lid) transform the snare into a resonant field of sensual textures.

the owl returns for 003 after two sell-out opening releases. there is a bit more sample trickery on this release with beefed up drums and smooth chords added to the original material. the opening track being a clever disco-house take . the drums are chunkier and the groove is tight! donny hathaway s little ghetto boy gets more or the straight up edit treatment with all the good parts looped for a dj friendly mix. hustle is a very clever rework with plenty of new parts added to give the original a much needed dance floor boost. rounding the release off with a simple yet effective re-do of fred wesley s classic house party .

parrish smith has quietly been making a name for himself over these last years with releases on knekelhuis and contort yourself as well as with his projects volition immanent and sige bythos. we see him appear on l.i.e.s. in a strong fashion through four varied dense tracks. from slowbeat ebm to belgium klang to classic den hague crushers this ep forges its own path taking these cues and putting smith s unqiue spin on them. heavy yet still possessing groove and hypnotic rhythm, damage will ensue if used correctly. fresh stuff from this up and coming talent.

an italo-disco classic from 1983 back on 180 gram vinyl.

bristol based arkist has always been a versatile producer and as a result has an impressive rage of releases under his belt, with revered imprints such as hotflush and hypercolour. recently he has been experimenting further in the studio and is ready to present his first 12inch in few years, under a brand new alias - astrocat. in this debut, self-titled ep it is instantly apparent that vocoder-infused funk and disco of the highest order can be expected from this new astrocat guise. the ep is full of vintage talk box vocals, warm spacey chords and infectious basslines that bring classic records from the likes of zapp and the rah band into mind. with 5 tracks this ep has a lot to offer. wether it be the raw, funked up james of the opener small talk and title track astrocat or the more chilled, woozy grooves of nightflare . with features from mr woodnote and a dub remix from appleblim this ep s roots sit firmly in the south west. local legend dj die even lent his vocoder to the studio for some of the recordings.

at last! the full 12:45 john morales mix of this underground boogie classic gets the proper vinyl release it has always deserved! all those discogs cowboys can now safely crawl back under their stones! replicating the original 1982 12”, except this one doesn’t fade out a minute and a half before the end. the original flipside is present, only this time cut at 45rpm for higher audio resolution. available from 14-07-2017. this release is (i think!) the first time all twelve minutes and forty-five seconds have been pressed on wax (in an ultra limited quantity) so don’t miss it, steven!

re-issue of classic breathtaking hypnotic + unique sounding bleep techno.. in the vein of robert hood s minimal nation and the likes... must have

nice price deal !!! hot burning megamixes with phat classic stuff !

more classic uk dub gets revived from partial records, this time in the shape of an instrumental from the legendary jah works label.
• the original release came on a jah works 7” back in 1993 and is now long out of press, demanding “silly money” on record auction sites
• produced and and mixed by rej forte, children of the father’ comes backed with a previously unreleased dub plate cut

the allergies debut album introduced the world to the way they effortlessly fuse funk, soul, disco, hip-hop and breaks into dancefloor-ready nuggets of ear candy. taking classic sounds and reshaping for the modern age is the signature that won them plaudits across the globe. not ones to rest on their laurels, it hasn t taken long for them to deliver more of the goods on their second full-length album, push on . as well as taking the successful formula of the first record and expanding on the sound with raw funk, psych, northern soul, and boogie influences, the allergies enlisted two giants of underground hip-hop to bless mics on the album as well.
dj support: dj yoda, renegades of jazz, featurecast, a skillz, dom servini , the next men, aldo vanucci, all good funk alliance, mr benn, marc hype, smoove, dr rubberfunk, fab samperi, slynk

the aristocrats were originally from bridgeport, connecticut, but came to philadelphia in 1973 where they recorded five tracks with bobbi eli at sigma sound studios. only one single was released, the philly classic “let’s get together now” on warner brothers records. original pressings can fetch up to £150. the expansion pressing here is extra special as the ‘b’ side “loving you is mellow” has never previously been released on 7” or vinyl. it is in fact the original version of a song later made famous by major harris but in it’s own right an exceptional piece of philly magic.

the voices of east harlem were an ensemble of vocalists who for just sunshine records recorded two albums under the direction of leroy hutson and curtis mayfield. “cashing in” is one of their most classic songs, a highly sought after track on original 7” fetches between £40 and £80 on the collectors market. first recorded and released in 1973 it has all the hallmarks of a leroy hutson composition and an established audience that crosses the boundaries of northern, crossover and modern soul. the song is coupled here with “take a stand”, another highly regarded and sought after modern soul room dance floor tracks, never previously released on 7” single until now

nice price deal !!! classic nyc garage house style >> mayhem musaphia rmxs

nice price deal !!! feat a cool 2007 chris cargo remix of the 90s underworld classic cowgirl.

recorded and originally released in 1999, “the bottle” has been released twice by expansion on 12” single and now finally gets it’s first 7” issue. the song is the most classic gil scott heron song, vocalist maysa still the finest contemporary soul singer with a unique voice and all here with the magic of a full incognito production. it is coupled with “hooked on your love”, both songs from the incognito produced album “all my life”

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks.
an introduction part 2 turns the heat up with more dance floor leaning contributions from four american artists. from long established names such as lady blacktronika to relative newcomer byron the aquarius, each artist delivers a different but equally powerful piece. marcos cabral’s ‘prochainement’ is a driving, dubbed out melter with stomping kicks and big-room claps under fuzzy synths, whilst byron the aquarius drops his signature dose of funk into ‘full moon’. one of the standout breakthrough artists of last year, the atlanta producer has been part of the dimensions team for some time. queen of beatdown, lady blacktronika steps up with a timeless, tripped-out house classic for her contribution ‘can we still be friends?’, her vocal oozing melancholy. rounding up is dj aakmael with ‘transit’, a raw, flexing cut that we’ve come to expect via his massively impressive output and his own superb imprint, unxpozd entertainment.

nice price deal !!! after a year that saw a number of fast paced releases from new co-signings xilent, high maintenance and fourward, the mighty mainframe continued their relentless string of hits in 2012 with a reworking of body & soul and fourward’s classic >authority< and >carnage<. led by dnb veteran and label owner, disaszt, mainframe keeps things moving with yet another massive release, this time an explosive ep from rising star, high maintenance.

since the inception of gregory vand and susan subtract’s electro-punk outfit high-functioning flesh in 2012, the band has proven to be one of the most singular acts in years, defying the genre tag of “classic” ebm, as the creativity and fresh perspective they bring to the stage and studio has been instrumental in carving out a modern audience for the genre – elevating hff into a category all their own. following their striking debut on dka records in 2014, high-functioning flesh delivered an exceptional step forward in their sound on their sophomore effort for dais records, the “definite structures” lp in 2015. since then, high-functioning flesh has toured extensively with label mates body of light and previewed their caustic shift to a more refined, hardened signature with their “human remains” single in 2016. we now find high-functioning flesh at their sharpest and most poised position to date within their newest album: “culture cut”

one half of the junior boys, jeremy greenspan makes his second appearance on jiaolong with the aid of none other than legendary, algorithmic composer, laurie spiegel. those not familiar with her work, spiegel is best known for her use of interactive and algorithmic logic as part of the compositional process, spiegel worked with buchla and electronic music laboratories synthesizers and subsequently many early, often experimental and prototype-level music and image generation systems. in the mid 80s, her most widely used software was the music mouse. here, greenspan works her piece >drums< into a confident dj tool, rolling steadily with angular electronic effects over a solid, weighty pulse. >sirius shake< employs a classic kompakt-style schaffle beat, mapping a curious robotic waltz.

nice price deal !!! after the >vibration ep< lars brede aka stashrider is back on frisbee with a up to date mix of the 80s classic >lets dance< and a fresh percussive pumping flipside..

some might remember the planty herbs from his earlier 7 inch outing on rnt, and now the dynamic dutchman brings his dusty vibes to a 4-track ep of crafty edit selections. family kicks of the pack with a bouncy funk groove, followed by errybodydisco a low-slung house party affair. on the flip we have the flute solo and sample-heavy soundstream-esque stomper today, while whats inside takes us back to the soul side with a boom-bappity cover of a 70s r&b classic.

sambaiana the rare 1976 bossa nova classic from candeias finally gets a proper reissue ! lp (180g vinyl + old school tip on gatefold cover + download card + printed inner sleeve)

italys electrorites, holds a promising status among techno-heads. having released with the likes of decoy records, afu limited & morforecs - and simultaneously running his labels: nightmare factory records, shout records, he now brings forth his latest project, archives vol.1 with his new label structures records. technological/ computer-esk sound semantics make up the infrastructure of archives vol.1. the application of effects, whether itÆs arpeggiated midis or filter distortion, adds a driving personality to each production - with the potential to not only mesmerise, but trigger primitive urges among lovers of the genre. accentuation of coarse factors result in a full bodied synth lead that navigates the bulk of 001. octave separations anticipate drama and leave mood to the imagination. whether the track is experienced as dark or uplifting, itÆs sure to accelerate the energy of any early hour endeavor. dextral maneuvers within the detuned arpeggio emphasise an aphotic hysteria within 002. punctuated by a throbbing kick, dark landscapes of industrial chaos are brought to mind. classic layer exploitation is evident within the last production, 003. the automation of fades has been enforced in a way that teases the listener, intrinsic to the classic techno anthem.

the infamous london lyricist ramson badbonez teams up with producer dj fingerfood to bring us “hypnodic”, the follow up to the cult classic “a year in the life of oscar the slouch”. a no holds barred showcase in dope rhymes and beats featuring leaf dog, res one, jokerstarr, gadget, m.a.b, deeflux and jazz t.
album comes on single vinyl with a full colour sleeve, shrink wrapped for extra freshness!

raw elements. back 2 basic six is the second re-issue which will be released on flash forward licensed from final cut records ! killer tracks with strong bass and sax riff. another past and future classic!

raw elements. back 2 basic six is the second re-issue which will be released on flash forward licensed from final cut records ! killer tracks with strong bass and sax riff. another past and future classic!

includes 3 debuts from austrian producers: from modular techno to dubing house and new wave sounding stuff. and, a female/male live jam to end this ep. cs - night (namend for the classic synth cs 15 that is used in this track).

delsin s re-issue arm is back with a timely release of classic norken material. featuring on the ep is the cult southern soul - originally released on reel discs in 1998 - plus more frequencies and shifting towards , two tracks from his 1999 album soul static bureau . norken, of course, is lee norris, best known as metamatics and a producer with a fine discography that takes in proper deep house, sleek minimal and atmospheric dub.

- can t seem to hide will be a bona fide classic of 2017 thanks to its combination of a party-time keyboard line over a relentless groove and megan doherty s hypnotic vocal. nicole willis can do no wrong, either, as she steps up to deliver further damage

politics of dancing records welcomes one of england most valued deep house producers, nail, who has done releases for classic, diy, robsoul or mosaic, and berlin s much sought after duo, cab drivers on the remix duty. the asterales ep, is a strong deep house number with two cuts, dub me 2 and u gotta be there, and a remix of dub me 2 by cab drivers. on the a side, dub me 2 is an effective loopy teched-out killer, filled with funk and heady vocals. a groovy peak time winner. u gotta be there is a solid deep house track, with intoxicating stabs and tremendous rhythms. on the b side, cab drivers serve us a refined and powerful remix. a mighty interpretation for an essential release.

ince his beginnings, russian genre-mangler oleg buyanov aka ol has been burrowing his way through various audio-scopes and scenes, dispensing his unparalleled blend of raw house and instrumental hip-hop flavours on a variety of labels including beat-focused error broadcast, faces records and more recently, fabio monesi’s wilson. following on from his ‘scape border ep‘ released on the london label two years ago, the muscovite producer returns on meda fury with ‘jungle tv‘, a twisted six-tracker fusing classic broken-beat and deep, uncluttered dubby distortions

blake baxter is undoubtedly detroit techno royalty. his unique style and sound has always found fans around the world since his first releases back in the late 80 s. we decided to reach out to blake here at mint condition hq and we were hugely under-prepared for the reply we d get back from him. master tapes?! we said - yes said blake. ok, who wouldn t wish to hear unreleased mixes and versions of some bonafide detroit techno classics we thought? that s what you re going to get with mint condition number 12, some unheard, unreleased, straight from blake baxter s 4 track tape stash heat. as you re all aware, 1991 s seminal prince of techno ep originally came out on underground resistance and we ve been given exclusive permission to reissue the ep (almost) in it s entirety, the only difference being that this pressing doesn t include vision of truth and features unheard versions of the other tracks that appeared on that ep as well as the original, classic mix of when a thought becomes you . yes, blake dug deep for us in his archive and we are proud to present this important document of classic detroit techno, never before heard - until now. exciting stuff! when a thought becomes you has been legitimately re-released with the full involvement of all license holders for 2017 and remastered by london s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

inmotion music ltd brings back two dynamic artists marco effe and james mile. both marco and james have been firmly cementing themselves in the techno and house music scene for several years while gaining well wide support from dj’s across the globe.. the mehringdamm ep consists of 3 original tracks and a remix by spain’s eduardo de callle.the first track, mehringdamm is a classic rhythmic-driven belter that packs a hefty punch. the jacking 909 drums and lush synth keep the tension through out.the b-side is slightly more experimental but has expertly captured the eduardo de calle.vibe. james miles ends the ep with a jacking 909 work out named stomp.

detroit s keith tucker is a man of many names, the man behind aux-88, alien fm, dj k-1, optic nerve and more. if you have even a vague interest in the motor city s electronic output of the last 20+ years his name will be instantly recognisable as someone who turns out the highest calibre electro and techno jams, the type of records that look towards the future for inspiration, existing in the subterranea and sharing the same artistic vision of artists like juan atkins drexciya, erik travis, shake, dj stingray and many more. originally released on scottish imprint seventh sign recordings in 2005 detroit saved my soul is a modern classic. it features all the hallmarks of classic 313 techno and electro which is to be expected with tucker behind the boards. first cut it s a mood (detroit saved my soul) is minimalism done right - stripped back drums with minor synth stabs punctuating flurries of vocoders and kt s voice describing the d as he sees it to us via the medium of music. killer stuff. elektronik is up next, almost classically a-u-x sounding, pure electro beats for the heads. fast paced machine funk from 50 years time beamed back to 2017 to tell us what s really up. oh, watch that bassline, you could get into trouble. finishing the ep we are treated to my mental state , a slower paced, psychedelic electro cut with killer drums and rim-shots featuring, again, kt s vox weaving in and out of the mix asking where are you, what are you doing? . absolutely essential tracks from a modern day techno legend. essential stuff. detroit saved my soul has been legitimately re-released with the full involvement of keith tucker / seventh sign recordings for 2017 and remastered by london s curve pusher from the original sources especially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

2017 repress. ** vinyl only ** following becki d. ep is the second part of this already classic release, decki b.ep (becki d. part2) the 5th release on labels catalogue. signed by craiova(romania) based producer mihai popescu aka mp, carries on soulsitys established sound with an extra flavour of groove sparkling into the light. old gems getting pressed.

paul hester created his cult moon music label in 1997 as a portal for his own productions and sounds. the label was short-lived, with only 3 releases in it s catalogue, all produced by hester himself. those few releases on moon are now highly sought after among house and techno aficionados who are forever seeking that deeper groove. the interesting part of this story, beyond the amazing music that was released, is that there are many other tracks that never saw the light of the day, thus leaving the full moon story untold. roll on to the year 2000, hester unleashes the never enough ep, a 4 track collection of tracks that ooze his own unique sound. deep, rolling, crisp drum programming, breakbeats and swelling synth pads all form the classic moon music vibe. this fully remastered reissues tracks are all lovingly transferred from paul hester s private, personal dat stash. classic, deep uk techno sounds from the pre-millenium era, re-presented for the first time for 2017s dancefloors. across this ep we are treated to a sound that is timeless and will undoubtedly gain paul hester new fans while reminding those of us who were there in the late 90s / early noughties about his subtle and uniquely fresh production style.

deleted - classic debut album repressed in colour vinyl with bonus 7 inch! produced by 9th wonder, vocals by big pooh & phonte.