dj onionz needing no introduction to house heads, this prolific dj and producer began his career in the early 80s, playing parties in his native queens, nyc before taking his music across the globe. >play dat song< is an electronic jackin house monster with a bass hook that grooves throughout the track. it s latin tribal drums and electronic stabs cause mayhem on the floor and a cool vocal sample raises its head. >pokin u< has the same quality production and bass driven groove with great breakdowns and more of a techy vibe that would rock sets from carter to pete tong, whilst keeping the trademark onionz latin influences... limited backstock

12inch before a full album from phlash. 2 great new house tracks from phil asher. already getting heavy rotation in the uk from benji b and gilles peterson...watch it!

massive nu-electro-breaks/house hybrid

limited to 800 coloured vinyl - purple transparent !! the follow-up of >male isms< which was released in 2004 comes along with two variations of the track >gothan<, a timeless deephouse track and it s beatless dub version. the main title >male kicks< is an upbuilding funky techno track that starts with african tribal sounds and smooth percussion before it twists into a stormer

flemming >king of the cut< dalum and moustache records are very proud to present the true 1984-1985 italo feel: 2 eps containing some of the most rare and obscure italo releases ever produced. most of the tracks never came out on 12 inch before! on vol. 1: paul rays superhit >my machine<, a 130 bpm straight forward high energy track, the vocal and instrumental edit. for the real italo lovers... only 500 copies available

sure bomb !! dj support - carl craig, adam beyer, dubfire, monika kruse, shinedoe, christian smith, len faki ... this is the second of 2 fat remix records on drumcode of the 2 most popular tracks taken from the dc10 years album compilation last year. this release sees the truly awe inspiring >do us part< track from par grindvik get 2 classy overhauls from 2 producers of the moment - len faki and 2000 and one. lens remix is a real floor burner cleverly weaving hook parts of the original around a simple driving drum and bassline groove before building cleverly and introducing a harder hook later on to devastating efffect. on the flipside dylan aka 2000 and one adds his typical funky dutch trademark by using the same trippy synth hooks but also adding funky bass patterns and warped synth fx.

big with steve bug, jimpster, ewan pearson, james holden, kiki, sebo k, crock, marc romboy, agoria, mike monday, 3channels, fabrice lig, 2000andone, james flavour, pascal feos, philip sherburne,… big! plasmik – our connaisseurs for deep and oldschoolish techno tracks, were quite successful in 2007. their interswap release from april 2007 found its way in several top dj charts and on great compilations and mix-cds. due to this and also our celebration of our 20th catalogue number, we proudly present an extraordinary remixpackage, split into two parts. part 1 features supertubos in a remix by another king of oldschoolish techno – matt o brien. on side b, afrilounge gives mindpattern a special string treatment. part 2 has to be in no way inferior in the choice of the remixers. on the a-side, claude vonstroke goes with pitch it as deep as he has never gone before and on the b, perspectiv newcomer minz gives the dancefloor a lesson in hypnotizing state of minds

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

kbushs classic track gets a balearic/italo styled re-edit, an extended wind swept and interesting intro slips into the unmistakeable marching drums with snippets of distorted guitar, before ms bush lets rip in that falsetto style that is her hallmark

tomash gee (methadon, tool terror, fak, vendetta, cannibal society) is the man to call for a proper boom-basstic workout. the man has not let us down before and will surely not disappoint you now.

quagmires third >artist ensemble< ep introduces the first four new artists to the labels roster. this quartet hails from dutch soil, william kouam djoko residenting in amsterdam as mical rhebess, pevanu and tim woestenenk living in the so called >backcorner< of east holland, near the german border. non of these young and talented producers released solo on vinyl before, which gives quagmire the absolute releasing debuts for these close friends of the label. william kouam djokos serialism repetition fills the complete logo side. this loopy bomb sucks you in a whirlpool of wet percussions and snareriffs. transitions are hardly recognizable and changing elements seem to continue. dynamic and delicate techhouse as never seen before on quagmire. tim woestenenks sunset love on the info side sets the elegant mood for this ep. microhouse in its purest form, stripped down to the most functional sounds. a big stab and a broken oriental stringinstrument give this track a incredible sense. timeless club music

bip soup is the collaboration of two moscow-based electronic producers: andrey zots and petr serkin (dj betatester). the main idea behind the project is the realtime techno improvisation. in studio petr and andrey produce half-finished tracks, which can be controlled in realtime on gigs. extensive usage of nord modular g2 synthesizers helps them in programming unique modular constructions. so the answer on the question what and where appears in a matter of seconds, before the realization of musical or sound ideas begins. therefore each new live gig is a unique performance. different music predilections of duo members allow to vary musical program, which helps not to stay in limits of one music style

after bringing back the classic tune sun is shining to the global dancefloors, yanou is straight back on top, putting his hands on the charismatic and unforgotten a girl like you by e dwin collins. ruff n driving house beats float around the commercial hookline, smoothly performed by mr. mark daviz himself. youve never really known a girl like you, before listening to outstanding mixes by spencer & hill and deniz koyu a.o.

you may already know barem (aka mauricio barembuem) from his releases on (un)foundsound, pariter and phonocult or from his remixes on resopal, mos ferry and einmaleins. if so you, wont be surprised in the slightest to find him surfacing on minus with never better than late to round off what has been another groundbreaking year for this ubiquitous label. the electro flavoured broken beats of so serial (digital only) make it the perfect tool for opening a set or for shifting the mood. the melancholy tones, the massive snare reverbs and the low, stuttering acid bassline gradually turn up the pressure before eventually triggering the 4/4 section, establishing the perfect platform to propel the eve! ning onto the next level. the fantastically titled ears conclu! des the release,offering more subsonic trickery in a similar vein. the percussive licks shift up and down amid a wash of reverbs and delays, while the bubbling bassline motors forward, keeping the scuttling efx in check

lars is back with a lovely piece of music on his own label two faces. with his third release on two faces, lars introduces us to the classic side of house music. a1 is a chicago influenced house tune with a touch of disco. the hookline, the moody bassline, the vocal samples and the relaxed killer groove out of his swedish drumbox fit together perfectly and will let you move for sure. b1 is inspired by a roadmovie with never heard before rhythm n blues vocal samples and a tricky groove. it rocks from the very first seconds and surprises after the break with wonderful bell-like sounds. b2 is a technoid track which is based on one main loop which gets transposed over and over again and ends up in sweet harmonies and great chord progressions. all three tracks are inspiring and fresh modern clubmusic with a unique style. ready for your winter pleasure

with his new alias motor city drum ensemble, danilo plessow returns to his house music roots. before he started to go more leftfield/broken beat ish with his inverse cinematics project, he was already heavily influenced by the likes of larry heard, chez damier, ur, moodymann, mike huckaby, labels like soul city, kms, prescription, harmonie park and deep deep house in general have always been a big part in his dj sets. the current four roses release has already been a favourite in many class a dj sets around the globe. combining the feeling of early 90s nugroove/balance tracks with the intensity of todays club music, this 12inch is a perfect, deep dancefloor tool. in the playlist of: ali warm, Âme, dixon, toby tobias, trusme…

the man machine deadmau5 returns with another storming release, proving yet again can consistently pull cats out of the bag. this awesome 3 track ep sits ... somewhere between tech house, progressive & minimal. already garnering support from nic fanciulli, sven väth, john digweed, desyn masiello, lee burridge and laurent garnier. from the bleeps of complications to the grinding basslines of everything before/after, this is an essential ep

two electro flavoured house bombs for the modern clubber. prophetization is more suitable for night time or right before the sun rises. electro rhythms, cosmic synth notes accompanied by a fat bass. lost in space, its dark, the bright strings call from afar and bring hope. the light shines at the end of the tunnel. pazuzu on side b is a mixture of bleeps and atmospheric pads sustained by a housey beat, chugging along to a dubby sub bass. perfect for those early mornings lost on the dancefloor in a state of trance.

this year marc has released eps on leftroom under his full name marcashken and labels esperanza and archipel under his alias sozadams.have you seen my dancing shoes’ is marc’s debut album on leftroom. it is a collection of tracks and skits taken from a period of 6 months where his whole focus was on this project. there is a mix of house, breakbeat, techno, minimal and downtempo. this is the 4 track vinyl sampler set to tease you before the full album release.

still music offshoot past due is proudly presenting two chicago disco gems by devarne that were never officially available before (only promo copies were made). includes a techno disco remix by alex attias (still music, planet e, reincarnation)

making a triumphant return to dance floors world wide, the incomparable plump djs unleash their first official release since 2005. system addict gets proceedings underway with a rumbling clarion bass call. with its central automatic, system addict mantra, the track switches between serrated bass and a gated synth hook, underpinned by some typically plump driving rhythms. flipside doppler sees the plumps going for some serious heads down action. a screaming crescendo drops into techy vocodered riffing before layered percussion builds and builds to devastating effect. this release has become a classic hands in the air plump djs weapon already taking dance floors by storm.

be is from manchester. his music has no equals. here is how be describes his superb disco sound. each day brings inspiration. people, words, skies and sounds form the solid foundations of the personal experience that be uses to express the abstract ideas drawn from these interactions. a deep love for soul music, jazz, funk, disco and electronic, combined with a respect for those who have gone before and created allows be to embrace performance and production with an open mind. experimenting with recording techniques, sampling, direction and writing, be works with music as a dj and artist to express a universal message that can be felt by anyone who listens.

great feedback by oxia, st. sebastian, dj f.e.x., jeff bennett and martin landsky. the three tracks on the ep nicely explore different nuances of maik loewens sound (tonsport, trapez, karmarouge). the funky and uplifting >napping at the switch< spreads a positive energetic vibe, while >bright night< comes in a darker vein, before the nerdy >night shift< rounds off this brilliant ep

here s an appetizer before the full length nebraska album drops on dl. vicarious disco (alt. mix) is a slightly different mix of one of the key album tracks, a combination of an insistent looped up riff, soaring orchestral strings, and a hot nickels synth bassline. me me me goes more juan style techno, all portamento slides and peppered staccato melodies a jacker! for the b side, we asked one of our all-time favorite producers to remix vicarious disco soul 223, aka stasis. its similar in style to his other soul 223 stuff, his personalized take on detroit beatdown house.

we are happy to announce a new artist on square ltd. max walder brings us a huge neo jumpstyle/techno track, which is supported by dj ruthless, manu kenton, marco remus and many more. these tracks have powerful exploding sounds like you never heard before.

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

the second part of the three-ep series celebrating level records tenth anniversary >top ten 2/3<, is literally a miniature world tour on vinyl. ferenc vaspoeri kicks off with an escape from the city and deep into hungarian forests yet maintains a metropolitan perspective with his harmonic, almost texture-free sound design. next on the map is hidenobu ito, who summons ghosts in tokyos asakusa district with the spookiest house sneaker released on level records to date. on the flipside, it s back to duesseldorf, germany, with local legend antonelli electr. throwing on a twisted chicago-esque house tune before fax from mexico invites us to his mountainous home with a miracoulous track which may surprise fans of his earlier works with electric guitar sounds over a massive and insisting groove

after the last ep on catwash records 011 by dj w!ld ,its the turn of the other behalf of catwash band:chris carrier . rising out from the parisian house music underground, chris carrier is no average guy for those djs who knows how to rock a party. and while chris is producing and djing more than ever before ,he also find sometimes to do this great ep. on the a side with communication breakdown he s delivering us a good techno tribal beats with a high oriental sequence. may remind so how , the groove of the early 90s ...just a classic carriers beats !!! nothing to show is more housy with dubb sound on the background.a classy brazilian voice come after 2 min to blow your mind .its the perfect track to start burning up the dancefloors...be sure that everyone will start 2 fell the heat .living wreck is enough techno to make da body movin & enough deep to wake your soul!with a touch of maurizio and a perfect carriers groove be prepâred with this track to dance until the morning comes!

da gibt jake fairley aka fairmont alles zum besten! der albumtitel >coloured in memory< sagt mehr als tausend worte

whether you re a seasoned italo freak or an avid newcomer, barry masons classic italo hit body get your body will have you grooving in no time. the acidic bassline starts the dance and will get your body venturing on the dancefloor. the funky piano riffs will make your disco feet itch and before you know it this timeless disco classic with its most simple but effective vocals will get your body as the title so strikingly suggest. this time one of uks finest disco outfits faze action answered the remix call. their take on the track resulted in a dance floor disco house treatment, bringing it up to 2007 cruising speed but all the same staying true to the original 1983 vibe. you d better get your body ready!

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

brooklyns stefny offers her first solo ep for the addon imprint. a dj for the past decade, stefny has recorded a few co-productions (lucylee/sodium) along side nick chacona and is staple in the nyc underground scene. this ep showcases a unique sound built upon her dj experience and personal sound development. >a fix< is not your typical 4 on the 4 groover. a special kick treatment is exposed before the falling bassline appears. a magnetic pulse hits sharply between the perfectly placed fast edits and zips. the warm and fuzzy >radiolaria< begins the flip side. soft bass tones battle for space in the mix creating a groove that instantly bounces. dubbed out it continues along the path straight to the dancefloor. >wellig< is filled with a sustained anticipation. sharp beats, flanged percussion bits carry before a pulsing bassline and kraftwerk-esq synth stab rise. energy for the late night

lush 7 follow! constructed around a strutting bassline the claps, castanets, rise & cymbal lines interact to great effect. like a fine wine, k drive & ginman give the track time to breathe before slowly turning the screw. increasing the tension and expanding the room in a wash of metallic reverb! simplicity is the key as each sound cuts like a warm knife through the butter. reactions are huge on both killer tracks so have it large!

this unknown 3 tracker release offers us a top notched disco house. limited edition, take it before they all go

so, the penultimate release on primate recordings, before the much anticipated primate100, comes from label boss john warwick, and features 2 original compositions, plus 2 great remixes, from bristols tcp & barnets steve murray

stal is one alias from wj henze., he has been producing seminal, groundbreaking tracks for the last few years now. he has his white tuna imprint where he records under the artist name - stal. here we have the brand new wjh 2 tracker under this moniker with the a side – southern hemisphere recieving big support .- the track itself is an wjh journey that starts with the intro cleverly builds with immense drum edits and a funky synth bassline teasingly building towards the peak drop before all hell breaks loose during and after the break. the reaction on dancefloors has to be seen to be believed with this one. this will be a limited edition so be sure to order early!!

berlin s miro pajic has an extended history with his multitude of techno releases and alias. >data devils< showcases his modern talents and ear for the dancefloor. begin with the original creations >bubble trouble< and >data devils<. hypnotic and quirky digital pathways into an often hidden soul of berlin and electronic dance music. both cuts snap the groove and rise to the occasion grabbing the listener with the keyboard workouts and the dancer with his slick backbeats. the return of john selway(semblance factor/tronic) to tora is an epic and massive adventure. selway crafts the title cut into his own, building with layers before he unleashes a frenzy that will not go unnoticed. promo of the remix is already in the hands of top jocks (cristian smith, beyer,hawtin, abe duque) and is primed to be a memorable fall highlight

rong music introduces a fresh new artist to the label - mr. chin. originally from new york, now based in sunny southern california, chin is a world renowned disco dealer to many high end disc jockeys. from heavy hitting disco breaks to body and soul type music, his first outing has a little something for everyone in the shop. this release contains a cheeky jungle brothers sample. this a very limited release, so pick it up quick before its gone!

following fondations first release - danton eeprom - these eyes/strictly erotics, cheerfully welcomed by djs, radios and press across europe - is the first ep of brwn shoes. this newcomer to the electronic scene played for long the role of observer, in the sweaty basements of london and valencia, before getting to djing and music production with panache, brio and attitude. brwn shoes sound is based on dirty, insistent monosyllabic basslines and superpositions of subtle notes and minimalistic gimmicks, providing moody, stripped-down pieces meant to drive the crowd and its dj corpus mentus. zeugma and tigers dont sleep are two perfect examples of this new breed of sound hes developing. crude, raw and sexy.

incl. huge ripperton mix new killer application on rippertons… stop & listen!!! this is the next hyped producer. laurine frost presents here its 1st ep on perspectiv and it is of pure beauty & tighness. a1, ulisses is one of the most funky beat weve heard for long! incredible beats, legs on fire before that huge synth render the whole track as totally irresistible. an incredible track to close the summer session! a2, ripperton put an incredible housey and minimal touché for a devilish reshake. if the butterfly wasnt yet burned, it is now done! b1 amfora is an epic 11 minutes full of emotion in a pure minimal house style! the sun in the eyes, we still feel that seaside little wind in the neck dancing at that superb after hours party on the beach, meet you there

two outstanding forgotten house classics from the cbag vaults, first up is long lost gem >racing tracks<, which appeared originally on umm in 1993, a villalobos classic with a minimal funky house break, a rolling bass line and racing car samples, on the flip is an exclusive derrick carter edit of the 1988 acid house classic >downfall< by fellow chicago legend armando - this version has never before been released on vinyl

produced by david harness and chris lum. following in the tradition of instrumental led disco tracks, mighty wind quietly builds itself up before carrying you on a wave of sweeping orchestral strings before finishing off with some dreamy female vocal sounds

here wehave the new killer release on adam beyer s mighty truesoul imprint. here he calls on one of his fellow swedes to deliver a truly awesome club bomb. alexi delano has been making superb music now for any years as a solo artist and with other talents such as jesper dahlback and cari lekebusch. here he goes it alone and what a track hes made! its a funky bassline driven groove that twists and turns with super cool edits and switch ups in the drums before midway introducing the seriously catchy main synth hook to complete the picture.!

super-hyped & long-awaited bomb !! matt edwards aka radio slave certainly excelled himself when he created his gnarly acid-drenched minimal-tech shoulder popper that first surfaced in late 06 on the no sleep ep (part 2). but now is time for the remixes. first up is josh wink, a man whose reputation goes before him. his >interpretation< is nothing short of colossal. cosmo vitelli delivers a corker on the b side along with the gnarly screamapella tool

adam beyers mad eye imprint has been the quietest of his 3 in terms of its output over the last few years but it has by no means made he least impact. the 5 releases so far have had massive dj support from across the techno scene with the last release being played by a huge cross section of djs. this time adam has really turned on the style with these 2 tracks with the a side china girl being a funky killer with its grooving bassline and drum groove immediately bringing you in before the addictive wooden block melody and warped edits creating an addictive intensity that put simply - just works. hear it on a system and see the dancefloor react and youll see where were coming from

the third dessous by st. sebastian comes along with a nice mymy remix. he turns the original into an irresistibly funky tech-house tune. starting from a reduced rhythm pattern their mix obtains your confidence by fraud with secure house-stabs before more and more weird sounds are added to take you on a trip.a fantastic and innovative mix by berlin based upstarts and playhouse recordings artists lee jones, carsten klemann and nicolas höppner aka mymy. >snow white< rounds up this great 12 with more breezly beats and these distinctive way-out synths

>im your lover <is the first single to be taken from the forthcoming long player >take it personal< by german duo wahoo. the single features felix from basement jaxx who lends his vocalchords to the bouncy, synth infused summer time track. taking alittle of the ska rhythm the track jumps leisurely through theverses before diving head long into the hella catchy chorus. wahoo is the brainchild of berlin-based singer/ songwriter / producer georg levin and dj dixon. their first single together as wahoo >make em shake it < exploded onto the scene in 2004 on defected records.