house maestro nile delta returns as the architect of the aztec ep, his third release for cut copys label cutters records. building on the solid foundations of his debut release *channel / all this* and the anthemic vinyl-only tune dance to the rhythm this third outing provides the most effortless and promising release to date.

ever the shape -shifters and genre-benders, on their newest ep lullaby san-francisco dance darlings pillowtalk move away from their innovative brand of housified soul and look toward the misty terrain of lush, 80s-inspired synth-pop. turn down the collars on your izods, switch on your walkman, and drift into that delicious space between waking and sleeping, love and loss, making out and making up.

the third gotwax! ep contains two fantastic detroit synth- & drum-groove tracks made with true love and real attitude. both tracks come from our new artist >florent/m<. >chemtrails< on the a-side instantly takes you up into the clouds, with a beautiful synth chord sequence that twists and glides over unique and energetic drum programming. the elements weave around each other over time and space, painting the sky with a question for the listener and the dancer. on the flipside, >message for the ground crew< sets the tone with a percussive conversation of high mid and bass notes, alive and full of curiousity. surreal chords arrive to the scene and pan across the horizon, anchored by an addictive rhythm that keeps evolving. a foreign language from another dimension, a sign of life. do you read us? mastering and vinyl-cut done by andreas >loop_o< lubich of calyx mastering.

napolicenco artist tuccillo return to the electronic sheepfold in order to pronounce with authority in house music area. take the classic house of chicago, turn into contemporary, provide it of balearic freshness and make it a powerfull club sound. all this is the greatest passion of the italian music producer tuccillo who feel like at home in ibiza between sheperds. the first surprise is resolution which begin 4x4 beat. suddenly it turn in unusual percussion which provide playfull spirit to the track. the tracks deep house progress, with some ad-hoc vocals and submerged melodies wich rise the track in a common and delicious place. the track sounds like broke by these brittle rhythm, constant and rebel which provide it an special and different sound.

- superb new label project from shifted & sigha...
- features full picture outer sleeve and printed innersleeve. a fusion of like minds, shared ideals and distorted electronics.

finally we can unleash the hi-tech soca bomb 2-4-6. with layers of exotic percussion morphing and weaving around a strict snapping rhythm, sounds abound in colourful patterns, carnival whistles strengthen the latin flavour whilst terrible shock directs the dance with his booming intonements. a festival of funky futurism. on the flip desto relocates the track to the ghetto. booming 808 sub-bass lines with plenty of punch drive the inventive on the one broken electro beat and the space opened up here leaves room for percussion to punctuate hard. check the cowbells and whistles (again). the whole track bounces as if on hydraulics!

limited edition of 300 copies only.

ltd summer sales - nice price
a retrospective tone of synthesizers reminiscent of ymo, a bouncy rhythm with the structureof click house, a familiar vocoder vocal, a nostalgic melody sense of 80s disco pop, the title track, >you are always on my mind< is just like giving you the answer of the idea if ymo covered daft punk >one more time<. it was the tune heavily played for several music scenes in japan when the album was released, and immediately became a favorite track for djs but has never been released

fresh from an inclusion on spargel tax vol 2, mysterious producer lily drops his first full 12 inch, on idle hands this summer. a-side *trumpets at dawn* is a latin techno roller, complete with steel drum melody, tough percussion and driving synths. b-side *machine dreams* takes the tempo down a notch. with growling bass and dubbed out hits developing into a grinding rhythm.

chicago rhythm boxes are melting with the fragile soundscapes of post-new-wave modernists.

miles sagnias british bastion of deepness, aer, returns with the life ep, which sees the label foray into fresh territory. tokyos tomi chair opens proceedings with a sharp piece of deep techno called sunstroke which is as uplifting as it is tough. si tappenden appears next under the newly established ourra alias, contributing the dawn acid driver marine morning which is an inspired piece of dancefloor poetry. finally rounding off the ep is miles sagnias ~elements~. after years of experience as one of the uks finest underground djs, sagnia is on point once again. a beautifully emotive track, that pulls on the heart strings and exhibits a serene gentility that works alongside the rhythm

2013 repress / release number 6 from our label brings us oscar muleros latest work, proof that the new sounds hes experimenting with do not constitute at all a departure from his command of the rawest side of the purest techno. horses, oscar muleros new ep, takes us back to the mulero that the majority of the public will recognise, to the overwhelming sound that has led him straight to the top over the past two decades. the record opens with like a wolf: broken drum beats, sharp hats, fm basses and dynamic white noise drones whose energy never falters throughout the track. horses, the second track, gives the record its name and offers intricate rhythm programming, dark atmospheres and acid sounds that, as a whole, create a mental and hypnotic feeling. the closing track is in a silent way, which runs along similar lines to the previous two, but with less bpms and with an obsessive sequence that mutates and develops throughout the track leaving the listener with a mills aftertaste, but with a berliner touch.

accent is a brand new house & techno project from well established british producers craggz & parallel with a large and illustrious back catalogue of d&b to their names. on the first release the duo deliver three cuts of rubbery, rhythm heavy house music.
notable dj support from: photek, stacey pullen, marcus worgull (innervisions), mumdance, slam, quentin harris (strictly rhythm), tom findlay (groove armada), j.phlip (dirtybird), chrissy murderbot, laurent garnier + many more.

otp lands a nice package starring a handful of talent. headlining the bunch is the mysterious room 303 with you dont know me, a solid tail of bittersweet melodies and heartfelt vocals that wouldnt be out of place during strip club after-hours. a2 sees canadian sean roman (whos known for his releases on hot creations, under the shade, strictly rhythm and many more) deliver a joint effort with buddy dick diamonds. together they off us dawn crondlemyers, a bassline driven house track with sprinkled vocals, and a funky synth part snaking around with extreme portamento. the entire b-side dedicates itself to germanys tuff city kids, the alter ego of running backs gerd janson and phillip laur. they nail two solid mixes of room 303s you dont know me, coming up with a change of pace and pushing things into piano and acid house territory...driving and pulsing

coming correct from deep within the london scene, jonno & tommo consummate their production partnership with a return to ornate to delve further into the hypnotic, soulful end of the house spectrum. close the door stretches across the a-side of their new release, the tough demeanour of the drum-heavy intro giving way to a serene pad arrangement, setting the tone for a starlit workout bolstered by an infectious hook of dusty vocal and subtle sonic decoration that accentuates the groove. small stone represents a more reflective mood on the flip, steadily feeding in reams of rhythm and melody before fully blossoming into an equally seductive, bumping jam laced with a perfectly pitched acid line that nestles into the cosy confines of the track.secret weapon of the capitals underground house fraternity, miles sagnia steps up with a simmering remix of small stone that keeps the tension high and the textures roaming through a decidedly futuristic soundscape, while still retaining the ethereal tone of the original.

ron costas brand new ep for trapez features the tracks >bazis puzzle< and >fraaz<, which show his liking for the borderline of house and techno. >bazis puzzle< is a bassline heavy groover that swoons with its kinetic catchiness and polyrhythmic drumming. it is really the amazing sound design, funky and ear catching leads, coupled with sophisticated arrangement that make it a soulful experience for dj and clubbers. >fraaz< is a mesmerizing polyrhythmic dj track, a rhythm rocker, with a fantastic stop and go feeling, a track that constantly builds up tension and releases it in its sensual breaks.

the flatlife deep debut of liverpool-based artist binny, including remixes by oliver lieb & tim gaal. the oliver lieb remix of release is a pounding tech-house track based on the two major themes of the original and treated with the typical oliver lieb signature sound - peak-time material! the original version is a soulful and uptempo broken-beat detroit techno track. the journey once again takes you back to the motor city: a lush sounding pad sound is accompanied by a shuffled and funky rhythm track. the tim gaal remix slows it down and incorporates a retroish deep house feel. flatlife deep is run by jack wax (flatlife records) in cooperation with tim gaal (adepth audio), focusing on warm-sounding analogue techno music.

in preparation for the release of kirk’s full length album later this summer, far out recordings dishes up a second instalment of tasters and remixes from a cadre of new label recruits and recent collaborators furthering the kaleidoscopic sambatek template of deep and dark techno meets brazils renowned rhythm. following on from the success of volume one in the sambatek remixes series, volume two offers an even more diverse take on kirks effusive productions seeing bnjmn (uk), spatial (uk) and argentinas jonas kopp step up to the plates.

the deep house is the genre of reference that the author aims to customize in his title track >say what<. it is a ganglion of rhythm and foggy atmospheres where a voice reproduces a sort of rhyme. it is pretty similar to >revenge<, where the loop cyclic effect is preferred to another though, and where the voice (reduced to a sharp tip) pierces the four quarters in place of the snare drum. both tracks are presented in their remixed versions: the first made by julie marghilano and the second by matthew burton.

every label needs a strong summer release and we are pretty sure we found ours for this summer. from the very first second we heard this demo from stockholm based producer claes rosen (1/2 of dubstep duo l-wiz) we knew this would be one of our fave releases on local talk. seriously, its a real beauty! with a slight r&b touch, melodic chords and thumping house rhythms both tracks have that perfect contrast of soulful deepness and an uplifting feel. on the a-side daydreaming is a club friendly track with a bumpy house rhythm and smart r&b samples…the perfect summer tune! the b-side with wonderful is exactly what is says it is…wonderful! it is deep soulful house at its very best and music that puts a smile on your face every time your hear it. all in all its a fantastic package of exquisite house music ... enjoy the summer folks :)

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, dekmantel & many more. having already released the incredible *release the golem pt. 1* & *jewsex* on everyones favourite nyc label, the pair make ready with their most claustrophobic and menacing outing yet. the original version on the a side stays in the same tempo territory as their dekmantel classic *african flower* but concocts a much more spacious and heady atmosphere, reminiscent of mark gages vapourspce project. side b takes us directly to the dancefloor, utilising the same bubbling bass sequence but transposing it onto a devastingly propulsive rhythm track, like the angry cousin of their *bleached roots* and *powow* classics. a formidablle force in modern dance music, at the height of their powers!

just as summer arrives, sylphes bosses holdie gawn & micawber are delivering their third ep hypofermsenso. on the a side hypoferm has holdie gawns trademark sound, with analogue bouncy warm snares and hi-hats, accompanied by synthesized modulations and raw filtering action, forming a chuggy, sleek rhythm with deep reaching basslines and a lot of movement. on the flip, micawbers -senso- offers a tribute to experimental composer john cage by incorporating parts of his vocal works into creating a landscape of mysticism, riding along sub-bass tones and syncopated drums, an afterhours number with a psychedelic twist

a dream team if ever there was one, kid fonque and rising star dj whisky have crafted a seductive, richly-textured composition which songbird zaki ibrahim has taken to sublime heights. be is a afro-tinged, drum-driven deep house number that is guaranteed to inspire some arm-raising, hip swaying dancefloor action. showcasing the enthralling vocals that only she is capable of - zakis intimate conversation draws you into a hypnotic realm of rhythm before expanding into a breathtaking ballad.

wilde calm records is proud to present some say, a recently discovered song from the archive of arthur russell. the track was produced and mixed by arthur in 1985 for a solo project of steven halls that was originally intended for release on rough trade records. legendary disco producer bob blank recorded and engineered the project at his connecticut-based studio. some say features arthurs classic cello basslines, cracking boom bap drums and stevens floating vocals and synth pads. in true arthur fashion, the song abrubtly stutters, slinks and lurches halfway through for steven to complete his buddhist pop mantra. the b-side features an extended rework of some say by pocketknife using arthurs boss dr. rhythm dr-55 drum machine.

welcome back to the cocoon recordings headquarter. we are proud to present the next chapter of our infamous compilation-series and believe or not: its m already!

parisian acid crew minimum syndicat drop their trademark techno on pareto park, with an ep of industrial beats, evil acid and brooding analog synths. spanish techno mainstays exium remix the title track, fracturing the beat into an intricate broken rhythm underpinning evolving bleeps and dark synths. four tracks of warehouse techno for peak time play.

hardly a rookie these days – perhaps more of an intrinsic part of the great british renaissance and current techno climate, tom dicicco brings his new label run out run to the table with a superb 1st release. treading a more layered path than on his previous outings, tom shows his teeth here with brilliantly creeping, menacing riffs at the fore while retaining the house and dub sensibilities in the rhythm section that have already gained him much support – certainly something for everybody here on this worryingly confident own label debut!

ltd repress - after mark ernestus mix of moyege in this series, now his basic channel / rhythm and sound partner comes to the control tower. moritz s deep berlin steppers discloses dubwise traces of our original lagos recording — the percussion of yinka ogunye, the singing of fifties palmwine legend rolling dollar, oscar olimbi s guitar lick — in with his own oberheim voicings, additional drumming, and cool-and-deadly rhythm track. its a tough, masterly dance record in fine rhythm and sound style — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken. like a stepping razor, but t-u-m-p-i-n. this reggae land version is the take-no-prisoners, pared-down dub of wareika hill sounds rootical rework of ise nla. magnificent trombone and percussion. expert, classical ja mixing. brings to mind those great dubs of glen brown s black man stand up pan foot

nice price deal !!! dub rhythm and deep sounds on the original tracks, jus-ed and jeroen search complete the ep with two insane remixes. unclear 007 comes from residents of the historical klang club in arezzo and signs the debut of giulio etiope, giak & hester on the label.

espai music are proud to present energy 52, the first and long-awaited espai release from the inimitable spada.
having received the demo, we were in no doubt that this would warrant an inaugural and exclusive vinyl release. our finest of the year, the track embodies all that we love about electronic music with a fusion of rhythm, energy and emotion. a true masterclass.
it is fitting, then, that we recruit two of technos best loved stalwarts to offer pre-eminent interpretations. taho, known for his releases on labels f comm, delsin and ovum (to name a mere few) delivers a utopian techno piece with detroit flavour. jim enhances his bountiful reputation further with a groovy dancefloor filler and another sprinkle of detroit.

classixx ist eines der weltweit bekanntesten dj duos und ist seit 2009 auf tournee. als remixer haben classixx titel von passion pit, phoenix and major lazer überarbeitet. ihr track into the valley wurde von julio bashmore remixed. ihr album wurde mit gastsängern wie von active child, nancy whang, sarah chernoff (superhumanoids) , jeppe (junior senior) und jessie kivel (kisses) aufgenommen.

rebirth is proud to present agorias beautiful track for one hour featuring scalde for a release in 2013!
originally released by infine in 2010 and a classic in the sets of ame and dixon, for one hour features the amazing vocals from scalde, complemented by a soaring violin, dessicated horns and agoria s typically rhythm pattern. epic and elegant.
the package include new mixes from oxia, paradis, jack dixon and kosme. the parisian duo paradis follow their release on tim sweeneys beats in space with a very special remix, a late-night melancholic and sophisticated reinterpretation with soaring vocals,an effective synth lead, and a deep bass to die for. man of the moment jack dixon strips back the vibe of the original in an entirely different direction, focusing on drums, bass and vocal snippets to create a peak-time dub version. oxia delivers a special reprise version, while kosme gives us a weird trippy mix with a solid drum pattern, reminding the old basic channel vibe.

nice price deal !!! a new series begins! ultracool atmospheric deeper berlin underground style anthems. no digital, limited press, antistatic innersleeve, shrink wrapped. take the journey and let yourself beat to the rhythm of ruhleben

teona will lead the third and penultimate stallions gallop along with home bosconi records. starting from dry scream by alex picone, a forest full of warm sounds and rough that only analogue instruments and a tape recording can give. follows, always on side a, quanto tempo ci rimane a track of the mysterious matrix nightdrivers edited in terms of house by label boss fabio corcos. the vinyl rotates, thoroughbred gallop in the b side, where they find themselves in a syncopated bassline with dirty vibes of i.f.ms, aka marcello napoletano and fran mela, and a broken rhythm and essential characterized by a hypnotic groove that aims at creating an atmosphere featuring in dark clouds, produced by young people from home bosconi, herva and marco daquino aka lifes track.

already with critical acclaim for their previous two releases on boe recordings and chiwax, the nite vision project from craig stainton and nigel rogers (aka mantra/myriadd and perseus traxx) returns for their third release to help kick off things for the brand new label, point of no return.
rise above is a 4 track 12 inch release thats takes inspiration from a dive to the depth of the 80s chicago house. each track brilliantly explores melancholy, and futurism with a strong sense of rhythm, while classic drum tones embrace the beauty of strings and pads, served with melodies that the heart will not forget. a classic, and definitely a must have record.

steffi and bleak remixes of 2 tracks by unbalance.

a heavy lead rhythm provides the foundation from which spiralling elements project. they coruscate, pulse with light and collapse inwards, until just the echoes of dub2 are left. rising from these depths, the sharpness of distribution theorys crisp hi-hats and snapping claps provide forward momentum to a series of stabs. the house element.
beginning as a mystery but ending as a certainty, the ethereal theme that opens untitled document gives way as it increases velocity, shaking and rattling under the strain. the apex. hands reach, seeking, the elusive moment has already passed, all left is pure. bliss. circumflex kicks hard, a final statement of intent. powerful. corrosive. this is late night techno, played over a system on which the squelching acid-lines converge within the mind. the body jacks.

alan fitzpatricks new ep in the beginning makes the most of the industrial techno style with ambient percussion to create space and rhythm giving in the beginning a big warehouse feel. the droning synth carries the track through before a melodic synth line gives the track the boldness that has seen the alan fitzpatrick sound become infamous around the world. lexicon uses a pitch bending synth as well as old-school synth strings and pads to create another atmospheric track that will be a staple in any techno set

with rv8, the osaka-based producer and musician aoki takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. (incl. a digital download coupon for 3 bonus tracks)

you know you are ready for something special when lord umek comes up with a one-tracker, and even the title on this one lets you know you are in for a manic ride. sly bass sets the tone, under the tightly-wound rhythm section and flashy stabs make way for a cheeky vocal that takes the lead role. the busy drum edits keep the adrenaline levels high at all times and yet another page is written in production history, with umeks trademarked sound.

limited to 500 numbered copies on purple coloured & marbled vinyl.
there is not much information available about this mysterious release, but it looks like a sunken treasure has found its way to daylight: a crazy no-wavey-punk-funky jam by the artist formerly known as a guy from minneapolis. now available for the first time on 12 inch! pressed on purple vinyl with white marbling, this beautiful diamond comes along with three pearls: a re-mastered version of the original track, a cover version and a jackin house re-edit. we suspect that berlin based producer noema droped the crazy cover version and chicagos own jamie 3:26 rides the rhythm on the edità rumours..rumours..rumours

lokee musiks sophomore release features newcomer afriqua. a 21 year old from virginia, usa and currently based in berlin. this fledgling producer and student of the royal academy of music sparked interest with lokee when they met at one of their famous after hours in london. the title track here is melt & features broken groove with afriquas minimal perspective. electric pulse stabs are at the heart of this rhythm and drive it with a much appreciated space. vocals from sorcha richardson adds an eerie anthemic touch reminiscent of somewhere between the cocteau twins & fever ray

kates groove and rhythm heavy sound shines throughout the release - from the chords of closer feat. jem cooke to the bass pump of out of order. were super happy to have her on board, and looking forward to hearing more from her in the near future!

with her 3-track-smasher random nature jenifa mayanja gives us an impression of what house music in 2013 should sound like! the random nature ep is a tasteful collection of warm and detroit like deep-house- meditations with definitely that little extra spice of afro-american awareness for rhythm and sound! after the release of her very successful album woman walking in the shadows – rated by the groove magazine as one of the best albums in 2011 – and a celebrated dj-tour through europe’s most famous clubs, jenifa now makes her debut at big bait records with this amazing 3-track ep

archie pelago is the trio of hirshi, kroba, and cosmo d and they hail from brooklyn, ny. archie pelago combines their varied backgrounds in jazz and classical music with a common love for rhythm and the wide-open possibilities of electronic music. it is this sonic exploration that has led them to their most ambitious release to date: the sly gazabo ep.

embassy café is house music laid bare - rough, ready and romantic. its the early 90s house record australia never had - an antipodean take on classic albums such as dream 2 science and amnesia.

laurel halo returns with behind the green door, a stripped back, rhythmic, and sonically absorbing ep. while re-injecting rhythm as the central focus, laurels compositional senses of elevated flow and ambient detail remain intact, harking back to earlier releases like hour logic on hippos in tanks, and the spring 12 inch under the king felix alias.

this release bumps and bangs in all of its aspects! the track >red< rumbles out of the speaker with exuding vitality and stubbornness. considerably more lightfooted, the >black< night steps in. closely followed by number 3 >blue<, a track that is floating on a carpet of synths and at the same time goes uncompromisingly for pure rhythm. this whole ep is a series of composition focused on analog machines and taking influences from early 90s raw house. ps: made to be played loud

our leader unveils yet another facet of his production arsenal, this time turning a housey cheek, courtesy of sa ensual, yet chopped-to-bits vocal. the jacking rhythm section skips along in pure style, keeping the tight bassline in check while frantic edits help i need you to fully unfold. stefano noferini nods to the old school in this double outing, and furios blasts out with a nostalgic bassline and intense beeping action over a crackling rhythm section. the title track goes for more heady territory with a hypnotizing vocal seeping in and out of the cracks, while the trademarked noferini groove keeps the bubbling subs in check. the undisputed groove don, dj pp, graces 1605 with revolver amo & navas beef things up even more with their crunchy rhythm section, and opt for a dubbier vibe with their trademarked stomping groove and spacious, low-end percussive magic. dj fronter leads us into another bouncy ride with the percussion-led cntrl and next taking the lead and rolling out into action