new release on belgian pikss label, again with two outstanding minimal tracks living from soundscapes, containing a superb remix from nutown project who was working together with people like tony thomas before.

joris voorn & jerome sydenham remixes !! joris voorn stands unquestionably amongst the very finest of todays electronic music production elite. the ever growing list of undisputed hits to come from the dutchmans rotterdam studio confirms is status as one of only a handful of current recording artists capable of creating with each subsequent release a flawless, precise sound that never lacks the essential human touch and organic flow necessary to deliver the biggest results in modern electronic dance music. with his remix of >destination nagano< voorn uses the originals distinctive, driving stab to build an epic, spiralling journey of a track which swings back and forth between wild, wailing sirens and graceful chord phrases before opening out into a beautiful, soaring break and drop momentdestined to create huge impact across the globe thisspring. jeromes shinkansen mix on the b side sees the extended form of the original become compressed and intensified as sydenham takes hold of the improvised key solo and creates an exhilarating house moment reminiscent of a certian classic, much loved ibadan sound.

rubiks kids transform new wave hits of the 80s into a catchy current soundwave. passenger has never been this danceable and laid back before christian sprenger (hr/wdr einslive). officialy approved by emi, exclusively available on vinyl. rubiks kids are a project of regine, singer of the band scut, and dj/producer der energieberater. after several remixes for bands from the frankfurt area, der enrgieberater decided to travel through time, back to his youth and return with danceable tracks. if you like to chill with nouvelle vague, you will hit the dancefloor with rubiks kids.

when we first started thinking about the compilation, we had in mind the idea to put together a great minimal techno selection with stuff from the early 90s, which really inspired us, like robert hood, dan bell, plastikman, pansonic and mike ink to name a few. whilst working on the project we had the feeling that there is so much more great and influential minimal music from way before the techno thing started. so we were very excited to combine the music from the electronic pioneers, with the tracks from the minimal techno godfathers in a very modern way. in minimal music there is so much (space) in between the sounds and the space that gives you a lot of opportunities for an own interpretation. the grandfather paradox is a scientific theory about time travelling and was first described by the science fiction writer rene barjavel in his book - le voyageur imprudent. we took suggestions out of that because we felt like we are travelling back in time and manipulating the old music with modern knowledge. the fact that we did all this with the deserved respect to the originals makes us quite sure that the results are bringing something new and interesting to the old tracks and transport the past into the here and now. - henrik schwarz, ?e & dixon

album sampler of the fred ventura classic cuts album release. two special tracks that have never been released before. a side is a sublime edit version by fabric resident dj craig richard of the i f track (ft fred ventura) i cut my heart out. craig made the track more suitable for modern club use, and he has been playing this edit version since months. he received so many reactions on the track of people who went total nuts (and some even cried when he played the intense and emotional song!). we thought this is the right moment to make it available for everyone. on the b side we have a slamming italo disco monster which fred produced together with ajello. super phat basslines (slightly reminding us of classic bobby orlando tracks) and typical italo disco synths. two completly different tracks both featuring the emotional vocals of fred ventura. timeless piece of dance music!

here comes the first release in 2009 from soulstar.moses mcclean has delivered us some beauties before, this time he teamed up with rob burns again to deliver this love anthem.remixes come by label honchos harley & muscle as well as from bittersuite and phil r. already played by djs like: david harness, lars behrenroth, rob paine, tim (house afrika), massimo dacosta, andy ward, pierre ravan, nicolas matar, ralf gum, edground, mark farina and many others

on a-side paul mac explores minimal spaces - but before getting claustrophobic he flips it to take a cool tour through techhouse-country.

mobilee back to back vol. 3, compiled by miss jools, is inching its way to the release date but before then, active listeners can turn ears to the second exclusive vinyl teaser release with remixes from d julz and christian burkhardt. djulz of ovum, pokerflat and intacto records remixed gummihzs 2007 one-of-kind release and turned it into nothing short of a dance floor phenomenon. of course, nothing less could be expected from a man who has been around the world and back since 1992 playing in the most legendary clubs before the most legendary scensters. d julz certainly has the qualification and experience of what it takes to make a party a paaarty! christian burkhardt of oslo, raum…musik and remote area records took one of anjaschneiders more mellow and somber tunes from her spooky beyond the valley album, which ranked third in the charts of groove magazine, and give it a powerful face lift. the hard baseline and repetitive foot-stomping beat is exactly the kind of techno flair that burkhardt embodies in his music. mobilee back to back vol. 3, to be released march 2, 2009, combines a compilation of tracks and remixes produced by mobilees, remixed by other various artists and then mixed again by miss jools in a two-disc spectacular: cd1 is an unmixed selection of 2008 mobilee tracks, all handpicked by miss jools, while cd2 welcomes a list of her favorite producers to remix their picks of the mobilee pack with an additional miss jools spin. miss jools invited talents from the likes of cassy, tobias., nick curly, dinky, djulz, efdemin, christian burkhardt, vincenzo, sven tasnadi and solomun, extending the musical preference.

opening with orchestral provenance usual alternative has all the epic presence of a lord of the rings re enactment society annual dance and dinner. working up to the drop with classical samples before hitting with one of the heaviest basslines we ve heard all year (alright, its only january, thats not the point...).

this single is the first sample issued from the new recording sessions of the prodigal allen hoist. this brilliant release spreads groove, inspiration & innovation. these great racks are a warm-up before the upcoming allen hoists album. theres a soul renaissance going on...

already supported by the bloody bleetroots, will bailey, drop the lime, congorock ... hell yeah starts a new re-issue/remix series called confuzed90s. after the huge critical success of confuzed disco (a retrospective of cult label italian records), label a&r marco peedoo gallerani keep on fumbling into obscure & cheesy italian label catalogues in order to deliver the best re-issues and remixes.: expect weird spaghetti house, nu-disco re-interpretations, nu rave modified anthems and all in between. first chapter is all about sicilian heroes blatta & inesha who tweak and knob 90s techno icon ramirez music as they never have done before: killer freshness with humour. if you remember ramirez, the music, the mad shows you know that all his big tracks and gimmicks are here and those new remixes are set to become a steady 12inch of your record bag for the next months to come. very early support comes from the bloody beetroots, lee mortimer, will bailey ...

already supported and played by djulz, mathias kaden, brothers vibe, tadeo, falko brocksieper... rosario is back to esperanza with our beloved franco cinelli. evolving on every single release, franco makes a strong comeback after his warehouse ep. the a side >green & blue<, that also names the ep, shows us his style in full effect with grooooovy percussive hints, analog touches, old school flavour and lot of sunrays. on the flipside, damian schwartz reworks the track turning it into a trippy detroit house affair perfect for every real >party lover< (yeah, for the ones who stay until late). >blue before sunrise< is the track for late night, sunset, sunrise, afterparty, warmup, etc. versatile, isnt it? but such a beautiful relaxed atmospheric song should be part of any classy session. enjoy the beats! its limited to vinyl and just 500 copies!.

infamous recording studio guru drew brown from texas used to be becks right hand man in the studio before working with radiohead producer nigel godrich in london these days! since 2004 he has been releasing lofi pop under the aliases paper jones and coke dance

with the majority of deep electronic music being provided via europes minimal hive - berlin, its an enlightening prospect that one of belgiums key players in the scene is behind the musical direction of new imprint miconn records. having produced a string of successful remixes of artists including chab and bedrocks polefolder, whilst appearing regularly across his native club scene, it was only a matter of time before miquell santos turned his attention to a dedicated output for his music. whilst an exciting new remix of rennie fosters slamming >devils water< is being released in 2009 on rebirth, the debut release under his hermanez moniker is scheduled for an appropriate new year release on 12inch . turning his production to a more early morning vibe, >gold coast< is a carefully selected debut of crisp deep house beats with just enough wonky additions for even the most demanding of minimal heads

yes, it really is that slow! john roberts pushes the boundaries of how slow can you go on this beautiful jazz infected bit of deepness. one-sided, limited edition, get it before you cant!

new release on down the bush records, karl dread, a mysterious jamaican kubo dread based producer (as far as we know he actually lives on the hills of the famous blue mountain with the fierce desire of never coming down), delivers an up-lifting ep with the ever eclectic spirit of down the bush records. with this release, a true mastermind blend of dub, broken beats, house and afrobeat, electronic music goes global like never before. anbuley originated from ghana, and vienna based singer (works also with makossa and megablast) adds her vocals and afro vibes on the main track. when jamaica meets africa, a heat wave hits the dance floors!!!

the second outing on frittomorto is by subway who have previous releases on nuphonic, sunday best and souljazz....they also have a forthcoming album on souljazz. the a side cs-87 is exactly the sort of tackle that you would expect mathew jonson to come up with if he was born twenty years earlier and had met vince lawrence and ron hardy in an all night gentlemens sauna. the flip side second sign sounds a bit like black dog before they went crap

reissue of explorers super rare and hugely in demand self titled explorer lp. originally released in 1982 on the tiny german label x recordings, and never available in any format other than vinyl, this lp is packed with sought after gems such as megawar, no. 8 and the must have enjaw j which features highly on many a cosmic djs wants list. written and produced in germany by multi instrumentalist tony carey after he left stadium rockers rainbow and before his reincarnation as revered prog rock outfit planet p project, this obscure album has become a classic on the cosmic disco scene and an extremely sought after piece of vinyl.

chicagos mathematics celebrates its 25th release with this massive 12inch. >nice & slow<, the >tongue & tongue version< of >french kiss< and the highly sought after, never before available officially on vinyl, >jazzmen<. a very special limited edition. sure to be huge

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

ruede hagelsteins the modest theme has proven to be one of souvenirs most provocative releases so far. released in the summer, the tracks dramatic horn hook is so epic it belongs in a science fiction film and as a piece of forward thinking techno, it ranks among one of souvenirs best. now the track is back with a remix from souvenir spearheads tiefschwarz alongside a new track from berlin based ruede. semikolon is another dark and dubby deep tech-housy outing for ruede that begins with a dramatic spoken word by naneci and ominous organ stabs. as the track progresses it takes on a chicago house vibe re-imagined at 10am in the panorama bar. an urgent bell begins to ring through the track raising the tension as the vocal intones a surreal chant before giving way to huge synth stabs that lead the track into a slow motion emotional explosion. just when things can get any more hectic the crescendo sinks to silence compressing the energy before the beats emerge back in their earlier deep house guise. ali and bast schwarz take their turn at remixing the modest theme fresh from their incendiary remix of emad kamandians kamanche for souvenir 012. the signature dramatic horn riff remains albeit injected with new percussion lending the track a tough tech house appeal that places it within the context of 2008s underground house sound. both tracks are another addition to souvenirs impressive collection of music aimed at the head just as much as they are at the heart and feet.

squeezing one last one in before the christmas frenzy, these hed kandi samplers have topped the shopping lists over last few month thanks to the quality of the tracks allied to the bargain four for the price of one deal. ending the year in style, hed kandi hit the back of the net with this tasty 4 tracks of unreleased action

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

rmxs by clouded vision & noob ! i met brodi early last year, he had a track called >bad runner< that i had been playing incessantly. it leaked onto blog sites months before its release on mental groove in october 2007. it found its way into erols box among many others very early on and the hot fuss began. as a dj, despite hailing from france (reims, lille), unexpectedly brodis taste is broad. if your expecting banging gnarly electro bombs… unlucky. he can play anything from noisy techno, bass heavy house through to more melodic minimal. plus, if you think you spend more time searching the net for new tunes than anyone else, think again. this guy is committed and now his second, and even better ep is here and he has saved it just for turbo

the invaderz soulful streak shines throughout this killer release. for all the people has become a staple of dance floors around the world with its anthemic intro which builds with its hypnotic vocal before dropping into a killer beat work out and serious bass line. this track stands out next to previous liquid v releases.

kindred spirits are proud to announce the full vinyl release of this superb album from carlos nino (ammon contact/build an ark) and lil sci (the robinson project/scienz of life). this l.a. based combo have worked together numerous times before on other projects including dwight tribles life force trio jazz album but this time its more a hip hop orientated affair. the album features guest production appearances from flying lotus and daedelus with other vocal and instrumental appearances from prince po, dexter story, miguel atwood ferguson & tiffany page. the album is wrapped up with the usual high quality carlos nino seal of quality...

the first in a series on theory that will feature tracks from new, established or promising artists that have been the highlight of ben sims sets for the past year and before, as the label has been on hold, these tough but intelligent dancefloor winners have been only been dropped by the artists themselves and a select few circuit djs, its now time for them to go public. watch out for part 2

boogie corporation is a project thats all about creating new music thats inspired by leftfield disco, electrofunk , alien abductions and terry thomas movies. early expeditions to outer space funk where conducted on 20:20 vision recordings recordings in the form of the rather out there lay the funk and dirty rip eps. and the good news is that boogie corporation are back and they are on a mission to bring back the boogie! bc are planning new missions to boldly go where no electronic discotheque has gone before. join us before its too late!

nice price deal !!! the valentinos... or as i should say now the lost valentinos. or the band >formerly known as< the valentinos before their legendary name change? anyway. poor little conquistadors just want to make music... not stress over clause 23 in the trademark agreement over who has the rights to a name. fuck those people, if they only knew about music, if they had a soul, they would pay these kids to share their name! man there is some whackheads out there without a vision. but thank god we do. and thank god the lost valentinos do

great unreleased material before she got her big break with simon cowell...

marius vareid (1/2 of ytre rymden dansskola) brings us a sunbaked and red hot 12 just in time before another miserable winter. we love it, you should to...

aka dopplereffekt !! should be in the repress section... but this repress is such a limited and unexpected one that we had to consider it as a brand new release. 400 copies only limited repress for this highly collectable piece of wax from the master of electro arpanet (dopplereffekt, der ziklus...). unavailable for more than 6 years and never repressed before

this time metamorphic recordings is in full on boundary pushing mode with a new sound from dan curtin. techno always has been and always will be about taking risks and going where no one has gone before and this ep, facts is right there. modern techno that will work for djs playing the gamut of techno, tech house, house, minimal and more. vocalist jason byers from cleveland based rock band disengage worked side by side with curtin to add a powerful vocal touch to the intense musical journey presented here. to all you djs working hard to keep it real, to move forward, to advance our scene, and to have a voice of your own, this one is made for you!

dj whiteside and vocalist candy williams team up again for the new release on milk & sugar recordings. whiteside, since 20 years now on the road, started in the music business in switzerland as a producer of illegal, but highly demanded mixtapes, the >billboard tapes<. fined for music piracy in 1990 it took him as long as until 1995, before he gained great success again with >ugly house<, the most successful cd compilation series in switzerland until now. he was given the opportuninty to release his first artist album soon after, which was also a great seller, not only in switzerland.

gagarin releases this very special limited edition 7inch golden cap ahead of the forthcoming album adaptogen due for release early 2009. pressed on 40gm vinyl and limited to 250 hand numbered copies this very collectable artefact contains exclusive remixes of two tracks from adaptogen. the up & down mix of golden cap is a glorious journey of melody, rhythm and white noise climbing to a height of 192 metres before falling back to sea level. the stop & search mix of gavvers is a sonic picture of an urban dream full of tension, fear and final escape.

incl great rmxs by motor city drum ensemble (compost black, four roses) and solar & poppcke ( ostwind, diynamic). played by manuel tur, jimpster, russ gabriel, thomas schumacher, laurent garnier, x-press 2, milton jackson, jori hulkkonen and many more... talent pool meerestief, chevel, who just recently attained full age wrote a soundtrack for a life in fast motion with the hard nosed maturity of the big boy.

the truesoul imprint represents the somewhat soulful side of its owner - adam beyer. here, cari lekebusch takes up the challenge and produces two wonderful tracks. on the a side we are treated to a wonderful deep 808 driven groove with eerie pads, neat reverses and cool cowbells that creates a wonderful intensity. on the flip side again the deep groove is apparent with neat vocoded vocal samples and fat bass before there is a cool break and the main synth sound appears in the track to give it a seriously intense lift

the a side by hardcell and grindvik again has faultless production with its razor sharp drum intro before the pulsing lead sounds drop and the fat percussion edits envelope the track to create a truly intense feel. on the flip adam beyer delivers a truly awesome interpretation cleverly using the main parts but adding rich layers of atmospherics to create a very rich sounding deeper feel. this is a very, very serious release

dubbyman is at his best on this >dubless ep< and surely proves to be a man to look out for

fresh new electro label coming straight outta berlin ! and by electro we dont mean some lame-ass four-to-the-floor shite soaked in distortion and full of all the latest ‘hotsamples, fresh from a timenspace cd. this is the real deal, six tracks of well thought out machine music, where the funk is in the circuits… automated syndrome 1 defines the first set of symptoms which robots (or other artificial intelligence) show while being exposed to a series of certain stimulants. to acquire information regarding any artificial intelligence amongst your family, friends or colleagues the bass4bots label is now proud to be offering you all the data necessary in one complete package. get yours before the others do!

there is certainly not enough space to tell you all the great things about move d we would love to share with you. being the musical mind behind the legendary source records imprint, david moufang has always been a versatile and prolific character. from ambient soundscapes to krautrocky epics, jazz sensibilities or straight up techno and house, he has done it all with his own special and unique touch. this lovely fingerprint is spread all over the “cube ep . intended as a tribute to heidelberg’s finest club night of the same name (don’t mix it up with that other square project!) , move d shots two arrows straight into your heart. “cube” is one of those stripped down hypnotic affairs that seem to go on forever and ever just to surprise you with a nice breakdown, before it’s groove sucks you in again. we guess this is what people mean, if they talk about the beauty of simplicity. “heidelberg gals” flips the script in three parts with an old school approach and turns into a monolithic house monster with a bassline to boot. panache! bust a move d!

responsible for this tartelet release is debutant mhm one aka morten halborg-møller. he s a local lad from copenhagen who has decided to give something back to the world of electronic music that he loves so much. before he decided to sit in the producer chair, he spend huge amounts of time on his copenhagen based kill your telly promotion. a promotion which has more than 5 succesful years on it s back and has featured a huge tally of big name bookings. said promotion at which he started out his djing career resulting in him being one of the most sought after djs in denmark. being the creative and gifted spirit that he is, music and clubbing is not the only thing that keep him occupied. he also expresses himself via visual artwork earning the fourth spot in the renowned graphic art collective that is bottega areté.... and oh yeah ...did we mention what a nice bloke he is? a1: the a side features a funky little groover that will fit well into a club where punters prefer to dance. the track is build around a playful bassline hook accompanied by a simple and catchy vocal (by who made who member tomas hoffding) a really sweet minimal workout for sure, that really does the trick. b1: on the flip side we get served a dish of bass heavy house. this time it s dutch house supremo melon who sorts out the remix treatment and turns bubububadub into a tribal ish affair. suited for big clubs? check. sexy? check. playable? very much so.

ah, its time for some eerie minimal techno again. dry, percussive, hypnotic, trippy. when sunday turns into monday and the week starts exactly like the last one ended – on the dancefloor, propelled by a thumping bassdrum. dima is a bar 25 regular and has released on beatsreet (another berlin institution of endless afterhour journeys) before. this one is his bar 25 debut, tried and tested on various occasions and legendary sasomo moments. his four tracks dive deep into a nocturnal techno habitat, where percussion- sounds fade away in the twilight and the groove just won’t stop. there is no way out, just give in to its pleasures

panthers used to play aggressive post hardcore before their style morphed into a somewhat sober version of anthemic stoner rock. they released albums on both troubleman and vice records. goblin city is the lead track from their second record, the trick. holy ghost! requested to work on goblin city. they then delivered one of the most relentlessly snappy disco dubs in quite some time. panthers also asked run roc to do a mix of the song and he came up with an excellent old school acid house version. this single is a true dfa family affair, bringing together good friends, musicians, and creative allies from the past and for the future. family reunions are not supposed to be this much fun.

(juan sanchez remix) wolfskuil head honcho darko esser has been following thomas ever since he started out, so it was only a matter of time before he would make his wolfskuil debut

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.