direct from detroit, life on the back 9 is inspirational house music down to its soul. from the energetic yet soulful opening track finally (baby be mine), released on planet-e in 2013, to the melodious, groovy basslines, piano riffs and high synths of night light, to the forward pushing, make you dance saved forever, to the bumpin god he is, to the funky tech instrumental spiritual warfare, to the grooved out melodic the friend i lost to hiding in your love - all about getting lost in dancing to the music (dancing is a form of worship), to the pause and reflect selah interlude to my virtuous woman

bosqs paciencia de jo, off his well-received bosq y orquesta de madera album was arguably its most played and talked about track. the tropicalia inspired sound backed by brazilian chanteuse tita lima was the perfect song for the summer. looking to keep the fall season at bay, tall black guy drops a brazil-by-way-of-detroit remix ensuring a few more days of sunshine. instrumentals for both original and remix are also included.

soft raindrops hitting an empty street, the orange light reflects on shallow puddles of water. the dc streets ep by times are ruff is all about this silent but edgy image, where peace and disturbance lay close together and are only covered by an undisclosed street corner.

we are excited to say the least about the remix 12inch of the new radio slave single that is currently destroying dance floors world wide on spencer parkers work them imprint, featuring remixes from the mighty bearweasel & rodhad...

e-issue zweier verlorengeglaubter lps dieser formidablen live-band der funk-, soul- und disco-ära der späten 70er. ltd auf 500 lps, gatefold, sleeve notes , studiosession pictures, incl cd & dl-link

eintakt 29 >rauhv01< vinyl, including 2 exclusive remixes of nvelopes successful first full length >chords & scapes<, also part of the 3 track ep is the original song >tribute< by nvelope. nvelope presents his tribute version on a1, a track as simple as classic as good as you know what im talking about.longtime label fellow gunnar hemmerling (also man behind dock records) kicks off on the a2 with a quite reduced stomper (and as >stomping ground< is the tracks name he does good so). proper ancient techno vibes, enslaving the circuitry and drumming on the real heavy barrels. rob strobe and kai randy michel aka say what introduce themselves on eintakt on full b-side with a soupy submarine machine and you might dont know what to say (but the project name says say what) and i say get lost there then (and you probably will). the rauhv series are an upcoming collection of unreleased remixes of different rauhphaser releases

join us for this aa sided single whereby last known trajectory welcomes the immensely talented visonia to its music roster and most proudly presents the first collaboration with the mighty dopplereffekt to deliver what is, >die reisen<, encapsulating what you will soon recognize to be the distinctly warm and engulfing sound that is visonia, here morphing with dopplereffekts unmistakable, deadly bass arpeggio and subterranean stratospheres – utterly amazing. flip over to the aa side and witness visonia with two markedly different styles, as >antarctic love< is just about the most emotive piece of electronic music you will hear this year. finally comes >impossible romance< – a fresh, new-wave inspired and dare i say it, spiritually uplifting piece of music that you will simply wish to repeat again-and-again-and-again. it truly doesnt come much better than this!

one of our specialties at jazzman is focusing in on the obscure and often previously slept on regional based sounds across america. this time our radar was honing in on state of virginia and its norfolk sound. many celebrated musicians have contributed to the norfolk sound, but lenis guess was probably the most active, prolific and influential showman of the soulful 60s and 70s. this collection of unique recordings captures the essence of the multi-talented entertainer, singer, songwriter, producer, arranger, band manager and label owner a calm, cool and collected quintessential music man about town.

the outstanding new album from birdy on 180 gram vinyl in gatefold sleeve, including download code.

two pioneering heavyweights unite for this stellar 4 track ep forthcoming on eglo records. it’s fair to say that the legacy of degos musical output can be heard in just about every genre in the contemporary dance music spectrum, from hardcore and drum n bass, to house and of course broken beat. kaidi is of the highly skilled keys player that lent his hand to many of those legendary productions.. recording with bugz in the attic, domu, ig culture etc not to mention his own releases. eglo fulfil a life long goal of bringing the pair together to release a brand new ep

collaborations are often the fortune of timing. with andy having moved on since closing the dissident label to launching his cave paintings project to tim s departure from battant and striking out as andrew weatheralls engineer and soon to be co-member of the asphodells, an alliance was born between the two to undertake a series of live jam sessions at eachs respective studios. a love of new wave, new beat, uk bleep and detroit techno all feature in b-ultras and the aptly titled, neu beat. both cuts are heavily soaked in the pitch black, smoke machine funk and strob-laden fug of andys (and co-hort joe hart) infamous world unknown dancefloor. running at around 10 minutes the tracks are essentially an examination of acid houses ideals. clattering hats, throbbing basslines, stabbing keys and doses of 303. keeping it pretty simple but all about a pure groove on and on. backing these up is a remix of b-ultras from jamie paton that accentuates the groove and drags the acid deeper down to some b-boy dub throwdown - with more to follow from all protagonists in 2014.

samann again out with his second vol., on it other 4 deep warm tracks. limited coloured vinyl.

there are a lot of speculations going round on who this awesome producer is but even here at prspct hq we dont have a clue and to be honest we dont care. all we care about is the awesomeness of the tracks he produces and this acid green 10 inch vinyl rocks hard as fuck!

the cover of laguna verde ep shimmers in a turquoise and dark greenish tone, letting us reminisce about our sweet memories of one of the best and hottest summers ever: smalltown collective delivers their second schallbox single, a deep and melancholic techhouse track, that seems almost timeless in its original near-9-minute version. then there are the prestigious remixes, lining up seamlessly on this release: a groove-teeming version coming courtesy of the chosen two and even two different fulminant versions by cocoon darling sven tasnadi! so, as you can see, theres strictly nothing getting in the way of a musical visit to bolivias laguna verde!

der rock n roll hall of fame -ausgezeichntete buddy guy gehört mit seinen 75 jahren sicherlich zu den bekanntesten und typischsten vertretern des electric blues, sein einfluss auf das blues-genre sowie auf bedeutende gitarristen der rockmusik wie jimi hendrix, stevie ray vaughan.

spell pets backwards to get step. spell step forwards to find pets going back to basics. step is the new concept label from the founder of pets, catz n dogz, that highlights the rawest forms and root functions of quality club music. step finds the fundamental groove with under-the-radar house and techno that is isnt afraid to be rough around the edges. step is limited promo, zero hype, and all about the music. each new step will be released every three months on vinyl...

136° club - known as a established club in hamburgs redlight district, is now launching a new music label: 136 degreerecordings. a symbiosis of club and music is about to begin. their first release named sinus ep comes along with strong and arms wide open sounds. frederick alonso, kevin over or neal porter are just some of the names to be mentioned who add their great sound to this first ep. special focus on tapesh and his great remix of muovos track called clap your hands. grooving, pumping and drivining deep and tech house will be characteristic for the first release. a great album in all its facets - it makes you looking forward to whats coming up next. its all about their love for 4/4 grooves.

ricardo villalobos couldnt resist the siren like call of mari kvien brunvoll. the result, *everywhere you go* - celestial voice resurrection mix and amnesia rehabilitation dub - should give some proper information about some of the feelings involved here, such as does the music itself ... being nothing less than magic.

dmi number 003 comes along with two deep techno trax by the whiff. whiff is a new project of some wellknown technoproducers from germany. more we are not allowed to say about it. but u can be sure, its not the last time u hear something from the mysterious whiff

just checking is a clear nod to the early works of ron trent & chez damier. tiltons plane has a massively chugging bass line coupled with a gritty conversation about the finer points of self perception.

pegasi about 333 light years from earth uss hollywood the latest report of the commander speaks of a series of mysterious murders among the crew than no radio communications. a support vessel was sent with two of our best seals danny woolfers and steve lorenz code names legowelt and moonhacker. headquarter of tarvisium electronique.

opening up the release is *der groove günther*, a stripped back bit of rubbery, supple techno. the groove sure is infectious, but it’s the way its detailed with such curious sounds – metal twangs, squelchy chords, icy hi-hats – that makes it so engaging. on the remix, tinush reimagnes the track as an even weirder thing. it’s all about micro-evolving details, subtle and inherent funk and keen sound design that is part shiny and stiff at the same time as being elastic and bendy.
the first vinyl pressing is a limited golden seal edition!

for every producer the first album is a big thing and filled with lots of emotions and love. finally after two years of work, after their last single sugar - cocina india with a straight pumpin sweet n candy remix, lepetris album >acoustic signs< comes out on wanted beatz with full of natural sounds. inspired by his impressions, lepetri speaks in his tracks from minimal to techno about his experiences and places, such as the album name implies, an acoustic sign in the musical underground culture without losing the sense of club music. so it was important for him to bring his experience and adventures in form musical expression. from rocking beats up to melodious strings, each turntable can be served in the club. a club album which fits to each phase of a party. therefore, the first vinyl goes more towards house and the second vinyl contains more techno elements. check it out and enjoy!

recit records founded in 2012 by yohei yamakado and mana haraguchi is a label about all auditive experiences.their very first release is a production of yohei yamakado under the pseudonym of oosco. printed in 300 copies, it includes three tracks which are mainly house oriented but not only, having also an aspect coming from electroacoustical approaches, relating the acknowledgment in sound design of the producer

>for those< is a new vinyl only label from barcelona. recorded on reel to reel tapes and all about warm & raw analog sounding music. limited copies. dont miss out!

the second vinyl release of hansehertz records comes as a remix collection with the right track for each daytime. with fred wendekinds early friedrichshain remix for krueger & leus pour annabelle you can dance into the morning hours and start or finish your day. krueger & leus remix for marc raums talk about is the right choice to enjoy the midday sun outside on one of the countless open airs in the summertime. at the end of the day the spinning around mix for vincent rohrs die suche by just emma (new project of minimal lounge) with catchy vocals by matthias wittmann is the best way to start a frisky club night.

and as the sun set that evening, gator boots knew that the world would never hear the music unless he did something about it.

rick the godson wilhite is back on stilove4music for a split ep with a fantastic chicago guest: tim mcallister of mc edits fame! this one is all about the nu bang clan and its the real sound of chicago and detroit. 4 edits for the cats that know wassup

courtesy of balance presents to you nws, the new project from copenhagen-based wonder kid and priest dj samuel andre madsen. straight up underground deep house, no frills and ready to move dancefloors of all kinds. *next to real* is a little bumpin banger, the more club oriented one, the safe shot in other words... pressed on 45 rpm to give so your message is heard loud and clear! the b-side shines as well with two deeper cuts that should easily stand out in the sea of averageness, at least we believe so. drop the needle and make you own decision about it.

french fries comes back strong on his own label with the single from his debut lp soon to be released, and it is a huge tool gift for djs. the 16th release of clekclekboom is about shorts and straight to the point club tracks. release on limited edition heavy weight 180g 12 inch vinyl.

deadbeats dub credentials are by this point are as solid as they come, and being asked to remix 2 of the genres heaviest hitters, not once, but twice is just about the greatest complement anyone in said position could ever hope to receive.

about 18 months ago, lets play house released its most significant ep to date: fantastic mans *its essential*. since then, the australian producer -whose real name is mic newman - has gone on to release a handful of other records, tour the world, and even remix a song for lphs co-owner/-founder, jacques renault. a followup to the 12 inch that started it all was always in order and it is with great pleasure that we finally present it to you now!

using rolling percussion and a thumping kick, primo really is unbeatable! luigi uses synth stabs that add character and finesse to this outstanding piece of music. hypnotizek rounds off the ep being more upfront about where its going. this cheeky, groove based track will warm up a dance floor quickly and get people in the mood for a real party!

new york techno producer shawn o sullivan makes his return to l.i.e.s. under his vapauteen moniker. after an amazing release on avian as 400ppm and a collaborative effort on the corner with beau wanzer, here we get o sullivan turning down the bpms and slowly crushing everything in sight. the a-side provides three tracks of unforgiving modular slowcore beat electronics which trudge their way to the grave, while the b-side is strictly about power electronics and harsh tone work outs. sure to piss off someone on the internet or better yet, in real life.

retrieval is the debut collaborative album from faith coloccia and alex barnett. artist and composer coloccia was a founding member of everlovely lightningheart, and is perhaps best known as one half of mamiffer. she has contributed to recordings by house of low culture, boris and william fowler collins among others, and collaborations with circle and daniel menche are forthcoming. alex barnett played in oakeater but since 2009 has been active primarily as a solo artist, with releases on catholic tapes, draft, nihilist and others.

raw and moody house music. house music far away from clean, proggy or bling bling grooves. that’s what we all have in mind if we speak about simon ferdinand. after a little break simon is back on night drive music with another stunning ep. 180 gramm vinyl. shrinked.

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

on psyks new eclipse ep, clr finally releases a track that chris liebing has been playing all summer long on all kinds of occasions. eclipse formed an essential part of countless of his sets, which says a lot about the quality of this outstanding production.

just in time for this years festive celebrations, the imprint curated by merseyside edits maestro greg wilson returns with the tape-tapping talent of fingerman. real name gregg holmes, wilson first thought his fingerman pseudonym was inspired by a character from v for vendetta, the cult graphic novel by alan moore, but he was in fact so called after creating a weird stop motion video on a mobile phone about a shouting finger. thankfully his studio work is less peculiar: years of spinning techno in the mid-90s giving way more recently to an going love affair with funk, soul and disco nuggets.

the a1, named after the release title, is a summer techno drive, or a ride through a hot landscape in central america, as the notes of marimba suggest. the subtle but crackling low toms reverb dictates the driving tempo, while the chasing hats warn of a night which is likely to be dirty and sweaty. ready 2 glow opens with an enlightening synth note softly spreading through the air. its the after-hour call, the quietness before a new storm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberating after-hour scene. corners goes funk, the quirky and rugged bass line lays at the core of the groove. above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness. the obsessive vocal echo, manipulated according to the abuse of ifferent drugs, is a clear indication of that. alza pure quanto vuoi is almost taken as it was firstly conceived during a jamming session. its twisted, swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

dark, thunderous, writhing techno from austrian duo herla on the birdkids imprint fresh out of vienna.

non nr 10!! non series has become one of the strongest and well respected labels if we speak about serious techno. for its 10th birthday the label comes up with the debut album by chevel and delivers again more than only a handfull of tracks. its a masterpiece! nothing more to say here! just listen!

absent from the shelves of record shops for some four years, the detroit wax label operated by eddie fowlkes resurfaced in style with last years unsung hero ep. thats what makes a track represents the seventh detroit wax transmission from fowlkes and sees the producer offer up a double does of his own distinct technosoul sound. lead track *thats what i think about* starts with a deep beat and then expands neatly, adding further rhythmic detail and a killer vocal hook: this is what makes a song cool, special. complementing this, *computer* has fowlkes on hypnotic form, mixing deep beats with cosmic sounds which are again elelvated by his usage of vocals...

take away is delighted and privileged to presents so nice by manuel belgrano fantastic deep organic vinyl pack which definitely can be the next weekends weapons. manuel belgrano is one of the argentines producers that we hear about more lately.

hot on the heels of tom ellis brilliant the maybe logic comes organic musics latest from slowtown records boss, rhythm&soul. whas more, the package also comes primed with a fierce remix by none other than chris carrier – a man who knows a thing or two about quality-strewn house music.
early support from : audiofly, chaim, danny howells, david squillace, dj sneak, doomwork, jef k, jay west, kabale und liebe , kruse & nuernberg, midnight perverts,okain, mirco violi, shur-i-kan, animal trainer, bastard love, da sunlounge, franco bianco, halo, horatio, james silk, olderic, uglh ...

ltd 2015 repress!!!
finally we close the ep with woman, a track thats probably about as close as the ds boys get to a smooching torch song. lush pads and strings bring a deeper vibe to proceedings but the female spoken word samples keep the energy high and ensure things never stray too far from the floor.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

the second vinyl of the ukrainian guy saint nicolas is finished. era 21 is prepairing you for the 2013th autumn season with 4 emotional techno tracks. its time to think about the colorful world of music. enjoy the era 21.

massively anticipated debut album from ron morelli, founder/boss of acclaimed brooklyn label l.i.e.s. (resident advisor #1 label of the year 2012, amongst many other accolades), *spit* is the first in a trio of related releases from morelli due on hospital productions in the coming months. the album features 8 electronic variants, from house and industrial tape experiments to saturated metallic beat tracks. mastered and cut by matt colton at alchemy. there is so much that could be said about ron morelli, his l.i.e.s. label, or the fact that his debut album comes to you via hospital productions, but instead, here are some words from the man himself: i m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, republican talk radio ... you know ... all the good stuff.