re.face limited inaugurates its first release on vinyl with a unique 4 tracker ep titled lost. authors of this work the italians re_named, creative and talented resident of one of the strongest national night-life realities, zu::club, based in pescara. if lost, eponymous ep track, condenses in itself the thrill of a hopeful search of quiet serenity, united seals the safety of a placid finding, conclusion of an introspective journey to the discovery of a significant identity of its own. on the other side, the remixes of sakro and jack wickham consistently run through the same vein, a current that leaves way of surrender, but never tragically lost.

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

die form is a french post-industrial and electronic band formed in 1977-1978. the name die form means (the) form/shape in german and is a play on the english homonym deformed and on the french homonym difforme (deformed). die form is the primary project of electronic musician and multimedia artist philippe fichot. he began by recording a number of experimental cassette releases in the late 1970s and formed the bain total label to release these early cassettes, as well as various side projects such as krylon hertz, camera obscura, eva-johanna reichstag, hurt and fine automatic.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

nice price deal !!! michele pinna presents a new lp under a fresh moniker and alter ego, time traveler, representing a direct confrontation of the artist s own fear of time as an unrelenting force. the lp, titled ‘i m made of stars / journal’, takes inspiration from conversations between pinna and his father on the topics of galaxies, space and of course, time. these converstions were the starting point for the abstract, futuristic and dark work presented on the new lp. the release also draws on pinna s artistic interests outside of music, presenting a work not just of sound, but one with a coherent visual aesthetic spanning the physical releases of the lp. this visual aesthetic has taken shape through multiple collaborations with the photograpers, stylists and designers nicolas mazzei, danila tkachenko, khourianbeer and cinzia ara

although this is the first release vin sol has put out through ultramajic you cant help but appreciate their synchronicity, both the label and vin sol have an uncompromising vision for their work.

interstate 87 presents an experimental trilogy of swirling textures, crunchy glitches, and mysterious synth lines. from the introspective, wandering melodies of the title track, to the cold, expansive chords in islay, and finally, the uplifting drone of truckers, interstate 87 is a meditative journey through a dynamic and nuanced sonic palette.

conceived at a poignant intersection of killawatt’s existence, the fazed ep evokes an introverted and pedantic nature, tailored for the individual over the collective. produced during a period of self-reflection and change, the ep signifies a positive gear selection in the mind-set and approach to sound design and music as a whole. a period of sustained momentum and the challenging of previous attitudes resulted in killawatt consciously isolating himself from specific negativity in and around him, through forced positivity, elimination of destructive environments and a more embracing approach to introversion, inner thoughts and sentiments are brought to the fore and expose a rarely seen fragility unaffected by external influence. remixes provided by bristol based, peng sound boss ossia and berlin atonal favorites sergie rezza (dj deep & roman poncet).

the debut full ep from the diamond sublimating duo might catch you off guard. a record that is earthy and dark yet somewhat ethereal, this 002 for the new label comes in steaming. recorded by the hungarian duo on csepel island of budapest, -the heat is on- grinds and swirls through expertly crafted blends of house, techno and breakbeat to deliver a body of work that will suit dancefloors at the same time as solo introspection. remixes from london’s altered natives and budapest native mate tollner slot in perfectly, each providing their respective take on the homegrown soundscaping that is diamond sublimating. the heat is on!

population 50201 v1 encompasses dubspeeka s unparalleled status as underground music artist and in turn the fitting foreshadows his second ep on his own imprint skeleton. perfectly easing listeners through a chilling listening experience fused together by a crisp yet disported drum rhythm, this forthcoming ep and his album are yet a further presentation of dubspeeka s stature in the spectrum of underground music.

tiga is a pioneer of canadian electronic music. he is not one to shy away from new sounds, and is somewhat a veteran of half a dozen different music styles. his latest album phenomenon ‘no fantasy required showcased his eclectic, individual and much-loved production style. his original single ‘make me fall in love oozes with groovyness and has been remixed by benny benassi, audion and prosumer for digital release last april via counter records. alas - the make me fall in love 12? vinyl ep arrives on turbo recordings september 30th, featuring the aforementioned prosumer remix and exclusive edu imbernon & extended mixes. the new remix from edu imbernon is clean, lean and punchy - edu comes through with the deepness while maintaining a certain degree of energy that he has become know for in his latest productions. a delightful, almost ethereal mixture of synth and vox takes this jam deep into the night, and is bound to become an ibiza closing anthem.

unlucky 013? ha! this one’s a pearler. multi talented producer red rack’em climbs up the fertile n s y d e spirit tree for this glowing summer release in the form of the ‘nothing without you’ ep. a mutation from the same skunky-soul strain of n s y d e 005 by skymark / lady blacktronika. the title cut is a result of a red rack’em tour through the south pacific, connecting with inkswell and fam. what was meant to be a rack’em / inkswell track instead ended up with australian vocalist, now berlin diamond in the rough: misumami liberally sprinkling her magic throughout. with a proposed subject matter based around missing loved ones while apart, misumami weaves an enchanting story of longing, and matters of the heart, through signature sleek, clever, floor ready rack’em production. flip for ‘love beat’ and here we get red rack’em- the funky technician fanboy, dusty fingered native tongue devotee, and closet jazz dancer. the loose, bumping drum programming and sculpted, cubist jazz sampling (inna heavy mandalorian funk fashion) weld this nocturnal seduction dance together. this is a late night groover, an eyes closed on the dance floor vibration. both sides are modern, vital, considered house music, where the problems of the world dissolve in a heads down- vibes up situation. mastered by pole at scapemastering so you know it’s gonna bang...

for the first release ltd, w/lbl is getting together 4 previously released tracks on various formats for a real epic journey through deep, moody and jazzy landscapes.

secret crunch is a label fresh out of the oven run by fellow vienna-based artists roman rauch and moony me. both musicaly rooted in hiphop, soul, funk and disco and expressing themselves mainly through house music, it was just a matter of time until they first colaborated together. thoughts about releasing their output together through an own label came naturally soon after. the first release of secret crunch is a pure collaboration between them plus two additional remixes – one by gnork and another by medlar & ishmael

recorded in one take after a trip to the zoo last autumn, here is the first new track from the undisputed king of home-disco. superstar. check that b-side too. home recorded vocals straight from the heart, with the brooding braindance synths. tip for the boombox crew! limited edition. as hypnotic and floor-shaking as ever, keep on rocking keeps you on your toes through twists and turns, focused on a central mantra, it is what jamie principle s fathers lullaby might have sounded if had tried to put his son to sleep with his best impression of michael jackson and leroy burgess. the b-side is a powerhouse reimagining turned to a delightful 11 from the mysterious dj im sorry.

ruff stuff music ltd returns with the third installment of the untitled series. the new chapter features four house weapons from the label s founders which, as always, pay attention to the different needs of different dancefloors. untitled03 is a mixture of the main influences that shaped the ruff stuff sound through the years: groovy main room house filled with raw samples, a touch of deep and breakbeats, and some acid melodies in the closing track. just put the needle on, push play and dance! vinyl only, limited copies.

a name on everyone s lips, charismatic talent waff is back onboard hot creations curating the sick pleasure ep with three original cuts that once again showcase his unique style and adept understanding of the dancefloor. kicking things off with kidney punch, a throbbing bass is perfectly executed under blissful, angelic vocals. party starter flipback is next up igniting carnival-esque energy. on the flip, the sonic sick pleasure carries the mind away through hypnotic melodies that ride amongst the layers of intricate percussion. a natural born talent, waff started producing over ten years ago and has gone on to become one of the most sought after artists of recent times. not only is he an integral part of the hot creations family and resident at jamies paradise night at dc10 in ibiza, hes also releasing on the likes of moon harbour, drumcode and cocoon. his music has also been getting the nod from key players adam beyer, loco dice, joseph capriati, marco carola, sven vath and many more

celestial being visited nairobi at the end of august and beginning of september 2012 where he worked with local musicians to create celestial music. kenge kenge brought cow horns and hand made drums and were joined by local folk singers olith, who had come to nairobi through making music with king kong and irungu with his father who has since passed. when asked what the kenge groove sounded like, the receptionist prisca said its like the angel is coming before proceeding to provide additional vocals for all three tracks. nairobi story tells of an ancient village story passed down as a folk song to the present generation. celestial being kept forgetting whether olith was male or female and ending up making a song with him called all woman. this is currently a vinyl only release

aiken is back on his homebase. the third release on his selfcurated techno imprint counts four headnodding floor jams. hypnotic melodies searching their way through rumbling percussion patterns. this is trademark deep techno from madrid.

jonas friedlich, better known through mistress recordings and carl gari, releases his first solo 12- on molten moods. the versatile 4 track ep starts with the rather straight -bo s breakfast- that begins with a polyrhythmic 303 bass line leading into a catchy garage-ish chorus, kicking in out of a clear sky but fittingly. -bus driver- is a wicked trip, the combination of the long acid build up and a nicely chopped vocal bit is irresistible. a proven, tested (and molten moods certified) club banger, regardless of its rather untypical breakbeat. track number 3 called -praise your name- aces groove through perfectly cut vocal samples and a fancy reference to 90s hip hop and drum n bass aesthetics. the next and last piece on the record is the eponymous -deskjet-, which is inspired by friedlichs conceptual sound art installations using printers. here rather restrained synthie lines are underpinned by a powerful kick and psychedelic tape delay noises. the 12- vinyl is handstamped on both sides. mastered and cut by scape mastering. artwork by paul bernhard.

keita sano is back in the house. this time our man in japan comes through with two sample-heavy stompers, fully primed for peak-time at the disco. pow! pow!

humanoid x is cpus deepest foray into detroit techno so far, from blixaboy aka mwanza dover texas based artist, friend of cygnus and very much part of the local electro scene. dover presents an album influenced by the pioneers of the hypnotic groove. on first pass you’ll find elements of krautrock through to the belleville three, all with finely crafted arrangements that reveal themselves in more detail on each listen. a cyberpunk theme runs throughout as blade runner-esque synths wash over the album evoking late night electric-city noodle restaurant contemplation. blixaboy has selected 4 of the more dj friendly tracks from the album for the vinyl e.p. treatment.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

for our milestone 50th release we felt we needed to do something special, so with that in mind we present the return of red axes to correspondant. way back in 2013 we were a new label, and they were a new face on the scene. their hit record camino de dreyfus helped propel both the label and the artist in to the established figures that both are today. avalon combines everything thats good about the axes, with their signature new wave sound taking in the tropics, but skewed through a middle eastern kaleidoscope. sequencia astronomical is familiar territory to many red axes releases, but takes everything either deeper, darker, or weirder than theyve previously ventured, showing the huge growth in their confidence in the intervening 3 years since their last correspondant ep. to round off the package correspondant also presents an as yet unavailable instrumental version of camino de dreyfus

believing that anything other than the music doing the talking is detracting from its purity, the elusive awol’s ideology shines through with the delivery of these heavy hitting techno bombs.

presenting the fourth vinyl release, los angeles imprint reinhardt welcomes romanian sonic explorer akim# to the fold. culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the bucharest electronic music scene. taking elements of ambient, electronica and techno, channeled through a dream-state lens. the phosphene ep is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.

kindred spirits boards of canada and teebs make an appearance in dreamy collaboration with odd nosdam s sisters remix ep. throughout, the producers split time between cosmic, slow burning beats and reflective soundscapes littered with intriguing textures and mind-bending samples. analogue sounds are generous and knowingly manipulated. gorgeous samples are deployed, sturdy yet emotional. cymbals explode. when the sun finally breaks through on an overcast day, sisters was very much inspired by that wonderful moment and the longing for it.

from his days organising free parties in and around northwest france during the early 2000s, oniris has risen the classical way: years of djing have given him an innate understanding of dancefloor dynamics and a firm crew and label to create with: astropolis. since breaking through in 2011, his tracks have rapidly picked up support from all the right corners: agoria, laurent garnier, john digweed, marc romboy and josh wink have all lent their support. having already released some of his finest work on bedrock and systematic, its now ovum’s turn to play host to oniris’ latestwork, the nightwalk ep. eschewing his penchant for the peak time, oniris steers away from the euphoric’s of previous outings and, whilst retaining his melodic moves, creates a selection of deep, warm and groovy cuts with a spiky electric edge. head-nodders, shoulder-droppers & hip-swingers rejoice, these slinky dancefloor numbers are for you. support coming from: pete tong, hernan cattaneo, guy j, lane 8, matthias mayer, christian smith, till von sein, luca bacchetti, marc romboy and more!

after two tracks included on the first two compilations by tiptop audio records (alongside names such as kink, blawan, surgeon, drumcell, richard devine, etc.), the label is proud to announce angles first ep hold your breath. its the first vinyl ep released by the californian label dedicated to sound research through the use of modular synthesizers. the ep includes 2 original tracks by angle and 2 remixes realized by luca agnelli and maxime dangles.

for their tenth release appian sounds move back to a full artist ep and invite us to delve into the world of o.utlier. the london based producer delivers four moving productions that will take you on a cerebral journey through delays and phased pads, reminiscent of early basic channel/maurizio recordings. after appearances on efdemins naif and fred p’s soul people music, o.utlier signs, with this accomplished 12”, a remarkable full debut.
as always, limited to 300 hand-numbered copies worldwide. no repress. no digital.

this year experienced the birth of frazer campbell s deeper imprint elliot project recordings. the london based label launched back in spring with a real statement piece, composed of detailed minimal, late night seductive twinkles and a drone styled techno piece. the labels projected thought process for the future is to navigate through a varied soundscape of deeper excursions and thoughtful techno. this second ep with two originals from frazer, also includes a remix from highly respected uk musician tom ellis who increases the heat on the track light with a energetic but thoughtful techno re work.

relaxer returns with the second installment on their eponymous label. heavy, virulent and filled with longing, relaxer draws us further into the artist’s fascinating & unique world. side a’s “hissing flora” unspools organically over ten minutes, its melodic tendrils wrapping around a corroded vocal atop a heaving low end. on side b, “weekend” drifts through a beatless mist, with flickers of venomous voices and crumpling synths that shine through drawn shades. “climate of fear” snaps the listener out their uneasy rest with stomping percussion, overflowing arpeggiations and keening harmonies.

french artist kool vibe is back on his own paris-based label kv records with a new 4 track ep. true to the mission assigned to the label, this release brings us back to the early 90s through basics sounds and elements which have defined deep house since then : fat syncopated rhythms, heavy and groovy basslines, warm chopped vocals. there is something raw and genuine about this record. basics and back to the reala definitely emphasize the minimal and raw side of deep house. tribute is humbly dedicated to the legendary todd terry, whose ultimate knowledge of the art of sampling contributed to shape house music in the early days. at last, sleazy joint (touch it, suck it) closes the record with a nasty and sexy touch. anyway, the whole ep is meant for the dancefloor and the simple pleasure of partying.

marathons began innocently, as a quick debut ep by an energetic swedish duo we found on soundcloud. within a couple months of chatting with the pair, artur bra&#776,,ndstrom and egil kahlbom, however, we realized our collaboration wasn t going to be simple, so cut and dry, so straightforward, and that s why we find ourselves here, a year after meeting them with a full album, not an in-and-out single, on our hands. what made it complex and intricate, you ask? why d we opt to squeeze eight originals into one long-player, you wonder? well, artur and egil are prolific dudes with fantastic ears and formidable work ethics. a couple of demos quickly sprouted offspring and became four, then six, then ten. rather than fight the arbitrary desire to trim the spread down to a 12inch, we figured we d aim higher and work on a proper album. what we constructed is, in a very classic sense, a long-player. here s that album! it s a sunny, loose, limber, uninhibited boogie through warm disco cuts and wobbly house jams and soulful funk slices. daytime chill-out with a nightclub architecture—or peak hour mayhem with a bright, clearheaded euphoria. marathons swings every which way and suits any mood, so drop that needle and try it on. then repeat, repeat, repeat.

he s not what you d call a prolific producer but the old saying of quality over quantity couldnt ring truer for marcellis. with just 3 releases in the last 12 years starting with a single on 2004, followed by an ep on workshop and then his album on millions of moments, any new work is highly anticipated. its been a long time coming for nonplus but every bit worth the wait. 3 tracks covering a range of styles from the ice cold analogue quirkiness of sleep, to the bumping 4/4 offering of indigo skyfold through to the jazzed out chugger can they do tha (g love real raw) its an honour to have marcellis as an addition to the catalogue.

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

nice price deal !!! adam-x should need no introduction as he and his brother, frankie bones, pioneered techno in a post-disco, pre-guiliani, new york city through the late-eighties and onwards past the nineties with countless productions under their belts and throwing renegade parties throughout the 5 boroughs. their record store sonic groove served as a hub for purchasing cutting edge electronic music from across the globe and was a meeting point for likeminded freaks throughout the city.

after completing his debut 12- for 100% silk (which saw a release in feb 2016) hubert clarke jr spent most of 2015 focused on pushing the music of others, through sydney s newest record store, outer time inner space. owning and being surrounded by a literal shop full of records provided motivation and inspiration but left little time for writing.

minimood continues with a deep piece of heady minimal from esteem german producer sascha dive with a mesmerizing remix by celebrated dutch producer ion ludwig. the after the storm ep is released on vinyl only. after the storm is ten sumptuous minutes of moody and atmospheric deep minimal house with warbling synths, meandering drums and spooky, spaced out atmospheres. the drums roll on free from any friction and the pads are delicate, elegant affairs that circle round you and leave you hanging in a wide open space. vocals sounds like those from a spaceship s pa and lend the whole thing a sense that you are voyaging through the galaxies. it is a truly burrowing track that gets right into your mind, body and soul. ion ludwig s remix is quicker and more synthetic, with waify pads, gently breaking waves and fizzing little modular synth lines that are crisp and rhythmic and will fit perfectly into a set by the likes of ricardo villalobos. this is classy and subtle music that is stripped back and slow burning yet has a huge impact.

2016 reissue
some straight up banging mid 90 s gear from drew sky under his skyman alias. one for the dm freaks and collectors alike. direct, dancefloor damaging acid in the shape of -focus- bristles alongside the hyper disco cut-up of -peace of mind-, strictly for the heads! flip the record over to check the insane sax samples in -skoba dee- for maximum confusion in the dance! massive record, pure power all the way through and an essential weapon for the record bag! fully, legit reissue done with the permission and assistance of dance mania records and mr. parris mitchell, chicago usa.

third album from george dzodzuashvili aka post industrial boys. the vinyl release includes a download code.

californiabased producer damon bell could not find a more suitable home for his new 12inch than croatian label burek. its his first one since blues for the libyan lp released in 2015. for deepblak, and it sounds as if the time off was well spent. two words that perfectly describe this record are rich and colourful, and the description is equally applicable to all three cuts. stand by me is a synthheavy piece built around the interplay between tracks rougher sounds and big lush pads. on the flipside, life is slightly faster and more direct, with a wonderful guitar part that circles around the main theme throughout the most of the track. similarly mannered, but slightly more intense transatlantic journey? we been here! is the last piece and features an infectious groove with lead synth piercing through layers of delicate arpeggios playing in the background. all in all, it feels good to have damon in the team. we hope youll enjoy this record

ital & halal return to lovers rock with * tower b*, an ep of enigmatic techno explorations. * shenzhen river* opens: an ominous, questing acid line stretches its tendrils around nocturnal atmospheres. * from the brink* counters with glints of warm melody. on side b, the title track unfurls with slithering percussion and a menacing drone. ambient closer * where exactly i am* picks up the pieces, lost voices traveling across the stereo field, searching for answers through an endless pale haze.

australian label nightime drama, run by peter fincher (aka vibrio) and shaun franklin (aka trebek) now serves up its second standout release of 2016. this four track affair comes hot on the heels of the last by yoshihiro arikawa, and is a second release on the label by aussie live act, dj and producer trinity, with steven tang and italian based andee on the remix. trinity has also released on ooc, coincidence and android muziq and regularly performs all round europe. his sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. cascade drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. from the earthmothern label and one half of rk s, andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. the longform groove is physical and cerebral in equal measure. the next original is expansion, and again finds trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. emphasis boss steven tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

cannataci records - a new record label run by ripperton & agnès cannataci records is a joint venture hosted by ripperton and agnès. the label is aimed at releasing rather unclassified music, pieces our friends compose or simply ourselves. the aim is at releasing music we believe make things go beyond the usual paths. the label name is a reference to our hopes in the newly appointed un special rapporteur on privacy, namely, joseph cannataci. frankly, we do not want to taint our music with politics, although we are simply firm endorsers of our own privacy and think everybody else should.

spirits is an ode to classic house music as smooth as silk, the beautiful vocal echoes its way through this deep cut and into your collection. alexander o neal edit of the classic fake is a perfect example of a soul classic getting a fresh makeover which works and will blow up any and every dancefloor. distorted vision inspired from dark comers of underground warehouse parties, hard hitting drums and a soaring synth and bassllne that builds and hits like a classic 4/4 techno/early 90 s track.

recovering from the gray decay of the winter here in berlin, we are more than ready to push forward farther into the future. in order to do so the powers at chronicle have aligned a new musical offering to test the palate of those who know, and those who care. we are pleased to present six tracks from the prolific arnaud le texier, who has made waves for years with his children of tomorrow imprint and renowned taste. from cosmic interludes to heavy hitting transcendence, arnaud manages to showcase all sides of his production skills as they translate into a compelling and emotive narrative. among them stands a tribute to one who was lost along the way that we simply do not want to forget. only rarely in this life do we stand witness to gures that make a true impression, an imprint that continues to leave a mark long after the original has passed. max_m was one of these gures, and it is through his music and immensely dignified curatorial prowess that his legacy will live on. arnaud’s poignant tribute stands as a personal note amongst an ep full of forceful techno suitable for deep space exploration

paradise garage anthem “let’s do it” by convertion with remixes by krystal klear to be released on original sam records label. 12” vinyl released on september 9, 2016 let’s do it by convertion was originally released in 1981 on sam records, and featured production by greg carmichael and vocals by leroy burgess. upon release this song immediately went into heavy rotation for larry levan at the paradise garage and for frankie crocker, then the number one rated disco jockey on new york city’s number 1 ranked radio station wbls. over the years it has become a staple of classic disco playlists worldwide. now remixed as a peak hour tune for today’s dancefloor, this 12” release includes two mixes produced by dec lennon p/k/a/ krystal klear. a dublin native and red bull music academy alumni, klear has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance floors with his deep crate of records or spin out polished productions in the studio with legends like nile rodgers. klear’s musical accolades can be conveyed through his singles “tried for your love” that was championed by bbc r1 dj benji b for 13 weeks in a row, and “addiction” which has helped solidify main stage at top tier events such as sonar, fabric, space ibiza, and the famed panorama bar.