die zweite reise in die station road nach wigan bringt uns 16 weitere northern soul-perlen aus den playlisten der beiden djs russ winstanley und richard searling, als der legendäre wigan casino-club in den 1970’ern seine hochphase erlebte.

huge remix package with works from thomas hessler, norman nodge, ron albrecht and the automatic message. the label from avion strikes with its 8th installment releasing a kicking remix package from the previous crossing 007 various artists. the release starts with the thomas hessler remix of “sut“ a track from the argentinian producer pfirter. thomas used the outer atmosphere bringing it to an upper tempo defining a groove made for the floors. norman nodge and his minimal trip from avion’s explosive track “thrill“. flimmering noises, a reduced drum and an atmosphere which is between lunatic and melancholic warmth. in ron albrechts remix of doka’s “mural“ the time is still running different, staying surreal wthout losing ist mood kicking off to move the floor. the automatic message lay their hands on stefan rein’s “amorphous material“ and stripped down the punchy and jacking atmosphere to a reduced version without losing its functionality and highlighting the characteristic synth pad to remain the smile factor of the original track.

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

datashock from saarlouis, a collective of multi-instrumentalists. founded in 2003, they ve been losing themselves in the wardrobes of their subconcious ever since and have never been frightened to play around with whatever they can find in there, trying out colourful sound-costumes and sending out psychedelic-experimental sounds, with a huge discography counting more than 30 between albums, eps and miscellaneous. their latest work -keine oase in sicht- released on dekorder in may2014 has collected some great feedbacks from the like of the wire, pitchfork and more. with -hd trailer ep- they find in gang of ducks a new sympathetic home where going ahead with their unique psychedelic sound. the cosmic caravan takes its journey in 4 different original tracks, exploring the psycho acoustic sound with echoes of far and never existed worlds together with an irreverent vision of our world today, with its new mania and obsessions.

25th anniversary edition, remastered from the original analog masters. pressing on 180 gram heavyweight vinyl.

having held it down in miami for some, avstin frank is building his profile as a serious connoisseur of stripped down jams with this release for local label sports. isle of venice is a perfect morning-ready treat, all woozy synth tones and delicate percussive shuffle embellished with dubby treatment, while timeless travels sports a tougher structure without losing the heavylidded quality of the opening track. contemplation meanwhile taps into a little touch of french flair with its shuffling groove and jazzy undertones, making a neat foil to the other tracks on offer. gua camoles remix of isle of venice meanwhile takes a diversion into nagging, oddball minimalism for the crowd who like their beats chopped up.

former descent is the free spirited project by the mastermind behind neurobit and rioteer… with this project he blends in a very successful way minimalism and lo-fi electronics with tough rhythms… these rhythm based tracks take its cue from old school ebm and new beat… this while the melodic elements give the tracks just the right touches to draw you deeper into them… harsh and playful and light and dark never went so well together before… resulting in pure rave anthems!
limited 200 copies.

nocta numerica volume 6...

exium returns home, nheoma, with their third album “reduction required”, based on the construction of tracks with very few elements without losing their intensity and characteristic sound.

moscoman arrived at the esp institute last year with a fistful of killer tracks and an imitable recipe for hummous, since then we’ve seen his debut with the dancefloor bomb ‘akachi’ and a collaborative follow-up release with long-time cohorts red axes. we’re now excited to enter a new chapter with moscoman’s debut full-length album ‘a shot in the light’. this creative outpouring spans years of musical trials and tribulations, finally coming full circle to tell the story of an artist leaving his home in tel aviv to pursue his passions in the electronic mecca of berlin and beyond. moscoman’s unique approach evolves and devolves over the course of eight songs, enduring highs and lows yet never resting for too long in one place—thus illustrating his personal metamorphosis as well as his acute skill of giving many voices to one wild imagination. this music is deliberate, almost cheeky with a youthful sense of optimism running throughout, and even in its most aggressive moment there is always an element of hope.

&apos’s music veers between abstract, experimental compositions and more beat driven tracks, all held together by a defined aesthetic of sonic impurities and random patterns thrown up by algorithmic computations. in &apos’s music compositional decisions are not merely reliant on himself but also on a range of processes from constrained randomness to full fledged neural networks. that is to say, the ‘instruments’ he creates have -to a certain extent- a mind of their own. there will always be a dynamic between the musician and something else that triggers, proposes or decides what will happen to the music.it is exactly from this human-machine interaction that &apos extrapolates his musical ideas that are both intricate and detailed while never losing an overall sense of emotional value. his first solo project ‘lichtdrank’ is a selection of four tracks made during his time studying sonology at the hague’s royal conservatory and the time following. it is the third and final installment of bepotel s startuplabel trilogy. previously, he has released music together with walrus and sagat under several musical projects like smaakwaterval and bepotel. the artwork of the lichtdrank ep is based on screenshots from an interactive multiplayer video game where the musical universe of &apos can be explored.

general ludd are back with sunset yellow, their third ep for us in as many years. this one picks up where “are you losing my hearing?” left off with three more doses of heady drum breaks and spacey synth lines that have been psyching out our dance floor in new york for quite some time now with no negative side effects.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

dubtil’s debut for amphia comes in line with the previous 10 releases’ tagline: tailoring new musical perspectives into the multidimensional universe of electronic music. the opener -indoiala- sticks into our brains with its slow decaying voices, pitched down to embrace the devilishly simple percussion. keeping the same eerie approach to his idea of dancefloor oriented loops, dubtil completes side a with -alta schema-, another typical kick-led experience enveloped into a more haunting bassline. bearing a deep house dna yet not losing contact with the dancefloor energy through its breaks pattern, side b’s -repet slap repet- opens the gates to the abstract structure of -contrar-, an apparently chaotic contiguity of weird samples, glued to each other by the minimalistic bassline. jumping from one genre to another, confronting dusty preconcieved ideas just to turn them into a fresh sound: dubtil’s imagination fountain is far from getting dry! we now have the tangible proof.

att starts a new series called split series, which will feature from the att series crew. for this ?rst volume we have eric fetcher & the plant worker. damien lapena presents 2 tracks totally full of the plant worker essence, effective techno direct to the heart of the dance ?oor without losing any quality. eric comes with, space music, classical rhythms 909, and that hypnotic soul that always offer eric in their productions. enjoy with att split series vol.1.

we keep things rolling right along on kolour ltd 10’s with a bit of a special one for us for volume 3.
ever since we heard never gonna leave you from leipzig boys m.ono & luvless - it was an instant classic. originally released on o*rs on 2012, and with the kind help of label owner filburt, we’re thrilled to be able to give this timeless tune a second platform in 2016 to shine once again.
on the flip, the boys come correct once again with losing memory - a fresh new joint that was again, love at first listen for us.

visonia returns to electronic emergencies with the powerful amethyst eclipse ep. evolving naturally from last year s nausicaa, our beloved chilean moves into darker techno territory without losing his distinctive melancholy while experimenting on the crossroads of ambient and electro. once again, the resulting electronic storm will blow you from your inner space to the dance floor and back. artwork was created especially for visonia by silas.nl, also known as fellow ee star machinegewehr.

in 1988 axodry released the maxi 12inch single you on zyx records/combeat. influenced by depeche mode, gary numan and john foxx, the duo crafted high impact industrial, synth pop and electronic body music. their basic set up for recording at rahens home studio was a moog rouge, roland sh-101, teisco synthesizer, linn drum and fricke sequencer. ra/hen performed dramatic vocals, which tell of a lost love found in dreams. included here are the beauty & the beat mix and the beasty dub mix from the 1988 single. on the flip is the razormaid remix, performed by art maharg and joseph watt, that originally appeared on the welcome to the technodrome compilation in 1989. also included is mechanic, originally released in 1991 as the b-side for their final single losing you

martin landskys long association with poker flat recordings continues with yet another exquisitely realized three-tracker. long since a staple of the underground electronic music scene in berlin and europe in general, landsky’s deft ear for dynamics and sense of off kilter dance-floor knowledge continues to do the business for djs and dancers alike. after the great success of vol.1 , landsky now presents ‘ekko traxx vol.2&#8242,,,. ‘echo my head’ is the perfect example - driving, focussed and funky, yet with a subtle undercurrent that keeps you slightly out of your comfort zone and locked in to the groove. weird night contains a spooky, discordant synth that raises the tension over and over, before giving way to a hard driving rhythm track that will see the late night heads fully losing themselves classic landsky style. that organ has a similar aesthetic, chunky rhythms and bass pulses for the floor, and synth stabs and melodic hooks that keep the track in constant forward motion.

cult italo post-wave group cristalli liquidi are back with another 12- maxi single. this time the production was carried out by the godfather of italian electronic music alexander robotnick with some mysterious intervention from bottin. sciame (italian for swarm) hits harder on the dancefloor then their previous releases, without losing a single drop of the italo lyrical magic.

voodoocuts kicks off the a-side with kelja , a raw 70s afro-funk bomb from the ivory coast. the american-funk inspired tune features a funky bassline & killer organ vibe, mingled with a dirty, raw saxophone line and james brown influenced vocals. voodoocuts rework turns the track into a serious dancefloor banger! in the tortoise loop voodoocuts blends an infectious groove with pounding drum breaks and hypnotic vocals. a hot afro-latin joint not to be missed! on the flip soulbrigada takes things to a disco tip. hustleman is a stunning afrofunk & disco gem from west africa. the second track madera is an afro-disco gem with a compelling cape verdean groove. soulbrigada rearranged the tracks, added drums, samples and effects building a brigde between past and present - without ever losing its original organic vibe. two essential tunes for your record bag!

zk bucket with his label zaun is the newest addition for our distribution. his first release contains four dark tracks to get lost in. -kutsche- drives you into the night and -reptile wins- is the last track before losing consciousness. dixon has played -let your body ctrl the beat- for some weeks now and if kristian opened panoramabar for one time and not like always closed it you could hear him playing some downtempodarkness too.. now this is finally available for everybody!! lennart

we finished 2015 with a six-track jumbo ep from borrowed identity and thought we d repeat the same trick for 2016, though this time with originals from okayama-based producer keita sano. eye begins with keep an eye out, pt.2, a propulsive song that sounds like a lost contender for the knight rider theme. own signal keeps things dark, but with a spartan bleakness. the side finishes with smoker, another manic cut that ll give you chills. the flip finds keita exploring brighter sounds without losing that industrial, jagged edge. trmk is essentially a beat track that ll ignite any dance floor and fix is a herky-jerky ditty that ll get you stomping around the club like a possessed reveler. the 12inches cherry on top is think twice, a funky ass-shaker that centers around a crackly sample of crowd noise, a chopped-up disco vocal, and bouncy bass. a fiery finale for this hedonistic party.

the original motion picture soundtrack for the movie “amy”, including original film score by antonio pinto and classic amy winehouse tracks. the double vinyl release is housed in a gatefold sleeve.

die 13. ausgabe der “about: berlin” erfolgsreihe auf 4-fach vinyl inklusive downloadcode.

einmalige vinyl-auflage: der gemeinsame soundtrack des französischen electronic-produzenten m83 und des filmkomponisten joseph troponese zum us-science-fiction-blockbuster -oblivion- von 2013 in der regie von joseph kosinski. 16 score-parts plus der titeltrack von m83 mit den vocals der norwegischen sängerin susanne sundfor. schwarzes 180g doppel-vinyl im deluxe-gatefold.

* this is the seventh surgeon album.
* -while exploring new production techniques using old and unlikely hardware, the results were so unusual that i really had the sense that these pieces of equipment didn t actually create these sounds, rather they were in fact some kind of elaborate reception device that allowed me to tune into transmissions from distant galaxies. the music i could hear was actually the received transmissions of pop hits from those distant galaxies that were being played on their radio stations. i quickly recorded all that i could before losing the transmission.
* i consulted with dr andrew read, the astrophysicist with whom i recorded guitar treatments in 1999. he has worked on the discovery of the most distant galaxies and astronomical objects in the universe. together we came up with a possible list of where these musical transmissions may have come from.

every dog has that certain spot: you scratch it, and your four-legged friend starts kicking out in highest ecstasy, losing all control of his reflexes. the tunes of timboletti work pretty much like that. only he s using full-bodied bass lines to stimulate his audience. it almost seems like the bodies on the dancefloor get invisibly connected to the membranes of the speakers and their rhythmic movement. on top of that, timboletti employs psychelicious sounds and melodies, enchanted sample scraps and a pinch of acid, a cocktail that tickles through the brain of the listener as if somebody poured a glass of champagne into it. the essence of forward thrust and deepness, on this ep in five different variations and tree further remixes.

le tchadien, originally released in 2008 on mr raoul ks critically acclaimed 12inch himalaya, gets the doublek (mr raoul k & kaito) treatment. while the original track was a rather short and lush piece of afro-funk fuelled house, the reprise explores some whole new territories. soon after the relaxing intro the track takes a sharp turn that leads listeners and dancers into foggy darkness. but instead losing itself and all hope, doublek show that there is light and hope even behind the darkest shadows. its all about keeping your composure and keeping your head up. as a special gift for the creative djs out there, the flipside contains a beatless reprise, ready to be blended with your favorite beats. enjoy your vinyl.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

on waehlscheibe we stand: the swiss label drops yet another dub house bomb with marco nega s cosy cutz ep : muse on the a-side is a 15 minutes long dub epos full of creamy chords, soft pads and smooth athmospheres. holotrope on the b-side speeds up the pace and pleases with a solid kick and a super deep bass without losing sight of the dubby chords. finally, in your arms fnishes of the wonderful ep with an ultra low bass for all you dub heads and some more of marco s trademark chords and delay -game he plays so well. all in all, cosy cutz ep makes for a terrifc listening experience which is further aided by the expert mastering: as always all tracks on the new waehlscheibe record have been mastered by above smoke at the hole of dub studio.

jean nipon most recently known for his standout productions on parisien label clekclek boom joins the l.i.e.s. stable with a new three track ep. the a-side sees nipon go straight for the throat with a chicago-esce muted-synth beating drum track, not unlike early poindexter or ricky smith productions- it is effective, dj ready, and geared for the club. the two track b-side takes a more mellow and dusty approach- without losing his sense of rhythm engaging drum programming push along tape warbled melodies as the tracks expand and release, balancing out and letting this ep breathe perfectly.

the drowning shadows edition of sam smiths huge success debut album in *the lonely hour* includes a bonus disc with new tracks, alternate and cover versions. comes in gatefold sleeve.

mikael strömbergs alter ego igor has created the album *fast & slow* who is an aspiring masterpiece in the ambient genre, the references are very clear to the 70s iconic ambient school, including satie-cage-eno-soundart, but at the same time a modern touch and a sense of the present. the story behind this album is the least frightening and fascinating as the composer strömberg was seconds away from losing his lives when the aorta ruptured all the way from top to bottom with the diagnosis: acute aortic dissection. the music became a part of his rescue and the record *fast and slow* came about as part of his healing process.

sarrass returns with his debut album, titled dirty gear, on third ear. dirty gear is one of the deepest and most sublime pieces techno

wiederveröffentlichungen der frühen bowie-singles auf diesem *1966* betitelten album. 180g schwarzes vinyl. die ursprünglich bei dem britischen label pye aufgelegten aufnahmen, die noch vor dem albumdebüt auf verschiedenen singles erschienen, gab es später unter dem titel *i dig everything* erstmals zusammengefasst. in dieser zusammenstellung längst vergriffen, ist die neuauflage von *1966* nun die gelegenheit einige der ersten songs des ausnahmekünstlers neu zu entdecken.

iron me debuts on resopal for a grand sonic journey not only to the vibrant heart of the dancefloor. coupling contemporary 4/4 tracks with a bit unusual resopal style breakbeatish-tinged soundscapes and deep deep dub, iron me acts as both a skillfully composed portfolio of personal memories and a sublime collection of charming cuts. his unique mélange of emotional and functional elements works exceptionally well for the full-length format. each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. red bodden is an album for dancing wildly, relaxing, hoovering the house and losing yourself. a true musical journey.

electric minds began as a london based promotion outfit in 2007 before subsequently launching their label under the same name which is designed to act as a platform for their guests to showcase their productions. over the years they have amassed a lauded back catalogue of releases which has featured the likes of move d, endian, radio slave and mark e. now, in the follow up to their latest release from last magpie which featured trevino on remix duties they ready their next release from hypercolour mainstay shenoda. originally hailing from cambridge, shenoda is an artist who has astutely touched on many basis across a multifaceted back catalogue. releases on fear of flying, manmakemusic and hypercolour offshoot losing suki have seen him meld garage, house and techno whilst all the while keeping his eye firmly on the needs of the dancefloor.

danny moore aka pvre matrix is from a generation of young techno producers out of brooklyn who come at the music without preconcieved notions or boundaries in their approach to production and playing live. he is the epitomy of the slash and burn blitzkrieg attitude of new producers popping up under the jmz everyday. while very interesting to see the scene develop this way, few have executed in such a fashion as pvre matrix has. impeccabily produced without losing its sense of urgency or brutality and clocking in at breakneck speed, pvre matrix is out for blood, and his three track debuts prove as such. while you might not catch danny moore in your local big room anytime soon, he is undeniably a force that is present and will crush you regardless.

second release for black angus records. dj soch s trip continues into the pulsing heart of house music. after the first release which explored the original forms of the sound of chicago, with this release he moves towards another declared love: 90 s new york underground house. everything is brought together by his original, personal touch and careful ear to the freshest sounds of our times. -street groove- is definitely influenced by the tracky sounds of the earliest masters at work, the most inspired todd terry and the most important releases for henry street records. a captivating sample, a drum machine roll and an entrancing bassline: pure house music! the remix by nicholas takes original elements and recomposes it transforming the whole into a persuasive and deep track without losing even a drop of groove. -kick & tom- is the rawest and most direct track in the ep. super funky techno, like a train without stops devastating the dance floor. dj soch is old school that meets new, there is no future without the past. black angus only for dj !

mit seinem debütalbum »no home« schlägt sascha braemer das nächste große kapitel seiner bewegten karriere auf. »no home« erzählt seine geschichte und wird so zum soundtrack seines lebens. das album folgt einer nahezu filmischen dramaturgie. beginnend mit dem ersten stück nimmt es einen mit auf eine reise, die melancholisch-nachdenkliche momente im wechsel mit euphorischen bereithält. der track »hilde« ist seiner neu geborenen tochter gewidmet, die sein glück komplettiert hat.

available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

for bt05 koova brings 5 tracks of futuristic driving electro aimed at the dancefloor. as a solo artist, koova has released on respected labels abstract forms and ac records. he is also 1/3rd of london modular alliance along with pip williams and yes effect, who have been making serious waves with their all improvised live shows. 200 copies, screenprinting artwork unique to each copy, handstamped labels.

prodigious underground nyc producer larry josephs sparque project turned in a handful of classic 12inchs for west end records & lets go dancing is probably the most well known of all of them. all the hallmarks of classic west end are here, the futuristic production (1981!) soulful vocals & killer arrangements all combine with francois kevorkian & larry levans legendary mixing desk skills to give us this bonafide garage classic that rocked dance floors from nyc to chicago on its release & still packs a punch today! this record is all about having fun, partying & losing yourself in the music, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2015 in conjunction with west end records, nyc.

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.

on -purposely uncertain field- lake people doesn t fall into the trap of repeating himself or recreating a successful formula. instead he puts all his musical knowledge and his experience into the eleven tracks of the album and expands his already rich sound universe. above his straighter dancefloor aspects martin elaborates his approaches to a certain mid 90 s electronica vibe and ambient-like soundscapes with a very cinematic feel to it. thus he brilliantly manages the difficult task of creating a transcendent and consistent album without losing any tension over the full length.

meda fury presents *remember every moment ep* by pearl river sound. fury continue to bring the heat with their first release of what could quite possibly be a banner year for the label. pearl river sound is the moniker of italian musician roberto semeraro. based in rome he emerged on the scene with a cassette release on the seattle label further records. after a further cassette release on indole records which again explored his classic 90s electronic and idm influences, his media fury debut sees him bring in some 4/4 beats to channel classic deep house sounds without losing his signature pure and melancholy sound.

master mix tells the story of arthur russell, exploring his music and ongoing relevance to a new generation of artists. showcasing the diversity of arthurs musical worlds, each artist reinterpreted one of his tracks in their own style in tribute to his influence. features tracks from hot chip, robyn, blood orange, sufjan stevens, jose gonzalez and many more. the triple vinyl lp includes a download code for the full album.

what more can be said about carl cox the term legend is thrown about way too easily in electronic music, but there is no question about the status of dance music historys most recognisable global figure. a musical ambassador, a veteran of acid house, a champion of techno and a professional dj since his early teens. carl has been playing music, breaking tunes and celebrating life and never losing sight of his passions for over 30 years.