big with: m.in, partysan, silicon soul, arnaud le texier, slam, wally lopez, mihalis safras, zombie disco squad, renaissance man, johnny fiasco, axwell, micro violi, kiko martinez (docepulgadas radio show), jussi pekka, alexi delano, luke solomon,.. it seems like jaxson and david keno have always the round numbers on our imprint , after yt 30 now yt 40 :) the 50s is already reserved for this guys .this berlin guys s deliver an intense piece of deep and harmonic techhouse which makes this promo a pretty cool package for the upcoming festival season..

after a couple of remixes made for the labels around 2002 losoul finally delivers his first single ep and we are very proud about it! those tracks feel like losoul really made one special for logistic! a sweet record greatly representing the music we have always loved to release. in between house and techno (losoul style… groove but freak!) this 2 tracks ep has a strong and particular energy perfectly designed for dance floors. a precise production work on both >dogma< and >calma< give cool sensation on large sound system. enjoy!

massive new release on the mighty coolman records!
dutch super producer na-goyah strikes back with not 1, not 2, but 3 mindblowing hardcore tracks! produced in the typical coolman sound so you cant go wrong on this one! already hamered by al the main hardcore jocks so have it large!

ruffneck proudly presents his new album, of course brought on the mighty enzyme records imprint! a beautiful designed double 12 inch + bonus cd (contains all tracks from vinyl) which offers you 8 brandnew hardcore bombs that will blow your speakers! already played by all the usual suspects so have it large!

csm godfather john selway drops his first solo production on his home imprint since 2004. as his production schedule heats up, so does csm. ocean before me graces the a side with a deep ride through techno and house, complete with tribal rhythmic feel and uplifting strings. selways sound continues to evolve, but his central foundation of thick cadence and expansive melody always shines through.the b side features producer extraordinaire paul brtschitschs remix. paul sheds the strings, beefs up the bottom end, and adds his own melodic touches presenting an interpretation of ocean before me just as large but focused through his own

this release features the illusive talents of electric jones a.k.a jamie jones. this ep features three exclusive re-rubs that have are already highly in demand, largely due to the superb production and featuring some of the hottest re-rubs you will hear this year!

after surprising belgium and the rest of the world with their >zoopah dupah< and >heads up< eps, sound of stereo is back with a new, fresh sound best described as >something you should hear for yourself<.
in the past few months sound of stereo has been all over the place. not only have they played every large festival and venue in belgium & holland, their tracks have also been picked up by big names such as bloody beetroots, steve aoki, mstrkrft, armand van helden, crookers, congorock, jokers of the scene and many, many more.
with the new >zipper ep< comes a more mature sound that proves that sound of stereo is more than just wobbly beats and funny lyrics. the ep contains 3 brand new tracks that will be presented at i love techno on the 24th of october. the official release is scheduled exactly one month later: on the 24th of november. dont hesitate and get them while they are hot!

nice price deal !!! intimacy waste no time in following up paul woolfords >false prophet ep< with another missive, this time from belfast duo timmy stewart& john mciver - collectively known as jet project. responsible for a steady stream of dancefloor moments which often combine a rare appreciation for dancefloor dynamics, engaging & provocative sample sources, and a knack for arrangement that maintains the energy. its not surprising to know that andrew weatherall is a fan. label head paul woolford first met the boys in belfast in 2003 and after many repeat visits to play at their residencies, the stiff kitten and shine, (both techno institutions), their bond was sealed. the title track from this ep takes a large part of its inspiration from a charles baudelaire recital and is hard evidence that jet project truly take their lead from nobody. on the flip, we march at dawn furthers the cause - and we are then taken on a ride by the in-form sian via his heart bound for hell reworking, which rebuilds the track and surges upwards with more pressure, capping off a killer new ep for all involved..

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

after having it large with sweetzerlands mental groove, st. plomb has remained apparently calm for the past few years. but dont be mislead, st. plomb better known to friends and family as daddy wizard hasnt spent these years sunbathing and splashing in tanning lotion. instead hes been hiding in the studio, working on his tricks, refining his magic, distilling the purests and the rawests forms of house to achieve the alchemy of the perfect track the concoction has worked and brut! is proud to present the results: escape run and saturnic night access. serve pipping hot...

hamburg bad boy electro ferris, member of heavyweight german band deichkind, returns with his second single on freakz me out and it is a big hitter, as it were. co-produced and engineered by tobitob of moonbootica. we have a hand picked assortment of the finest remixers & big freakz me out label friends around doing their magic on this one.deichkind are among the biggest acts in germany, playing sold out concerts and destroying festival main stages on a regular basis. anyone who has ever dodged flying elbows at a deichkind show knows what s up with their remix, dangerous.fukkk offf, also from hamburg has been killing it lately with massive singles such as rave is king or the bottom, an album on new yorks coco machete and remixes for jan delay, zombie nation, decalicious, acidkids and lars moston among others. in trademark style fukkk offf gives us hands in the air electro for fight clubs of larger dimensions.cryptonites go french on us roulé style with their big chords and big smiles version, keeping the vocal sparse and transforming it into chopped up dancefloor dynamite.stuttgarts autodidakt has taught himself a thing or two about turning out killer peak-time electro remixes, like this one, sporting massive detuned synths, driving sequences and the deepest of kicks.the remix package is completed by freakz me out veteran & big label friend markus lange who build a huge floor bomb with his remix. yeah!

afu limited welcomes alex long to it s artist catalogue and he starts with two slammin and cool technotracks with ultra trippy vocals! there is not much need to say anything about these tracks, just listen and enjoy the trip through the space age with a fast beating heart! since he was young, he has always been impressed by the sounds of the synths, electro pop and later on acid house. in the beginning of the 90ies, when the slovenian electronic scene was still in the making, he was a regular guest in the legendary k4 and palma in slovenia. he was taken further into the world in 1998 when he took his first steps behind the turntables and he has been producing music since 2004. since then, he has had quite a few releases and remixes for different record labels. he has dj gigs with huge names of the electronic scene and in large festivals in slovenia and became the official slovenian hero of the future in 2007 at the disconautica festival.he spends much of his time in his studio, where his thoughts are converted into notes and melodies, and as he often states, he finally found a style that suits him and always finds a challenge in. what is that style? he doesn t like to be defined by a specific music style, as he prefers and is influenced by many different genres of electronic music. alex long is definitely a name we will hear of in the future!

amp is a bag inspired by the typical guitar amplifiers, most of which, have come to define the sound of major or more underground rock bands. we pay homage to this legendary machine, by using its image for synch’s largest bag. the bag has an easily removable internal shell, that protects the content, giving it at the same time the appearance of a real amplifier. at the back of the bag you can find a big pocket, extremely practical for immediate use. the amp bag can be used as shoulder bag or as backpack.type: backpack & shoulder bag dimensions: 39 x 14 x 31 cm material: printed pvc extra: large external pocket, removable internal rigid body

altair nouveau consists of one brandon mitchell, a young producer from the west coast currently residing in san francisco. altair nouveaus music, though designed with the dance floor in mind, still evokes a personal element. it is the combination of these elements that give altair nouveau his indistinguishable larger than life, spaced-out future disco sound sure to cause a dance floor frenzy. raised in the sprawling city of san jose, california to musical parents. mitchell grew up with the encouragement of his father, an electronic music teacher at the local community college. brandon began educating himself by collecting albums from the likes of giorgio moroder, vangelis, ennio morricone and john carpenter. this gave way to newer acts such as in flagranti, prins thomas, lindstrom and several artists on dfa. the title track æspace fortress marks a bold and exciting introduction into the sonic landscape of mr. nouveau, combining g funk, p funk and a 4/4 disco foundation that adds up to something otherworldly altogether. released as a joint effort with the uber-hip dfa records this 12 features mixes exclusive to this release from ultra-talented irishman john daly who turns out a deeper take while michel morins criminally underrated nom-de-plume sneak-thief takes it deeper into spacey disco-funk territory.

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

umeks 1605 music therapy imprint returns with this killer 2 track release from one of the producers of the moment - fergie. he has released a wealth of excellent material over the last 12 months not only on his own excentric music label but also for large imprints such as great stuff and this again hits the spot. both tracks are synth driven peak time performers that will not disappoint.

after releasing his first lp on ai records in 2008 we proudly welcome datassette on echoecho. let s just say that this is the outcome of an interference of majestic strings, amazing basslines and deeply compounded beats. besides rocking the dancefloor mr davies definitely knows how to draw attention with his craft.these thrilling compositions reach from the hymnic ôthe aviatrixö to the laidback and atmospheric ômicroö and back to the superior and bassheavy ôhumansö before ending with the melancholic piece of ôweather conditionsö. datassette conveys a large variety of influences which create his absolutely outstanding deep sound. in other words he manages to merge the atmosphere of then and the vision of now to transfer the sound onto his own bright level.

sister label to markantonios analytic trail imprint, mkt is all about providing a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge.originally created as a home for markantonios experimental works mkt has developed into a chosen destination for fellow forward thinking techno artists. this latest ep sees bosnia mladen tomic (adult records) deliver a 4 track ep.tangas is a powerful, bass driven groove that brings the tension. opening up with a cleverly drawn out build of shuffling hats and jittery stabs the culmination is comes as the pressure drops and is joined by a heavy kick and pulsing bassline.blue avenue sees tomic throw a large slice of funk in to the tech melting pot to produce a firing, discofied stripped back groove. constructed of simple but well defined layers this is an unsung hero of a track that djs will find very useful. bubamera combines harmonic melody with driving tribal rhythms to create a truly distinctive piece. high on energy but subtle in its approach, this is peaktime tech house that skilfully combines musical elements with an intense cadence.black white man continues this unique sonic journey with a combination of industrial beats and funked up rhythms. the most uplifting of the tracks on the ep, this cut packs plenty of bounce and shimmering atmosphere into the mix.

massive new release on industrial strength by unnatural selection and cik!raw and heavy production of which the main track judgement day receives a slammin remix by ophidian (enzyme records) so have it large!

qalomota records is a house music label and a band founded in 1998 by producer thierry colau and dj chris thomas. artists rufuss and joyful noise have since joined the label, broadening the spectrum of an already large range of sonic colours. for the qm records crew and its audience, music is a physical and spiritual experience where the beat is the foundation, and the melody, food for the soul. would it be on remixes for the likes of chézéré, sabrina pope, house veterans frankie knuckles and marshall jefferson, or their own productions, from new-york city to paris, music is the key for qalomota records and will always be

dortmunds very own ‚diskobär, the inimitable ante perry prepares for new double cd long-player extravaganza , flashing disco sounds, with two cuts exclusively produced with close studio comrades tube & berger. these hot co-productions between the long-time buddies simply cannot fail to get the party going. the overwhelming anthemic stir of human you is evident for the very start, but its true dancefloor potential can only be understood after the full ecstatic wonder of the breakdown pours out over a large crowd. super-constructed tech-discohouse is where its at in this high intensity, high drama, big room flashing disco monster. the curiously titled walthervondervogelweide on the other hand is a more brooding beast altogether. working the underlying tension and keeping the pressure tightly locked to the floor its a dangerous late night dancefloor workout... left in the wrong hands this could seriously damage your ability to leave the dancefloor! finally fellow dortmund heavy-calibre producer peter jürgens works his remixing magic and twists human you into a housed up, long building affair that operates on a more stripped, subterranean level to begin with but bursts out above ground with carefully timed energy. warm driving beats and pads layer to reveal the identifying melody of the original.

neophyte records presents the new masters of ceremony release!! excellent hardcore 3 tracker which offers two brand new hardcore bombs: dirt and rocking with the best - both in the usual top quality neophyte style so ready to concur the international hardcore scene! on top of this a wicked headbanger remix of the m.o.c. classic 2008 skulls. another outstanding release which proves that neophyte records is still the leading hardcore label worldwide, have it large!! dj support: dj neophyte, outblast, dj d, dj panic, the stunned guys, scott brown, brisk, darkvizion, tha playah, the viper, prankster, dj vince, catscan, cronik dj, headbanger,dj paul elstak, buzz fuzz, na goyah, tommyknocker, dj mad dog and many more!!

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

cheers lab is a subdivision of the new french label and team cheers records, with a completely different vibe, for those who like it more adventurous and electronica! na sayah is not realy a newcomer, he is those days one of the most hyped dj in paris, being a resident at bataclan (the largest venue now in paris), at electro chic party, the respect party, at the paris paris club, and he also is having his own party called break - a big success already. for the first release (and expect a lot more in the months to come) he has produced four electro tracks, that will work perfectly on any electro dancefloor, all tracks complete with punchy basslines, deep 80s chords and stunning beats! those tracks could easely be included on a john carpenter movie or a tribute to the best of gorgio moroders music.

after release strong release with claro intelecto, stereorama music is back with ams project. this artist will be sure a large potential..

the spring time is aproaching and jesus loved you production is blossoming like never before. day by day, the familiy of valentino kanzyanis proteges is getting larger and larger as he keeps on recruiting more and more of the worlds most promising young djs and producers. topping the list of those who have been choosen to bear his sign, here comes chris barratt to show our crowd what he is made of. magicalminimalpopmusic is his second release for the jesus loved you and we can assure you that it is everything its title promises it to be - fun, minimal and emotional. the release expresses two sides of chris barrat. the gentle, almost fragile angel bells is a very kept back piece and is - as chris himself would have put it - all about emotions. whistlechimes is a more dynamic track with a perfectly fitted long bridge in the middle, making one feel chris barrats his huge dj potential.

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

>life is the only drug i wont ever give up<. this is probably the most life-affirming claim ever forwarded by ware- labelboss matthias schaffhäuser and its made to fit the party. and as hes being the guest on a very special label hes going all the way. totally in accordance with the wir-label-philosophy, the title track shows off lots of modern producing skills, never sticking to just one rigid idea but coming along with a whole bunch of attitudes. pop-induced vocals are artfully woven into minimal beats, housy strokes meet sound concrète, and the whole combines to one neverending track, leaving the elitist style ghetto behind and delivering itself to the pulsating life outside, leading to a truly beautiful work clearly thats one hell of a challenge for every remixer, but lovable atom smahing mathias kaden is the right man at the right place, as he knows how to deal with emotional content under the influence of the contemporary raw. his eleven-minute-opus tightens, focalizes, piles and moves around the original material, but without betraying its spirit. this remix seems larger than life but still maddingly gripping and you get the overwhelming impression that here every angle leads to another, every bit communicating. its a nation under the groove, all in one track, and its here to be heard

this time again offering some delightful grooves that will be appreciated both by the dance floor crowd and home listeners. nicely starting off the ep is berlin based greek producer ekkohaus - on his second tune for the label with a very detroit-influenced track, massive elements of groove and funk, exploding half-way through and teasing the listener as the snare/clap comes in on the half beat. this tune will be largely enjoyed by both techno and house fanatics. next one on the list is italian marco shuttle, offering a slightly different approach with his deep, long & repetitive journey of soft synth chords and elegant elements that remind of cadenza releases, providing a perfect tune for the after-hours or stylish warm up. on the flip we find ourselves with a huge tune from queen atom, perfect for the peak time hours in those big packed club rooms: a combination of detroit-esque funk, with trippy back melodies and percussive 909 toms waving through the atmosphere, resulting in a dark yet groovy slow-tempo techno piece. strikingly finishing off the ep is argentinean artist rudolf, already known for his previous releases on sthlm, who delivers an enormous experimental track with intensely layered vocal melodies: eerie, ghostly and combined with many industrial aspects, the result is an immense bubbly, watery track that will indisputably drive clubbers insane throughout the globe.

deep house journey from this veteran philly producer who has been releasing on ovum, large, dessous etc. a must have

san francisco sound is back! transport recordings is proud to present another great release from its very own dj mfr this is the big come back of the wellknown west cost label with a huge hypnotic minimal tech, fat bassline over sensual female spoken vocal, & driving beats. massive title that can be played by a large array of ds, great stuff! not to be missed

..played by sebo k, jimpster, solomun, miss jools, kiki, david duriez, lee burridge, andre krom, tim paris, audiofly,…diynamic and kindisch records rising star h.o.s.h has delivered a super hot remix. its deep, hypnotic and spacey house underpinned with that all important jackin bassline. as a dj, geddes now holds international prominence with appearances in 2007 at berlins panorama bar and watergate, d!club in lausanne and the loft in barcelona. past performances have brought him success with large crowds as well as small taking in modest spaces,frankfurts robert johnson to the more substantial masses at sunday bests infamous bestival and renaissance >wild in the country< festival tsuba is proud to present the debut single from geddes, one third of rekleiner alongside audiofly and the man behind london and ibizas infamous mulletover parties. ..moodier tech house with shades of konrad black

salted music is happy to serve you the 3rd single from migs highly regarded new album those things. let me be features the soulful vocals of fred ross. migs has been bangin this one for sometime now with enthusiastic responses from dance floors and trainspotters all across the planet! already causing quite a stir among the few djs who have it, you are now in possession of this hot little gem. yes you are special! so now lets break it down. migs petalpusher dub turns on the heat for some deep, funky, upbeat dance floor appeal with key ingredients consisting of a warm, round, bumpin bassline, vocal snips and sax riffs floating in and out combined with smooth synth stabs and guitar licks all meshing together for an urban dance floor stompin dub! migs petalpusher vocal is in a similar vein as the dub while utilizing the full vocal and staying true to the original album version of the song. karol xvii and mb valence e dub provides sample amounts of dance floor pressure and tech appeal. a thick and techy bassline drives this electronic edged late night remix and toughens up the vibe using minimal vocal elements and leaving the main focus on the dirty groove! finally, the karol xvii and mb valence remigs utilizes similar elements as the dub while keeping more of a huge funked out sort of vibe and going for more of a main room appeal perfect for the larger club madness!

played by ricardo villalobos !! incl samim and lee curtiss rmxs! mothership transmission #1… two very sexy minimal-tech remixes by samim and lee curtiss and you have a truly amazing record. mothership is the new project from claude vonstroke. the concept for the label is to create a deeper more experimental techno based sound than the tech-funk sound of his other label, dirtybird. a large percentage of the proceeds from mothership will go to a school in downtown detroit that teaches and enables children to learn how to make music (yes, even electronic music!) we are very excited to be able to give something back to the community that helped shape and define our music. enjoy

large electro-proggy house remixes by montarini / tommy vee of this itl main pop project !

finest dubby deep techno trax !! for two years the doors were open monthly at grubenstrasse 28 in zurich. and what a two years it was! musicians from afar were joining a frolicsome party crowd of 300, all done in an intimate maze-like setting where the largest value was put on atmosphere and hospitality - just perfect. problems with the neighbourhood forced us to close down this last jewel of zurichs alternative nightlife

acos coolkas are konstantin atomas and vasiliy basalaev from omsk, russia. omsk by the way is the largest city of southern siberia situated at the crossing of transsiberian magistral and the irtysh river - 2500 kilometers from moscow to the east. its pretty hard to imagine where it is unless you are a geography expert. however - there are people that produce electronic music like this living there.acos coolkas are mainly known in russia for their domestic works and releases and >skyline< is one of their first releases abroad and first (but definitely not the last) appearance on theomatic. their atmospheric, freshness-breathing house seasoned original version supported by andrei zakharov aka an-2 with his more-serious-attitude-to-the-things stratospheric disco story on b-side

igors defchild debut is quite mesmerizing. with tracks on handheld and forcetracks igor draws upon his detroit, chicago and berlin influences to produce three bewitching tracks.these largely instrumental pieces combine the production aesthetics of house and techno with exquisite and subtle compositional flairs from dub and blues/soul fusions. northern european production team of aleksander chernishov and maksim vasilevsky refashion somewhere with jazz influenced musicality and poise

koba records have after it s launch gained great success among a large variety of people. with support from wellknown djs and producers like dave clarke, valentino kanzyani and erick decks etc., it is now time for the 4th koba release. this time mikael delivers a four tracker e.p. with a wellknown blend of retro sounds and electro flavoured rhythms. everything in order to make the crowd go wild on the dance floor

recent perc releases such as >splashy< and the >razor ep< have been supported by michael mayer, james holden, slam, ozgur can, nathan fake, jesse somfay, marc ashken and avus !! opening track >strange ways< is one of perc s finest productions to date with a slow, shuffling electronic groove underpinned by a huge bassline. this leads to a jaw-dropping breakdown built around a floor-destroying bass attack. on the b-side >yeah< fuses together minimal techno with the london >fidget< house sound to create something unique. again a heavy bassline plays a large part in the track, as does an unforgettable vocal drop. finally >blocked barrel< is a slice of 2006 style neo-rave mixing driving electronic house with the stabbing hardcore riffs of the early 90s

limited advanced copies of this major project to come in september. basically 2 classic cuts from the caraïbes nicely remade & remixed with a good production, making of this the perfect summer sunny sounding. will please a large array of people

after having released on various labels such as cynosure, circus company, mo s ferry productions, orac or floppy funk, mossa became one of the most refreshing artists of the house and techno scene. with his current album masterpiece >some eat it raw< (circus company), mossa again shows his uncompromising style of house music. the very burlesque ep on this ever consistent morris audio offshot is his latest proof of the canadien antistatic mircofunk! rhythmically solid and subjective, his sound is made from diverse sources collected here and there causing this composer to effectively transplant arrangements. some minimalist, most of them amusing but rarely symetrical. we can always feel a large range of inspiration in his music : jazz, folk, funk, house, glitch and minimal techno! using an assortment of plastic and static sounds collected here and there, mossa arranges an eclectic bouquet of rhythm and kick! ace!

after their immensely strong last single i know what its like (to be a dog) and cheeky debut no hands no teeth australian rising stars >stick figures< turn up the pressure with an electro house dancefloor bomb! useless is a dark and twisted club rocker with rolling basslines, dark analogue leads and chunky drums custom built for large sound systems. swing sixty retains the darkness in deeper tech house mood with hints of tastefully restrained acid. flip for a wickedly building 45rpm remix of useless by parisian producer random factor that compliments the original perfectly - tough, deep and uncompromising

written & produced by christophe dalla-ca aka kiko (phunky data), stephane deschezeaux & patrick liotard. kiko & stephane deschezeaux delivers a large electro house bomb, with nice vocals. kiko & friends are proovin once again that they re right on with this electro house dancefloor winner

dr bass aka vadim bassov new comer from the industrial city lipetsk (russia) vadim started production few years ago with the russian label uplifto records dr bass coming up with a large dose of fat funky basslines while beautiful melodic played synths will transe any crowd.nice stuff here with a complete 3 tracker, top notched & refreshing production all tracks written & produced by vadim bassov tracks: a1 returning b1 head 004 b2 crazy room already top charted by sharam jey, tony senghore, tocadisco, david guetta, annie mac…

large tribal fused progger with a heavy helping of ny attitude on intrinsic title track has all the right elements to move any floor and on the flip there is a rolling funk fueled number called 195hz which is just as dark