ltd repress , for our final record of the year, we turn to glasgow’s man of the year - denis sulta. like a good chunk of the numbers family, he has earnt his stripes working at the coalface of techno aka rubadub. he has crafted two excellent twelves for our bare-chested cousins at dixon avenue basement jams and is beginning to carve himself out a reputation as a dj of some repute, expertly blending in the bangers with sulta-certified weirdness. denis is part of a new wave of glaswegian artists who are doing amazing things and whose music is continuously exciting us. ‘it’s only real’ created by sulta during a burst of inspiration one sunday, takes us back to a time when techno was intricately melodic but still kicked hard in the club. made with only the purest of intentions and a dedication to the art of moving heads and feet. support from four tet, john talabot, joy orbison, kowton and loads more quality djs.

7 inch

the sixth compilation of mutated machine music from contort yourself centres around british industrial pioneers nocturnal emissions. the group hack out two thick cuts of oil soaked savagery. gears crunch and chains clatter as drum machines are minced and mangled for demon circuits bloodbath before the reduced and removed bitterness of even the good times are bad. l.i.e.s. main man ron morelli under the guise of u-202 takes on the static of the 83 original, lonesome rhythms fired into a gaping hollow of echo and decay. there is brief respite, very brief, coming in the haunted strings of penelope s fiance. torrent grinds this short break into dust with exe 2 blueprint, a sludge stomper drowned in distortion and dripping with distress. innsyter (l.a. club resource), aka seixlack, calls time with the hazy house bottle smasher, think fog machines and bodies in the dark and youre getting close. off-kilter madness all-round!

raär’s debut tape for gasp records finally arrives on vinyl. cause it’s dirty is soaked in emotion, faded love and unforgettable change. raw house and deeply thought out electronic exploration take the listener on a journey the producers heart and soul.

flora cash sind ein us/skandinavisches duo, das sich zur aufgabe gemacht hat, die diversität menschlicher beziehungen musikalisch darzustellen. dabei dringen sie an orten, an denen tränen vergossen, das mobiliar ramponiert und trennungen diskutiert werden. nachdem sie sich online kennengelernt haben und dort auch direkt auf den gemeinsamen nenner „musik“ gekommen sind, erhielt ihr atmospherisch tiefgehender vibe direkt großen zuspruch von z.b. the line of best fit, indie shuffle, noisey us, paste, the music ninja, earmilk, interview magazine, nylon und vielen weiteren.
mit dem release ihres albums „nothing lasts forever (and it’s fine)“ konfrontieren sich flora cash mit ihrem bisher herausfordendsten moment als musiker. sie teilen eine schwere, rohe art der angst mit dem hörer, die erst körper und geist berührt und es im laufe der zeit schafft, sich in fast jeden lebensbereich einzuschleichen.
das duo schafft es, ihre tiefgreifende liebe für akustische klanglandschaften mit einer priese ätherischer produktion zu würzen, die an mt wolf, poliça, vogue dots und kings of convenience erinnert. durch den schmerzvollen dialog zwischen shpresas beobachtungen und coles leiden erschafft das duo ein interessantes, inter-dimensionales und trotzdem mächtiges stück musik.

seasick steves klassiker endlich wieder auf lp erhältlich!

pale blue is the new alias for mike simonetti, one of nycs most infamous underground producers, paired with the vocals of elizabeth wight. the duos seductive double sided ep comes home / have you walked through this night is remixed by breakthrough spanish producer pional on man power’s me me me label. have you passed through is raw and daring, its female vocal reminiscent of innovative early electro, this is a intoxicating late night anthem of leftfield electronica. its lyrics are taken from the film the thin red line, a movie about mans destruction of nature, his world and himself. come home is equally alluring with a dreamier narrative, and pionals remix is stripped back and effortless. for these two songs, the inspiration is coming out of the darkness that is inside all of us. it sounds heavy and overbearing, but dance music is the ideal music for escape. it fits perfectly into the pale blue agenda. this music was made for a small, dark crowded dance floors, with low ceilings and high hopes. humanity is bombarded with suffering and pain at every turn its almost like we thrive on it. but we deserve better. these two songs represent part of that struggle- moving towards the light. take your frustrations out on the dance floor. throw it all away for the night. the b-side is about coming out of darkness, coming home. finding euphoria in love and security in one another. feeling lost in the best way. pale blue

it is surreal

super rare (pretty much unknown) mid tempo vocal modern soul / disco floater with a great sweet soul flip. i have been looking for this one for a long while, its got that outsider soul lo-fi vibe that i love. remember and always check the flip, the ballad goes double time near the end and is one for the more sophisticated dance-floors

five years deep into the game, all nine lives fully intact: utrechtian feral feline larry de kat prowls his way onto pets. and we really dont need to tell you how purrrrfectly apt this debut union is. fresh from launching his own katnip imprint (and putting the final touches on a hush-hush disco edit series), pets have managed to prise four of his finest, broadest creations from his creative claws. each one floorbound, each one backing up the hype hes enjoyed from the likes of axel boman, mark e and laurent garnier, each one making us feel like cats who got the creamiest of creams. i know you can hear me’ takes the lead on a more direct tip that you might expect from de kat. big pumps wrapped in a fine vibe balance of detroit and parisian house textures, but done with larrys signature dubby, jacking style, its the perfect paws-sitive statement of intent. slinking deeper into the ep, naakte groove lives up to its nude name with a lean-but-warm bass riff that purrs with finesse around a straight-up strutting drum arrangement. so much fun in such a tight, detailed groove, youll want this on loop forever.amlou stalks up behind with dusty, thumping charm. rolling and scratching like it was 20 years younger, theres an innate physicality in the drums that snaps you out when the big disco hook rides in from nowhere. finally we hit she doesnt. the dubbiest groove of the set, all eyes are on that bulbous sub, rippling synths and precision tuned snare shot. hypnotic, heavy, unhurried and heads down. these sounds are fur real. like all the best stray cats, expect larry to return to pets as and when he pleases.

dj bone is differ-ent. but then again, he always has been. a pioneer dj and producer hailing from detroit, whose technical skills are perhaps only equalled by the upper echelons of the city s most advanced techno trailblazers, he s nonetheless forged a path only of his own. eschewing commercial expectations, scene pressures and anything other than his own exquisite taste, bone has earned a vital, dedicated audience while remaining comfortably and individually underground.

henrik schwarz first work for running back and concurrent solo piece since 2013 is a prime example of the mans uncanny production abilities. recent years saw schwarz more and more gravitating towards the intersections between electronic music and jazz, classical compositions or african sounds than serving the weekly bread and butter at clublands busy buffet car. now, not also you is a return to exactly that honourable craft and service. built around an imagined and imaginary curtain lecture from a saint to a sinner and housed in one of henriks most techno looking robes as of yet, its a no-brainer or shall we dare say a reaper of a track without frills but with a fata morgana like rave signal. oh, there is a dub for snobs (not you also), too. peak time, high time, any time. nice sleeve on top.

the elusive dj groov slides from under a long lost 93 slipmatt to present a very special weekend long jaunt into heavy acid & breaks territory.
from the swaying euphoria of “back to”, to the 10 pills breakneck acid blaster “human?”, the synth-drone paranoid alien abduction jaunt of “jam from space haus”, and lastly the skitzy, noise-peppered tinker-toy acid of “skizzacid 78”.
full lazy acid sofa vibes over the long easter weekend. way too much haze and way too many alien movies. comes on an extra hot 12” complete with sticker.

the mysterious cornhusker unearths two obscure dj-only specials. the a side marries 70s soul (familiar to westwood listeners back in the day) with philly street-corner vocals that keener cinephiles may be able to place. the b side adds a beat to a soulful sunshine-imbued anthem that will ring a bell with fans of j-dilla productions, making it a must for outdoor gatherings. 7 inch large hole with hand stamp sleeve. this is the dj promo on this limited vinyl only release so grab it before its gone forever. upfront support: session victim razor n tape luke solomon nebraska

originally released in 1972, “it’s just begun” set the tone for the jimmy castor bunch’s success through an effective and distinctive mix of funk, pop hooks, social commentary, and gonzo comedy. the album also helped the group score a million-selling crossover hit single with “troglodyte”. in the united states the track peaked at #6 in the billboard hot 100. it was a million seller by june 1972 and received a gold disc award from the riaa.
pressing on 180 gram audiophile vinyl.

the electronic based pop group, shari vari, founded by helena ratka and sophia kennedy, is about to release its first ep, life should be a holiday, of 5 pieces produced and recorded by the duo under broke and alcoholic circumstances. each piece deals with the traditional forms of song writing by ignoring them – the rules and structures. combining psychedelic lyrics and chords with dark electronic sounds, the beats are weird and stubborn: a teenage crush on a white cat while drowning in a pool. you’ll never want to go to work again: too many psychos in one streetcar are just too hard to handle on an empty stomach. look forward to plunge into the world of shari vari, so hit the booze and run! (to the concert)

2 great downtempo tracks on another fine reissue from adelaide s, isle of jura . check out beach for a sublime tropical winner. big tip! . chrismar chayell‘s it’s never too hot 12&#8243,,,,,,, first appeared on the now defunct antler records back in 1987, but isle of jura make the balmy two-tracker their sophomore release. infusing belgian new beat rhythms with sea breeze and tropical fervour, both sides will transport you to the hidden cove of a deserted caribbean island. as their previous release, a big harvey favourite and fetching a pretty penny in the beardy circles..

barcelona based yakazi imprint proudly reaches its fifth installment in the form of a synergic collaborative release signed by chilean artists alexi delano and marcelo rosselot, counting also with canadian buchla wizard marc houle in the role of never-failing remixer. presented as a two sided release, and splitted in two original tracks plus marc houles remix, yakazi maintains its unwavering commitment to their core values, to move people through good music, prevailing fads and trends and strengthening the labels very own sonic identity. on this occasion, alexi delano, a close relative to the label that was also featured on label’s previous compilation, joins forces with his studio fellow marcelo rosselot building up “take me / it’s on me-, two finely-crafted excursions of heavy bass minimalism and dark vivacious techno based on subtle vocal samples, trippy synth-chords, and layered drum patterns constantly evolving throughout both progressions sounding uniformly fantastic, without falling into the obviousness of a long steady beat narrative and keeping in mind how to charm the dancefloor in style.

four titles in four rounds, turn to clear, turn to dark, with thuds, rich without being fat, punchy, liquid, deep and breathless, which could have been played 20 years ago in bristol or the tresor at 8 in the morning. upon first listen, the conductive vital pulsation of the ep evokes the heart of a japanese sword from its conception until its final battle. fable of contents: a1- who are you -the forge. bathed birth by vapours, paced by the blower and the hammer. a2- where are you -the apnoea. setbacks, dissonances, power revealed in the midst of chaos. b1- when are you -hunt. anxiety and chase down the drains. b2- which are you -the assault. tribal. drums, the sword is in the hand of an army in the starting blocks. meditation, calm, total attack. it is a painting on frequencies that gives us this new volume of the japanese craftsman yaporigami, scour your ears before to see it.

die 5-köpfige vocal-group the flat five kommt aus chicago und tourte und nahm bereits in den vergangenen zehn jahren mit größen wie neko case, nrbq, mavis staple, iron and wine, the decemberists, andrew bird oder alejandro escovedo auf. mit “it’s a world of love and hope” erscheint jetzt endlich ihr langerwartetes debütalbum. zwölf catchy pop songs von einer der talentiertesten harmony-vocal-groups aus den vereinigten staaten!
180 gramm vinyl + downloadcode.

nice price deal !!! pumpin italy release, tribal , proggy and electro infected !!

rvds second album with different musical impacts. a musical journey with acid, deep house, deep techno, jazz, ambient, love and so on … all tracks by rvds, guitar on a2: philipp schneider, voice on e1: giada pesce. mastered by helmut erler (dubplates&mastering) photos (from the pudel club floor) by miguel martinez, artwork by c.i.alex https://soundcloud.com/rvds vital sales points: - golden pudel club resident - releases on it’s, smallville, laid, uncanny valley

new imprint daphian productions makes its debut with a local talent, jacopo latini aka jackie, plus an amazing remix by mr. dj honesty. dpv001 was realized trying to merge the most refined house sound along with an emotional dub. front side -what you gave me- and -morning haze- on the flip side mark the beginning and the end of an careful research on authenticity and acoustics quality.

a boogie classic from 81 on the legendary sam label out of new york city! k.i.d. is the production pseudonym of british library record stalwart and munich machine member geoff bastow. bastow s career has been an extremely colourful one seeing him work with various artists including amanda lear, elton john, donna summer and la bionda amongst many others. -hupendi muziki wangu?- is swahili for -you don t like my music?- and the track has long been a classic with underground disco/boogie aficionados for many years and has been a staple in the record bags of many legendary jocks since it s release 35+ years ago. on the flipside we are treated to -it s hot-, another sleek cut of early 80 s boogie perfection aimed squarely at the dancers. truthfully though, the a-side steals here the show here, take a listen - you ll see what we mean! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - *essential disco*

label founder & young talent from the d join up for 4 tracks of quintessential detroit vibes. dj 3000’s grooving & jacking, & mazepa certainly proves he can hold his own.

future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

melbournes luis cl is back for his second outing on superconscious records with three trademark house cuts.

it’s your turn drop their second ep which comes in the shape of a techno influenced four tracker, featuring dance floor ready cuts from combine, ts? and nettling. cerebral, brooding, stripped back and immersive, this one covers the whole spectrum.

detroits brainstorm have achieved cult status as a group among underground disco, soul and boogie aficionados worldwide. hot for you lifted from their 3rd lp from 1979 has always been a huge record for the more discerning disco jocks, those who like to dig a little deeper to find the gems. a real dancefloor burner that found favour with everyone from larry levan to daniele baldelli after it s original release. the same can be said for journey to the light, another anthemic slice of midtempo michigan soul that was hugely popular in london on its infamous -rare groove- scene, pirate radio stations and beyond. lifted from the bands second lp and oozing class journey is a stellar cut, truly essential! both of these tracks on one 12- already make this an essential release for any real soul head, but the fact that the versions featured here are private re-edits from one of the true masters of the game s private vaults makes it utterly unmissable. yes, thats right - danny krivit, disco royalty, a true pioneer and re-edit trailblazer adding his unique touch to these incredible pieces of music make this a particularly hot biscuit. danny has kindly opened up his archive and in conjunction with tabu / demon music group brings us these amazing reworkings. both tracks have been lovingly edited and tweaked by mr.k himself with dj s and dancers in mind. 100% legit!

munich based pair jorkes are something of an enigma, having appeared on the scene recently with a fully formed sound and a desire to let their music do the speaking for them. musically the duo seem to be operating with few boundaries, looking to express their emotional states through their music with scant consideration for styles or genres. this latest release sees jorkes team up with fellow munich resident and vocalist karol schmejchel to deliver a slice of evocative, slo-mo nu-disco. the release kicks of with the original mix of thank you, marrying chugging drums and warm bass with stirring pads and the emotionally charged vocals of schmejchel. its a perfect track for dark backrooms and home lounging alike. the remix comes from manchester trio menage a trois who deliver a sonical beautiful reworking built around heartwrenching keys and heavily reverbed guitar parts. simple understated drums carrying the record along as their vocal treatment soars towards the heavens, this is sublime stuff. the vinyl release will also feature an exclusive instrumental of the menage a trois mix for those who like things a little more stripped back. in keeping with jorkes creative outlook, and following on from their previous release, there will be an exclusive music video of thank you forthcoming which is likely to set pulses racing once again! thanks for purchasing a real copy!

one of the best selectors of reggea, soul, disco and all their derivates delivers a strong release on the bochum based label kalakuta soul records that has found its way to the record bags of all disco djs around the globe. a fine selection of jamaican, french and us relates bangers meticulously edited and mastered to blow both all dancers’ hips and minds away.

massive 11-piece latin american afrobeat combo nelda piña y la boa have been exploring the vast rhythms of west african music and its many branches within their home base country of colombia for the last 3 years. influenced by the contrasting sounds and traditions of colombia s disparate atlantic & pacific coast cultures, they bring a unique twist to the familiar afrobeat lineup that is accentuated by their cantadora nelda piña, a singer from the bolivar region who was born in the 1940s. once again, colombia and its deep reservoir of modern and traditional musicians prove the awesome alchemy of melding the sounds and aesthetics of old and young generations.

we were waiting for this for a long time. finaly, the first it s a fine line album (ivan smagghe & tim paris project) will be released end of august 2016 on kill the dj records

reissue of a 1966 james brown classic on 180 gram vinyl with download code included.

nice price deal !!! lomechanik is a label and collective that has its roots in nijmegen, the netherlands, but works together with artists from all over the country. since 2003 lomechanik has been releasing quality music on vinyl and cd.

nice price deal !!! citydeep music is back with another release from hawabiza project aka tuccillo& marasco. 2 different tracks, 2 different vibes. bizasweetmix is a more of balearic sound, while hawadeepmix is a classic dance floor track. gretchen rhodes vocals complete this package with her strong and solid presence. all instruments have been programmed by marasco & tuccilo, vocals and lyrics by gretchen rhodes

nice price deal !!! cool funky vocal house from dj cem feat.chinua hawk..

malphino is a mysterious band from an imaginative tropical island of the same name that plays cumbia and a heady mix of exotic sounds. their music serves as a cinematic score to the backdrop of this mystical isle and its ethos.

groove line records release the first in a series of officially licensed disco remix 12”s. starting with two exceptional disco remixes of the change classics, “it’s a girl’s affair” and “searching”, by mike maurro, whose recent the mike maurro peak hour remixes box set has cemented the new york producer’s reputation as one of the most respected disco remixers on the scene right now. as one of the most innovative dance groups of the early 1980s change scored several , disco and pop hits including the number one disco classics, “a lover’s holiday” and “the glow of love,” and helped launch the solo career of luther vandross due to his exceptional vocal performance on another of the group’s number one disco hits, “searching.”

portable is alan abrahams, a south african born artist and producer who is also a celebrated live act. emerging more than fifteen years ago with a sound that marries real electronic soul with deep moods and abstract grooves, he is someone who has released his minimal wares on cult labels like perlon and live at robert johnson, as well as his own süd electronic.

in 1976, aura quickly rose to the top as hawaii’s preeminent funk band when it secured the most coveted gig in honolulu’s nightclub scene: a residency at the point after. consisting of eight siblings from the mendoza family of waipahu, aura became the first local band ever to play the venue. they kept the gig for ten years.

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.

droplets of synthesisers trickle down intermittently between tides of evenly paced kicks while a hollow bass-line plucks at the lower depths of house music.

born in 2012 on the west side of buenos aires, agrupación ilegal los imparciales is a mix of traditional cumbia, peruvian chicha and instrumental psychedelia. a full live act and often transcendental experience, the group utilizes the classic instrumentation of electric bass, electric guitar, farfisa organ and percussion, an homage to older times, without the crutch of electronic sounds and samples. its a new generation of young and accomplished musicians bringing forward the sounds of a lost era and aesthetic, so relevant in todays modern music landscape. already with two studio albums under their belt and a third on its way, its high time the group is poised for a worldwide release sampler at the hands of names you can trust.

recorded in kobe, kyoto, tokyo, september 2015 photos by jim orourke. layout by shunichiro okada despite decades of activity and having crossed paths in various collaborations editions mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. individually, jim orourke and christian fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. on its hard for me to say im sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. the signature of both o rourke and fennesz cohabit this new release with o rourkes gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by fennesz. two side long tracks situate themselves as a warm electronic adventure. simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. timeless in execution and presentation its hard for me to say im sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

release #13 in mr bongo’s latin 45 series.

our second and final release from billy bruner t spoon out of his obscure oil capital record label. if you dance tonight is almost unknown boogie spin your never gonna find, solid. on the flip say yea is an 80s sweet soul ballad years ahead of the pack, i have a soft spot for this one, damn good end of nighter if its been a good one. strictly 500 no repress.

taking a step back from packed yoshi classics, weve decided to keep it simple with this one, kings of tomorrows i want you for myself. this tune needs no introduction its a vocal powerhouse that had dancers singing along worldwide in the summer of 98.