john lee hooker’s 1969 album back on vinyl.

rekids launch re-issue label entitled r-time records with four timeless tracks from sir lord comixx. having established a handful of renowned imprints such as rekids, pyramids of mars, cabin fever and the double r, matt edwards new venture aims to shine a light on classic tracks that didn t always get the recognition they deserve. amoon sir lord comixx and i go back a long way and we met through our friend justin isonoe in the early 90s,” says matt edwards. “i was still living in catford and would regularly drive over to justin s studio where he d play me all this crazy, otherworldly music from amoon and it blew my mind i was completely captivated by his unique take on techno. at the time i had no idea that we grew up in the same neighbourhood and amoon was living just around the corner so, of course, we hooked up and in 1996 i released an ep from him including one of his classics ur my omen on my hard up label.” composed of four tracks from separate releases, retroactive (part one) inaugurates with 1 4 the groove from sir lord comixx s danceteria ep on ugly music. produced in 96, the track s raw aesthetic features sharp percussion, heady melodies and a compelling groove. meanwhile, enemax - which appeared on 1a records demonstrates throbbing synths and shuffling drums. originally produced under his a.moon moniker in 98, funk box is the most robust track on the package with its thudding kicks and assortment of meandering sounds, before the azid jazz provides a deep and funky finale.

yoshinori hayashi debuted his musical career with the end of the edge ep on going good records (uk) in 2015. he then dropped two other killer 12inches the following year (asylum on lovers rock & the forgetting curve on jinn records, the latter included a great remix by dj sotofett) born & based in tokyo, yoshinori hayashi debuts on disco halal (moscomans already cult imprint) with an out of this world 4 tracker, blending his unique take on house with psychedelic & jazz influences. disco halal counts in its catalogue amazing releases by red axes, autarkic, simple symmetry, chaim and many more. deluxe packaging includes white vinyl & printed innersleeve.

beyond being a quality mixture of unusual dance tracks and unique electronica, xyxx is a conceptual body of work whose themes of sex, race, unity and destruction reveal themselves to those listening closely. xyxx is the first collaborative album between berlin based electronic producer nyma (nima chatrsimab) and toronto based, detroit raised vocalist noisy vibration. sitting somewhere in between house, techno and electro, but with honest pop sensibilities, the record is a push-and-pull of ideas, highlighting each artist in distinctive and mesmerizing ways. the berlin-via-tehran musician, dj and sound engineer?s melting-pot influences and wealth of experience are the perfect vehicle for noisy vibrations piercing lyrical style. he lets her do the talking, while delivering a powerful message of his own through more subconscious means. from the opening refrain the dialogue begins, angelic tones embrace you with open arms. noisys lyrics speak to nymas colourful beats and masterful sound design, connecting to the moment and full of unexpected turns. xyxx is an album that is both spontaneous and carefully considered. with xyxx, the ride is complete?the dna whole.

better listen is back to cradle snatching for their first release of 2018, debuting young londoner joe cortis first vinyl release. its a four-tracker loaded with dusty samples warped cleverly for max dancefloor action the a holding percussive party jams and the b offering the lush deep disco sounds the label has become known for.

polos contribution to kann in 2017 is another mandatory ep that aligns his productions to his noteworthy dj skills once again. he offers 4 deep detroit influenced techno banger that still feels homely inside label’s vibe. its always a journey.

the mindblowing second album from george clinton’s warped band of brothers. pressing on 180 gram vinyl.

phat funky soul 7 inch , limited

nyc disco legend danny krivit returns to the editing block on behalf of seminal miami disco powerhouse tk disco. with 45 years in the dj game under his belt and having played endless gigs all over the world during that time its safe to say mr.k knows exactly what hes doing when it comes to the re-edit thing! with unprecedented access to tk s vaults danny has been turning in some stellar reworkings as of late and the cuts included on this latest instalment keep the quality sky high!

ltd reissue, be fast

four tracks of stunning french disco in a wide range of styles: from 80 s afrobeat to underground canadian cosmic groove, here is another bullet from the parisian gang!
a1/ guehi jean pantalon s craqué guéhi jean is a key figure of ivorian music and many of his records mixing funk, jazz and afrobeat are sought after nowadays. having left africa in order to make it in france, he recorded this digital afrobeat hit in paris, then went back to his native country where he died in 2012. despite his talent, guéhi jean didn t get the recognition he deserved.
a2/ michel conte & cie s magoshan a disco anthem composed for quebec cultists wearing flares, or the main theme from an obscure series? anyway it is time to acclaim magoshan s pulsing come back on the dancefloor!
b1/ jean-michel gascuel s dominus this french composer who collaborated with pierre schaeffer was also a great lyricist working for the likes of vivian vee or suzy andrews, and a fashion designer. with its latin touch, this track is a little ufo standing out of the rest of his french productions, so let us be blessed by dominus domine dominarum.
b2/michel robidoux les planètes this track by composer michel robidoux featured on a kidisk with a book called -visitons les planètes avec goldorak- and was released in canada in 1980. this incredible space jam was chosen as a macaroon for this new ep – our tribute to an amazing composer who wrote more than 325 songs and even collaborated with leonard cohen.

you may know aretha franklins scintillating one step ahead from its vital role in the oscar-winning movie moonlight. you may also know it as providing the beautifully melancholic backdrop for mos defs 1999 hit ms fat booty. the inaugural be with 7inch is a special one indeed, containing the first ever officially licensed reissue of arethas all-time deep soul classic. one step ahead was not included on any of her columbia studio albums, and remains one of her rarest releases. on the flip, i cant wait until i see my babys face is a thrilling, goosebump-inducing killer and an unfairly slept-on rendition of this eternal track. the single comes housed in a custom printed full-colour company sleeve and is limited to just 1000 copies

nice price deal !!! some deeper food for thought on big & dirty. its been a while (3 years actually), since we saw new material from berlin based techno legend mijk van dijks alter ego plato. with >ashes of our dreams< mijk returns in his plato disguise and goes into a deep progressive mode. with lovely vocals from jette von roth.

much wanted south african disco gem from 1979. now reissued for the first time on johannesburgs afro synth.

rhythm plate vet matt hunt is back with his goshawk alias and the snappily titled double house & triple garage ep, kicking off with the warm and steady grooving deep house of -down in brooklyn-. -both sides buttered- is a cheekier affair that flirts with splashes of sassy organ chords and finger clicks to die for, but things get serious once more with the soul-drenched -88 keys-, which features an undisclosed number of melodic piano and rhodes parts twirling in bluesy harmony. -i live for the love you give- finishes the ep off with a sharp jack in its step and a heartfelt vocal lift to drill some raw emotion into your no-nonsense heads-down house session.

the 3rd lp in the series air afrique records presents is a journey which leads more to club-tracks. it starts with an uprising afro-track performed by the camroun rapper the tale (a.k.a. zeegee) in pidgin english. the last track of the a side is a tribute to the fast techno-like style funana which is very popular on cabo verde islands. the b-side is going straight into tropical bass and ends with an pure simple straight foreward electro-tech track.

brand new glastonbury production duo speakman sound team up with frankie forman for the palliative psychedelic dance stylings of latest single warm. warm follows the breakneck success of debut single in flight which became a top viral track on spotify while being touted by key tastemakers including 6music’s lauren laverne, radio x’s john kennedy, soho radio’s eddie temple morris and radio 1’s huw stephens, monki and phil taggart. the latter commendations led to the brothers being offered a slot on the bbc introducing stage at glastonbury for a ram-packed homecoming. brothers todd and guy, the duo behind speakman sound, spent their childhood in the glastonbury area immersed in music through their father, a guitarist in psych-rock scene including bands such as hawkwind. growing into adolescence against a backdrop of rave culture in somerset shaped the psychedelic tinged future bass sound they create in their studio in north london today. warm is a sonic embrace, a trip into the uterine comforts of music. a rolling kick drum structures it, ostensibly four-on-the-floor, but with syncopated fibrillations, the sound of a heart skipping a beat. with frankie forman’s brilliant, mantra-like vocal and tobie tripp’s sweeping strings, warm reminds us of the comfort we find in music. enveloping in its beauty, it’s the latest majestic entry into speakman sound’s unique and beatific body of work. that the speakman brothers are producers in their own right should come as no surprise. having received a start-up grant for a studio in cricklewood, they have built an artistic hub from scratch and are surrounded by a creative coterie of young musicians and talented artists practicing across film and music in north london where they hold regular late-night jams and parties.

five years after the illustrious paranormal soul lp, techno derelict danny wolfers aka legowelt returns on clone with -legendary freaks in the trash of time-. a vivid collection of twelve genre-defying tracks: from late-night hermit house to memphis rap influenced slowjam electro, from amiga 1200 technorave to cosmic spaceweed trance, including the whole universe in between. all blended together in a mix of subdued sensuality and psychedelic splendour, this album is flavoured with legowelt s typical crunchy lo-fi sampler and synthesizer aesthetic. wolfers own hand-drawn sleeve artwork illustrates the album s mood without the need for much further promotional blurb... colourful stories embodying societal malaise and its dwellers - yet with a dash of aspiration. music for misfits, witches, dreamers, cyberpunks, outsiders, geeks, and freaks. legowelt s people.

hybrid techno tracks full of tension on time to express number 30, presented by label founder peter van hoesen. the belgian producer takes up the opportunity to expand upon his previous work on the coast to coast ep. no longer exclusively restricted to straight 4/4 rhythms, van hoesen s music investigates hybrid, broken grooves infused with a clear sense of spatial sonic awareness. this is made clear with the first two tracks, towards manifestation and fox tactics. on the second half of the ep van hoesen launches two solid techno cuts, shifting from dense bassline work (concrete varition) to percussive, shuffling grooves (fox tactics). as with all previous time to express outings a specific i ching hexagram was chosen to accompany this release. hexagram #10 ( treading upon the tail of the tiger ) refers to advancement with care and ways of respectful progress. the title of the ep is a direct reference to the first line of this intriguing hexagram. nine at the beginning will be released on vinyl and digital formats on october 23rd 2017. a specially designed t-shirt will be made available at the same time, interpreting hexagram #10 through its design.

mit »it’s my life« gelang talk talk der durchbruch. das album ist weniger synthetisch, dafür emotionaler und sorgte so auch für einen weltweit kommerziellen erfolg. »it’s my life« wurde sogar von no doubt gecovert und erreichte 2003 die top 10 der us billboard hot 100 und blieb dort für 28 (!) wochen. das album beinhaltet auch die single »such a shame« und »dum dum girl«.

auf hans-peter lindstroms neuem album scheinen wieder die nordischen disco-lichter. benannt nach einem zitat aus ingmar bergman s arthouse-klassiker wild strawberries, vereint das werk die besten momente des cosmic-disco-produzenten: seine balearischen free-disco-exkursionen mit prins thomas, die experimentellen trips mit dem genialen todd rundgren, schillernden electro-pop mit vocals von grace hall (usa) und frida sundemo (schweden), dazu bewusstseinserweiternde poesie von der norwegischen ausnahmekünstlerin jenny hval. eindeutig seine vollkommenste arbeit bislang!

following 2 acclaimed first editions, stix records presents the 3rd volume of its disco reggae compilation series. like previous one, the 9 tracks comp is made both from productions of the home labels now sold-out as vinyl, and from brand new exclusive music by the like of taggy matcher, mato or newcomer rosemary martins, taking over classics titles from donna summer, stephen encinas, roberta flack, herbie hancock, steve parks, or inner city. the perfect soundtrack to extend the summer!

after the first successful record, danish label front man gaze ill pursues another excursion through the ever-growing dubstep-spectrum. he returns to his own physical outline of cue line records with four hefty cuts that surely make up another stellar record, however he s not alone. last time it was his partner in crime rdg, this time its frontline support from the dutchman & bass mammoth tmsv, who’s given space-time a completely different spin.

serotonin records, the little neuron that could, returns with a compilation of futuristic electronic funk. its what we live for: volume 1 is the first in a series of compilations sharing our vision of tomorrow and/or the sound of the day after yesterday serotonin has always been what weve lived for, now well try and make sure it’s what you live for too.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive ‘mercury rising’ residency, the legendary ‘djs’ dj has been appointed ‘cultural attaché’ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records – the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

arthur russell epitomised the spirit that defined downtown nyc in the 70s and 80s. yet his inability to complete projects resulted in limited output. be with now present the reissue of event horizon, an album arthur did finish with his cult group the necessaries. criminally neglected for 35 years, its scarcity on vinyl has caused it to evade his most diehard fans and its relative obscurity has rendered it largely unknown, even amongst arthur acolytes.

this limon is sweet, not sour! austin boogie crew records presensts its newest 45 release: the solo vinyl debut of san franciscos own trailer limon (dan meisenheimer). as one half of the pendletons (along with e da boss), limon has been leaving his imprint on the modern funk scene since 2010 with classic singles like waiting on you, let me turn you on, and most recently on the gotta get out ep. this solo 45 features two choice cuts with appearances from west coast heavy hitters e. live and b. bravo. dancing with somebody is a sleek and sexy mid-tempo delight where limon croons about dancing with a stranger while another lover is on his mind. steppers will adore the bumping drums, soaring keys, and resonant bass that peeks its head out at the perfect times. too good.

after the acclaimed release of nature boy s ruff disco volume one, frame of mind is back with another re-issue of a 25 year old record. gerd s very first house release called afterglow, produced under the alias of it s thinking together with two of his (highschool) friends mark and dirk-jan, was picked up by john acquaviva for release on the short lived plus 8 subsidiary called malego back in 1992. the ep features five warm and atmospheric house tracks recorded at a dark attic room somewhere in the west of holland in 1991. these days afterglow is quite a sought after record that rarely turns up cheap on discogs. we are proud to be able to offer you limited copies of this re-mastered package.

2016 was a banner year for dirtybirds founder, claude vonstroke. he debuted his get real alias with green velvet in the winter, and followed up with another number one single in the spring with the rain break. he celebrated the 10th anniversary of whos afraid of detroit to kick off the summer, and finished in the fall by being crowned americas best dj by pioneer at a ceremony he shared with all the fans at the dirtybird campout. after a relentless touring schedule the first half of 2017, claude hit the studio with a couple ace producers, will clarke & sébastien v to collaborate on two giant singles for the works well with others ep. tiny tambourine is the product of will clarke & claude working together. its a bit of a misnomer, as tiny is the last word to describe the heavy bassline which starts to form immediately at the tracks outset. continuing to build over crisp and heavy beats and outbursts of drama before dropping back to the burly bassline, the result is monstrous. will clarke has been on a dirtybird hot streak having released 3 solo eps, 5 singles, an appearance on justin martins album, as well as a brand new collab with shiba san on the bbq compilation and a full takeover on the birdhouse radio show. on the flip side, claude teams up with one of dirtybirds freshest talents, sébastien v, for daylight dark room a light, melodic tone contrasts with a dark and funky acid resonance to create a truly unique masterpiece. the mysterious sébastien v was also featured on the dirtybird bbq compilation with his super-hot track funkulate, and there are rumors floating around that he is actually someone from the core dirtybird roster sporting a secret alias.

for club lonelys sixth release theyve enlisted the services of project pablo to throw down some classic club joints. gluten and gmo free.

the new jerusalem-based label raash records opens its doors to spread the city s heavy mind-bending sound. the label kicks off with a debut 7inch by producer/musician ilia gorovitz. it s an explosive mixture of raw drums, gut-shaking riffs and head-swirling synths, influenced by the 1970 s horror film soundtracks and today s bass-heavy electronica - a combination that makes it appeal equally to psych and beat heads alike. side a s -turmoil- is a dirty and aggressive mid-tempo slasher, backed with a krauty crawling horror downbeat of -simmering with no end- on the flipside. recommended for fans of mophono, the gaslamp killer, drumetrics and goblin.

good news! music lovers, soul searchers, and record diggers! los charly s orchestra are back!!! this time celebrating their 10th anniversary and featuring the tropical soul legend: omar, for their latest extravaganza of caribbean infused disco/boogie. lco has left an important landmark on the global soulful disco - jazz funk landscape since the very beginning, and their tireless production machine still continues today to deliver some of the most epic groovers, such as: -all around the world, everlasting love & sunshine-, in between many others. juan laya & jorge montiel (the two men behind this project), continue on their endless effort for producing enduring music by delivering their latest ep which contains an lco s re-make treatment of omar s classic: -it s so- plus a brand new boogie-reggaeish fusion track entitled: -history-, both tracks with their correspondent instrumentals for the delight of the vinyl junkie, and groove music aficionado.

born in redlands, california in 1980, marquis howell grew up in a lovely way. raised to appreciate hand-me-downs, secondhand goods & older influences, he started imitating chuck berry riffs on air guitar in elementary school to impress the girls. having little to no luck with the invisible instrument & with many promises & persuasions, his parents bought him his first guitar. marquis took lessons at the local guitar shop and as often as possible he would practice 4 or more hours a day.

2017 reissue , the debut release by austin, tx, artist disco nihilist combines acid and deep house to create a timeless ep. influenced heavily by old school chicago house and new yorks great nu groove records, all four tracks were made with simple hardware and recorded to cassette tape giving this record a physical presence that computer-produced tunes cant touch. despite the limited production tools, each track has its own distinctive flavor: pumping chords, looped bleeps, dub echoes, and jacking beats make for a diverse yet coherent sound throughout the ep. love what you feel is a new label from thomas cox (aka pipecock on various internet dance music forums), owner of the infinitestatemachine blog. the pressing process of this record has been documented step by step on infinitestatemachine, reaching a worldwide audience of thousands of deep dance music fans every week. readers from every continent are already anticipating this eps release

after some excellent digital releases on editorial and ism as well as a fantastic remix of kraak & smaak on jalapeno as one half of allovers we are very happy to release i gemin s debut vinyl ep on pressed for time entitled the let s move ep , it features two superb deep house numbers in the trademark i gemin style - chunky, hypnotic and soulful. we were big fans of both tracks here at pft hq so we got head honchos yse and goshawk on remix duties. yse reversions it s about trust in a tougher, trackier style with some mood ii swing-esque spoken word vocal on the flip goshawk gets his talons into let s move upping the tempo slightly and adding a bumping bassline whilst keeping the soulful vibe intact.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

following the excellent single-sided heater from sharif laffrey, discos capablanca is back in action once again with odopt, previously only spotted on excellent swedish label born free. the record opens up with the ominous, dramatic tones of -belgrade-, all searing synth swells and bloated drums working towards some cinematic apocalypse scenario. on the b-side, -croque trans croque- has a cooler head but instead aims to unsettle with its off-key metal chimes atop a steady-ticking disco rhythm, and then -rex ingram- finishes the ep off with yet more surreal beatdowns that will send the party in a very interesting direction indeed.

this summer path records launches its 2017 campaign with freshly recorded material from reade truths fate 258 moniker. the games with blades ep delivers an epic dose of material once again deeply rooted in the mysteriously seductive sci-fi themes the artist and label are well known for. games with blades visits the dystopian subject matter of the ultra-classic bladerunner and furthers reflection upon its themes of immortality, empathy, and the femme fatale. much like 1999s highly sought digger-classic why 2k this ep provides an enticingly varied mixture of flavors. deep and heavy techno, raw and rhythmic house and funkier electro styled breaks are all on display alongside fate 258s heavy bed of intricate sample-work. path records are leaders in the left field, providing dance floors with unique, conceptual future-classics that sublimely push a futuristic vision.

disco boogie classic s returns with their 9th release. 4 killer cuts are reworked for the dj & collector alike. limited pressing.

leon ware s self-titled 1982 album has long been a holy grail for rare groove record collectors. indeed, mint copies are rarely found for less than £100. so be with records, a new vinyl-only reissue label, is pleased to mark its first release with ware s classic â&#128,&#147, a set that features the timeless why i came to california, a beautiful example of early 80s soul funk. a truly unsung legend, leon ware has written a stunning variety of classic soul music over the course of six decades. he joinedmotownin the late 60s and became one of the label s key writers. his most indelible contribution at motown was marvin gaye s masterpiece i want you. ware s production and songwriting memorably took gaye to another creative level. despite recording a handful of critically acclaimed solo albums for motown and elektra, including this one here, he has remained a secret to many outside the music industry. be with records hope this timely reissue goes some way to rectifying that.

frigio records is going back in time for its latest release, some 38 years into the past. back then a young newcastle man was experimenting with early electronic instruments and synths. mick clarke is his name and nearly forty years later he is still at it. two tracks have been borrowed from clarke s seminal games lp, each given a bit of modern boot polish from minimalrome s heinrich dressel and frigio father juanpablo.

-walls of the night- is a blissed out work of ambient prog rock abstraction. think rumbling horror score and soaring guitar strings. heinrich dressel offers a giallo dipped remix. the building bars of the original are maintained, beats added for ballast and darkened organ keys for a remake etched with murderous intent. the flip is introduced by the dreamy -time is now.- slender synthlines intertwine with gentle strings in a cerebral work. juanpablo tweaks the 1979 material. syrupy acid lines swim in meandering currents, a thick beat keeping time in murky waters of modulations and undulations.

london star alexis raphael returns to hot creations with the dance floor killer it’s kinda jazzy, with fine french exports dan ghenacia and chris carrier teaming up to deliver the remix with electrifying results. title track it’s kinda jazzy is an ultimate peak time weapon. alexis explains how its a real melting pot of different musical influences that have inspired me over the years. there s everything from hip-hop to 90 s uk house and garage, jungle/drum and bass, upfront house and techno and, of course, jazz. on the flip dan ghenacia and chris carrier deliver a solid remix that keeps the pace, changing gear through trippy turns. last up, second original track strip off lays down the swing with sultry vocal slices. an influential player on the london scene, alexis raphael earned his stripes across the pirate radio stations of north and east london during the late 90s and early 00s and went on to hold residencies at legendary london clubs the cross and bagley’s. his first release spaceship was picked up by hot creations sub-label hot waves in 2011. since then, he’s had numerous releases and remixes on labels including jackathon jams, of unsound mind, avotre and get physical and not forgetting his anthem, i know. dan ghenacia is the undisputed kingpin of the paris underground scene, having founded and ran freak n’chic for seven years and now one of the three creative minds behind new label and b2b2b dj outfit apollonia. chris carrier is another heavy-weight from the french underground scene. together they have delivered some recent killer ep’s on appolonia, music for freaks and adult only.

a sublime slice of boogie-funk, alec mansion has steadily gained the status of a crate-digging classic. accordingly, it has been near-impossible to unearth a physical copy in good condition for many years. be with is delighted to present the first ever vinyl reissue, remastered in time to grace the discerning terraces and boat parties of the coming summer months. originally released in 1983, the lp arrived with impeccable credentials programming duties were handled by dan lacksman (the brains behind telex, the belgian kraftwerk) whilst production came from marc moulin (of jazz-rock fusion heroes placebo). at the time its merits were mainly praised by radio and studio heads. today, mansions masterpiece is lauded by boogie aficionados from liege to los angeles.

arvid whetman has plenty going for him at the moment. as sexazoid he s dropping all kinds of off-kilter machine beats on excellent labels like born free, while as your planet is next he builds on appearances on junk yard connections, waving hands, opal tapes, studio barnhus and klasse to deliver this chirpy four-tracker to acid waxa. from the twee vocals to the playful synths and straight up drums, this is club music crafted for an immediate hit. whetman makes this approach work magnificently though, liberally applying his musical personality to lo-fi deep house and roughshod acid, with heartbreaker being a firm favourite thanks to its fulsome 303 bassline and hooky vocal mantras.

nice price deal !!! no one else than the mighty jay j on remix duties for this soulful funky house number a must have for every house head