new yorks marcos cabral steps up for his first full release on dimensions recordings, with the nature walk ep. following on from his epic prochainement masterpiece on dimensions 002, the ep provides a glimpse into the mind of a well-established and hugely respected artist. nature walk is a broad ep that demonstrates just why marcos records have been finding their way into a multitude of djs bags for the last fifteen years. from his work with jacques renault as runaway, and his coveted hamilton dance records output to his more recent deeper and darker leanings for leading labels such as clone, l.i.e.s. and mule musiq, marcos has quietly and studiously worked at developing an impressive catalogue which most folks who have brushed with house and techno will have heard, whether they know it or not. the ep provides a snapshot of some of the tastes and styles that marcos has experimented with over the years, the rolling, energetic and optimistic sounding, not quite house, not quite techno of wishful gives way to the brooding, dub techno of title track, nature walk. cape cod sees marcos in classic, house mode with a cut that could easily have dropped on nycs nu groove records, whereas rice a roni is a no nonsense nugget of twisted, grinding, acid. the ep rounds off with lets see how the light goes through it, a spacey hypnotic workout for the late hours and a fitting end to a stand out ep from the self proclaimed, hardest working man!

2x12 inch vinyl with download voucher in slipcase with 5mm spine, black innersleeves and sticker.
everything begins with changes, whether you re moving geographically or emotionally. aera’s album „the sound path” tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album „offseason traveller” in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabot’s hivern discs. with these, aera’s sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with „the sound path” aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralf’s music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, you’ll never lose track, because this path is beautifully illuminated.

after the sublime triple 12inch re-issue of the sonar bases 4-10 album on deeptrax records, it s now time for the second installment in the sonar base transmissions series: the album dark matter . all 6 tracks were produced by frank de groodt around 2004/2005 and were only released in the inner circle, never released on vinyl. this mini lp still sounds as fresh as it was produced 13 years ago, experimental on the drums and synths. when listening to sonic discharge and velvet sky of sonar 6 , the link with drexciya is easily made. sonar base takes you further into outer space territory with the dark sounds of polygone suffering and the title track dark matter there is the clear idm feel of tracks like meet you at tower 3 on sonar 7 . dark matter is a hypothetical type of matter distinct from baryonic matter (ordinary matter such as protons and neutrons), neutrinos and dark energy. dark matter has never been directly observed, however, its existence would explain a number of otherwise puzzling astronomical observations the mini lp is limited to 400 black versions and 100 on limited edition purple marbled vinyl, pressed by deepgrooves and fully remastered by thee j johanz. you know the drill!!

the latest release on francis harris scissor & thread label out of brooklyn is another exercise in deep and meditative atmospheres. the label, comprised of a tight knit collective of multi-faceted composers, vocalists and instrumentalists, always strives to develop new projects based on a shared aesthetic, and this five track ep is both boundary pushing and fully synchronized with the labels approach. with melquiades blue caves melbourne based composer and sound designer alexander albrecht presents his solo debut ep following on from the tidal river album he released as part of the albrecht la’brooy duo. the title track blue caves is a skittering, weightless exploration of space, seemingly built around lush field recordings and fragments of melody developing out of the ether. avlemonas flows from a similar source, but crystallizes around an off kilter rhythm and occasional subby bass, balanced against swooping pads and piano motifs. morning breeze seems to revel in the evocative nature of its title, with hand played percussion backing more wistful, emotive piano sketches and wandering bass notes, before the track settles into a hypnotic groove. label head francis harris provides another take on the track for his re-form version, a more dancefloor aimed excursion that draws deeply from the classic deep house of the new york and detroit masters. ending the relases is patio, which drifts back towards the ambient territories of the opening tracks, with exquisite, understated instrumentation and a melancholic yet elated vibe.

for brainstem casino s take off, strictly hardware voyager *sour* generated «quantum process», an ep that comprises four, rather spartan yet not the current i-put-three-sounds-so-it s-minimal, haunting and deepseated downtempo tracks. the first segment of the (limited to 300 copies) 12-, 140gr. polyvinyl chloride chunk, which extends to 9:22 minutes commences with muffled and fathomless pads. then a three steps acidish build up subtely incises through like a reptilian sword coming out of an another dimension. the next track is in a similar vein, however, uplifted presence of cowbells and tight repetitive drums sways towards a house/funk guidance. side b s a staggering 12:19 minutes crepuscular descent into crying structures referencing to 90 s sci-fi universes. additionally coming along with the digital download, is a downreaching, abysmal ambient track called «cleavage». yes, either in your confortable conapt or in a decaying, technological dystopian, space-cargo style gig, this will drive your audience to definitive brain melting!

since the very first release of tommy s turbojazz project, we wanted to have him with us on the boast. this excellent ep proves his great musical skills and we are thrilled to release this wide range music. bangers with solos, acoutstic deep house, hiphop interludes, regular hiphop house sampled song or even a smashing -emotional disco- track done in collab with s3a complete this ep. we would highly suggest you to dig (literally) this release for home listening or dancefloor play.

located in toronto, forth is a collective of individuals who care deeply about music and its community. having started out throwing diy style raves, they soon became inspired by the city’s hunger for self-expression and the need for a local space that could offer artists a platform for their vision.
with this in mind, the crew present their debut release forth vol. 1 a six-track compilation of some of toronto’s finest talent. calling upon friends and colleagues who represent the diverse underground electronic scene, the compilation features club focused material from ciel (peach discs, diswoman), gingy (clone/royal oak, it’s not u it’s me), r (opal tapes, jericho one), kontravoid (cititrax, fliesch), hadi (forth), and joel eel (forth, x-img).

part 1 of this eargasmic acid house comp jumps off with bishops latin influenced acid drums. the b-side sees jamal moss (aka hieroglyphic being) and eargasmic label boss daryl cura team up on the dirty deep confused transportation a stomping spaced out acid bit. isoke follows & captures serene early morning vibes on albion beach.

5 1 1 5 9 3 is the first full-length album release of vienna based artist electric indigo, who started djing in the late 1980s, worked at the legendary hard wax record store in the early 1990s, and effortlessly manages to entertain the dancing crowd at berghain as much as the contemporary music avant-garde at wien modern. 5 1 1 5 9 3 combines influences of both worlds into a consistent and coherent album. crystalline metallic objects collide, embedded into fractured endless spaces, sparse rhythmical syncopations shaping grids, holding sonic particles in place. rare vocal transformations inject a human touch. 5 1 1 5 9 3 offers a unique universe, full of color and light, partially flirting with current club music and at other times diving deep into sublime sonic areas.

tengrams are brothers alessandro and davide, who collectively have a deep and long understanding of dance music. davide is a co-founder of n.o.i.a, one of italy s first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. he was also behind seminal italo outfit klein + m.b.o and proto house hit dirty talk. since then they have released under an array of aliases, have clocked up numerous club hits and this new project brings them back to their electronic roots, with influences like sci-fi movies and old school electro and italo looming large. -devious- is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy tr-808 pattern. classical italo space disco sound updated to nowadays. -translucent- sounds like a dreamy electro-ballad heavily influenced by kraftwerk. -pop song- keeps the same 80 s electro vibes with simple, wistful melodies and a great funk bass line. -disco dub- is a pretty damn cool early eighties electronica, with a great pumping -robo-funk- linndrum!

next up in the apparel music limited series is loure with a 4 track ep which also includes a remix by saine. the name of this work by the aussie is smooth talk and it contains all the stylistic elements that make the melbournian one of the most talented in the scene at the moment. the ep kicks off with the title track which can be certified as a dancefloor banger with its solid rhythmics and the smooth synths playing along with a hint of acid keeps going with mutual motion which gives a display of what this guy can do in terms of creating spacey deep harmonies, such a groovy way to lower the tones before the remix of the 1st track smooth talk. saine here puts his signature once again with another banging tune crafted on loure sounds, adding his touch with deep percussions, a substantial compact beat with a bass-line that will get you carried away. the closing track is the right decompression after a journey through sounds: rolling snares, vocal samples chasing each other and a happy touch to finish in style.

our loyal companion steve parker continues to raise awareness off what he can do in the scene. this “interplanetary dust lp” is another example of what he is capable of. a 2x12” containing 8 powerful tracks that fits right into the resume of our widely ranged techno collection. first record on white, 2nd on black vinyl.

paper recordings ben davis takes off his flash atkins cape and mask to launch a new project exploring things left of centre and balearic. in these disposable times, stubb will celebrate community and diy with a limited run of 300 vinyl screen-printed kraft card sleeves of commissioned illustrations by artist rachel johns plus hand-drawn labels by hebden bridge s the egg factory. we are launching is a journey in to psychedelic balearia with one of the most exciting artists of recent years, jane weaver her mercury music prize long-listed album modern kosmology was described by the guardian as -a lean and thrillingly addictive slice of unearthly pop-. the stubb collaboration is a sublime head trip to the deep reaches of space and electronica with hallucinatory guitars, burbling synths and arpeggiators that are beautifully set off by jane s ethereal vocals. mike lindsay is founder and producer of folktronica pioneers tunng and his distinctive tones sing the praises of doing nothing on boring days, which is psychedelic leftfield pop at its finest. the track is locked down by a nagging fifth bass with vocal pops, hand claps, muted afro guitar, washed synths and arps that build before the choruses hit in a wave of analogue keyboards and fuzz guitar. after that, a gloriously stretched outro takes you straight to the mediterranean. there s also an edited instrumental that brings out the sunshine...

it was 2016 when we last saw the venezuelan duo, better known as fur coat, drop their debut ‘interstellar ep on watergate records and now they finally return with their follow up, the ‘immersion ep. immersion kicks off with an agile kick drum setting the stage for rapid fire percussion and an overwhelmingly satisfying ascending organ line that could be the trademark of any sci-fi film score. add a few shudders of glimmering atmospherics and its a trek into the cosmic realm of techno where space and time cease to exist. flipping sides the duo dive deeper into the infinite expanse with inner circle where lush textures canvas a mesmerizing groove and hypnotic spirals of gratifying repetitive sonics resulting in a fiercely energetic yet undeniably euphoric expedition under the club lights. embracing the tools and mechanics that have made their sound unique and successful for so long, fur coat seems to have delivered their most mature and polished ep to date with their ‘immersion ep where stunning spacial details and a precise attention to detail have embodied the age old saying, less is more. fur coat is back. immerse yourself.

lobster theremin dig back down unda to bring another fresh salty aussie experience to the table with well seasoned young talent shedbug aka geordie elliot-kerr at the helm for this one. as co-head of salt mines he’s been responsible for some of the most exciting new underground electronic bizz coming out of aus - including hymns, rudolph c, escape artist and 92 spacedrum orchestra. as shedbug he makes entrancing house, acid-tinted techno, cosmic electro and heavily stepped uk-influenced jams, with 12” ep’s already landing via of paradise, deeptrax, flux and a cassette album for thrhndrdsvntnn. on destination love, shedbug harnesses the emotive, pad-heavy sound showcased on previous outings whilst mixing in blend of interstellar synths, jagged breaks and crusted-yet-cutting drum work - all mixed down with some serious studio finishing.

formerly of france, now based in brazil, d3 elements returns with their second instalment of the beatz series, this time with jazz artist, bruno e, also hailing from brazil. bruno, who has been producing and performing since the late 90s, has worked with and remixed the likes of silhouette brown and gilles peterson, as well as releasing albums in his own right. this limited colour 10inch release features three versions of the track ventos do outono, (loosely translated to autumn winds). first up is drummer, composer and producer, pat van dyke, taking a break from composing the soundtrack to jerry seinfeld s comedians in cars getting coffee, with a breezy, laid back version of the original. featuring lush horns and flutes, along with vintage keyboards, the track urges us to get down, while straddling the boundaries of jazz and golden era hip-hop. still on the a side, it s bruno s turn, delivering a wonderful broken beat track. full of beautiful keys, strings and intricate rhythms, this track is reminiscent of the sound championed by kaidi tatham and nu era. flip over to the b side, and techno legend, kirk de giorgio takes us on a deep, futuristic ride. the track starts off with banging drums and a pulsating bass line, priming us for the cosmic pads and keys to come as the uk producer takes us on a journey to outer space and back. another quality release from bryan hervieus label, with three diverse versions of the same track, sure to appeal to a wide variety of tastes

the cosmic perspective lands on eternal friction records for the labels second output. dark quadrant takes you once more on a journey into space. further exploring the boundaries of the techno landscape. drifting down ever deeper into the incomprehensible vastness of the universe.

as mosaic reaches release number 40, steve o sullivan dives into another studio collaboration with his new label mate and expert hand, mike schommer - bringing in the talents of rod modell on remix duties. etching two slices of dub heavy grooves that cover either side of the techno and house spectrum, their first effort emphasises the former on title track -submerged- (b1). it doesn t pull any punches - precision moulded bass takes centre stage around evolving synths and classic delay action. their 2nd -depth charge dub- (b2) leans more towards the latter as the duo focus on the combination of a rolling sub, laidback percussion and subtle stabs that cycle gently around. the cherry on top comes in the form of rod modell s -deepchord s negative-space exploration version- as he takes a 9 min trip to the hinterland of his sonic imagination, elegantly finding new layers and spatial effects. call it what you will, dubbed out house with a splash of techno or dubbed out techno with a splash of house - this is heavyweight material.

a benchmark project that has been in fruition over the past year, one against time is the magnum opus of john dimas career. it is a pivotal milestone that embodies his depth of knowledge and his personal fascination with the mysteries of life and the universe. spread across 14 tracks, one against time sees dimas really broaden his artistic capabilities, drawing from a melting pot of influences and woven together by his desire to channel a feeling of intrigue and curiosity taking a journey outward into the deepest recesses of outer space while simultaneously traveling inward to that same area of deep space inside his own soul...

francis harris is a founding member of the scissor & thread label a brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, bob moses, frank & tony, dj aakmael, desert sound colony and aris kindt, to name a few. harris own output has gone from tightly wound tech house cuts as adultnapper in the early days, sublime deep house as frank & tony, intricate and expressive musical journeys as evident in his two solo-albums ‘leland and ‘minutes of sleep, and ambient shoegaze with two aris kindt albums, co-produced with gabe hedrick. most recently harris branched out with a new label kingdoms a home for his love of a more adventurous sound. now we are proud to present his new solo single, the first since the release of ‘minutes of sleep, ‘minor formswhich includes two remarkable remixes by valentino mora. more we cannot do is a perfect example of harris feel for depth and dynamics a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by new york player will shore. minor forms, the eps title track is cut from similar cloth emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space somewhere between ambient, jazz and the dancefloor. joining harris is greg paulus on trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

rebolledo’s you and your hippie friends imprint grows its groove footprint on international dance floors with the full-length debut of gÜero, the latest vinyl outing from the hippie dance sister label and also its first fully fledged album project. to attentive hippie friends, the artist name should ring a big, funky bell – one that sounds exactly like the cut “convertible ride” from the notorious “a very nice combinado volume uno” 12” release (yayhf 01). back then, our hero was travelling under the somewhat more convoluted “el güero fresa” monicker, but has since dropped some of those conceptual pounds in an effort to reach maximum sleekness. in the same vein, his debut album is a testament to ultimate funk-a-ficiency, digging deep into fizzy arpeggios and chunky basslines - and the occasional guitar cameo, giving tracks such as bubbling synth opener elektronique, the neon-lit night cruising, bouncing electro disco roller alto final or the programmatic space drifter just that little extra riff.

to kick-start 2018, happy skull serve up a rare ep from italy s d arcangelo brothers. the sibling duo have been active since the early 1990s, when they played a pivotal role in shaping the sound of roman techno alongside contemporaries lory d, leo anibaldi and their automatic sound unlimited production partner, max durante. in the two decades that have passed since, fabrizio and marco have consistently delivered off-kilter, futurist electronic masterpieces for the likes of nature, analogical force and, most famously, rephlex. the four tracks contained on this happy skull outing are not re-discovered archive cuts, but rather fresh slabs of mind-altering musical intoxication. the alternating bliss and acid-fired psychedelia of -saba tree-and the creeping late night paranoia of -pull seven- set the tone. the effervescent fun continues on the flip, where saucer-eyed chords and idm electronics combine on the rush-inducing -13th cider-. to finish things off fabrizio and marco treat us to -korty-, a mesmerizing, deep space slow jam full of backwards electronics and rumbling flashes of sub-bass.

repress 2018 - it is not a secret anymore that manchester has been a deephouse capital city since quite a while. the meandyou. party series is the main spot here with resident djs juniper & arnaldo amongst others spinning alongside their favourite acts like lowtec (whose track on smallville 14 was already a homage called meandyou.dub), jus-ed, dj qu, kassem mosse, move d and the smallville posse. for our catalogue number 30, juniper & arnaldo are delivering four house tracks from outta space, that fit perfectly into the smallville vein. the global village of sweet house music is rising.

every now and then a release comes along from out of nowhere with little fanfare, no social media or extensive pr campaign enabling those who discover it to simply focus on the music without bias or preconceived ideas which can so often cloud our judgement these days. the hypochondriac ep is one such release, bringing four diverse tracks which veer from the heavier percussive groove and goose-bump inducing rhodes of the title track through to the spaced-out, soul-drenched vocal workout existential. on movement and ghosted we’re treated to deep and tracky shuffled grooves and 90’s inspired nyc deep house with a nod to dopewax and henry street. simply put, this is the kind of record that back in the day would be your secret weapon for many years with all four tracks working their magic in different sets in different situations and places. we hope you enjoy this little slice of house perfec-tion!

beware: schnitzels cuts 4 in outer space! coming back to you with laser-fried perfection, rebranded in a cosmic blend and revamped to deep space perfection. imagine a twist of afro-synth history combined with a roller skate jam from the u s of a, re-rubbed with chopped vocals, disco bleeps and arpy baselines. now available at any intergalactic reseller for only 412457 space credits or an equivalent in your currency of choice.

mattia aka lapucci releases his first ep on understate:ment. five highly sought after cuts that symbolise modern electro: sleeky pads and machine based vocals accompanied with crisp drums. space grooves with an unmistakable mattia sound will give you a trip deep inside the heart of mannheim, frankfurt & berlin.

humans by berlin based and salon des amateurs long term resident philipp otterbach is a deeply cinematic trip, wandering through a realm of voices, mechanic beats and slowly pulsating, desolated synthscapes. humans is the first release on the new tour messier label, exploring the deeper spaces and outer regions of electronics, ambient and electro. stepping away from the dancefloor tour messier is intended for personal listening, being connected to an intangible and endless universe through music.

after shifting through a few different monikers the last year deepblak rhythm czar afrikan sciences returns to form. laced always with his elastic funk forward grooves the reciprocity ep continues to build on his legacy. one that has consistently morphed diasporic rhythms into new colors. creating new space on the dance-floor as well inside the mind. four independent yet intertwined tracks all meant to make you oscillate inward outward.

antideepressant records, where fusion deep space house meets nudisco, deep techno and creates the eclectique spiritual grooves for your mind, body & soul. there are a 4 tracks ep that emphasise on the musical side, the instrumental parts, the atmosphere a gem! most of you would say this is deep, but we say it s freakin great deep influenced house.

following a succesfull 2016 with his well received eps golden tides,sunlit forest and one of our fave releases bahia, joe offers up four cuts for pleasure unit. continuing the producers passion for new age , paradasical ambience and dreamy deep house,lead title -jacaranda skies- might be what telephones and met mr heard would of sounded like had they met in rimini circa 91. a dusky atmosphere provides the backdrop to ecstacy inducing chords,an elevated brass sequence and afro percussion driving a tight groove. mangrove dawn is an aural quaalude hit, gentle synth washes fold over each other,while nature sounds buzz through a distant 303. the lost garden opens to a reverb soaked slide guitar and soaring pad section before a jaguar snarl gives way to subtle kick pattern atop m1 chimes and bali bells. skies reprise closes off the ep with a beatless take on the original, the melodies given more space the sonic equivalent of open air swaying under hazy pink skies.

american musician aaron spectre turns up the volume with four tracks of jungle punk rock intensity, continuing his mission of uniting cultures at their roots. here we have four tunes of guitar, relentless amens, deep bass, and soulful soundclash vocals, ready to rumble your space of choice. also on the menu is a collaboration with fellow ragga junglist feyder, rounding out a brilliant ep which inspires and shakes foundations.

for this release metrist delves into a set of carefully constructed and deeply rhythmic but ear-grabbingly idiosyncratic, mixed fidelity dancefloor-geared oddities. the first three tracks are united, in a fashion, by the artist’s skill at programming a series of drum tracks that set a definite tone for the productions. within a quite partisan field of often microscopic generic variety, largely pinned down to the tempo and timbre of electronic drums, here metrist has pursued a tricky-to-define path. the bounce of new jack swing is twisted amongst stripped back polyrhythms, equal parts groove and glitch seasoned by some futuristic acid filters that create a constantly shifting aura of space and textural nuance around the individual drum hits. quite often arrhythmic interjections punctuate these ‘grooves’, be it the sawing bursts of noise and snarled, incoherent vocals on ‘an soaep’, the non-language and playful, bubbling bass surrounding the half time feel of ‘on golden seize’ that builds to something approximating an industrial take on uk funky or the brash sub-wobbles that intrude ‘pantomimer tongue’s juddering knife-scraping-on-a-balloon stutters. ‘caaacel the horze’ closes the record in a less weighty style, with crunchy arpeggios running on a synth that sounds like it’s picking up interference from a radio channel, as snatches of moaned vocals allude to a deeply ambiguous yet chilling narrative behind the music. thudding kicks intrude on the skittish melody but in a non-rhythmic way reminiscent of someone trying desperately to snatch your attention by banging on the adjacent wall. gauzy melodic textures in the background provide a calming counterpoint to the uneasy qualities of the composition

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

following a red letter release in the form of joe armon-jones & maxwell owin s idiom, yam recordings return with the second installment of their you and music compilation series, this time compiled by yam fam hollick & z lovecraft. kicking things off on the a side is native cruise, a new artist hollick has been working extensively with on no bad days, bringing that signature ‘floaty yet punchy’ sound. it’s a kwaito-esque club jam with pan flutes and percussive loops bringing that energy to the start of the record. will listers sunset over st. petets spire is up next with a hypnotising yet intricate production from the hugely promising talent. will is a dude very much affiliated with yam and, of course, our pals over at balamii radio so it only seemed natural to have him on the record. that melody is a proper ear-worm too! the b side, curated by z lovecraft, is a slightly tougher affair with three tracks representing his taste in soulful sounds and expands on his a&r work for rhythm section international. first up is rouge me&#769,,chaniques prisma ltd a 7-minute psychedelic drum odyssey showcasing the multi instrumentalists many talents and influences, with guitar overdubs and flute ambience taking the dance floor far and beyond. on b2, upcoming break beat talent, lt, takes the helm with gale force. hailing from the peak district, lt makes work of deep vocal pads, 606 touches and a killer bass line. finishing off the compilation is wholemeal musics boy wonder, dear earth, who conjures a charming hip-hop ditty with his delicate assemblage style.

acid paulis album bld dropped earlier this year and was a superb reminder of martin gretschmanns unique place within the electronic music. breathing musicality and adventurousness into everything that he does, the album covered a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. following on from the a remix package, b brings another huge selection of producers into the fray to reinterpret the originals. first up, hamburg hero stimming works over ‘amadou - flipping the original, into a techy bomb. a thick kick underpins a shuffling, off kilter rhythm and beautifully treated melodics. stimmings feel for gently pushing the dancefloor into new places shines through. ‘rené is reworked by roman flügel, the ongaku/klang/playhouse boss whose influence on the european electronic music scene has been immense. always willing to experiment, ‘rené is the perfect canvas - arpeggiated blips and beeps echo primitive electronic explorations by the likes of francis bebey, and a huge subby kick drum take this track into space. alex boman sets to work on ‘jeanne, locking into his signature groovy, tribal approach to working the dancefloor. the swedish producer adds dubby elements, an irresistible percussion track and disruptive, random sounds to the thick, heady mix. dutch wunderkind satori tackles ‘jorge - twisting the original into a psychedelic groover that finds room for backwards vocals, marimba-like melodies, fat basslines and shuffling breakbeats.

sliding windows is a creation by karl bult diving into the world of ambient and deeper techno embraced with a collaboration between jana sleep, fjäder & korridor. together we create this space of sounds that will open the window to the second release on nordanvind.

nice price deal !!! some things have a special meaning, although not everyone is given to know it, then life becomes a circle, where nothing happens by chance. dark and solid techno: >belief system< is the brand new and big floor ready ep by the italian duo asymptote, mind and soul of suburban avenue label, with a superb remix by the spanish techno legend oscar mulero. a1 >belief system< is a deep and spaced out, 1990s inspired techno journey. a2 is a potent, classy and widely reverberating revisitation of >belief system< track, perfectly executed by the master oscar mulero. b1 >theory of knowledge< and b2 >divided lines< are hard stomping, driving and tripped out tunes >at the beginning we didnt know the path, but our mission was so clear. and its still so<

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

pater noster presents their fifth release, aposynthesis by overloper, a side project of ekman.
the a-side brims with tension both contemplative and active. ‘hope you’re close’ is a deep burner, with heavy, pounding bass and an entrancing hook ascending to space. this then escalates into the urgency of ‘aposynthesis (need more sisa)’, in which a driving, rolling rhythm is juxtaposed with an old school, dutch-style rave synth.
the b-side encircles around acid. on one hand, it is coyly playful with ‘carpe noctem’ turning cavernous in innsyter’s dark interpolation of the other.

(180g vinyl) far out recordings presents a huge peak time space-funk excursion from italian duo ad bourke & rotla (raiders of the lost arp), with a remix from chicago deep-house architect ron trent adding extra intensity to the aptly titled raw.

blind jack embarks on another journey around secret cities, this time we drop into wuppertal, capital of bergisches land in germany. famous for the space-age schwebebahn and the lego brücke. we invite mr. mauke colkin to the team and he dishes out some seriously deep dreaminess that would happily get you around the schwebebahn in a day-dreaming trance. also featuring the divine vocals of fellow wuppertal resident maria basel.

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

electronic emergencies kicks off 2018 with its 20th release. on the kosmostrator on venus ep, bosnian dj and producer borgie has rocketed himself into deep, deep space, far beyond planet italo. the sound of the four tracks on borgie s second ep for electronic emergencies is deep, has dark edges and is extremely danceable. ruud lekx did a brilliant mastering job and meinhard spoor designed the extraordinary cover.

get pissed is a french duo known in paris for their popular -wrecka spinazz club- and -belleville boogie- parties that included daniele baldelli, margie, boris from ostgut etc on the bills. they are signing here singular ruff mpc tracks for their debut ep that has an uncommon signature between jazz, techno and deep beatdown. laroye on flipside has been already in the broken beat game for a decade at least. you might remember his three eps on faces records including some kinetic space jazz remix from inverse cinematics better known today as mcde. the french producer now based in brighton delivers something special again, journeying through disco, jazz and those west london signature beats. mgbk001 is an ep of two halves. the a-side bumps with two very deep house jams, whilst the b-side sees a freestyle disco-jazz we call broken beats. music for the mind, body and universal soul!
limited quantity - vinyl only.
already played by charlie bones (breakfast show nts, london), alex phountzy (bugz ita, namebrandsoound, ninja tune, london), soulparlor (mainz), brownstudy (planet e/third ear - detroit), louis dauvergne (copie blanche, paris)…

it s been a while since marcello giordani last release. now the man who powerfully relaunch the italo sound in 2008 with the acclaimed blog italo deviance is back on the scene after 2 years of hard work and research into the deepest and obscure italo sound. this 6 tracks lp travel through again into the unique sound of the early 80 s italo disco built with spacey analog sounds, some cheesy atmospheres and a touch of primitive trance chords. marcello s taste is very clear and specific when we speak about electronic disco and this lp is totally inspired by artists like farina/rago, sangy, alexander robotnick, alessandro novaga, doris norton and also from his experience collecting and playing this shit during the last 20 years.
if you want to give a name to the style of this lp, call it -organic italo-.

following 12inches from ricardo tobar and manasyt, the third release on tel avivs musar welcomes rising uk star and super hexagon label boss, j.wiltshire. the laghan pux ep finds wiltshire sharing his psychedelic electronic side and brings his versatile skills together, serving up four completely different soundtracks. the gleaming sci-fi gem desklep opens the ep as a pure melodic idm track loaded with cornwall style while the bass-heavy title track laghan pux is pumping as a dark & sharp peak-time trippy beast. on the b side, the mysterious roy of the ravers, gives you an interpretation of what proper acid sounds like, whereas chained releases takes you on a deep and hypnotic adventure into space, full of warm guitar melodies and trancey synths. summon them closes the ep, an ambient magic piece for a hazy, orange morning where the birds just woke up and the trees singing for the first time to break the day. early support from: josh wink, danny daze, cinnaman, marcel dettmann, ame, i:cube, the hacker and more

swiss producer honorée returns to rekids with maree haute ep this january, featuring two intelligently produced deep cuts with a remix from perlon’s margaret dygas. basel-based artist honorées inaugural release marée basse ep appeared on rekids earlier this year and demonstrated a musical understanding acquired from extensive dj experience within switzerland’s club scene. marée haute ep is honorée’s second outing on rekids and includes a remix from renowned minimal dj/producer and panorama bar regular margaret dygas. dorian delivers crisp drum grooves which underpin mesmerising chord progressions, haunting synthesizer motifs and spacey vocals before 208 provides infectious drum rhythms, glitched vocal cuts and hypnotic melodies which sit on top of a rumbling low-end. margaret dygas take on dorian offers a pulsating bass hook and sharp percussion which lays the foundation for dubbed-out synths and ethereal atmospheres to close the release.

for house heads of a certain persuasion, dj duke is a name that resonates for all the right reasons. the u.s. veteran has been responsible for some of the 90’s most seminal moments, chiefly through tracks such as 12 minutes to do it (under his pleasure dome alias), party time and the prosumer-endorsed deep house classic, heard. he returns here courtesy of emerging imprint solo werks, who host his latest ep, green pastures. a momentous house-led workout, it compounds duke’s reputation as a producer of considerable panache while also acting as an auspicious start to life for the dublin based label. the title track is a grainy, old-school cut that bears all the hallmarks of a dusty analogue-jam and harks back to the days of vintage chicago with the sort of zest you’d expect from a man of duke’s credentials. the other original, skyscapes, is packed to the brim with industrial motifs and is characterised by the sort of effortlessly catchy baseline with which duke has made his name. mysterious and ethereal, it takes the listener on an uncompromising and throughly captivating house journey from the off. on the flip side, we have two stunning remixes, the first of which arrives from new jersey don, ruben candelario aka nicuri. a long-time favourite of nyc-based producers a la joey anderson, nicuri turns green pastures into a dreamy, acid-led space, adding layers of suspense and a glittering vocal intto the mix as he goes. last but not least are dublin-based producers slowburn, who serve up a stunning version of skyscapes. a carefully construed voyage into the deep, it caps off a fine ep with some aplomb.

analog deep space electro with a intimate and melancholic vibe. with each sound carefully designed and crafted to provoke movement and stimulation of body and soul by the alphacom duo. a duo formed by the producers eduardo de la calle (analog solutions) and kristina (amsafe records). the -path ep- showcases another facet of the producers mind, a different from their solo careers. a superb start for the new nny label from madrid. recoommended!!