rarely you come across a record which embodies dubstep so well that rallies the entire scene behind it. from the brosteppers to the deep heads this record has been getting love from all corners of the earth. were talking about under control the latest outing from germanys next top wobble aka bukez finezt. its eerie intro sets the tone perfectly to interlude this hypnotic stomper. once the sonic warfare is unleashed itll transport you to a word of desolation, where aliens run rampant and technology has absorbed everything around them

seit dem letzten jahr gehören joy adegoke und wim janssens als joy wellboy zur bpitch control-familie. neben ihrem beitrag für die where the wind blows-compilation gehörte auch ihr debütalbum yorokobis mantra zu den highlights des pbc-jahres 2013. nach ihrer single mickey remedy kommt nun ihr lp-opener before the sunrise in vier unterschiedlichen versionen. diese stammen von bpc-urgestein kiki, innervisions-mitbegründer dixon und matthew patterson curry alias safety scissors plus radio edit (early bird version)!
btw: tracklist mistake on the vinyl : dixon mix you will find on b1, and safety scissors remix on a2

4 track release with 3 originals that touch on deep house, italo disco & cosmic sounds while san franscio house-sleaze afficionado anthony mansfields remix provides a dubby dose of dance floor funk.

relating back to the etui records roots of monomood, abstract animal presents the remixes of absolute control that originally appeared on etuiltd 003. who can be more suitable for transforming the heavy chord sounds of the original into a forward pushing floor behemoth than 50 weapons multi talented sound artist benjamin damage? in addition to that monomood took a re-edit of his own track and put a even more dark and industrial feel on it. to close the circle etui records mastermind and dresdens very own insect o. converts the originals four to floor rhythm to a broken beat machine funk monster.

an leidenschaft und ideen mangelte es ihm ohnehin noch nie, denn schon immer war douglas greed ein getriebener, der es nicht lang auf nur einem fleck der musikalischen landkarte aushielt. mit seiner speziellen sozialisation zwischen hiphop jams, drum n bass-partys, den dunklen weggabelungen des pop a la joy division, depeche mode oder radiohead hat er als produzent und live-act in den vergangenen jahren immer auch ein stueck weit außerhalb des klassischen techno- und house rahmens gedacht. die ergebnisse dieser stets auch die stunden abseits des floors mit einbeziehenden denkprozesse zeigten sich bislang etwa auf seinem debütalbum krl (freude am tanzen)sowie singles für labels wie infine, acker oder gigolo

special backorders - both dj spider & brendon moeller have been sculpting their craft over the years and show no signs of ever slowing down. each artist presents an original track and then a remix from each other. this split vinyl ep is the first of several to be released on spiders sublevel sounds label.

die in seattle geborene camea gehört spaetestens seit ihrer city watch over me ep zu den aufstrebenden künstlern von bpitch control. nach ihrem dub-electronica-beitrag love on the balcony fuer die where the wind blows-compilation untermauerte die letztjaehrige neverwhere ep eindrucksvoll ihr gespuer für raumfuellende grooves und formvollendete melodien. nun erscheinen mit der remix edition von neverwhere vier neuinterpretationen, die allesamt neue facetten aufzeigen.

seminal acid house from 1986! containing members of virgo this seminal release has been re mastered from original dat s for 2014 and released in original trax red labels. released in conjunction with trax

techno from glasgow!!

returning to the party like an unwanted family member, drunk, staggering and harbouring broken toys of acid and drum, z o d i a c 4 4 lurches forward with its second release of the 12 release run.

the unknown heißt nicht nur der erste song, den sie für ihr gleichnamiges zweites album geschrieben hat, dillon thematisiert hier die instanz im leben, für die es keinen namen, keine beschreibung, keine grenzen gibt. das unbekannte kann alles sein: die sehnsucht, die liebe, der verlust, die vergänglichkeit, die angst oder das verlangen.
die vinyl-lp erscheint inklusive cd-version des albums.

very limited in supply, highly mysterious >back in the day< hardcore from a uk rave act

vinyl only edits
darf man ellen allien und thomas muller zum neuen dreamteam des techhouse ernennen? bei aller bescheidenheit - mit ihrer aktuellen kollaboration und der daraus entstandenen 12 inch free nation haben die beiden langjährigen label-kollegen vier echte knaller-tracks abgeliefert.

solar one music is back with their the crystal issue series. after mantras debut now nigel rogers better known as perseus traxx presents his authentic chicago house on this series. moody synths, rattling drum machines and bubbling acid at its best. two tracks for the dancefloor and for your mind. limited edition on transparent green, smokey marbled, single-sided vinyl. no digital release!

nach den half-tempo- und pop-andeutungen auf seinem letzten studioalbum micro mega ist die intention des franzosen strip steve nun eindeutig: roh und fies zu werden! das gelingt ihm auf seinem neuen 4-tracker crowd control mit den 4 perfekten dancefloor-granaten zwischem kaltem house, warmen techno, moodymann-spirit und prince-freestyle anno 2025 hervorragend.

pumping berghain styled techno monster from the man who already released on cocoon

chase smith (wt records, technoir audio), phil boyd (modey lemon, tm eye, hidden twin, shockwave riderz), & karl o janpa go full 80s synthgoth, think blly idol, soft cell, depeche mode. pta dub it up on the flip.

die dj-sets der dame in rot beindrucken regelmäßig durch kompromisslose energie, verbunden mit einer sinistren, im höchsten maße spannungsgeladenen athmosphäre! die ersten drei tracks der ep *eyes are blind* sind pure energie, echte und kompromisslose clubmusik auf höchstem niveau. mega-basslines, monster-kicks, mal four-to-the-floor, mal breakig, sichel-hihats, bizarre geräusche, pure spannung. hooks? fehlanzeige! oder gar vocals? lächerlich ... ein wenig versönlicher meinen es die beiden bonus-tracks. hier liefert dj red straighten, klassisch-minimalen tech-house und verrückt verspielte electronica-elemente. ein beeindruckendes werk - dont play this at home, kids!

friends for many years, richard sen and scott fraser come together with a dose of mutual admiration and back slapping by remixing each other on this 2 track ep. however, what makes this collaboration different is there are no original versions appearing, just these remixes.

top quality reissue of one of the holy grails of the deep house scene - the original deep south recordings release of mission controls classic *outer limits*. originally released in 1990, this floor-filling gem is one of the earliest productions by murk’s ralph falcon and one of his finest. with its deep analogue bass and cool spoken word vocals, it went on to become an underground classic and is now hugely in-demand with djs and collectors. on the flip is the often overlooked brilliance of *give yourself* by the other murk partner oscar g, a bass heavy slo-mo groover that just sounds incredible loud. absolutely essential, do not sleep!

as a label manager a lot of music reaches you ears. some you get especially attached to. this release is one of those. the two italian producers massprod and herva (bosconi, delsin) has together produced some music that feels very unique and different.

maher daniel & matthew dekay from canada are well known by releases on souvenir and rejected as well as innervisions, cécille and all i dream. they did the first track, tauben, released at marcuca rec.

truncates 10th release going back to the basics. simple, raw and effective.

cntrl takes control of release #10 for pleasure zone records. pressing on transparent, blue coloured vinyl.

french label meant serve up another ep from their fast rising montreal based duo vosper. made up of edouard le and christopher byron, the pair excels in analogue funk, have also released on throne of blood and here get remixed by items & things man marc houle. taking some of their cues from the likes of drexcyia and mark bell, the duo have a sound somewhere between darkened techno and physical ebm.

auf dem zweiten teil der vinyl only edits sind skinnerbox, kiki, mr. statik und shinedoe mit alternativen versionen ihrer tracks zu hoeren.

2nd part with another stunning detroit infected techno... just brilliant . tipp!

wir feiern die fulminante rückkehr von hip house. für eine solche standen die zeichen schon seit einiger zeit sehr gut. denn jener mitreissende sound, der ende der achtziger house und hip-hop verbrüdert hat, setzt schließlich immer noch die tanzflächen in brand und sorgt dort für herrlich unkontrollierbare schübe von euphorie. für >work it out<, die erste single ihres neuen albums >behind the masks , haben sich snuff crew mit einem der pioniere und bekanntesten vertreter des genres zusammengetan: tyree cooper. der ist nicht erst seit seinem großen hit >turn up the bass< weltweit erfolgreich. bei >work it out< zeigt er sich nun wieder in bestform. markige raps, heftige grooves, schrille sirenen und wilde scratches sind die explosiven zutaten dieses stücks. und auch der zweite track auf der single wartet mit einem hochkarätigen gast auf. immerhin verleiht die bulgarische sängerin rachel row >new life< mit ihrer umwerfenden stimme pures house feeling mit gänsehautgarantie. passend dazu dringen piano und strings tief ins herz hinein

die bandbreite der zwoelf songs reicht von frickeliger indie elektronik, angereichert mit spaßigem geraeuschchaos, über poppig-housige minimal tracks mit ear-catcher-hooks bis hin zu sensiblen singer-songwriter miniaturen und aetherischen athmos. die beats – ob housig oder als rockig angehauchtes live-schlagzeug eingesetzt – sind niemals nur funktionaler natur. sie fühlen sich immer ganz dem song verpflichtet. in eine schublade pressen laesst sich in a manner of sleeping nicht – eklektizismus und ploetzliche ueberraschungen durchbrechen jedes genrekorsett.

tone control music proudly introduces thatmanmonkz 2nd ep, overproof. this follow up to debut ep, the man continues monkz exploration into detroit, disco and soul influenced deep house. lead track, overproof takes mid-tempo, modern boogie from soul into darker territories, while right on gives a nod to detroit old and new, before closing out in percussive yoruba style with long time vocalist collaborator, pete simpson. throughout this ep thatmanmonkz utilises his mpc, rhodes, bass guitar and a multitude of synths to raw, rocking effect. martin atjazz iveson lends his hear on mastering duties to complete another solid ep in the series.

limited nice price action
- enemy records artist decimal returns, offering the second release in his imaginative impulse control series. picking up where impulse 1s obscuro left off, main molecule experiments with mixing and synthesizers to explore new modes of climax and sustainment. an upbeat tempo and playful use of vocal samples and varied clanking percussion elements make this is a sure fire crowd pleaser for peak time sets. vitruvian lamb, a minimal techno piece with a bubbling groove, has an eerie breakdown where little more than a single chord rises and falls to build tension, captivate, and create a kind of subdued intensity, the perfect fuel for the afterhours fire

veryyou music kicks off with a catchy ep by solowg – self control is a soulful deep techhouse tune – haunting melody and crisp bassline. remixes are coming from nico pusch (droomshipp, damm), andlee (karera records) and talul (jeahmon!, great stuff).

after years sound tracking the dancehalls of bristol via their considered selections as djs, brotherly pair the kelly twins add label bosses to their cvs with the establishment of happy skull. the label kick offs in illustrious fashion with a collaborative release between two of bristols most interesting producers, kowton and hyetal. adopting the name systems of desire, the pair worked on a track together, before going off to produce their own individual versions entitled *control* and *consumption*, the results are exactly the intriguing cross between kowtons raw, crunchy, grime influenced techno and hyetal’s glistening synth work you would imagine.

the 909, the drum machine that has shaped the dance floor in the last few couple of decades, is still leading the underground sound. in this e.p. tino venditti, dj producer based in rome, goes through the sound 90 thus exploiting the wake of 909, adding a pinch of electronics

mit the kiss und need hat bpitch-chefin ellen allien in den vergangenen beiden jahren zwei punktgenau reduzierte house schieber produziert, die schon lange nach kongenialen remixen gerufen haben - hier sind sie: der dj/producer jesse perez aus miami hat sich the kiss angenommen und dem kerzengeraden originalbeat einen tiefen zug karibik-flair verpasst

control control control - der titel ist programm, erscheint doch der dritte goose-longplayer auf ihrem eigenem imprint safari records in vollstaendiger eigenregie.
doppel-vinyl und cd im klappcover.

bcr v02 is the second vinyl release by bcr. this time its ad.lib (bcr, gynoid, affin) who produced the original and the remixes are done by rebekah (clr), joseph mcgeechan (bcr, prosthetic pressings) und monya (bcr, if?). she lost control is track title and announcement at the same time here. all of the four versions have this certain raw and uncompromising sound. they all work with the topic of loosing control on different levels. the very personal interpretations of the four artists share a hypnotic and alienating atmosphere. the prominent synth blips reminds of stroboskopic lights and excessive nights.

frigio happily announces a new release by san francisco based artist exillon who is well known for his amazing works for detroit underground among other labels. in mind techno control ep, exillon (aka jay fields) drops us 3 energetic and overwhelming tracks.

handstamped 10inch action!

dj hi-shock, also known as advanced human, returns to his roots, releasing a track on a label where it once all started: elektrax recordings. opening and title track control is as funny named as it is maddening. the irony lies in the fact that it is truly impossible to control your body.

silent steps is back on wax with a sixth opus written and produced by impact unit that are no one else than luis flores & material object who teamed up to create two outstanding tracks.

big tune alert! chilli mint music cmm007,an ep featuring moscow based and highly rated dj producer s.k.a.m.

mit chaim, kiki, skinnerbox und we love liest sich die liste der auf vinyl only edits vertretenen künstler wie ein who is who der bpitch tech-house allstars. und damit nicht genug – die vier künstler liefern neue bearbeitungen ihrer favorites der letzten singles: chaim lässt seinen tech-house knaller ur around me noch eine spur spookiger klingen. skinnerbox meisterwerk god is fading klingt ebenso energiegeladen wie tricky, und we love s elegische tech-house songperle end of night schiebt hier mit gestripptem arrangement noch zwingender nach vorne. when lou met vernon, das neue werk von kiki, verrät schon nach den ersten takten zweifelsfrei seinen all-time-lieblingstrack, dessen originaltitel ohne weiteres als motto dieser großartigen 12 stehen kann: groove is in the heart!

bpc-urgestein kiki hat für seine vinyl > spending time together< keinem geringeren als hercules and love affair-sänger shaun j. wright das mikrofon in die hand gegeben. die beiden scheinen wie füreinander geschaffen - shauns soulig-relaxte vocals legen sich wie ein dunkles seidentuch um kikis schlanke, druckvoll produzierte beats. dunkelheit ist dann auch das stichwort für die beiden, mit through darkness bright dub und dark dub benannten titel der 12 inch vinyl.

wie unglaublich gut die floor-kompatible adaption von dillons sperrig-schoenen song-kunstwerken funktioniert, hat schon die erste remix-ep ihres gefeierten debut-albums this silence kills bewiesen

sleaze records are back with a bang. remixes from pär grindvik & the mighty slam...

roll the dices peder mannerfelt presents a new 12 inch for the london based electronics label we can elude control. the release brings together a collection of percussive modular synth and noise experiments recorded live in his stockholm studio with the release exposing mannerfelts wider sonic interests and improvised approach outside of the production work he is more readily known for through projects such as roll the dice, fever ray and the subliminal kid.
come closer drafts a template of four hypnotic improvised recordings that cross the spectrum from industrial rhythms and arpeggiated modular cycles into angular ritualism and sähköesque reduction. collectively the material highlights a manifesto for a raw vintage futurism crafted from purist sonics and decisive percussive detailing, moulding aspects of tonal precision and immersive electronics from an array of analogue hardware.

tone control music proudly introduces our new signing thatmanmonkz. this debut ep, the man explores detroit inspired deep house with jazz, disco and soul influences apparent throughout. several tracks feature vocalist and multi-instrumentalist, pete simpson (sunburst band) while title track, the man takes a heavier sampler/drum machine based route for darker tastes. ross orton (arctic monkeys/m.i.a.) helps out on mix duties to complete this steel city showcase.

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.