following last year’s much-acclaimed solo album “mondo alterado” (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledos’ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plex’s discotico plexico to dj tennis’ dreamy pimiento drive version of a numb gas to the future or fantastic twins’ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns – a world where an epic, cinematic soundscape such as superpicher’s rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut “pow pow”.

meanwhile, red axes turn the casual narrative of “life is strange, life is hard, life is great” into a bouncing workout – a great companion piece to want, danny daze and shokh’s propulsive, jagged dub version of “fears come true”. other highlights include jörg burger aka the black frame with the lush black rainbow woman, paulor’s country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. it’s a magical, surprising ride that finds beauty in contrasts – while staying tuned to rebolledo’s spirit of adventure and powerful sense of style.

after the big success of its limited vinyl series starting throughout the year 2015, the annual summary of pearls, masterpieces and top selling releases continues with the best of kittball special edition on black gold, reflecting its most essential tunes within the past period.

nice price deal !!! super smarter elektrotrack mit überzeugenden mix von jamie lloyd. hat alles was eine gute platte brauch

2017 dance house summer hits ! incl. lost frequencies, starley, low steppa, edx, croatia, squad calippo, inpetto, luke ! 2 cd compilation!

clubstar releases #62, 64 & 65 all bundled up for one special price!

letting it rest was originaly released in 1986 on the new york based chapter 13 label. frank murillo played all the instruments and sings on this killer leftfield disco boogie cut with a heavy italo feel.

its always great to have access to quality masters from some of the world s greatest-ever artists and gladys knight hits that spot, especially via the original 12 inch version of love is always on my mind is another one of those impossibly rare buddah 12 inch from the mid-70s. this is really a 10 minute plus tour-de-force of relentless disco with gladys impassioned vocals doing their usual superlative job. mint 12 inch copies are reputedly worth £200 but the fact is that theres no mint original ones left anymore. until now. additionally we ve cheated slightly by including one of gladys knight & the pips in-demand columbia recordings on the flip - the ashford & simpson penned classic bourgie bourgie on which gladys laid down the definitive vocal to this club classic on the full 4.37 original 12 inch mix. two definitive dancefloor gems on one 12 inch pressing mastered from the original tapes. what more could you want ?

the third record on inversions is a collaborative release with the norwegian label drid machine. golden oriole, hailing from stavanger, comprise of thore warland and kristoffer riis, esrtwhile members of staer + tralten eller utpult. pr is currently underway courtesy of berlin s dense promotion. the tracks have received a lot of radio play, for example the approaching of the disco void has been played by the german radio station eldoradio. the record has so far received reviews from germanys nonpop and african paper, the italian music map, chain d.l.k. and rockerilla magazines, and frances hartzine.

he second volume from discos del quebranto continues to explore the deranged end of electronics. a-side finds colours of infinity aka andy donnelly, who runs the hidden waves label, delving into slow, sludgy territory while on the reverse, obscure wave digger blackmoon77 takes the production reins for a full industrial immersion.

top-disco/boogie-compilation mit zwšlf raren extended versions, kompiliert von lotus disco, der neuen dj-sensation aus vietnam, die 2015 beim horse meat disco event im uk ihr europŠisches debŸt gab. intro und outro sind exclusives von suzy q, einer band aus dem lotus disco-umfeld. dazwischen finden wir disco/boogie-perlen von u.a. geraldine hunt, dee dee sharp, grace jones, shawne jackson und claudia barry in raren mixen, die teilweise erstmals auf cd erscheinen.

pusic records second artist ep by marcel lune.

frederic bergamaschi from bretagne, who produce under a few monikers like infinity night, which could be familiar, if you are a voyageur of the space-roller disco universe.

nice price deal !!! total killer remix session from agoria for this now already classic track by general elektriks. influenced by jazz and detroit techno as well, agoria is back! for an explosive meeting with the amazing keyboards killer general elektriks, the multi-artist/producer based in the san francisco bay. here is a massive deep-house remix from one of the best talented (and acclaimed!) french artists. groovy & spacey. on the b-side, another remix of raid the radio by general elektriks himself! a lazy lazy tune ... ready for the indian summer in dub? the last one is an previously unreleased track: how she got away ...

new label from spain. comes with 4 acid bombs.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

Östra discos proudly present tumble down taken from the album ah coming too originally released in 1987. this one comes with three new versions to put fire on the dancefloors around the world!

the ultimate edition of the roots reggae masterpiece release 1977-2017! the album classic was originally issued in 1977 in jamaica only and 20 years later in 1997 released by the blood & fire label as the outstanding but now deleted heart of the congos. vp records sub-label 17 north parade has released now the definitive 2017 re-mastered 3lp deluxe edition put together with both respect and gratitude to that illustrious antecedent (also available as 3cd-set incl. the ultrarare original lp mix). this new 3lp-vinyl-set is based on the more well-known mix and master from the blood & fire re-release, plus dubs, disco mixes, seven and twelve inch versions and has with -don’t blame it on i- an overlooked previously unreleased track unearthed. the 3lp-vinyl was state-of the-art re-mastered again by kevin metcalfe and comes in a 6mm spine jacket sleeve with full colour printed illustrated inner sleeves and the liner notes by noel hawks. stickered with the quote: the best roots reggae album ever...(lloyd bradley)

discobar and assemble music join forces family and soul for record store day and deliver the split ep. assemble is represented by norken and lerosa while discobar by robin ordell & seuil.

after his tape release on anime solitarie cassette, bellatrix? arrives on veleno viola with an esoteric mix of mutant body music and acid.
white vinyl pressing.

nice price deal !!! in november last year, undo released “disconnect”, his third album. a charming long-player that has won very good feedbacks and reviews. now it’s time to unveil the first ep with remixes from the album. a great and variate package including reworks from friends and artists he admires as mexican iñigo vontier, russian dimitri veimar and belgium cabaret nocturne. there’s also a new mix by undo himself.

wild jams on the classic linndrum, a driving bassline and a gated, almost out of control north african sounding leadsynth form the basic ingredients of this exceptional new record by thee j johanz. wild jams on the classic linndrum, a driving bassline and a gated, almost out of control north african sounding leadsynth form the basic ingredients of this exceptional new record by thee j johanz. the fire in the disco version adds more spices, like moody fm pads and an infectious disco vibe, ready to put many floors on fire. the record is garnished by the ‘market version’ of bafrique, which is more like a dub/ambient excursion with environmental samples taken on the vagator market in india. artwork by afrobot.

a collection of sun ra singles from 1962 - 1991 on triple vinyl with download code included.

debut single taken from the recent album spirit. this is a limited special double 12” vinyl release containing 9 mixes of the song.

fresh pumpin boogie disco

in the early 1980s, nigerian was booming and recording studios used the oil money sloshing around to fit their studios with the latest state-of-the-art recording equipment. with the equipment came a new, slicker sound and a new breed of producers like lemmy jackson, jake sollo, tony okoroji and nkono teles who became bigger stars than the musicians they recorded. such was the fate of sony enang with don’t stop that music

steve monite’s album, only you, is a prime slab of nigerian boogie. it’s sinewy, compact and sexy, a little bit of disco mixed with a big dose of funk. loose and groovy, it’s a sonic seduction from another dimension. with legendary producer tony okoroji at the desk, and influential musician and sound engineer, nkono teles, creating magic on the synth, the title track is raw and melodic, dark and sweet at the same time.

groovy mysterious house music

‘fear eats the soul’ is the third release from sordid sound system on invisible inc. his previous two records ‘in a year of 13 moons’ and ‘lux exterior’ have been getting plays from the likes of andrew weatherall, manfredas, john talabot, idjut boys and thomas von party. describing ‘fear eats the soul’ as a concept ep made by four imaginary bands from detroit, new york, paris and munich, sordid sound system says: “i’m pissed off with passive aggressive shabby chic artisan boutiques besieging my studio and complaining about the noise, i’m pissed off with coked up yuppy hipsters in land rovers taking over my neighbourhood with fancy restaurants with names that sound like fucking law firms, i’m pissed off at the resurgence of the far right and creeping fascism, i’m pissed off with self sabotaging english and american voters and the neo liberal corporate elites that have pissed away opportunities and alienated them, i’m pissed off with modern recording technology creating a sea of homogenous unimaginative beige bullshit, and i’m really pissed off that my favourite drummer jaki leibezeit is dead, but apart from that it’s all good, enjoy the new record.”

promos, edits, mega-mixes, the record pools, white labels, acetates, reel to reels. all of the above were the weapons of choice for the disc jockey s of yesteryear, utilising these tools helped various luminaries pave the way for where we are today on the modern dance-floor. those secret mixes, private versions and edits of the hottest disco jams that only the select few had access to could make or break a dj s reputation in the clubs and on the streets. it is within this world that the for discos only label operates, sourcing the finest underground edits and mixes for the discotheques. we carefully hand pick and dig for obscure or forgotten versions of the best tracks that may have been previously out of reach for the majority, inviting the hottest editors and mixers to open up their archives and share their secret weapons with us all via the medium of the 12- record.

nice price deal !!! hollow line is a dubby tech/techhouse track with warm chords/strings and some female vocal snips!! flip for total discount another warm groove for the late night/early morning sets!!

valuable, four pulsating house-flavored techno tools from this mysterious argentinean artist. a timeless piece of wax straight from the bottom. limited to 300 copies.

respected producer and dj red rack em is due to release his new album self portrait this february via his own label bergerac. formed over the course of four years during a transitional period after moving to berlin, self portrait, as the title suggests, is a true reflection of danny berman and his influences.

played by sven vÄth !!!in a recent interview, i:cube mentioned how difficult it is to finish an album. he finally triumphed over the chimera and delivered a new ep – lucifer en discothèque – as a prelude to his forthcoming album (he must have fought the chimera for real!) after 15 years of an almost constant production, how can any artist possibly avoid the pitfall of repetition while re-inventing his style? cube delivers a masterly answer! as its name implies, transpiration (>perspiration< in english) is sure to make dance floors sweat around the globe. whats fascinating with these new tracks, especially transpiration, is the way chaix manages to reconcile the old with the new, his 15-year heritage of production with all the recent technological developments. this track reveals various influences, for instance todd terry, godfather of the 90s ny house, as well as sheffield rave parties of the same era yet revisited without an ounce of pomposity.

a krauty piece of electronica-driven dub techno with both stripped-down and pepped-up remixes by roger 23, ron wilson and alex ketzer.

perc trax return with their first full ep from london s manni dee
three tracks at the more extreme edge of the genre.

fat synths, distorted guitars, punchy drums and hypnotic bass hooks - dance music improvisations created and recorded during one studio session by mtjunker - a 3-piece band with a punk attitude.

japans sauce81 follows up on his modern boogie/funk gem natural thing, with the equally infectious dance tonight. it may sound like its been hiding in a dusty crate of unheard records all these years, but it was actually recorded last year in tokyo, all vocals, instruments and production handled by the man himself. forthcoming on 7inch in feb 2017. includes dub version on the b-side. put some weight on it!

the long established and critically acclaimed dj-kicks series kicks off 2017 with suitably accomplished dj, producer, vocalist and instrumentalist matthew dear at the helm. a man of many musical hats, texas born, detroit raised dear has a wide reaching discography that takes in face melting techno as jabberjaw, dark avant-pop under his own name and intricate minimal as audion. often with a gothic slant and full of curiousness, his pensive but playful music is an intoxicating distillation of many different influences, often with his own stylised vocals at the centre

new york collective sheik ’n’ beik follow up a slew of lauded 12 inchs from japans keita sano, legowelt & xosar and their previous effort from hermans with the richly emotive return of voiski. with a back catalogue of considerable depth - one that’s touched the likes of l.i.e.s and delsin, dekmantel’s ‘ufo’ series - voiski’s latest offering carries with it a trademark degree of bite whilst remaining balanced with the sort of moody melodicism that fans both old and new will relish. ‘5th dolphin transmission’ kicks things off with a tense sequence tumbling through granular drums and a staggered, luminescent synth line. ‘let down disco’ then dims the lights slightly with soft, buoyant melodies and flickering high frequencies that round off a nicely varied release and another solid addition to the sheik n beik catalogue.

dubbed out disco edits made with love! dj play: tensnake, horse meat disco, pete herbert, crazy p, faze action, kza, justin strauss, fingerman, sleazy mcqueen, dj rocca, sancho panza, pontchartrain, get down edits, ooft, 80 s child, jkriv, michael the lion, dave allison, javi frias,

hypnotisch! lp mit neuen versionen der sirens-instrumentaltracks. die vinyl-lp erscheint inklusive downloadcode.

our first release is born from cordoba to berlin, through rosario, as a split ep. ernesto ferreyra delivers -colour blind-, pulsating and adventurous, takes us to a fascinating trip where you can hear colors. on the other side pedro d alessandro, label owner, and rosario city son deep mariano give us -las vueltas-, a unique groove, melodic and explorative engulf us in a sweet atmosphere. one record, two tracks and three friends is the way castelar discos began.

global underground:twenty wirft einen blick zurŸck auf die 20-jŠhrige geschichte dieses wegweisenden britischen dance-labels global underground. insgesamt 50 tracks auf drei cds, davon 15 exklusiv auf dieser cd, reprŠsentieren die entwicklung des labels. cd1 und cd2 enthalten die klassiker sowie neue remixe von u.a. moby, sasha, dixon, dubfire, unkle, booka shade, gabriel ananda. cd3: the future enthŠlt 10 exklusive tracks der vielversprechendsten neuen produzenten wie denney, dale middleton oder just her.

with the grupo almendra album fresh out of the gates, italian label best records jump right back in with a crucial slice of disco funk from noted arranger, producer and karate expert pino presti. -you know the way- is a slinky party starter with on-point slap bass, lively brass and sumptuous philly strings of the highest order. as if the original wasn t funky enough, the b-side features a disco remix from dearly departed new york disco legend tee scott, who subtly buffs up the dancefloor potential of the track to devastating effect.

undo (gabriel berlanga) introduces his third album disconnect, with ten songs written, recorded and produced during 2015 and 2016. on disconnect undo blends different influences using both new and old analogue gear combined with digital plug-ins and fx to create his own recognizable sound after more than 10 years on the road. opening track “disconnect” finds undo playing with psychedelic synths and singing shyly. we also hear vocals but in a very diferent mood onthe funny, funky and sexy “computer friends” and on “autómatas”, an electro cut that demands a reaction against the established injustice. there are vocals as well on the last track of the album, this time with an epic vocoder because at the end “we’ve got to fight”. djs will likely gravitate toward the unstoppable trance synth of “the arptist”, the chug-techno tension on “acid prophet”, the shuffled beats and endless harmony of “setembre” and the dreamy melodies of “interferencias” and “sunmachine”.