migs created these tasty little deep cuts just for fun and simply for his dj sets with the dancefloor in mind. test driven across the globe in venues of all shapes and sizes, they have moved many bodies on numerous occasions. try them out for yourself - its just some tracks so dont trip! enjoy. please support indie labels and do not copy or share! respect and rock the disco-tech!

after time spent whipping up singles for moodmusic and my best friend amongst others, maurice aymard makes the leap to the long-player with a selection of jams that reflect his propensity for live instrumentation and thoroughly musical constructs within the disco-inflected realms of house music. as if metro area were played out by hand, tracks such as home groove hard on plush live bass lines, poignant rhodes chords and romantic lead synths. gui boratto turns up to chip in to colours & drops with its more prominent techy backbone, but that s offset by the non-dancefloor roll of 1994 . it s a diverse album that provides the perfect platform for a skilled craftsman to explore, er, his craft.

nice price deal !!! finlands halvtrak joins dont be afraids burgeoning family for his debut ep. across four tracks, scandinavias latest musical export explores the house sound of chicago via tampere, offering four outstanding dancefloor options with a unique and very personal twist, whilst touching on some familiar uk-centric tropes.

young turks are set to release another great ep in 2013, joining fka twigs, sampha and koreless is spanish producer pional.
some may know pional as the john talabot collaborator responsible for stand tracks *destiny* and *so will be now* from his critically acclaimed *fin* album - an album frequently ranked as one of the best electronic records of 2012. his invisible/amenaza ep brings the groove and audio-perfectionism of these collaborations but adds an unsettling sense of paranoia which brings the music depth and tension - *invisible amenaza* translates as invisible threat. pionals influences arent really worn on his sleeve, but the forward thinking producer adds his influences of the zombies, roy ayres, and the police into a sound that manages to work on the dancefloor as well as the headphones.

limited edition of 300 copies on 180 gram vinyl.
a 4/4 grumble garnished with lashings of spruced creamy loose mousse, will stay (asleep) longs for grazing in yonder meadows. more dancefloor ammo a la gcw. flame serves as a constant shifting platform of rhythmic maneuvers. constrained compression builds into an alliance of syncopated pressure points, sliding along to a gliding and well-constructed industrial & yet haunting melody. lush. again. came as it went is almost retrospect in its deep house communication. collective thoughts solidify an incessant groove, pulsating and driving stylish hands up in the air shit with it’s muscular intro volve fattens out its thuds and relinquishes any timidness bound inside, then steady paces a woeful glow. the pitter patter of tiny cut ups emit misfortune for a heady array of beautiful feelings. the thumping work out of make it strips back to traditional wasserfall form, making fundamental elements count & creating that signature groove off. in tune and on point.

leader of the new wave of belgian artists, cupp cave unleashes his first set of tracks since last years mini album retina waves. nvmb is more focused and dancefloor friendly than his previous release - cupp cave is currently putting the finishing touches to his debut album, due on ramp in 2014.

in order to know virtue we must first acquaint ourselves with vice vice&virtue is a new electronic label from death on the balcony. v&v will strive to release quality, honest music aimed at the dancefloor with a view to longevity, integrity & musicality.

200 copies only! io (mulen) debut on artreform records with stunning tech-house release *criminal stuff* includes 3 absolutely dancefloor bombs. this release have a great support from a lot of djs around the globe!

played by: max essa, i love disco!, sleazy beats recordings, coyote is it balearic?
review: japans 9dw release their first track for is it balearic..? right on is a super chilled loopy slo mo disco gem. touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. the mushrooms project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. mesmerising. the b side features a track that has been an iib favourite for a couple of years since it was heard live in loop tokyo. this slowave almost out of sync techy chugger is not like anything else. evolving with analogue synths and stabs to become a heads downs stomper. international man of mystery man power adds man power to the track and creates a slightly darker journey into synth land

manhattan filmmaker-turned-beatbroker francis hsueh aka policy has been unfolding a skewed yet chic house blueprint across the last three years, as evinced via a series of eps for eminent dancefloor wholesalers such as rush hour and argot – yet his latest seems his most assured and distilled to date. postscript plays street dice with choppy electronics and disrobed rhythm architectures, maxed out but close to the chest, splashed with off-grid percussive patterns and muted jazz textures.
limited edition of 450 copies.

its a fact: plector 005 strikes back with a full techno analogue ep. as a starter on the a side, noticed for his ep on m_rec ltd and his featured track on plector lp003, stanislav tolkachev delivers two linear, energetic , greasy techno as he used to do. no loops, no break, just heavy beatz to hit the dancefloor in a dramatic way. a perfect weapon to not miss your target. for the main course, we can find fran hartnett, well known for his it was written in vapour track and the great number of remixes he did on various labels. he stays faithfull to himself with this two trackers side. astonishing breaked techno at its best. ideally to start a big party! as we said, since plector become a reality: just techno, no compromise at all

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

after three quality releases, woods n bass records vinyl-only series receives the labels mastermind merino, to deliver his first 12 on his own imprint. the colombian dj and producer presents four cuts of melodic but yet killer techno, and in which medula, the title track, offers you a space riff of detroit sounds that will fill any dancefloor, making it a great secret weapon for any dj to pull out at the right moment. better watch out for this one, south american techno at its best.

the auf togo combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti are back with a follow up 12 inch for leng. once again they blend the warm analogue sounds with a dancefloor approach this time bringing in some vocals on old models that sit over a tight live drum beat and guitar work. waiting for beggi gets a balearic workout with more hazy guitars, percussion and a killer bassline.

unclosed starts a new project with analog series. 10 references in premium vinyl format with the best underground world techno producers. only 300 copies from a 180gr vinyl made hand one by one. eduardo de la calle sign the first reference with two techno tracks in side a. underground techno detroit to headphones and dancefloor. in the side b, one techno dub track from tecknoise and one techno track from martin emit. the final label art is manually sticked in the vinyl by unclosed team. also, the vinyl colour amount and opacity is diferent in each one, then don’t exist two equal vinyls.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

the light fantastic is a dancefloor orientated club album with a range of influences like – deep house, vintage synthesizers, classic boogie, disco, chicago jack, acid house, and even a dash of full-throttle rave revivalism.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

modern primitivism, the fifteenth release on get the curse music comes from the label head clement meyer. a 3-track 12 inch that showcases a new, albeit logical, direction for the producer, now blending electronic body music, industrial, downbeat and 70s electronics in its own raw, moody & distinctive style. as a counterpart to the left-field vibe on the ep, lumigraphs remix (opal tapes, mister saturday night) is a techno bomb ready to serve the dancefloor.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

one listen to the crystal clear rapture in the sound of bodhi(cardiff 24 year olds olly howells and luke welsby) shows a heavily funk-influenced take on dance music, akin to many of the uks current crop of genre owning electronic artists (see disclosure, blawan, bondax). the response to their enchanting, dancefloor-ready vibe is already demanding considerable attention, with a bondax tour support under way and the likes of xlr8r already tipping these boys for big things.

with his debut album prepped for november release, a sagittariun drops a taster of things to come, in the form of the >across the celestial sphere ep<. >clusters< rolls out another dusty breakbeat in perhaps his most dancefloor-centric offering yet. >fire sign< is a warm and jazzy slice of techno, whilst >the dna of life< is a moody, industrial electro join

darkside is the collaborative duo of guitarist/composer dave harrington and electronic producer nicolas jaar. darkside summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term progressive was coined. darksides first fulllength album-released on nicos own other people label in conjunction with matador records-is called psychic. darksides psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011s darkside ep. at any given moment, psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others’-sentences fluidity of kindred spirits, dave and nico synthesize it all into a living, breathing whole.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

femen is the second ep from hound scales on fifth wall, the brooklyn imprint he runs with divvorce. a dedication to the powerful women that have sculpted his life, the release sees the artist setting out to create the story of their impact on him by distilling these and other major influences into a techno format. the result is two originals blending amen-style jungle rhythms with collapsed industrial squeals, each with its own sense of beauty clawing upwards towards the surface.on the remix front, japanese producer and 10 label head honcho yuji kondo delivers an incredibly complex, layered interpretation of *a clique of tough women*, while mira and opal tapes affiliate bleaching agent pits the elegiac chords of the original *throated* against a repeated, mangled vocal motif, imbuing the remix with nostalgia while remaining an effective dancefloor instrument.
support includes marcel dettmann, norman nodge, sunil sharpe,tommy four seven, perc, and, forward strategy group, sigha, darko esser, mosca, shadow dancer, and sinden.

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

vinyl only, mastered by d&m
bergstrom cuts to the chase: cavernous, reverbed chords, slicing high hats and steely snares strapped to a sinewy 909 kick, with a siren droning faintly in the background. four-to-the-floor ekaterina is the fever dream of funky house: icy hats and reverbs trick out a heavily filtered synth and a heaving sample of vintage polka. kicking off the flip, more war: state and revolution evokes a kind of long march beneath forbidding skies, its occasional skirmishes between razor sharp hats and muted claps blanketed by echoing synth stabs. finally, damperhof draws the curtains and departs the dancefloor: a mournful, impressionistic cello, a slow throb, a little acid, sombre chords bouncing around the ruins... this is mirko at his most expressive

repress 2015 !!
the dreamteam of deepest sound hallucinations enters a new horizon. after their outstanding longplayer >songs from the beehive< and releases on shanti and workshop move d and benjamin brunn are back on the dancefloor with three new tracks on the smallville imprint. warm like an early summer night this 12inch is the perfect soundtrack for the season we all prefer. magical sounddesign meets hypnotic grooves. move d and benjamin brunn again create storytelling music with a highest grade of soul.

long time coming and definitely one of the triggers to start this label: listening to niagara and wanting to capture them on disc. their hands-on hardware live sets were keeping people on their toes. raw house with an improvised and fresh vibe outside the exclusive domain of the dancefloor. this connects with their more experimental past as one might add and translates perfectly into this intuitive approach to dance music. vinyl 12 inch limited to 300 hand-painted, hand-stamped copies.

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

erster 12 inch teaser von daniel bortz als vorbote zu seinem debütalbum * patchwork memories*. mit 3 exklusiven tracks seiner eher dancefloor-orientierten seite. praktisch eine triple-a-side.

leeds based duo death on the balcony return to seven music after dropping their party perspectives ep on the label in march of this year. mark caramelli and paul hargreaves have been busy boys over the last few years, releasing on esteemed labels such as culprit, pets, silver network and airdrop. their years of experience as djs and record collectors shines through in the pairs productions, but what sets the guys apart from the rest of the rat race is the amount of depth and emotion they manage to pack into their tracks. music that will easily stand the test of time and sound equally as good on the dancefloor, as it will on the headphones!

hot creations hit us with another monster of a release this time from tom dinsdale (ex-audio bullys) under his new project mineo. title track turn out the lights is an intoxicatingly deep groover with a dense low riding bassline, punchy warm chords and an infectious dark male vocal adding a real standout element for the dancefloor.

second release for the athens based recording label lower parts and debut 12inch for the also athens based producer faint object i. three tracks flirting with the dancefloor sound, filled with space boogie vibes and dub infused house stories of darkened figures hypnotized by his magical, uk-influenced dancehall rhythms. startling by all means .only harmony seeds an extra deep subtle warm techno track , some dub influences but brighter beats too for house appeal. tropical sting an electro influenced track , stiff and sharp drum groove , and sizzling analog synths if six was nine is the closing bang, a darkened techno-dance steroid that never lets go its melodism for the shake of the form. aggressive like a machine gun and unearthly cosmic like it has been conceived in the twilight zone, this is a haunting piece of pure bliss! plus it offers one of the best twists in a track that youll get to hear recently mastered by helmut erler and cuted at dubplates & mastering a limited edition of 200 pieces printed in a unique iridescent sleeve illustration by chris ioannou

attention minimal and tech-house lovers: here comes the hit for autumn 2013 on black fox music!
the global underground talent kim pixa(systematic) from czech republic comes with the first single of his forthcoming album in early 2014. after his remix for marc romboys *taiyo* on systematic, now there is a cooperation with the international well known xenia beliayeva (shitkatapult). she fell in love with his track and the result is an emotional, sad and also powerful love song. dark abstract basslines and a punching melody combined with xenias lovesick german vocals is the perfect mixture to set every dancefloor on fire.

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

take it, make it, on the a side you will find again a bassmental driven techno track >techyes<, 8 minutes of a heavy bassline and trippy percussions are perfect to burn every dancefloor ! >hypnotica del mare< after some crazy holydays at he baltic sea coast and the isle ibiza peter found deep inspiration by stones and mushrooms, this brings you 11 minutes of psychedelic acid house with raw basslines and a lot of accidental sound suprises.

the a-side, brooklyn-based zebra katzs sex sellz, is the first vinyl release by the blog-hyped rapper, equipped with a label head teeths 150bpm remix. the aa-side is a 120-bpm electro-influenced dubby techno song by paris french fries. a quirky 12 inch, with a avantgarde rap song, a banger remix and a solid dancefloor track, quirky but working.

for this second edition of the vinyl only imprint, one of the label owners s.m.a.l.l (half of the deep house duo politics of dancing) take matters in his own hands and strike with 3 deep house tracks strictly for the dancefloor. including a remix from the french underground legend chris carrier!
be fast to get your hand on this one! limited copies, 300 vinyls only ...

fix, samsa and millian are peaktime, stripped down industrial machine funk monsters. a trio of bassheavy battle weapons wich will leave any dancefloor in shatters.

australian based producer garry todd, takes time out from his fashion and record label contemporary scarecrow to release this 12 inch of straight up house bombs aimed directly for the dancefloor. limited edition hand stamped 12 inch.

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

cool new release with sick jtc acid remix on minimal rome records! polysick has the honour to have the 25th release of the label, with two tracks for the mrx-patiendum est series. from the mysterious hypnotic visions of digital native (planet mu) and the proustian reverie of daydream (audiomer), polysick moves towards an obscure and sinister dancefloor with a 12 that hosts on the b-side a whirling acid remix by jtc.

laurent garnier on tribute & fantasy ep: since the very first ep arno released a few years back on his own imprint, i have been a big fan of his productions. arno has always stood apart from the so-called hype and has developed his own style of trippy-as-hell dancefloor grooves.

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

berlins new hottest residents eric volta & sebastian voigt team up once again, this time bringing their infectiously deep and dark edge onto the visionquest imprint. with intoxicating dreamy synths, title track words and chance opens up into real groover with the seductively haunting lyrics from rising artist forrest adding a new dimension. on the flip one quarter of the visionquest power force lee curtiss takes the reins to deliver a chugging dancefloor ready remix with effective play on the vocal. eric volta then goes solo with one last more? riding out through rolling percussion with beautiful textures