a limited chance for you to get your hands on this achingly-rare panda records track >people hold on<. originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! super-tight production skills from wuf tickets james mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with earl flints elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s nyc groove. backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market. killer electro house on quality remastered vinyl - an absolute must have. people dont hold on!

on this new ep, sei as strong signature production values remain at the heart of the record, which melds deep and forward-thinking techno with rich textures and moody atmospherics. swedish dj, producer and studio barnhus boss, axel boman steps in to provide a superb remix, which brings the ep to a perfect close.

london-based, belfast-born blogger-production duo matt mcbriar and andy ferguson need little by way of introduction. theyve released one absolutely killer track after another, snaking through everything from deep disco edits to moody two-step to classic new jersey house vibes with incredible ease, on some of the most exciting labels out there: throne of blood, under the shade, domino, love fever and now, aus music

a new 1track! produced by john daly and its one of the best tracks we know from his hands! a beautiful melodic track rooted in the best chi-town traditions sophisticated with dalys modern production skills.

when it comes to and strikes you, it works. this is the only thing that rules only300 familys sound, an edm label born in milan in the end of 2011. tech house with no strings attached is the reference point to start from and experiment with, together with the diverse influences of a genre in progress. our musical research - coming from only300 (milan) staff vision - goes beyond ideological bounds between means of production: no matter if its digital or analogue, the point is the emotion behind the sound, even if it comes to your legs, heart or brain. o300f sees flying high records - not just dance floor/club/listening oriented - and it thinks that labels are just gilded cages.

taking inspiration from great early 90s house producers like def mix, & borrowed vocals from a pop singer, delivers an uplifting & soulful synthed out dancefloor burner that keeps the production values of 2012 in the forefront. comes on single-sided whitelabel vinyl.

nice price deal !!! melancholy, boogified dubstep for the rave, from denmarks rdg.
rdgs production evolves the sound of dubstep while staying true to the roots of the genre. with frequently support from j:kenzo, chef, jay5ive and von d.

heading up the release is a trio of talented artists who always create a storm in the electronic music scene with their productions. for their debut on saved, guti, livio & roby present a 3 track ep, delivered on grey vinyl.
the release is a real spectrum of electronic music showcasing the production skills that they all possess. from the masterpiece of >we are< on the a-side to the deeper vibes of >up there< and more downtempo >piesa 3< on the flip, the package is an essential release for djs.

deleted records returns to the market with a complete makeover and a new eclectic sound. featuring a range of beats both broken and 4/4, deleted will be covering electronic output across the entire spectrum. with deleted 01, the label presents the debut release from the extremely talented differentme.
>back to tomorrow< ticks all the right boxes. featuring solid drums and pulsating basslines, the lead chords and vocals work together perfectly to create total dancefloor damage. over on the b side, catz n dogz work their magic on the track with a creative and intelligent remix that explicitly shows the reason they are one of the most in demand production duos around today.

nice price deal !!! the latest offering from jacques renault and marcos cabrals on the prowl features the work of evan stalker, a los angeleno whos a visual artist by day and a production wiz by night. the four songs included on this 12inch are meticulously-layered, lusciously-arranged deep house jams of the highest quality.

the london based production duo dusky (a.k.a. alfie granger-howell and nick harriman) debut on will sauls recently resurrected imprint, simple records with the henry 85 ep, two tracks of uk garage infused house music. influenced by everything from classical and avant-garde electronica to uk garage and underground house, this offering is diverse and danceable, and in line with the duos singular aim, to compose electronic music with depth, soul and originality. with support from djs as diverse as joy orbison, zane lowe, annie mac and boddika as well as airplay on rinse fm from loefah and a remix for hot chip imminent on domino, dusky prove theyll be around for a while. on remix duty is fcl, otherwise known as the belgian production team red d and san soda. in early 2010, red d and san soda released their first collaborative ep, the critically acclaimed vocals for everyone via red ds we play house recordings. lets go and more than seven both became huge club hits and dominated charts, parties and playlists for the whole of 2010. they followed it up with the more vocals for everyone ep and a number of remixes for tyree cooper, subb-ann, stuffa and audiojack.

freeform was produced and mastered with equipment mainly hardware. deep techno style with melodic, progressive and atmospheric punctuation. this second ep is also a self-production of jerome moussion (jm music).

having spent far too long fiddling around with re-edits, bedmo disco records enters the world of original production with an ep of synth-heavy b-funk (the b stands for bedmo) from studio pals awon and bedmo disco.

quickly rising on the horizon of the london electronic scene, croydon-based deft joins forces with wotnot music for an enchanting two-track ep with three beastly remixes. while driving dancefloors wild with an energetic and fresh brand of ghetto-tech and footwork, defts production on this release betrays his hip hop origins in a whole new way, with seductive beats, g-funk-esque top lines and unlimited swagger.

first up is tabou for the people by sofrito specials featuring l barrabas which twitch edited for his dj sets a couple of years back. the lovely people at sofrito kindly gave permission for it to be included on this release. its a relentlessly driving slab of 4/4 afro funk with horn explosions. next up is the 10th and final track in twitchs cumbia series. the first 8 were released on japans lets get lost label and the missing number 9 is being saved for a future release. colombias cumbia was born out of african influences. this track is based around a sample from colombian cumbia legend andres landero and is an attempt to fuse traditional cumbia sounds with up to date production styles. the end result is a slow motion hypnotic cumbia retaining the haunting melancholia inherent in the original sample. leading the aa side, twitch passed a wild highlife song by ghanas atakoru manu to glasgows super talented auntie flo (whose highly recommended future rhythm machine album recently saw a release) to play around with. auntie flo cut it up and added additional drums and bass to come up with this euphoric modern highlife groover

ok, we know what youre problem thinking…not another marvin edit! but hold your thoughts, this is something extraordinary and one of the best arranged and produced (not edited) tracks weve ever put out on gamm (no joke). with extra added keys and various production elements this is a 10 min and 52 seconds long boogie monster that will take you on an emotional ride youll never forget. yes, its that hot! but the flip isnt bad either with the revivra crew going uptempo with a super rework or remix (your choice) of crown heights affairs all-time ballroom classic. just like with the marvin track theyve turned the track inside out to an almost 10 min long disco cavalcade. the weekend starts and ends with this fantastic ep

the new wheel and deal production partnership between n-type and surge, releasing their 1st ep: september sun.

the wind up of phillip lauers album debut phillips (still available in all formats including gatefold double vinyl) is in the hands of nyc remix/production outfit runaway and versatiles very own i:cube. runaway do their best to turn tentatious into one of those early morning deep house dubs that you could find on the b-side on vintage designer labels of their hometown. music for baby powdered wooden floors. i:cube does the opposite and manufactures a bumper car boogie beat that also works as a uk rave dub. he likes to move it. on the flip, lauer himself turns in the hidden album track boringtone - his very own secret ode to the café del mar - and the super exclusive smashing pumpkin that is highdimes 100percent overground melodies

tresor records are pleased to present s_w_z_k, the new project from david brown aka swayzak. whilst the name remains identifiable, s_w_z_k presents a clear departure from his work with james taylor who recently left the legendary production duo.

london producer george fitzgerald follows up silhouette, his 2011 debut on will sauls imprint aus music with a four track ep entitled child. with past releases on hotflush and his own imprint, manmakemusic, his productions combine the lush, melodic sides of house and garage with the more intense, jacking rhythms of dubstep and techno. his second ep for aus fully explores the 4/4 end of his production spectrum to devastating effect with four tracks that are all designed with the peak time dance floor in mind. keep your ears peeled for a remix ep of child in september featuring a mix of child by gerd under his jacking geeeman alias, alongside exciting young talent gerry reads interpretation of lights out. next up on aus is an ep from bicep with a remix from panoramabar resident steffi.

ltd 2012 repress !! back to jack - this killer production combo come with more chicago trax.... fingers-tip! after their debut success >inside out<, which was charted and licensed world wide, earlier this year, kink & neville watson are back big time! they rock our world with their vintage chicago sound, like its summer of love all over again. although they have the old skool sound going, they easily keep up with todays productions standards. it will rock any system. raw and dirty house music. when music is this good, let there be renaissance!

all 4 previously unreleased tracks by the mole, jon mcmillion, m.styles & dexter are stand out production

k skip skipson has built himself quite a fan base with his funky releases as (knarf) skipson on quintessentials and other labels. the young man from berlin is deeply infuenced by hip hop – both in terms of production techniques (he uses an mpc as his main instrument) as well as aesthetically. for maria colors he comes up with four massive house tracks full of hip hop and soul samples which make you wonder, can it get any deeper than this?! funky as hell and extremely soulful – thats what makes these tracks from skipson so special – and at the same time theyre a wonderful way to celebrate the labels first birthday.

two essential techno players. the bek audio imprint hits double figures on this release, showcasing label-boss gary beck while also welcoming the sounds of mark reeve. mark reeve has made appearances on labels like soma, cocoon & traum and is an artist that gary has been supporting in many of his recent dj sets. gary beck sets the pace with >ars poetica<, the rugged opening track on this release. rasping off-beat bass and unnerving vocal samples join toughened drums and percussion to create a full-bodied fix. on the flip, mark reeve makes his first appearance on bek audio with his >fabula< track. a clean, smooth and grooving lesson in restrained and delicate production, fabula utilises icy cold atmospheres with warm and unwavering rhythm.

after a busy 2011, nicholas slowed down the pace of production in 2012. here the italian producer returns with a new single for 4lux and what a banger it is! title track life goes on is a great club tune with uplifting bass, beats, rhodes and cut up vocal bits. ny stomp comes with a killer remix in the vein of the famous ny house trak: hard hitting old school beats and tough groove. on the flip two deeper but equally good nuggets in all i can give and messed up generation. some of nicholas best work to date!

ntroducing the latest, fresh off the presses,limited edition slab of essential vibes: nix004. on this one were proud to showcase our latest artiste: joonipah. hes our very own geordie, cheeky chappie and the boy done good. as per usual, were limiting it to 300 vinyl only treats for the world, all carefully hand numbered at our top secret production facility south of london.

early support by adam x, kyle geiger, jonas kopp, and, arnaud le texier, freddy k. resiliens recordings is not only a simply independent record label but it presents itself as a project much more detailed and complex. it wants to be an idea, an impulse: the paradigm of artistic, visual and sound contemporaneity. the purpose of the group is to reinvent, assimilate and re rework the contemporaneity according to an independent and multifaceted artistic sensibility. according to its intrinsic meaning, resiliens was created with the intention of creating a new way of thinking and making art, able to react to external influences of modernity, transforming it without getting stunned. the genesis of a movement that embraces every artistic aspect, in a profound synergic interaction and collaboration between heterogeneous parts whose point of arrival is a complete artistic experience, in its deepest sense. the final goal of resiliens is therefore change the existing schemes, through clear and obvious messages around the entire artistic path: from production to exposure.

supported by luciano, raresh, dop, karotte, ame, &me, m.a.n.d.y., tiefschwarz, martin landsky, alex niggemann. baalsaal celebrate their tenth release with their new single >tell them< by electronic production duo seconds. seconds are markus enochson and luciano leiva, two producers who met at a chaotic house party in stockholm, sweden. the ep features remixes by charles webster, who loved the track so much that he decided to do three remixes, covering various deep, minimal and progressive textures.

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

the ninth release from the mainrecords shop, on its eponymously titled label comes in the form of three tracks of slick late night electro from matt star, plus a remix from perseus traxx. with well over three dozen releases under his belt in one guise or another matt star aka mattias schildger is no stranger at all to production of high quality electronic music, as this latest ep clearly displays. happily blurring boundaries between house and electro, with its tight, crisp beats the release exudes a form of stripped back and honest late night cool with basses that bubble in a way sometimes reminiscent of ed dmx, while others lend more of a chicago feel accompanied by rolling toms. synth lines and arpeggiations cut in and out of subtle modulations giving the feel of anticipation one gets while tearing along the motorways of a city, late at night, the lights of the city and other vehicles brightly darting by, streaking and reflecting across the cars windscreen. perseus traxx delivers a subtle remix that remains true to the elements of the original and while adding a booming kick and some of his own production techniques, influences and grit to the mix, shows he isnt stuck in one genre or sound.

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.

this first record at new berlin label townhousemusic was made by lohouse, part of talk dirty production. contains five deeply warm house/tech tunes, with a touch of raw and oldshool elements. strictly limited vinyl.

new york city darling pal joey is back with a new project called walk the dog and new single i cant.then holding things up in the rear are two mixes from xapy ha, the production team of label head sean holland and studio partner james general patton. these two brought you the b for bad remixes on shake dat booty, the first coco machete release, and pal joey production, ten years ago this june. this is, new york city, this is coco machete.

another debut on basic fingers, this time we head over to japan and the mysterious kgo production team. the first edit is >six millions steps< by rahni harris, a well known soul drenched disco classic that has been slightly pitched down and infused with more boogie loveliness.
>something special< by donald byrd and the blackbyrds is both a pianists workout and a lovely jazz-disco track full of melodic character. kgos edit owes respect to the original and is a perennial favourite in the basic fingers camp.

producer, dj and post-production engineer stepan chernov (aka kammerton) can safely be named a musical multitalent. stepan has pianist and kapellmeister degrees and already collaborated with numerous live bands and projects. his serpentine ep is a fresh breath of detroit influenced house with spacious dub synthlines and mesmerizing groove. the title tune >serpentine< is a slow burner and sets the tone for the record with dreamy synth progressions, discreetly jazzy keys, squelched chords and solid 4/4 rhythm. while >mistress < is an intuitively constructed dub-house killer, the kind of ever-morphing detroit stabs makes this ep irresistible. >winergy< concludes the serpentine journey from moscow to detroit and traps you in the subtly intricate and hypnotic groove of that new wave of russian deep

we are very proud and honered to release this ep by function aka dave sumner from sandwell district. one of technos true underground heroes, function (dave sumner) has been djing and making music for over 15 years. hailing from new york, he was seduced by techno music when jeff mills held a residency (as well as his own first) at the limelight in the early 90s. dave started to produce music and from the mid-90s onwards, put out music on damon wilds synewave and his own infrastructure imprint. together with regis (karl o connor) he worked as portion reform, putting out uncompromising music on downwards and becoming the only non-birmingham producer to release on the label. in 2008 dave moved to berlin, still working with regis, and now silent servant (john mendez), put his focus on the acclaimed sandwell district imprint. obsessed is a supper powerfull floating track for the dancefloor, a typical function production. this ep also contains remixes from substance and scb aka scuba, both peak-time tracks.

fresh new label project by venetian disco head bottin who needs no further introduction! after releases on eskimo, italians do it better, bear funk etc he has now decided to run his own business and press this new production on this psychedelic-looking piece of orange plastic. lust is definitely a hard throbbing and sweaty space disco house track with a hint of deranged prog madness. layers and layers of synths and bass lines build up in a long enthralling foreplay until heavy disco beats violently kick in, finally add spicy disco stabs and you have got yourself an incendiary tool sure to set things on fire. dont sleep on this one! crazy black plattered, orange glowing vinyl.

last time out, much love impressed djs and record buyers the world over with a sought-after 12 inch featuring tracks from james johnston, bartellow, roman rauch and label owners alkalino & alphabet city.
for the label s third release, much loves bossmen take a backseat and hand the reigns over to a quartet of emerging and up-and-coming production talents. the results are, thankfully, every bit as intoxicating as previous releases.
four tracks, four hot talents, four killers. much love all round.

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

virgil enzinger, the master of darkness is back on nachtstrom with his new full-length album! absolutely deep banging and rolling techno tracks and excellent production skills make this album a real masterpiece and will be coming on limited blue transparent double-vinyl!

featuring the rolling, techy vibes of smashface and the paranoia inducing test subject, jade (with the help of ryme tyme) continues to push eatbrain to the forefront of neuroconnoisseurs everywhere.smashface (feat. ryme tyme): beginning with an ominous intro full of dark twangs and rasping clicks,smashface revs up the tension until jade pulls the trigger one of the meanest basslines around. a thumping subbass dominates, with precision synths and the molten, lyrical delivery of ryme tyme skittering over the top. a perfect blend of relentless drive, flawless production and infectious vocals,smashface comes from renowned two artists who continue to innovate. test subject sees jade change the pace and bring forth the darkest vibes. featuring an intro that wouldnt seem out of place in a horrsor film,test subject is neurofunk at its most menacing. after an atmospheric built up, the track transforms into a sophisticated roller, with all the hallmarks of another classic jade production. combining unsettling synth stabs with a submerged sub and ominous pads,test subject delivers a claustrophobic, paranoia inducing groove will find its way into only the grittiest dj sets.

strictly limited to 300 copies , milans hottest new production duo flashmob have been garnering some well deserved attention of late. after their first cut brick house landed them on berlin tech house institution get physical, the duo have been laying down sets across some of ibizas hottest nights, with their hard work and dedication to their music paying off. with support growing from the likes of pete tong and maya jane coles, their latest release need in me more than lives up to the surrounding hype...

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

the first release from nm black is ganja man, ganja woman, produced by nm’s new signing killa mosquito, a production collective fresh on the scene fronted by curtis lynch. in keeping with the necessary mayhem tradition, the bass is at its maximum and the drums are even heavier. this bass-heavy track features vocals from international reggae star, mr williamz, as well as a host of samples from old-school reggae soundtapes. on side b of the release, there is an exclusive dub from killa mosquito entitled ganja dub. less vocals, more bass!
already getting love from mainstream radio djs, such as rinse fms crises, this track, and label, is set to be massive.

discovering and nourishing fresh new talent is one of the primal thrills of any labels a & r process. unearthing production gems that spring up close to home doubles the enjoyment. culprits next release – its 23rd ep – ticks both of those boxes while fulfilling the labels foremost mission of delivering quality authentic dance music of depth and feeling.

stryker matthews is a new york city based producer and dj by way of northern california by way of southern california. drawing influences from most of the continents with people living on them, he works to create rhythmically focused music that moves hips and spills drinks. stryker grew up in san juan capistrano, ca playing guitar and drums in a string of bands who mastered the fine art of garage-based rocking before moving to the bay area and finding an interest in club music as a new class of producers with fresh takes on dance production began to flood the world wide web. upon completing his first set of original tracks, he caught the ear of dubstep pioneer, skream, who signed the tunes to his imprint, disfigured dubz.

may 2012 sees the 8th release on krd, picking right up where the label was at with its last release a year ago. >bilal / spider< introduces the new project on land, a solo vehicle for label head edoardo arengi, who previously was in charge of production duties of the shadow sync releases. the title cut >bilal< again attests to edoardos technicall skills - almost twenty years of production experience do indeed show here. a strong minimalistic groove unerringly aims at the heart of the dance floor, and once the classic ride cymbal comes in, >bilal” is sure to have the people moving. for the flip, label owner and producer edoardo arengi teams up with a young gun of berlins techno scene. >spider<, produced together with rudmatis, to his dj-peers known as rødhåd of the dytopian music collective, goes for the darker end of the floor with a hypnotic bassline and slowly modulated sequencer lines. once you are caught in the net, there is no way out!

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

dj support from. dj koze, scuba, peason sound, maya jane cole, craig richards, untold, midland, mosca, ame, dexter, sven vath, agoria, jackmaster, george fitzgerald, paul woolford, will saul, comix, carl craig! the third release from mysterious double act dense & pika sees them returning to the more low slung techno vibes of their first release. 31 is a slow burner, submerged beats shuffle along before the tracks off kilter millsianesque riff is introduced which gradually oscillates in intensity throughout.a truly heady experience all wrapped up in d&ps super skilled production, it was a feature in jackmasters recent ra podcast and has gained further support from a wide range of djs from dj koze to sven vath. flip sides bad ink ratchets up the tension with a serious warehouse style jam, big booming cavernous kicks and twisted fx stamp their mark before dropping into a raw melancholic bass riff that takes the track to epic heights