pbr streetgang return with their first original material of 2017. a limited 300-only pressing on their own bespoke label, streetgang jams ‘late night party line will be the first single from the long-awaited pbr debut album set to be released in december 2017. a party banger for the discerning dance floor with a killer baseline, a seriously hooky diva vocal and a distinct whiff of 80s night club sleaze, this is one of the most distinctive and daring releases pbr have ever made. hot off the back of their acclaimed lost property releases, support and plays have come far and wide from paul woolford, bicep, gerd janson , midland, tensnake, man power, paramida and crazy p

room ii records is a new imprint run by two brothers based in london, which focuses on giving a platform to up and coming artists. ‘the black ep’ is the first in the series.
kicking off the series are three tracks by tr all varying in style and technique. soft pads and playful keys bounce along a grooving bassline on ep and every future summer set opener ‘fantasia’. ‘ub city’ is made up of field recordings taken from a recent trip tr made to india last summer. the flip side shifts again culminating in a live drum breakdown that’s supported by a subtle, acidic bass line - ‘10am acid jam’ is an outright dancefloor weapon.

for a quarter of a century, the james taylor quartet have set the standard for the coolest sounds in funky acid jazz. on dozens of mighty albums and at their legendary gigs at home and around the world, they ve quietly becomea byword for distinguished british creativity. live show at ronnie scott s week after release

emotional rescue and jamwax come together to present the first of three essential 12”s from ny/jamaican label capo disco, all officially licensed and remastered for the first time. the brainchild of reggae vocalist, musician, producer and label owner glen adams, the label married disco with his caribbean roots to perfection. tip!

reissue from this 45, originally out on ridim force in 1986!

reissue from this 45 - originally out on writers of rastafari in 1981!

inmotion music ltd brings back two dynamic artists marco effe and james mile. both marco and james have been firmly cementing themselves in the techno and house music scene for several years while gaining well wide support from dj’s across the globe.. the mehringdamm ep consists of 3 original tracks and a remix by spain’s eduardo de callle.the first track, mehringdamm is a classic rhythmic-driven belter that packs a hefty punch. the jacking 909 drums and lush synth keep the tension through out.the b-side is slightly more experimental but has expertly captured the eduardo de calle.vibe. james miles ends the ep with a jacking 909 work out named stomp.

top-sampler als tribut an den legendären londoner flamingo club, dessen kultige all-nighters partys in den 1950er bis 1960er jahren dem musikbegeisterten londoner publikum jazzigen rhythm n blues, proto-soul und später ska beibrachten. mit 16 top-tunes von james brown, little stevie wonder, byron lee, ray charles, sarah vaughan, prince buster, earl bostic, u.v.a.

boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

crayon records returns 4 tracks of bass heavy techno house.

next up, we return to what we do best introducing a brand new project to get excited about. norwegian pandreas delivers some of that melodic goodness just in time for summer. with early support from jackmaster and prins thomas, you can expect to hear these at a festival near you.

anna wall & corbis take on queen drummer roger taylors two sharp pencils special remarks : 12&#8243, mff house bag, 150g vinyl
(get bad). the result? one of the most unlikely and essential party records of 2017. queen and house music: not necessarily the most obvious of bedfellows, but music for freaks has never been a label to take the path most travelled. over the course of their de-cades long journey the label founded by luke solomon and justin harris has released uni-quely idiosyncratic dance music, establishing the label as a go-to imprint for those seeking imaginative, unpredictable records that still undeniably work on the dancefloor. their latest release might well be among the most out-there of them all. originally released back in 1984,two sharp pencils (get bad) is a record by queen drum-mer roger taylor, featuring him on vocals as well as drums, bass & guitar. now brought bang up to date via a fully official and endorsed remix courtesy of anna wall & corbi, this overlooked album track looks set to become one of the summers most essential records. born and bred in the uk, anna wall is a dj, producer and label owner who is a key player in london’s underground house music scene. her label the bricks champions up-and-coming producers, while anna herself has djd all over the world, most recently for mixmag at pacha for their ims launch party. corbi is an ibiza-based dj and producer, a&r for the highly respected fina records and co-founder of melon bomb, a party and dj collective that has in the space of just a couple of years become one of the white isles most talked-about exports. having met while working at house giant defected records some years ago, anna felt that corbi would be the perfect studio accomplice to work on the remix of two sharp pencils.

the 1984 album from boney m back on vinyl, high-resolution mastered from the original source.

l one ist ein junger münchner hiphop beatbastler und drumcomputer-liebhaber. mit nur 24 jahren hat er bereits eine beachtliche diskographie als produzent vorzuweisen. darunter die projekte der rap-crews atp “c’est la vie oder was?” (2016 auf bumm clack) sowie weltuntergäng’s “dogmatikers elfen” (2014 auf tieftonkultur) entspringen seiner mpc bzw. seiner sp1200 und haben für aufsehen in der münchner rapszene gesorgt. als teil von akere oder manufaktur wagte er sich in vergangenen jahren auch in neue genres und lieferte neue ansätze zu triphop und dubstep ab.
auf der “farska lp verarbeitet l one seine impressionen seiner kroatienurlaube 2015 und 2016. jeden tag ist hier ein stück am strand mit nur einer mpc60 entstanden, welches entweder die mahlzeit (2015) oder das getränk (2016) des abendessens des vorabends im titel trägt.

my aim is high, close to the sky, i can not fly but ive got to try - d hardest, one of shadows most sought after tunes, reissued! . d hardest was recorded at k.h. studios in trinidad in 1980 and another version/mix was released on the wake up album. this song is everything, thanks to winston bailey aka shadow and all his team.

re-release: das fantastische debütalbum des jazz/soul-sängers jose james -the dreamer- aus 2007. neue limitierte auflage auf schwarzem 180g vinyl mit downloadcode.

ralphi rosario is a pioneer of house music, kicking off an influential dj career in chicago when he was still in high school. the remixes and productions that followed have garnered him #1 billboard dance chart hits as well as more than 20 well-respected years spinning records. he’s an artist who represents the ethos of glitterbox recordings, with decades of quality house music history woven into every beat. also in line with the spirit of the label, ‘wanna give it up’ is a classic track given some very tasteful modern updates, from dr packer and jamie 3:26. the familiar ‘légo’s dub’ from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro dr packer. finally, fellow chicagoan jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

50% summer blow out .... originally released in 1963 by king records. james browns remake of the 1931 popular song >prisoner of love< was his first single to enter the top 20.

james i.vs debut ep on melbourne label local traffic. rhythmic basslines, mind altering percussion and traditional hats. following local traffics first release, james i.v takes us into the deep house world.

not an animal records was formed in 2015 out of the ashes of the london-based party bad passion, and has thus far welcomed the likes of man power, ess o ess and eric duncan to release on the label. now they turn to james hadfield, a relatively new producer previously spotted on to rack & ruin and me me me. on this four-tracker he deals in brooding synthwave tones mixed with classic jack track rhythms. literate is just the kind of taut, sinister club creeper we can t get enough of, while buried answers takes a skippier but no less moody approach. on the remix front, jamie blanco takes the prize, turning buried answers- into a bombastic slice of driving synth pop.

unmixed! more late 70s westcast yachtpop yu can almost dance to!

the first in a series from pelvis records, dj tools volume 1 features an all-australian lineup of artists across 6 tracks. varying in tempo and moods, this first round comes courtesy of sam weston, mall grab, chunyin, body corp, jamie blanco and pelvis. from flat out percussion jams to four-to-the-floor acid, these are tracks to get you out of tight spots (or take you deeper into them).

l atelier hit back to the roots for bloom roster with a killer groove to start things off, sexy, moving and one to get any floor going. jamie trench follows with a nod to the old school of 80s drum machines and twisted vocal hits, with a disco twinge on the break. oli furness refurns after appearing on the last shag this one following in the same suite, heavy drums, killer sampling and an absolute heater. ghetto chords are the new boys on the block here for rootsforbloom bringing up the b side with a jazz, piano infused hit. again anyone who knows the series will be all over this.

born roy samuel reid in saint thomas in 1944, i roy was one of jamaicas all-time greatest deejays. a natural-born toaster, his rhyming raps always sounded effortless, whether describing the harsh realities of the inner city, or making light of nonsense nursery rhymes. a former employee at customs and excise, he was first active on a sound system called soul bunnies in the rock steady era, moving to son’s junior in 1968, and later, to the legendary supreme ruler of sound, defecting to the rival stereo sound system after that. hits for harry mudie and other producers soon followed, and after the killer debut album presenting i roy impacted overseas, the toaster began spending frequent periods in london. his longstanding working relationship with hit-making producer bunny lee led to some of his most noteworthy albums during the mid 1970s, the 1977 set cant conquer rasta is a superb showcase-style album, on which the toaster blows hard lyrics over five of lees killer rockers rhythms (recorded with the likes of johnny clarke), each complete with a corresponding aggrovators dub on the flip, all mixed by prince jammy at king tubbys studio

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

supreme chicago dj and world traveller jamie 3.26 comes on board with the gamm fam with a diverse two track ep. the opening track is a 11.24 min long philly gospel workout that is just as uplifting as its a real treat to tweak in the club (= isolater adapted). it s definitely one for the hard working djs. but to show that jamie s range is wide he delivers an even longer jam on the flip that clocks in at 14.08 mins...ouch! this time jamie goes italo (but not that cheesy shit) with a fantastic edit of barsotti s music box classic -whole lotta love- - chicago style!

exzellente kollaboration der beiden komponisten tom hobden (mumford & sons, laura marling, noah & the whale) und eliot james (kaiser chiefs, two door cinema club, bloc party), die nach dem gegenseitigen austausch von orchestralen aufnahmen und filmmusiken beschlossen, ein gemeinsames album, angelehnt an moderne, post-klassische komponisten wie philip glass, arvo pärt und max richter, aufzunehmen.

sadar bahar & ben cosmic force team up and come correct with these two direct disco jams artwork by cosmo knex. tipp! the two tracker arose after sadar bahar discovered bens utrecht based studio (housing 60 synths!). electro fiend ben was charmed by the electronic elements in sadars funk and sadar loved bens ideas. nuff said, a new nl based project was born. nothing sampled for these tracks. only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

arriving as the first release of the new sublabel series figure jams, this split ep by fabrizio lapiana and amotik serves not only as a crafty cut in its own right but also showcases a particular type of package, which figure will be facilitating from now on. the a-side is taken up by a pair of lapiana’s irresistably dense grooves that unmistakebly tread in the footsteps of his homeland’s highly emotional techno, unafraid of big melodies but also injecting just the right amount of twisted acid to set the floor ablaze. this sense of grandeur and space is also reflected in the work of fast-rising producer amotik. painting with his very own colours as an equally epic scenery, its bleak and post-apocalyptic landscape dominated by broken industrial beats and hypnotically swirling synths.

broox is pleased to host for its third release the french producers jam’on and worker union. jam on offers two punchy cuts with a bass line as subtle as effective. as for worker union, this is all about 2 tools exploring with intelligence the breakbeat inspiration mingled with a deep house background. vinyl only !

20 track album from various artists released by dub store records.

part 3 of king jammys dancehall series - hard dancehall murderer 1985-1989. 20 tracks from various artists released by dub store records.

vinyl only! redlight drops his massive summer nyc infused houz kut ‘city jams’ backed with a chicago ghetto house remix from dancemanias dj deeon!

double vinyl re-issue of the classic lord echo debut. features the huge single thinking of you. available for the first time on general release outside japan. look out for the brand new album harmonies from lord echo - part 3 in the trilogy.

ill camille ist seit einigen jahren eine kapazität in der hip hop-szene von l.a.. kendrick lamar featurete die rapperin auf -sing about me- von seinem debütalbum -good kid, m.a.a.d. city-. zudem arbeitete sie oft mit kendrick lamars produzent terrace martin für verschiedene projekte zusammen. gleichzeitig arbeitete sie an ihrer eigenen musik mit künstlern wie mndsgn, iman omari, dj battlecat, like (pac div), georgia anne muldrow oder sir, die nun alle auf ihrem -heirloom- album gefeatured sind. der sound reicht von smoothen, g-funk beeinflussten west coast-beats, bis hin zu eher organischen live-produktionen.

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

slinger francisco, better known as the mighty sparrow, has a career that spans over 40 years and counting. he has entertained audiences across the globe and earned his rightful place as king of the calypso world by defeating every other competitor/pretender to his throne. i ve got you under my skin is a song written by cole porter in 1936. this song was performed by so many american singers, such as frank sinatra, shirley bassey, ella fitzgerald, dinah washington, the ravens, frankie valli and the four seasons. recorded at trinidad hilton hotel, sparrows version became a classic for calypso music lovers all over the world.

proto-house classic nightgruv gets a re-release and includes a longer unreleased edit! not only is this release offering a remastered version of the original, it also includes an unreleased edit which stretches the original to a cool 6 minutes. the b-side features the epic 11 minute original version of i want your love , a soul classic. 2017 repress

play it say it welcome jasper james, one of the hottest artists of the day, for their next ep, calling upon rob mello to serve up some of his legendary no ears remixes to seal the deal on this fine package.

pinky pinky ist ein proto-prog inspiriertes rock-trio aus los angeles, bestehend aus den teenagern isabelle fields (17, guitar), eva chambers (17, bass) und anastasia sanchez (19, vocals/drums). die band präsentiert -good clean fun- und verneigen sich vor den größen von gestern mit vollem einsatz für die zukunft. die als 7inch picture disc streng limitierte ep wurde vo hanni el khatib und jonny bell (crystal antlers) co-produziert und erscheint bei innovative leisure aus los angeles, heimat von nick waterhouse, badbadnotgood, allah las, usw.

up next on secret reels is an ep by frenchman leon revol. leon has previously released on monologues records alongside laurence guy, his style is laid back and dreamy, yet still holding a fantastic groove. this ep entitled astral plane is a subtly detailed and beautiful house music record. admin turns in a chunky groover of a remix on the b side, fresh from appearances on boogie café, banofee pies and kolour ltd. the proof is in the listening! dj support: nachtbraker, dj caspa, mike w (kolour ltd), roberto rodriguez, dairmount, goshawk, loz goddard, had & the ladyboy, saine, long island sound, replika, chocky, marcin krupa, martin hayes,

shag edits series hits volume 7 and in great style. we welcome oli furness to the shag party and he delivers two outrageous cuts. u can is a disco bomb hitting you in all the right places, from the hands in the air, to the guilt free sing along moments. kick it rocks a hip house feel, holding real grit and groove throughout. jamie joins oli on the a side with woody dunked, anyone who knows jamie s work will recognise the style, always grooving, hard hitting snares and heavily sampled. bress underground ties up the b side with another disco gem. again its a let your hair down, vocal groover with a carefree attitude.

favorite recordings and charles maurice present the 3rd edition of their acclaimed aor global sounds compilations series. another fine selection of 14 rare and hidden tracks, produced between 1976 and 1985 in various parts of the world!

james dexters star has been rising for a while now - the young brit turning out killer tracks regularly on the back of hugely well received dj sets. on his second outing for dessous recordings, dexter does what he does best - four slices of deep, funky and vibing house music for the floor. lead track drift is typical of dexters flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. elements come and go, but the shuffling, infection feel runs throughout. take me is a more upfront vibe with a seriously bumping groove - dexter clearly well versed in the roots of house music from chicago. ‘whose rules ?’ is a snappy, bright and lively production, with a sub bass that will troubler some of the world’s best club systems in the coming months. the light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of djs. the last track of the release is disco deep - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.

punk rock classic on heaavyweight 180 gram vinyl ! includes the wonderful should i stay or should i go - everyone should know now!

vol 7 with more slamming darkish electro / techno