the prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and chicago styles with his own sense of charm. the kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. crossing paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an omar s joint, then wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. utterly timeless from start to finish, this is another massively effective offering from innershades.

coming up next on format is a new ep from the label s head honcho juan sanchez including remixes by jeroen search and andre kronert. the diffy ep marks juan s first format ep released under his own name, and it s definitely one that will turn heads on the floor. the original version of diffy and mirage reflect juan s trademarked minimal but hard-as-nails techno sound: staccato kicks, nervously rattling percussions and looped synth pulses make up the fundaments of both tracks, locking in all ingredients for proper techno clubbing.up first on the remix tip is renowned techno veteran jeroen search, whose remix of diffy is a chunky piece of stripped floor funk with subtle hints of detroit techno. following up is a rerub by andre kronert, who drops a beefy slab of mid-tempo techno that s particularly heavy on the dub side of things. 007 does have a license to kill for a reason, you know...

the delivered sampling of featured artists on louie vega starring, is one for the record books and a must for any music aficionado as louie explains, this body of work is a masterpiece that will be party of my legacy. i see it up there on the same high shelf with albums like nuyorican soul, elements of life, and masters at work.

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

according to white material pair galcher lustwerk and alvin aronson, their first collaborative album under the studio ost alias contains a mix of breezy electro, aquatic dub, high speed jit, and shimmering atmospherics. while clearly tongue-in-cheek, it s a fairly accurate description. certainly, there s a fluidity, moodiness and palpable sense of atmosphere at the heart of scenes, which casually drifts between hard-edged club workouts, hazy post-club fare and dreamy, horizontal experiments. it was apparently recorded over a three-year period, during jam sessions at various new york studios. its the spontaneous aspect of its creation that has the biggest effect, and makes the whole thing feel like fleeting snapshots of moments in time.

mindtrip presents mt13, which sees another young argentinan talent - farceb - making his mindtrip debut. farceb is a producer whos been pricking ears over the last couple of years with strong releases on labels such as arts, orioni and circular limited. he now joins pfirters imprint with his superb signals from space ep. exoplanet war sets things in motion and is a stylish, entrancing tune, which, if it wasnt for its intrinsic energy and power - would border on the somniferous. next up is signals from space, a tough, brutal and percussive workout, punctuated by dark, organic synth stabs. this track builds and rolls along in a way dancefloors will love. unknown shadow is a powerful, stripped down merciless lump of peak-time techno which cleverly blends atmosphere and hard hitting percussion. the final track - the superb hyperion, is a 6 minute, deadly exercise in pushing intensity and tension to (and sometimes beyond) commonsensical limits. this is mindtrip music!

although the artist has spent 2015 honing the discographies of his other projects, “ravers” comes after a silent year for the d. carbone moniker which in turn gives it all the more impact. the “class of ‘87” dj and producer’s first mini-album is dedicated to everyone interested in the ecstatic sounds of 90’s rave culture. on “ravers”, d. carbone distances himself from the functional perception that techno indicates a fairly narrow tempo range. instead, he approaches it more freely by returning to earlier formulations.

new york coterie sheik ‘n’ beik line up the next 12” in a string of successful releases including legowelt & xosar under their now defunct xamiga guise, jeffrey scott and label owner rechulski. enlisted for their 7th record is the japan based mister saturday night and 1080p affiliate keita sano. with a strong affinity to analogue sound and old school audio processing, sano renders personal mind-maps in his work - eclectic and off-kilter productions shot-through with warmth and propelled by potent drums. his latest offering for sheik ‘n’ beik is one fans old and new will relish: a series of 4 warped excursions showcasing sano’s refined and idiosyncratic studio techniques. ‘bypass motion’ kicks things off with a fizzing 909 and a loose-limbed bass pattern set churning under brisk, steely atmospheres. dense in the low-end, ‘child’s play’ then follows up with a hard-nosed groove carried by horror-movie sweeps and distant computerised vocals.

australia’s deep street soul, since signing to freestyle records in 2008, have earned a reputation as being right at the grittiest end of the hard funk scene who made a big impact from the outset - with even the mc5’s wayne kramer saying that their version of kick out the jams “... is the greatest version of the song ever recorded!”. from their debut self titled instrumental long player, to the 2011 follow up look out, watch out (and the addition of vocalist mighty may johnston) this band have grown, matured and honed thier songwriting skills, as well as maintaining their rare ability to really capture the essence of the original raw funk & soul artists that inspire them. 2016 sees them return with this quite spectacular new collection. whilst the diamond hard, driving grooves remain undiminished, there is also no doubt that the bands song writing has developed to an equally assured level. case in point is souls come alive - from monique boggia’s wurlitzer electric piano intro, the blistering horns and may johnson’s simply exemplary singing - the songs instant appeal will be lost on no one with an ear for genuine organic soul music. come alive also features guest vocalists joshua tavares and kylie auldist - come alive is deep street souls finest work - no if’s, but’s or maybe’s. it s a done deal.

heeeeeeeeello everybody! i know this is everybody are waiting for!!!! all same as usual. limited press & no repress as you know. please can you send your order as quickly as possible. i will fulfil the order by the order date so if you want to get full qty, please send order early! ell...now a non-invisible visits the snaker library,-mood hut(mh), a canadian pacific musician collective / label / vibe etc-although made from 8 different producers, in flexible combinations and otherwise solo, consistently maintaining“that- sound. mh shows us through 360°+ dimension of their unique character in this #007. the package includes 10 synthy, drummy, funny, moody, spooky ...y, y, tracks, from their un-archived stock. smoke it softly and breathe with it deeply. highlights include the smooth touch of j. jutson, the love from l. butler, spiritual, the badlands by i. wyatt, smokey perspective by t.matt, hard punch by d. reynolds, funny guy c. thiessen, nice colors of green by mustone, the untouchable e.a. wilson and the belated disco mantra from chris wang.

after rebolledo’s successful debut album super vato (cÓmeme cd lp 01) from two thousand eleven, his highly praised mix cd momento drive (kompakt cd 117) from two thousand fourteen, and all-around mayhem during his adventures as one half of the pachanga boys, xalapa s finest returns with his second solo album mondo alterado: a recollection of moments and experiences from recent years, colorful mnemonics encompassing the brightest and the darkest. the result is a kind of soundtrack for a movie that doesn t exist, a sonic journey designed like a mixtape that faithfully reflects rebolledo s background as dj and producer. nine tracks connect for one overarching narrative, sharing elements, motives, details, as they blend together. the artist s signature can be found all over the place, roaming between straight, rock-drenched drumming, sinister atmospheres, raw synth textures, exciting peaks and foggy bottoms - but always following the kinetic flow and relentless drive which are such a big part of rebolledo s compelling charme.

the usual concept. an evergreen techno style tune and a hard dirty remix from endlec. no-frills just techno.vinyl release only, limited edition 100 copies onlymastered by black monolith studiosupported by truss, perc, truncate, samuli kemppi, alessio pili, jonas kopp, alexander dniel, maks, astronomical telegram, mental resonance, aymeric g, biemsix, bosh, datura dilema,mirko, tzx grinder, overdraw records, subsist, thomas hessler

liverpool is frankie goes to hollywood’s second and last studio album, released in october 1986. it would be the band’s final album of all-new material, and lead singer holly johnson would leave the band following the corresponding world tour.

monster beats, exclusive scratches, crazy metaloop… not only for dj!

hard hitting, 1990s ebm leaning, classy techno banger

distorted, acidic, superb hard techno ep w/ 1990s ebm inspiration

with songs for tova dolly introduces a brand new producer called afik naim. this rough diamond was pulled out of a cave near jerusalem. he has a cinematic experimental take on what you would call techno but he is rather hard to classify to be honest. exactly what we like, somebody who stands out with his typical sound pallet! another perfect player on this songs for tova team is the never disappointing kassem mosse with a killer remix to wrap up this high class 4 tracker!

chris moss acid returns to don t for a follow up to last year s the acid that ate bournemouth !
limited copies.
chris moss acid returns to don t for a follow up to last year s the acid that ate bournemouth with 4 tracks of blistering proportions. the joker is a twisted and squelchy hard nosed house/techno hybrid that punches through a sound system, while pumped up mf nestles coyly between ghetto/booty and acid with a suggestive bassline ripping things apart. on the flip, more mayhem with dp acid which is as derranged as they come before the ep closes in magnificent style with elektra , electro s answer to bohemian rhapsody.

w3c makes his debut on cold recordings, with a killer 4-track ep, showcasing the producers hard and uncompromising sonic.

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

support from todd terje, crazy p
from da vaults…nettles is a new series from red rack ems bergerac label which will focus on the more sample based end of things. tracks which have remained secret weapons for many years will finally see the light of day. this first release features music which was played by quite a few heavy hitters but sadly remained lost on the hard drive…until now… ‘bill george starts of as a super funky, cut up electro disco jam which morphs into the mother of all breakdowns before drifting into super deep detroit style house and then peaking back to the original electro funk vibes. a secret weapon for the likes of crazy p (who featured it on their beats in space mix way back in 2010) and one of red rack em most unreleased tracks requested for release , there s going to be quite a few people around the world celebrating bill george finally making it to wax. a 30 second piece of incidental music from a long lost german children s television series is extended into a late night disco jam timm which picked up props from none other than todd terje when danny extended it back in the hot coins edit days of 2007. another lost track which is finally seeing release…. ‘transfer list began life as a hip hop beat which ended up being such an epic opus that the full glory of the track had to be unleashed. once again a cdr classic for a trusted few. a super funky beat evolves into a kind of honky tonk vibe sort of on the kmd tip but with added poppy vocals. made in 2003

after putting out a string of brilliant singles and ep s in the past few years, slavaki is up with his first artist album. it s hard to believe it s taken him 7 years since the first release, to come up with the idea of releasing a full-length. no wonder, tracks have gotten time-tested, and have been carefully selected out of over 10 continuous hours of material written in the period between the year 2011 and 2015. out on artist’s home label elusive at the beginning of 2016 on limited 2x12 inch vinyl. this album is another peek into slavakis ever-expanding chest of musical treasures that never seems to fail to surprise.

prosperoh releases his debut ep with eveil. material carefully extracted from long lost hard drives finally comes to life. prosperoh’s universe is moved by an inner strength which runs through his icy leads, with a sweet sorrow pervading his collapsing pads.

hvnx is a new hivern sub-label focused in concept eps and mini-albums from artists in the label’s orbit. the series will be a platform for more adventurous sounds, with a special accent in techno and hard ware jams. every release will include a photocopied inlay with a mood board of the artists inspiration for that release.

fall into a dream state, leave your body, here we go… fresh from launching his 909 til infinity with option 4 and storming bpm so hard he was identified by pulse radio as one of the key breakthrough acts of the mexican festival, manik returns to ovum with more visceral, physical slabs of straight-up tech funk.

ever evolving dutchman a made up sound is back with a new ep on delsin a whole six years after his last. here he proves once more why he is so vital across four cuts of heavyweight technosoul. thin air pairs fast-paced 4/4 beats with stormy layered pads, all coalescing into affectional yet powerful techno grooves. in typical amus fashion, with its swung drums, sampled chordlines and flanged percussion it s simply hard to categorize but easy to love.

bart skils fifth drumcode offering comes in the shape of black vans. a high energy, full force, three track ep of powerful techno, he showcases his skills to produce three tight and solid tracks. layering the ep with samples, synths and hard hitting drums, the three tracks create an emotive journey that proves bart skils is still on top of his game.

following on from their hard hitting previous release quarantine , east london s phil passera & chieka ononye deliver their 4th release as payfone on new york s golf channel recordings. a side catholic central emerges from a dark street corner to bloom into a moody synth and bass heavy rhythm, before colliding with a disco riff that could have easily been borrowed from the master tapes of late 1970 s atlanta outfit brick. featuring the vocal style of argentinian pia gonzalez antar, who in confession recalls the dark dynamic of a relationship with a previous lover many years her senior. the room shaking b side comes courtesy of d marc cantu s haze mix that delivers a pounding late night electronic soul voyage. cantu has been releasing genre defying records since the late 2000 s, and performs as one third of jakbeat super group x2 alongside traxx & jtc.  golf channel every time !

the motech label has been building a high reputation of late but it’s actually been three years since co-owner, detroit’s dj 3000 (franki juncaj) released a 12 inch of his own. putting that to rights, he delivers take me away, due for release in april and featuring a deadly remix by truncate. the original version of take me away is a deep and hypnotic builder with a relentless groove that stands astride detroit techno and tough house, a style that dj 3000 has championed over the years. truncate is the alias of audio injection (la’s david flores). his remix ups the tempo and adds an infectious vocal cut-up, turning take me away into a raw, hard-hitting cut. the truncate remix has already been picked up by eats everything for his new fabric mix, out soon, as well as receiving early support from dave clarke on his white noise radio show and ben sims on the october edition of run it red.

here at bearfunk we have been pretty busy as of late it was a casual visit to geneva just like any other. we had just finished a buzzing set and soon after we found ourselves talking to a five bearded academic types. it turns out they were a bunch of theoretical physicists out on a cosmologists night out. they work them hard at cern and that day the large hadron collector had been a real beast rebooting five times before lunch. they were pissed off and needed a new challenge. we offered them a job on the spot and they promptly moved to our london hq working on a wage of tea, vinyl and nandos. we set them a challenge. build us a time machine! they started soaking up all those bearfunk-groove-boson particles and. you know what? they did it! a time machine of our own. our first task, jump back in time to 1985 and retrieve us something really cool. set controls to the manhattan office to celluloid records. fresh from their hit with herbie hancocks rockit, spearheading rap with fab five freddys change the beat and afrika bambata stompers the legendary label is preparing to release the debut album from nyc-paris emigre lord funk.

record store day 2016 rules apply dance mania records releases for record store day, len faki s edit of parris mitchell s rubber jazz band, unreleased on vinyl until now! the classic track rubber jazz band is from parris mitchells 1994 life in the underground double 12inch, with an even raunchier sound then before. also, featured on the b. side is a rare hard to find track, computer. get your copy while they last. this 2 track 12inch is limited edition.

it’s not easy to create something that sounds epic and yet doesn’t veer off into cliche-riddled pathos, which is why the latest release from gaspard de la montagne hits so hard. it’s perfect.

italian artist fabio monesi has been busy these years working hard in the studio while also running the wilson records label among his other production projects. here we get three tracks of no nonsense party jams sure to burn the floor. from acid storm to palladium, all bases are covered on this ep with big basslines, punching acid and well placed samples chopped just right for you and all your dj needs.

leibniz takes no prisoners for his return to shtum. his new ep sees the leipziger by choice in best form. harsh but fair. -grind- is a masterpiece in the matter of building up tension with only few but proper elements. amen to that drumming and when the strings come in the dance floor is probably already burning. -foolish- is no less effective with its ultimate kick drum action and the way the pads are manipulated. romantic leibniz. on the flipside you get the vibrant -this is- in two versions. the -brecht mix- screams rave in capital letters with the bleepy synths and hard snare drum while the -scuff mix- trawls through dark and unearthy techno territories. no-nonsense music.

seb zito is an essential piece of the fuse jigsaw and his flat 1 ep sees the london based producer continue his ascent with his most dance floor focused tracks yet, harnessing the spirit of london s halcyon tech-house days. the vinyl only burnaby kicks things off a blissed out wiggler of a groove, the tracks b-line undulating throughout the track to give a real sense of character whilst holywell slams hard with its thudding kick and rampant percussion

after 19 years in the game, techno veteran jens lowtec kuhn is still going strong. while he s recently been in a nostalgic mood as reissues of early material prove kuhn is still capable of producing fresh, high quality material. there s much to enjoy about this first ep for new malmo label blundar, from the loud tape hiss, spooky melodies and weirdo ambient dub intent of track 2, to the moody, early autechre throb of skam-ish closer track 4. dancefloor-minded thrills come in the shape of hypnotic opener track 1 all unsettling, one-note chords, restless rhythms and distant electronics and the hard-topigeonhole madness of the schizophrenic track 3

kova hits hard with its first release presenting the legendary finnish producer marko laine. raw ep is intense and ruthless three tracker introducing distorted techno bangers, defence, raw and dawn.

ashworth concentrates on the essence of solid techno in his first full ep for made of concrete. inspired by the main component of concrete itself, the material is intitled ‘portland’ and consists of no less than four original tracks. “world” makes for a gentle introduction by opening with a soft melodic lead, swiftly changing the tempo after a few measures. we’re quickly immersed in a syncopated bassline peppered with whirring synths that harmonise with full scale piano cuts, the most intriguing earworm on the entire cut. on “launch” the producer lays down hard hitting techno drums from the get-go, setting the foundation for a tense atmosphere. ashworth’s signature move quickly ensues, as he manages to inject emotion through synths and piano pads into an otherwise tense and anxiety-ridden ambiance. toning down the graveness of the previous tracks’ mood, ”mineral” reveals a surrendering groove, with a stripped down, minimalist approach, where the melody is assembled with the help of industrial elements, emotive bleeps and electric glitches. ashworth’s experimental edge is evident in the final track “scatter” - the sub bass lead creates a morose atmosphere paired with low-key synths and mechanical loops. while the first two tracks showcase ashworth’s ability to instill life into solemn techno soundscapes, the second half of the ep successfully exhibits his edgy experimental side, adding up to a heterogenous release.

das japanische kult-girl-trio nisennenmondai hat nach einer kollaboration mit electro-dub-produzent shackleton in 2015 sein neues album mit dub-legende adrian sherwood aufgenommen und entwickelt sich damit von einer noisey no-wave-band weiter in richtung organic techno. zu ihren die-hard-fans zählen die battles, prefuse 73 und chris & cosey (throbbing gristle), die internationale trendpresse (nme, the wire, dazed & confused) lobt sie über den klee. dank sherwoods teilnahme gewinnen winzige rhythmische details und subtile dub-elemente an bedeutung, die erinnerungen an den klassischen basic channel-sound wecken. die internationale ausgabe enthält zusätzlich zwei live dub mixes, die sherwood in tokios unit club mit zahlreichen effekten live aufnahm. diese liegen als bonus-cd bzw. dem doppel-vinyl als download-code bei

good things come to those who wait. the long-anticipated land of light debut, a masterpiece of an album and pillar of the esp institute, was unveiled in late 2012, slowly followed by the gorgeous remixed ii. since then, many have longed for the missing first half of this two-part package, the universe is kind and has finally delivered remixed i. on side a, kuniyuki takahashi (mastering engineer behind seminal esp releases, and legend in his own right) took the bull by the horns remixing flares—a piece of music so entrenched in melancholy, with such fluid performance and production, its hard to imagine anyone taking it deeper—he has unarguably triumphed. on side b, esp institute veterans tambien rose to the same challenge with flares, the bavarians taking a refreshing uptempo approach, a contrast to the swells of guitar and synth. closing the release is the seahawks blissful re-imagination of bell rock outpost, slowly and steadily setting sail into a dusky vision of the scottish lighthouse after which the song was named.

vincenzo maurices debut ep is a four-tracker, covering the range of hard hitting & distorted analog techno including a sturdy acid tinge while on the b2 we have die roh who delivers a perfect remix to bring the record back to its shaky shaky house vibe.

josh butler returns with the second installment of the kahu series kahu has become a concept that has allowed josh to explore areas of his taste outside what people may expect. the tracks draw influence from tribal rhythms but are manifested within a hard, yet stripped back, minimal style. this limited edition vinyl-only project showcases a darker side to the underground house josh butler has become synonymous with.

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

2016 repress with bonus 7- containing exclusive dj slugo remixes
one of the most eagerly anticipated electronic albums of 2012 is finally released! after a series of groundbreaking singles: pain in the ass, im week and ghetto kraviz (featured here) muscovite nina kraviz is set to release her eponymously titled debut artist album on radio slave’s superb rekids imprint.

italian rudeboy ivan iacobucci brings his brand of lowdown funk-influenced tech house to apollonia with this sterling three-tracker. over two decades of hard work and dedication to his craft has culminated in ivan’s untainted reputation and widespread respect within the underground from true heads like zip and, of course, the apollonia boys. his love of jazz in evident throughout this ep which is full of subtlety and depth, pulsating b-lines and smooth chords are interlaced with razor-sharp percussion and delicate keys. the first track ‘old in on’ has a laid back, though driving, groove, pushing forward with a hefty bassline that is perfectly counterbalanced by the light twinkling keys and barely-there pads. ‘scris frumos’ encapsulates more of an ominous, tribal feeling with intricate effects trickling through every pore of its deep, dark exterior. its atmospherics keep you intrigued, voices echo in the background and a few moments of softened chimes really intensify the already mysterious vibe. ‘mini ass’ channels more of that electro-funk that forms the foundation of ivan’s love for music, haywire radio pulses prance around stuttered beats, giving it a slightly cosmic feel, while pipes add a more organic nuance to the track. absolutely masterful work from ivan, and another inspired addition to the apollonia catalogue.

evod music returns with his 2nd vinyl release, with an innovative collaboration between evod and oisel, that generated an unique sound, based on hard grooves, and accurate consideration of sounds details. the fusion of artists ideas turns out to be a rare combination of sonorities, that express themselves in different forms in each track, but always render the sensations of artists and their personal vision. long reverbs, amped grooves, sharp sounds and ambient noises are the bases on which evod and oisel realized this ep.

amin peck is an electronic studio project, contaminated by the new wave from u.k. like most ’80s electronic bands. amin-peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. amin peck were an italian band leaded by giorgio fioroni (aka george fyron, arrangements, production, vocals) with leonard parker (arrangments, keyboards) and max marne (production). incredible but true, amin peck started as hard rock guitar band in the 70s... and becoming one of the best examples of italo disco. this limited edition it contains full-length versions plus uncut audio material (a2) tracked down during tape restoration. (the first pressing coming from 1982 was pressed only on 7inch in u.k.)

hypercolour proudly announce the latest long player from uk stalwart, ed dmx aka dmx krew, the visionary british electronic producer who has been responsible for a slew of excellent releases for labels like rephlex, spectral sound, permanent vacation and his own breakin records and fresh up records since the mid 1990s. you exist is dmx krews debut appearance on hypercolour, and as expected the record features nine tracks of beautifully crafted, melodic electronic sounds.