sofia is not only a capital of bulgaria

the 1969 james brown performance from augusta, ga - restored, newly mixed, featuring unreleased and extended performances, rare photos and an essay. the 180 gram double vinyl is housed in a gatefold sleeve with download code included.

two rnb classic from the 60’s back on 7 inch vinyl.

two northern soul classics from the late 60’s back on 7 inch vinyl.

3 new tracks by eccentric japanese artist boys be kko. a1 oreinspotting is a floating track with a big bass line that keeps going - well produced as always. got type b is a track with a big intro and b1 home run bat, the title track, shines the way it’s arranged. all around, a great ep with a 100% signature sound from tokyo, japan.

phat disco house , house of disco on vinyl vol 24

second longplayer from kjetil mulelid trio. the vinyl release includes a cd-copy of the album.

fantastic, summer ready package once again from hell yeah.

two r&b classics from the 60s back-to-back on 7 inch.

incl. strong kon edit

2019 repress incoming!

chris remo’s soundtrack for the video game “gone home”. remastered and limited 5th anniversary edition on lavender dawn vinyl.

ltd 10-inch, 180 gram heavyweight vinyl - it contains a previously unavailable alternative version of home feat tina dico & a 1st time available on physical format: remix of somersault by danger mouse feat. mf doom & sia. both tracks were originally taken from the bands 2nd album when it falls.

limited repress! vinyl only. incl. nobody home (minilogue) remix! mega hypnotic 4 tracker. reshape philosophy is to carefully select unique artists with there own signature sound and personal story through frequencies in which each ep takes the listener on a journey. with the intepretation of 2 remixes we combined two legends from scandinavia with ther own respective sound interpretation.

a compilation of early boston reggae from 1979 to 1988 on double vinyl.

the incredible debut album from barney artist finally available on vinyl!

volume 21 with the label boss himself

das beste der bremer platt-rapper als doppel-vinyl im klappcover.

incl. ypy remix

left hand path presents the debut album of oakland based producer russell e.l. butler - an exploration of techno and beyond on double vinyl.

blue coloured vinyl

taken from his critically acclaimed new lp long way home, lazy days s main man invites three a-list producers to revisit some of the highlights from the album. andre lodemann & fabian dikof give by day feat. sio a techier and deeper mood. perfect for those late hours of the night. ian pooley brings his classic sound to silverlight featuring jinadu while lauer explores the balearic side of wherever you go. there s also an additional reversion of by day by fred, taking the track in completely different world than his broken beat original.

slamming prescription styled deep house

more organic, summer-tinted groovers from nz duo dj kush boogie. proper miniature punchy drumwork puckering a carpet of warm soft chords and casio sampler vocal chops. real diy bedroom house for the heads. essential grip from the lobster secret stash!

official remastered, reissue of two of esther phillips’ breathtaking covers from the early ‘70s. firstly, esther’s cover of gil scott-heron’s timeless masterpiece ‘home is where the hatred is’. a haunting tale of addiction filled with the rawest of emotions, that can only truly be covered by someone who has fought that same battle with dependency. the pain in esther’s voice completely conveys this vulnerability and does gill scott heron’s original total justice. heart-wrenching and completely absorbing in its honesty, it’s a sincere portrayal of the demons both artist’s faced in their lives. on the b side, an adaptation of eddie floyd’s ‘i ve never found a girl (to love me like you do)’. phillips’ trademark soulful tones suit this sweet serenade so well, with the passion oozing from every word she sings. sit back, relax and prepare to have your heart melted all over again.

boogie café enlist the expertise of goshawk & erik rico to provide the goodness for the next instalment in their boogie café black series. the home e.p. houses four versions of the title track with side a serving up a piano vibe mix, alongside a dub mix for good measure. the vibe mix layers a bassy, bumping piano line & erik s rnb flavoured vocals behind a shuffling beat before a soulful flute line takes centre stage. on a slightly different tip the dub mix drops the flute in favour of echoed out stabs for a sparser and tougher aesthetic, readymade for the dancefloor. flip it over and the percussion vibe mix adds in some choice congas and bongos, combined with sustained organ-style synths and jazzy piano chords, creating a more summertime soul style to the track. the fourth and final dub mix sees goshawk use erik s vocals in short but sweet snippets, adding extra atmosphere to the track but allowing the piano and percussion to lead the way.

australian group retiree return to rhythm section intl in 2018 with a new record house or home. the musical project of matt crowley, tori holleman and marco vella retiree have steadily congealed their broad influences into a unique emulsion of strongly rhythmic and emotional music. from two releases, theyve been described as pared back 1980s comfort pop for all occasions, having a whole lot of criss-crossing rhythm containing swirling synth flourishes, languid wistful vocals and strutting drum machines. the albums songs explore the theme of house or home and what that means in present day australia for different people. they journey from an aboriginal tent embassy on the south coast of new south wales, a retirement village, a one room flat in ringwood and a sleepless 17 hour stop over in malaysia.

over the last decade andre lodemann, a regular in the worldwide underground dancescene has released on many prolific labels incl. freerange, room with a view, dftd and innervisions. come 2018 lodemann is now releasing his album the deeper you go on his own label best works records. he started working on it in 2012, taking his time for his emotional artistic approach with a lot of attention to detail. the album successfully walks the imaginary spectrum of deep house, tech house and techno also taking dives into other waters. where his previous longplayer fragments was a compilation of past works, the deeper you go is his first artist album containing everything a listener would want to hear both in a club and at home. you can feel that the tracks where created out of the same mold. theres a mood, a common thread and a story through the works.the album is dark in a subtle way and yet has that positive vibe and aggressiveness to it. the deeper you go is mostly instrumental with two features by the british singer and songwriter huw costin, bandleader of torn sail.

as well as manning his own label duro, theus mago can be found slinging out heat on turbo, kill the dj and more recently ombra. the mexican producer returns to home turf for his latest transmission, serving up one original track with two killer remixes. -inertials- is a rowdy beast in its original form, tapping up a breakbeat roll, dirty wave synth stabs and plenty more sonic debris for a cut that spans a whole lot of styles and makes them gel together seamlessly. inigo vontier takes the original and makes it into a bone-rattling drum track to batter the crowd into submission very late on in the dance. jamie paton takes a different approach on the b-side, weaving a little tenderness into the mix with some elegant synth lines that offset the raw bite of the drums beautifully.

back to the roots: the critically acclaimed and reggae/dub-affined white-label ‘war’ series returns. founded in 2007, the imprint has procured sought-after outings by artists such as j:kenzo, matty g, noah d and roommate among others. breaking eight years of radio silence, the legendary imprint is at it again - 2018 marking the year of the imprint’s fulminant return. in the sonic spotlight: the vital aspects of jamaica’s reggae characteristics coupled with its contemporary dubstep counterpart. exclusive business, as each release is being kept strictly vinyl as well as limited to a single-time pressing of 500 copies. for sound system heads & vinyl collectors alike - be sure to mark the 24th august in your calendar, ’war020’ is about to detonate.

parallel berlin head daniela la luz returns to her home away from home, housewax with a few friends to rework her modern classic, -did you ever-. originally released in 2014 -did you ever- was an instant classic amongst decerning house heads, but it was when detroit legend, moodymann dropped it as closing track on his dj kicks compilation the year later. the light well and truly spun onto la luz and her sublime approach of house and techno. now to kick off 2018 housewax have invited virgo 4, dah ruh and cinthie to offer their spin on -did you ever-. together they each offer 3 unique takes from house to deep techno, yet managing to stay true to the soulful flavor of the original.

the mysterious love drop continues his homage to the classic raw sounds of days gone by as he drops an anthemic and pounding slice of house music for home taping. with his trademark moody grooves and heavy delays he builds a vibe which is guaranteed to set any dance floor on fire. keeping it raw and proper with a generous pinch of soul and more than a touch of badass, love drop just moved things up to the next level. less is definitely more as he destroys the floor. on the flip, dicky trisco plays to the emotional strength of the original and delivers a highly polished heads-down, dubbed out version for the club. while rising star of the scene dan shake raises the tempo and treats us to a raw and funky workout to complete a very fine package indeed. free your mind and love drop will follo

here it is ! the long-awaited new lp from former dubtribe soundsystem shaman sunshine jones far from basking in bay area bliss, sunshine has been busy redefining his organic approach to music making and sound synthesis into a rich and textured fresh take on the house blueprint - best realised in his elaborate & ever-evolving live shows. assembling these improvised pieces into a cohesive whole, that might well just be the best vinyl based representation off a full night out you re likely to hear this year. from the emotive opener to last year s anthemic fall in love, not in line closer, home represents the fluid but refined garden of sound that s grown from dubtribe s rich 90 s foundation. the artwork on this splendidly presented gatefold lp is a photograph of sunshine performing live at the garden party in san francisco by the holy mountain, the collage is done by sunshine and the design is by fernando_graphicos. accompanied by detailed track notes, with all equipment used to make the record alongside sonic schematic. man and machine aligned for total transcendence ! single gatefold lp

psychedlic electronica on this new fututibile release (sublabel from periodica). icio omeghas psyco cruise is a collection of songs and private recordings made between 1984 and 1991 in his studio on the island of stromboli. icio omegha, formerly known as maurizio aghemo, is a guitarist, a sitarist and keyboard player who was a member of a world music band active in the late 70s (uco, universal condition orchestra). maurizio today is a record collector and painter who runs his art gallery in stromboli where he exhibits his works. currently engaged in the assembly of a modular system, he continues to produce experimental music on the island. over the years, he has explored various musical genres, from ethnic music with an indian flavor, up to the typical electronic digressions of the mid 80s. the only available source of these recordings are original cassette tapes from which futuribile made this selection. a small selection with pieces that best describe his artistic career. the audio was cleaned, re-mastered and edited to make the best possible presentation of these unique recordings of icio omegha who is finaly able to share them with the public. recommended!!!

prolific and long-serving canadian producer fred everything is never one to rest on his laurels, but it s been no less than 10 years since he last released an album (the classic lost together on om records). now he finally returns to the long player format on his own lazy days label with the appropriately titled long way home, a widescreen exploration of his sound via all manner of styles. there s gorgeous broken beat and neo soul, slow-strutting electronic disco and modern boogie, and that s just the a side of this expansive 12inch track album. warm, immaculately produced and unafraid of embracing pop as much as underground styles, it s a masterful return from mr. everything.

first pressing of 750 individually numbered copies on orange marbled audiophile 180 gram vinyl.
the ghanaian afrobeat band osibisa released their sixth studio album welcome home in 1975. since their formation in 1969 they played an important role in bringing the world music to a bigger audience.

with the split ep, the fourth release of their own label rapid eye movement, memorial home and vii circle head the way with two original cuts both and sign another stunning dark and hypnotic techno odyssey with a strong emotional pattern.

tony clarke did his first recording in new york in 1971 at hugh hendricks recording studio called -righteous man- of which he played both bass and lead guitar. tony clarke decided to write the song “going home” to reference the roots of his music. in those days and even now good reggae music that was being recorded in the united states was not receiving the approbation from home because, in jamaica they felt that the best reggae music could only come from and be created in jamaica to substantiate the true feeling of the genre. so he decided to go back to jamaica and record “going home” at harry j studio with sylvan morris as engineer. he also recorded the cover version to “hey little girl” originally done by dee clark. for this 12 vinyl edition, the artwork was done with a vintage photo of tony clarke in front of his house at waterhouse and extended liner notes on the back cover.

2018 repress - bicep make their way home to feel my bicep records for their first 12” on the imprint since their collaborative ‘dahlia’, recorded with hammer, back in september of 2015. fmb006 is a notable addition to the label - a reimagining of blaze’s seminal recording ‘lovelee dae’ - originally released on classic back in 1997, before a string of subsequent re-issues and remix packages on playhouse, true and urban tracks that included carl craig and 20:20 vision. the remix was originally designed to be included in their essential mix in 2014, but a lack of space has meant that its pressing on fmb is the first time it sees the light of day. using ralph lawson and carl finlow’s classic aforementioned acapella version as the basis of their work, the bicep lads ensnare an air of swooning euphoria in their remix that stays true to both their original productions and their dj sets. shortened vocals suffuse galloping 909s and a gleaming synth riff that certify it as a festival fail safe

osaka based producer 7fo. having previously released a cassette on rvng international, and a 7inch single on bokeh versions in 2017, this is the japanese producers debut full length vinyl release. the tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time. the mysterious figure recorded the tracks at home, processing guitar sounds, using a sampler, synthesizer and junk equipment. following in the footsteps of the ambient giants of his native lands, 7fo’s music continues this illustrious heritage whilst offering something fresh, modern and beautifully rendered. he describes his own sound as gorgeous sustained tones and dreamlike oscillations that drift through the inorganic/electronic world reverberating through our subconscious creating sonic fables in our minds. the 12inch comes with artwork designed by label head & visual artist jack hardwicke. to accompany the release greek filmmaker george kountouras, who also collaborated on the artwork, has directed a gorgeous video for the title track moment

2021 repress! after a short and reflective hiatus for danse club, nobody home a.k.a minilogue re-opens the catalogue with a very special vinyl-only ep, ‘remains of earlier temples’, including remixes from skudge and label owners austen/scott. the ep reflects a maturing of the label into something more considered and spacious yet still effective and aimed primarily at the dance floor. it s all house and techno.

way back then home taping dropped a release by an anonymous act called klic that turned out to be another moniker for a medlar production. now the imprint re-launch the original alongside a couple of mighty remixes by the tuff city kids in both acid and garage modes plus an extension and rework of the original vibes by dicky trisco that pushes the proper deep house meets disco button. all the remixes sit nice and proud alongside the still shining brilliance of the original cut

(1 x solid red 12 in 350 gr colored uv varnish sleeve with black paper-sleeve with download code included) the black heart rebellion wrote an alternative soundtrack to the 2015 ana lily amirpur movie a girl walks home alone at night.

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

slamming franck roger house release

debüt-ep für suol des in berlin lebenden chicagoer produzenten indischer abstammung, snad aka shyam anand. schon der titeltrack verweist auf eine musikalische karriere, die drei kontinente umspannt: von goa über chicago bis berlin. eine kombination sämtlicher szenespezifischen elemente macht den einzigartigen snad-sound aus.

this is a great sophomore effort by this scottish outfit. the singer has a unique semi-quavering voice with a melodramatic quality that suits the music and would equally suit him on stage in a musical. some songs are aggressive but with a dark hue. opening cut -a leaving song- finds sutherland carving his way through jangly and buzzing guitars set to a skittery beat with a touch of the theatrical. closing is -home-, a forlorn ballad with sutherland delicately pleading -please let me come home-, elegiac and sweet.

2018 repress!
satoris latest album in between worlds gets its second round of remix treatments. first mix is coming from satoris good friend and former release partner el mundo who turned compulaire into a hypnotical tech house version. second is just emma and the duo made a perfect dancefloor suitable mix of ink & orange sky, likewise britta arnold did this to compulaire and spiced it with a acidish bassline. norwegian duo of norway have chosen tuti and mixed it with groovy and relaxed beats perfect for the morning after hours. for the way home alexander christians remix of ehsan is the best companion. last but not least we have joney who turned pink & orange sky into a powerful crossover mix omewhere between broken beats and electronica.