chilean born dinky is a long standing resident at panorama bar. her warm, technical house sound, underpinned by intricate rhythmic and harmonic elements is a much loved staple of the scene. >take me< is a wonderful meeting of thuggish house and soul-infused, feel-good energy. a surprise break leads to unexpected vibes and a brief encounter with some rhodes keys action. >polvo< is a psychedelic ride through more cerebral moments, possessing the power to truly lock you in. the extended passages of this breezy, garage-house hybrid just highlight dinkys instincts for dramatic timing.

taken from trentemøllers new full-length album, ‚into the great wide yonder, a stunning achievement in modern production and cinematic songwriting, >shades of marble< has been reworked by the man himself, along rising artists kink and kasper bjørke. trentemøllers dramatic, edgy and daring remix of his own string drenched opus is nothing short of breathtaking. leaning towards dancefloors with an appreciation for epic qualities, this expertly constructed re-think will surely be heard well into the festival season. the inimitable man from sofia, kink rises to the challenge of remixing shades of marble and does so heroically. the pleasing result is a tough, chicago meets berlin jack-jam that leads to tripped out and freaky moments in the break, until his trademark drum machines do the rest! finally another bright star of the danish scene, kasper bjørke, has his say with his deeper and more low slung remix that leads the listening into satisfying late night realms. full of funk and melancholy, this is a welcome treat for fans of bjørkes characteristic productions.

if the eyes would be the mirror of the soul we could easily know others. but that may be not true so this is the aim of giorgio gigli and obtanes >the incredible tale of secret journey through your eyes<: penetrate your eyes and reach your soul and subconsce until we know your truth. psychoanalytic claims this time for zooloft, opening with an upbuilding, dramatic techno anthem, telling us of a true love on the hills. on the other side, geophones master mike parker delivers a pulsating and acidic techno driver where heart impulses are generated by a disturbed soul, creating spasms and panic feelings. the ep get closed by a strongly romantic drone track that tells us love is still the only way-out.

2 tracks by daniel mehlhart oody, melancholic, epic and dramatic. supported by: ivan smagghe, m.a.n.d.y., gregor tresher, secret cinema, markus kavka, gabriel ananda, marcel janovsky, kiki, luke solomon, pig & dan, bloody mary, dj sneak, matt star, steve lawler and more

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

first release for toffler music entertainment, an idea by italian producer stefano. this release containes 2 original mix by label owner stefano. west is a melodic dub techno track, dark atmosphere and dramatic rhythmic sytnh line introduce heavy filtered chords. nite call is strange dance track, stefano uses more housy tools to perform tech groove, chord progression is the main theme. breakdown containes specialfx and euphoric vocal. west-quantec remix is fantastic dub techno track, pure dark and deep atmosphere, heavy filtered chords and modern arrangment. quantec is for sure the best dub techno producer from berlin, his sound is true inspiration for young producer. his experince over 10 years in music production of vinyl releases, is present in this remix. pure analog sound only for real vinyl lovers!!! masterpiece!!! nite call javier orduna remix is a cutting-edge tech house tune. javier add more tech house ambient in this remix. he uses dirty funky stuff to create a modern dancefloor track

following the smashing uk charts and radio with rescue me, skepta makes a highly anticipated return with new single cross my heart. the track sees skepta go hard? he splits serious bars about his life and success to date underpinned by dramatic strings, sweeping synths and a hard heavy n fast bass line. this second 12 has mixes from dj fresh hot on the heels of his massive gold dust fresh provides 3 killer mixes.

06hr-vinyl has seen strong support globally with many well respected and beloved djs playing the release, which includes the likes of richie hawtin, dubfire, cari lekebusch, anja schneider, todd bodine, 2000 and one, dj hell, and 16 bit lolitas. this year has seen hidden recordings make a dramatic impact in the world of techno with this release featuring remixes from ambivalent (minus), argenis brito (cadenza) and alexi delano (drumcode/adny/clink) and upcoming releases featuring remixes from in-demand artists such as john tejada, rene breitbarth, and dj qu, with many more lined up to close out 2010 and kick off 2011. additional support for our music has come from magda, troy pierce, craig richards, paco osuna, cari lekebusch, speedy j, stephan bodzin and tim xavier. the label has also been featured on carl cox global radio show, showcased on sweatlodge berlin and written up in time out new york, ibiza voice, big shot magazine and techno travelers.

deeply rooted house is proud to present >the many roots ep< by berlins own mike dehnert. mike is not only the resident dj of one of berlins legendary clubs but he also owns the excellent fachwerk label. this release features four tracks that are great examples of mikes diverse talents: starting with the hectic >timber framing< that delivers a pure raw and dramatic dancefloor energy madness. moving next with >the march<, an unstoppable stomping groove that djs will love to mix. continuing on the flip side is the deeper and haunting >deep routes< followed by the hypnotic >roots talk< that takes you on a mental rhythm journey

guti on a2 is the south american talent enjoying a recent boom with his post-tribal, neo-minimal grooves. he remixes >perfect stranger< into a roaring percussive journey, full of tumbling congas, dramatic fills and fx. its a heady, psychedelic mix for thelater hours!

>the voices< is the debut 12 inch from bobby and annie. drawing on their experiences as residents at the mint club, uk, the pair have crafted a versatile ep that sits as comfortably in a peak time set as it does on a hazy 6am dance floor. taken from a collection of vocal out-takes the voices have been cleverly obscured through various production techniques and layered around drums and old school analogue synth lines to unique effect. the results are two haunting, hypnotic, yet upbeat dj tools. the title track, >voices<, uses deftly interwoven vocal samples as the focus and driving hook. shuffled percussion takes a back seat amidst a discordant, attention-grabbing synth interlude that harks back to the playful garage sound of90s chicago house. the outcome is dramatic, intense and functional. on the b-side, >loose ends<, is a more rugged affair that gives the bass and drums centre stage. the vocals are pitched and trippily float in and out of the track whilst the familiar sound of fairlight stabs punctuate the groove. the effect is eerie, yet accessible, and rounds off this stunning ep.

finally, the live virtuoso olene kadar is back again with release #4 on his homebase mos ferry! not only the really massive kick makes the a-side >deal< a true stomper, that might put a smile on every detroit fans face also a guy called gerald would be thrilled! kadar uses common sounds and styles to stack his own unconventional sound-building - his own >house<. driving is probably the adjective that can express most accurately what constitutes the eight and a half minutes track with its funky organ chords. the b-side >sot:2< contains an equally virtuoso ass-shaker. somewhere between industrial aesthetics of the reverberated snare and the indefinable squawking sound its elements combine into a multi-dimensional piece of >club therapy< full of extremes. the unity of groovy kick and bass constitutes a high contrast to the vast extending percussion that moves at times in dramatic and absurd dimensions. approaching the drop, the almost out of control snare rolls and percussion drown any crowd in their own sweat dripping from the ceiling.

after his last storming ep on figure spc, young italian talent roberto bosco comes to figure with a new four track masterclass in rumbling, earth-shaking and proudly contemporary techno. berlin music city features the mysterious vocals of coppa, who leads us into the break of this heavyweight track with his deep dub-step flavoured drawl. funky, ecstatic and characterised by bosco s raw and crisp sound.more bass pressure awaits with sci-fi . a tough, sub-diven punch greets us from the outset, allowing a freaky array of static fx, tripping synths and meandering chimes to lead us on through a strange, imaginary city. suitably tough, crunching and close to the bone, no time combines bosco s clear love of tectonic beats with uplifting, dj-friendly arrangements. a devilish hook emerges from the smoke and steam, leading to a dramatic conclusionà. finally the industrial clatter of >after berlin< stirs up a rich dub-techno display in this surging, lively and essential addition to the package!

summer is on the horizon, peeps. its time to pump up those sounds. so open your box as sexonwax returns to the source. staying true to our name, our essence. presenting special vinyl ep for your aural excitement only. first up is the massive toon of four-track goodness, paralexia. feel our groove. really, what could be sexier? despite the name there can be no misapprehension of whats going on here. the patterns of omids paralexia see fractal flurries of melody sprinkled with insane piano tinkles. these ivories are driven upwards by solid synth gold and old skool drum builds. with a whirling breakdown that feels like a waterfall crashing over your head. it all adds up to a proper prolonged derangement of the senses. so much so that the party people of miami went ballistic when it was promod by sos during their set at dj mags pool party. check the link. show us yer shimmy! cos bites without teeth is more of a builder, folks. and if the beats dont grab n shake you in their grimy grip, then the wonky bass will. claps like a funker. phases like a wrong ‘un. builds like a bastardo. its food for thought… a bonus here from sexonwaxs popular april release in the form of lilly and poppy. except this time mr o brings a vinyl dub to the table: a reliable beauty with a dramatic and yet delicate bouquet >du jour<. in fact, its almost as epic as >the epic<! so there you go, guys. paralexia is a real package. boasting more beef than argentina, more heat than technotonics and more eruptions than iceland. all of em sure-fire floor shakers with an ultra-modern/vintage sound, best served with sunshine and a smile. feeeel the difference.

tel avivs yoav b is back! a welcome return for this maverick producer on delsin records. after some years of silence we are proud to present new material by dj yoav b. if you dont know any of his singles, then you might know him from his underground cult hit >energize<, which got licensed to mix compilations by ame and carl craig. this is fifth full length single, again in his own freestyle sound. >higher love< sounds like house done by a passionate liquor store, with its lazy house beats and dramatic synthlines. >love dub< is a more freestyle beat jam, whereas >soul surrender< has a gritty moving bassline. welcome back!

label boss fluen delivers the latest ep from barcelona label vinyl did it, and takes off with the title track, guayaga. warped marbles burble along shiny dance floors giving way to flashbulb lights as classic house percussion washes the room. soon we are sweating to a workout of layered synths and vocal hooks as the energy builds. a clean cut house vibe sure to sit well in a properly constructed set. the edit by youandme gets dirtier with some pop-locking stuttered uprock snare hits, head bobbing bass, and dramatic fuzzed chord stabs. vocals get snipped up diced with in background chatter as percolating random percussion and dubbed out drums fan the flames of this eyes-closed groove. ripped reversals give way to a main line that will have the drink stirrers throwing their hands up, with a final warm wash of smiling chords perfect for bringing a set to a close, or taking it to the next level! on the b side, give me mores spastic clatter forms the backbeat for this classy house slab, with sleek dubbed out organ chords descending into the depths only to resurface under a vocal call to action. a short break and an oldschool snare lets the house heads know its about to get serious. the hook of yeah! drops over a bouncing bassline, soliciting whistles and whoops from the crowd, with hi-hats and added organinc percussion fills jacking up the oldschool vibes

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

black vinyl repress !!! we are very proud to present ben klock first 12 inch on deeply rooted house: red alert has this very dramatic rush feeling a dark track that combines hyper funky drums with haunting dark sounds, while viscoplastic has a dark sleazy vibe that will get you!

after his big release on the clone loft supreme series, and great tracks on prime numbers and philpot mr dokes is back in the spot lights. here another intense three track ep with tracks that ll give you goose bumps all over. with his special way of programming, his dramatic strings and light piano play and shuffling house beats this is one of those artists with a special musical finger print that one recognizes out of thousands. a rare talent which puts more value on playing with his moods and emotions instead of aiming in straight dancefloor power. this 12 is building on what he started with the chicago pimp release... pure house tracks with a deep irresistible drive combined with joyful keys and seductive strings. some magic tracks from mr dokes!

the berlin-based dj and producer eva be is no newcomer to the international dance-music scene. 2 years ago she released her long-player >moving without travelling< on bestseven / sonar kollektiv records creating her very own trademark dub-influenced electronic sound. this ep is the logical continuation of her musical output as she has been djing quite a heavy 4/4 sound in the last years playing alongside best works records djs andre lodemann, roland appel and alex barck of jazzanova in places such as goa/madrid, cookies/berlin, dampfzentrale/bern, etc.
>new crack< combines an electronic dub driven bass sound with classic old-school house influences - dancefloor business. darko essers mix is more intrecate giving the orginal a more dramatic crystalline twist. last but not least andre lodemanns previously unreleased remix of eva bes tune >she walks alone< sees the light.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

red colour vinyl. we are very proud to present ben klock first 12 inch on deeply rooted house: red alert has this very dramatic rush feeling a dark track that combines hyper funky drums with haunting dark sounds, while viscoplastic has a dark sleazy vibe that will get you!

here comes a highgrade split ep. marcus homm and ludwig coenen share the honours on one record, and instead of competing for the glory, both producers compliment each other perfectly. markus homm, the global player, starts off as assured as ever with another great track. golden glow rolls towards a dramatic stage for hysteria. homm takes the listener in with a heavy and richly sweet narrative style. matches brings even more excitement, pushing forward with brilliantly entangled sounds that hit you more in the hips than the stomach, telling a tale of promise in the early morning hours. ludwig coenen, the man from infamous frankfurt, brings dancing into the realms of the zoo! with its not a zoo he manages to combine various sounds into a funky and functional harmony. the 2nd track mind your head breaks the standard mould and uses a broad sound palette to construct a new and unique field of maximum funk.

alejandro the argentinian fellow, also known for his monikas >funzion< and >e bridge<, released on lomidhigh, alphahouse and sushitech among others, presents us two energetic musical journeys for the meander imprint. this is warm and funky music, simply pure and rich in its dynamic, drive and groove. stunning and very ajejandros own style. the track selva introduces itsself with a temper didgeridoo eclecticism. followed by lush heavy sub basses with a dash of acid and wandering crispy sounds, his tricky rhythm programmings are blowing us away into dramatic dancefloorbliss. spiced up toms between high frequent synthesizers underline its constant presence. a melodic, organic and crafty piece of house music. on the flipside we have >pampa<. the obviously traditional south american influences of our talent merge with modernism, fluxion and frequency precision. an emotional trip that let somehow emerge images of dreamy landscapes while being still a dance orientated killer tune. with this record alejandro emphasizes his creativity as a standout producer for dense and powerfull creations

three track edits 12 on the infamous moxie label. on the a side theres >can the future be remembered?<, a bassdriven cut with an eighties feel and strings that gets intenser as the track progresses. the flip has >me on girl<, a minimal cut with hard edged arpeggio and dramatic strings later on. furthermore on the b side, theres the >11 miles from bloxham<. tip!

not quite one year after his exceptional album sworn, anders ilar is back with his new cellular memories ep. its four tracks could be regarded as a safe cure for uninspired strictly functional dj-sets. you probably wont find many records which are that packed with enchanting sounds and melodies, longing emotions combined with infectious solid grooves. from the dubby back to square one, over the minimal massive 808 kicks in hazard ahead and the dramatic but blissful clicky and groovy ulterior motives, to the stunning choral epic ocean sonata, cellular memories ep is a musical pleasure and another masterpiece and of course a must for fans of anders ilar.

big with: m.a.n.d.y., pierce, jerl, makossa, deepchild, mike stukes, djuma soundsystem, tiger stripes, martin landsky, dj t, diskjokke ...
leeds based audiojack stormed on to the scene with their chart busting single >robot<, back in 2006. since then theduo have stayed true to the leeds house institution that is 20/20 vision, releasing multiple 12 inches and an album over the last 3 years. one can only imagine how giddy we are to finally slot these nice young chaps for a release on get digital. anchored by a smattering of effects, quirky soundsand sliced up vocals - that even a sushi chef would bow in approval of – made it almost easy to crown >kicks forkicks< the a-side. although storming right from the get-go, it is the two break-downs that build up to reintroduce the beats that provide a dramatic tension effect, withoutsacrificing their credibility. a tune equally affective as it is infectious.

dubby deephouse with exotic samples in a similar style to ibadan releases!if hypnotic techno with dramatic soundscapes is your thing let the anthem >nil< by martino & enzo wash over you. the duo go global with >yanawe< that meshes subtle disco with indian infused elements adding an exotic flavor to the insistent groove. limited 200 pressing

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself

our man from up north, moodymanc returns on dessous with another impressive ep brimming with tasty drum dubs, lip smacking deepness and a sizzling remix from dplay & manuel tur. the entree tonight is omlette, a slow building exploration into the depths of moodymancs percussive, synth laden studio style. growing from reduced beats into a room filling perc-dub-house beast, complete with a generous side portion of crispy drums and club-ready high production values…! its a hynpotic, uk meets berlin lesson in modern deep house and were sure youll be hungry for more. stalwart deep housers dplay and manuel tur lend us their 5 star audio-cooking skills with a pumping and dramatic remix that lifts the energy to the rafters with its phasing synth themes and stacatto bass line. guaranteed for the floors, inside and open air alike, this stunning rework combines darkness and light in the unique and addictive way only this pair know how. on the flip we find talker (drum dub. reduced tribal percussion and intense spacial effects are the name of the game here as moodymanc lays down a must-have rolling drum tool that will no doubt find its way into the bags of more creative and djs out there… and stay there forever!

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

after martin landskys last bomb on poker flat, man high, he comes back faithfully with we are streaking, a tasty two-tracker rich in classic landsky synth-work, deep moody melodies and forward pushing energies throughout. title track we are streaking sends a warm pulsing sonic charge right to the core. rushing, phasing and casually dramatic, an insistent synth theme revolves at the heart of this timeless slice of driving electronic house. characterised by landskys experienced produciton hands at the controls, its a slow tweaking, extended cut that will take you back whilst keeping your body very much in the here and now. the sharp post-electro swagger of personal decay punches in time to the heartbeat of a generation. taking inspiration from those adrenal, early days of rave, landsky combines modern, fi nely tuned electronics with raw, dubbed and funked passages of killer proportions. once again a perfect driver, in classic style martin shows off all angles of his love for the beat.

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

nice price deal !!! a hugely influential figure in the french techno scene for the last 15 years, lady b (aka bruno gauthier) brings his acid house flavors to curfew. a child of detroit techno and chicago house bruno has released on some of the most significant record labels in electronic music history including luke solomons and derrick carters re-launched classic recordings, f communications, dj gigolo, boys noise, citizen records, and the hackers good life label.
le fil du razoir (the razors edge in english) brings a classic techno vibe up to date via a dose of wobbly acid house. the result is a no-nonsense, high impact fusion of spitting beats, evil sub-bass and sharp jacking strings. big…
fresh from a chart-topping ep for sci+tec, reset robot brings his sound-of-now to curfew. pacing out the track to allow a swaying funk to percolate the off-kilter drone of the original the result is an edgy, melodic tech house groove.
kapat sees lady b combine bubbling 80s synth pop melodies with heavy rolling bass and drawn out dramatic strings to create a full-force floor grabbing blend of old and new. timeless, energetic, emotive underground music.

scott ferguson with some lush detroit house tracks which could easily be compared to moodyman and theo parrish cuts. dirty grooving with hypnotic jazzy samples. originally released in 2003 and finally a small repress. scott ferguson in top shape! check

xerrox vol. 2 undertakes an intense journey and affords the luxury to take its time. &#8233,,while xerrox vol. 1 (r-n 78) referred to the old world with its tradition deeply rooted in classical music, xerrox vol. 2 tries to access a new world . it works with samples that have been gathered and developed in the usa û the so-called new world û where the album also has almost completely been recorded.&#8233,,the dramatic and dynamic approach of xerrox vol. 1 on vol. 2 has been replaced by a structural density. instead of working with individual musical entities the new album rather develops an overall, linear aesthetic that refers to musical strategies of film music. hence there are no implicitly singular pieces, but open musical structures û a journey without a predetermined target.

sven tasnadi is a producer who, with every release, audibly and gracefully takes his style down the many different avenues of house and techno cityà his latest, brave work for poker flat then could perhaps be described as a midnight drive down main street, tempted by and lingering at some of the darker side streets, yet journeying on regardlessà.! its a fantastic ride from tasnadi, that sees two versions of the title cut plus a perfect b side track included for good measure. >habanero< is a tough, tracky concoction of thick bass led percussion, warbling, building sci-fi synths and classy hi-end hats. the unmistakable groove begins low and simply builds upwards, creating a 10 minute cabride through ultra-modern tech house, cuba style! we wont spoil the fun with the tingling breakdowns key momentà but theres also a (without trumpet) version on the b1à.! carrying on the chunky, dramatic vibes, >piri piri< dubs things out as a blissful and unique synth line carries this beautiful journey track along its honest and respectful path. a wonderfully resolute deeper moment from tasnadi, the phasing vocal stutters and pads play together with the central in delightful harmony, reminding us of the producers ear for touching and timeless arrangements

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
first up to rework oasi is great stuff s ramon tapia. without doubt one of the names of 2009, tapia delivers a typically dramatic mix where sparse trial rhythms meet pulsing, offkilter melodies. hot new production duo hauswerks and gaz james keep up the pace with a more funked up version centered around a wicked rolling groove while homegrown neapolitan talent abnormal boyz offer up a stomping rework that twists things out with deep undulating bass.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
the mighty umek gets first crack at c est la vie, turning in a typically straight to the point remake, dropping the distinctive percussive hook over a jackhammer groove. ortin cam (drumcode) adopts a more minimal approach with firing snare rolls and a distorted, buzzing cutup loop of the original hook. rounding out the first part of this package is xpansul (ovum, soma) with a dramatic, stringladen take that bounces along on a tough but funky bassline.

aguaos tracks are stripped down and tough but very >latin< both rhythmically and melodically while the duo djs pareja combine their love of pop and house with dramatic electro pop arrangements

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.

flying circus music, returns with its second release, this time rocking the deep, extended, dramatic house vibes of radio slaves interpretations of humates love stimulation. the new-berliner matt edwards took his popularity from underground to overground, and right back round again. the world-travelling dj founded his solid, big room production style while his infamous bootleg and remix work was a mainstay of the uk electronic scene. now, with the strength of his rekids label and his unmistakable production approach, he re-works this early classic of german techno/trance élove stimulation into two remarkable slow burning epics. the >full length vox remix< builds from very opening bars, carefully combining classic house sensibilities with a totally free and organic, long flowing arrangement. at over 15 minutes, its a heavy weight tool for those late, hedonistic hours! carrying on the blissed out theme, weare also treated to a panorama garage remix, that bears a more raw, jacking house vibe, with its straight up beats and deeply-swung chord stabs. radio slave is a master at keeping things ear-tinglingly stripped, yet still filling the room with power, energy and tension. these two remixes certainly pay their dues to classic days gone by, but they also stand out as superb examples of the modern state of house. judging by this release its still as strong as it ever was!!

rekluse, the new label from excentrics fergie and henry von, is continuing to gain momentum and followers very nicely indeed. after the umek >2nd to none< smash that just wont go away and the carl cox cained >propaganda< comes the >dude people ep< from one of france s most consistent electronic producers to date, kiko. international dj gigolos, afu, confused and datapunk are just some of the esteemed labels kiko has released on previously. his rekluse outing heads down the more accessible techno route with all 3 tracks sure to find their way into a wide variety of top jocks sets. the first 2 tracks are driving monsters, >dude people< with its continuously sinking bass line and >black dahlia< with its intense percussion arrangement. the ep is brought to a dramatic close with >such erotic< which has electronic anthem written all over it

2 ex-unit moebius members, dramatic and minimalistic industrial planet rock, red vinyl, limited to 100 copies! 9 tracks full of raw elctro power

dionisis sternaras aka dio s, is an exciting greek producer that gives us his second release here, a two tracker ep of gigantic proportions. starting in a deep chuggy prog style gives a false impression of whats to come.. the track turns a dramatic thunderous corner , after the drop!

after a string of fantastic releases on the much missed label scheinselbstaendig and force tracks, hamburg s best hidden talent drei farben house debuts on brut! on the a side, on my side (daso remix) comes in the form of an energetic remix by the excellent daso. following from his successful release on connaisseur, daso adventures himself again on techno terrains turning the lighthearted original into a moody dancefloor track. on the b side, drei farben house does what he knows best: to provide us with a delicate balance of minimal house and pop sensibilities. the original of on my side comes in a more uplifting way bringing us the brighter moments of the windy autumn days and nightly affairs finishes the whole in a more dramatic manner, full of emotional strings and deep chords. drama queens now is your turn to dance! de:bug loves it

dark and demanding high class housemusic in raoul ks signature style. despite the somewhat strange title (jenseits meaning >afterlive< - originating from a play of words in the baobab music office), the record delivers in real life! rich instrumentation, including traditional african instruments as well as long build-ups and a dramatic breakdown. and a shimmering atmosphere to get you in the right mood. all you can ask for in a contemporary housemusic release. especially enriched with the special mr. raoul k twist, just the way youd expect it

ruede hagelsteins the modest theme has proven to be one of souvenirs most provocative releases so far. released in the summer, the tracks dramatic horn hook is so epic it belongs in a science fiction film and as a piece of forward thinking techno, it ranks among one of souvenirs best. now the track is back with a remix from souvenir spearheads tiefschwarz alongside a new track from berlin based ruede. semikolon is another dark and dubby deep tech-housy outing for ruede that begins with a dramatic spoken word by naneci and ominous organ stabs. as the track progresses it takes on a chicago house vibe re-imagined at 10am in the panorama bar. an urgent bell begins to ring through the track raising the tension as the vocal intones a surreal chant before giving way to huge synth stabs that lead the track into a slow motion emotional explosion. just when things can get any more hectic the crescendo sinks to silence compressing the energy before the beats emerge back in their earlier deep house guise. ali and bast schwarz take their turn at remixing the modest theme fresh from their incendiary remix of emad kamandians kamanche for souvenir 012. the signature dramatic horn riff remains albeit injected with new percussion lending the track a tough tech house appeal that places it within the context of 2008s underground house sound. both tracks are another addition to souvenirs impressive collection of music aimed at the head just as much as they are at the heart and feet.

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd