repress! on the occasion of the 300th release on tresor records and the 20th anniversary of the mysterious scopex imprint, we are glad to present you the long awaited re-edition of the three essential scopex records, along with a previously unreleased track, recorded during these essential sessions. all tracks are re-mastered from the original dat tapes. the recently unearthed “original flow- was originally recorded in 2000 and previously unreleased. the 4 records come together in a beautiful gatefold sleeve featuring the original and idiosyncratic scopex designs with delicate spot uv print. essential... gatefold sleeve vinyl only

part of the current crop of artists spearheading the uk acid revival, posthuman s output has evolved over the years, encompassing many genres & styles from their early electronica releases, to their later acid & slow-mo techno. their debut release in 2000 was a series of hand made cds simply called -posthuman- (though better known by the colour of the card inserts grey, black, blue and brown). the duo then went on to host a number of parties in an abandoned underground train station in london between 2001 and 2004, and founded their own label seed records (2) with which they released 3 albums and several other releases of their own and other artists material. they also were the first act on manchester based imprint skam s smak sublabel. doherty left seed records to help relaunch uk techno imprint b12 records in 2006, and started a new label balkan vinyl in 2010. in 2007, doherty founded london-based acid house retrospective clubnight i love acid- where posthuman are monthly resident djs. in 2014 the clubnight launched a vinyl-only label of the same name. he also performs as agt rave cru and as one half of altern 8 live shows since 2015.

dope plates 005 brings retro flavours from some of the scenes freshest talent. north london based sicknote delivers a beautiful rolling track called -2000 ad-. east asia based brit scape comes with some serious ambient amen pressure with -escapism- and u.s producer mark kloud ends the release with his superb track -strength-.

this is a new series of tracks from the late 90 s mid 2000 s that went under the radar and we are bringing them back.

to find lawkyz, follow the beat. it is here, in this vital part, this lighthouse which guides the route of the other instruments, which it prints in depth the low notes of his four strings. riveted on the drums. linking with it a rhythmic pact, ensuring the propulsion of the groove on stage with erik truffaz or guts, on records with uht °, anna kova, or versus, his hip hop project with full live band. when he puts his fetish instrument, when he lets cool his amp, then wakes up his evil twin: the waxidermist. one year after his last ep, the waxidermist comes back to tell his story.

huge tony allen album originally released in 1984. this officially licensed reissue holds an extra track previously unreleased on viny, called olokun - tip! 2018 repress

second album from the black eyed peas, originally released in 2000 - now back on 180 gram double vinyl plus download code.

liebe leser, früher war alles, früher. bevor der denkmalschutz und die alterszipperlein für uns zu beherrschenden themen werden, hatten wir letzten oktober mit allerhand gästen und weggefährten für drei abende im hamburger mehr! theater am großmarkt rückwärts geguckt. mit dj exel. pauly (deine freunde), sven regener (zatopek, element of crime), boy, fatoni, dj rabauke (eins zwo), der tobi & das bo (5 sterne deluxe) blickten wir zurück in eine versunkene welt der jahre zwischen 1992 und 2000. damals, als wir lernten, auf den bühnenbrettern nicht auszurutschen (fragt mal boris!), am mikrophon nicht zu kapseln und unbeschriebene landkarten der hiesigen rap music vollzukritzeln ... klaro, die music ham wir direkt digital gespeichert, ein paar minikameras liefen mit während der show und im garderobenkeller, anlässlich von gesprächen über früher. unser plan: die herumfliegenden einzelteile zu einem schönen souvenir aus sound & vision zusammenzuklotten für alle, die mit uns waren und die unerlaubt fehlenden schwänzer. gönnt euch (das)! fettes brot

wiederveröffentlichung: hedonistischer french-house-klassiker von 2002. hinter den supermen lovers versteckt sich keine band, sondern ein house-projekt von guillaume atlan, einem aus paris stammenden komponisten und produzenten. bevor er dieses im jahr 2000 ins leben rief, studierte atlan klassische musik und war keyboarder in mehreren acid-jazz-bands. als supermännerliebender landete er schon 2001 zum start seiner karriere als house-meister mit dem funky dance-track -starlight- einen gigantischen erfolg in den clubs und vielen europäischen charts!

the long awaited follow up to the modern classics find a way and dont stop is finally here and has all the elements that we love so much from dego & the 2000 black family ... the way it should be.

j. f. burma is a new analog synth project of jeremy berman, a longtime friend of the bunker who we met via the forums of i-f’s cybernetic broadcasting system internet radio station in the early 2000’s. while living in brooklyn, jeremy spent many hours each week searching for undiscovered gems among the piles of records (and sometimes rat skeletons) at notorious greenpoint crate-digging spot the thing. inspired and educated by the music he was finding, he purchased his first modular and started building synthesizers and modules in spite of his lack of training in electrical engineering. currently, about half of his current eurorack rig has been diy’ed via trial and error.

matt lord & dego join forces to bring you the disco boogie flex that is what does it take to come in first alongside the volcov & sassy j favourite the mid tempo luscious green woods

this is a must have record and supplies are extremely limited. long out of print and extremely sought after, david porter’s “i’m afraid the masquerade is over” gets a proper re-issue on 45, but with a special twist. first released in 1972, this groundbreaking masterpiece was mostly overlooked by the masses of that generation. however, twenty plus years later, hip hop producers would revive newfound interests in this cut (and porter’s other works) after sampling bits & pieces of it for some of the most defning songs of the mid 90’s and early 2000’s (who shot ya, duel of the iron mic, it’s over, etc). for this special edition, the original multi-track session was resurrected from the archives, re-polished and re-edited into a brand new mix for your listening pleasure. familiar fans will go emoji crazy once they get a taste of the exclusive new version that boasts new breaks, alternate takes and a louder, fuller instrumental presence among other goodies, creating fresh opportunities for beats and lives mixes. pushing the 9 minute mark, parts 1 & 2 are presented between 2 sides, presenting the all of music in it’s entire glory. original pressings of “i’m afraid the masquerade is over” are not easy to come by. own this collector’s item while you can. “must have” vinyl for dj’s, producers and anyone else on the hunt

dawn of the planet of the apes is the eighth theatrical film in the apes franchise, released in 2014. the wonderful score was composed by acclaimed soundtrack composer michael giacchino. giacchino has received numerous awards for his work, including an emmy, multiple grammys, a golden globe award, and an academy award.
first pressing of 2000 numbered copies on silverback coloured 180 gram audiophile vinyl in gatefold sleeve.

nice price deal !!! reduced and functional techno 4-tracker, made by andy bowman in 2000.

tatham, mensah,lord & ranks let you down when if you love boogie, funk and that good groove then the answer is never. yet another twelve inch proving their consistency.an obvious buy on sight release. includes the cover version on grace joness private lives

180gr lp - wiener gott !

two bassheavy tracks courtesy of the sport-camp, taking cues from jungle s sweaty basement-past, but dragging them down to berghain for a lil dance. - heavy baggage - has its militant techno-stomp interlaced with a selection of dusty breakbeats, while the slower -i am not beautiful- begins somewhat subdued with muffled breakbeats, before turning nasty with a 4/4 kick and a sub-bass of obviously malicious intent.

in conjunction with the label turning 8, wolf music return to the va format that see’s them releasing forgotten gems and exclusive tracks from label mates. brs’ bouncing was originally released in 2000 on imperial dub a firm favourite with wolf music for many years, it now has the opportunity to be introduced to a new generation of record buyers. paradiso rhythm self released greetings & salutations digitally early last year. a killer record in every way that deserves a vinyl release. on the flip ishmael & medlar supply a collab track recorded last year at the red bull studios. rounding off the ep is an updated version of krl’s i wanna be with you that was originally released on wolfep003.

the latest ep on tresor records comes from reduction luminary terrence dixon. detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – from the far future. it took over a decade for its sequel to follow – from the far future pt.2 released in 2012 to great public acclaim. this year, terrence dixon prepared a matchless four track ep, going ever further in his very own tenor of collided electronics and mesmerizing tones. words can simply not describe.

since its 2000 release this influential record, which heralded the return of alternative hip-hop, has never seen a vinyl reissue. with that, get on down-always on top of giving the greatest hip-hop albums their due-is proud to present this re-release of the platform. the rhymes are still fresh, the production is still pristine, and the album is now back on vinyl for the first time in 17 years.

2017 edition- 2x12inch in replika gatefold with fabric on spine. the classic >let the children< techno compilation for the 1st time available as deluxe 2x12 inch lp edition! limited to 2000 units worldwide. 20 tracks gathering some of the best electronic music producer: skream, mr oizo, breakbot, flying lotus, sebastian, discodein, busy p, dj mehdi, duke dumont, gesafelstein, riton, para one + tacteel, l-vis 1990, siriusmo

club mondo 2000 is a golden weapon, five swampy ambient house tracks for the dancefloor. must have.

entgegen heute gebräuchlicher gepflogenheiten erscheint die wiederveröffentlichung von “the closer you get” mit dem originalsound aus dem jahr 2000, das heißt nicht remastered. dafür wird die platte durch ein zweites vinyl flankiert, das auf der a-seite die dritte (von fünf) peel-sessions enthält, mithin fünf songs, und auf der rückseite zwei single-b-seiten (“get a real tattoo”, “i’m wide open”) sowie den track “oh! dear”, aufgenommen während der ersten peel-session.

vinyl only!

essential repress of terrence dixon’s debut album and first release on tresor.
initially released in 2000, this new edition comes with a bonus 7” vinyl featuring two previously uncut tracks: “ what up” and “shuffle all circuits”.
from the far future embodies a specific and vital time of detroit‘s techno production, going hand in hand with juan atkins’ work as infiniti, terrence dixon signed this album with a masterful hand.

finish techno pioneer and dum records boss kimmo rapatti aka mono junk and melody boy 2000 is back with another fine ep of some of his greatest tracks. all three have been released before now, but never all together on the same ep. a1 sound stealer was released in 2007 under the melody boy 200 alias and since then has been hugely sought after, often fetching high prices on discogs. it is a high impact techno track with racing drums and chattery percussion that will take any floor by storm. a2 all alone, again as melody boy 2000, has only been released on cd before now, as part of a label compilation back in 2002. this one is deep and rubbery, spaced out and elastic and is full of moodiness and melody. both b-side tracks were written as mono junk and both were written in 1992. first up, apache acid came on vinyl own music man and is a face melting, hundred miler per hour banger with manic 303s buried within. finally, ‘beyond the darkness’ was a key early techno track to come from finland and has previously been released on dum010. says the artist of the track, “an ensoniq asr-10 arrived on the market and studio engineer perttu bought it right away, but i never liked to use sounds that someone else had made. we sampled the track’s bassline, strings and others from my jx-3p separately and mixed it all together.” the result is an atmospheric track with swirling pads, icy synths and form drums that will make people march, no doubt.

two thousand has always been the official symbol of the future. two thousand has been told, represented, drawn and played centuries before the year two thousand. and now it s past. -i don t wanna get rid of this: all the changes you re making now, will simply belong to two thousand. we belong to two thousand-. white label 10- w/ unknown edits that dig heavily into jazz samples but they go beyond, creating sonic impro jams including menacing low pitched arpeggios, celestial breaks of synths and far away lights of a black continent pulsating under the crisp mastering work. included is a nice printed poster with artwork from 2000 himself.

nice price deal !!! nice mediterranian mood, created in 2000 by olaf hund and ole martin vilberg aka mood makers for french label musiques hybrides. remixes by monsieur dinosaure and those norwegians.

nice price deal !!! released in 2000, tangtron shows up with 2 minimalistic experiments in groove and 2 soundscapes.

nice price deal !!! the titel says all !! big with by karotte, sebastien leger, dubfire, gorge, 2000 and one, marco carola matthew dear, ronan portela

double vinyl reissue of the 2000 debut album from the avalanches.

killer, heavyweight double pack from the chicago dons - master c&j! originally released in 2002 and featuring some unreleased and alternative mixes and versions of some classics and various projects they worked on this double lp is indispensable for any fans of vintage dance music. all of the hallmarks of master c&j s sound are here and we ca easily see what a huge influence their style was on everyone who came after them, this double lp serves as an essential collection and overview of some of their finest moments. remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

in 2007, renowned french producer julien jabre tracked down the american gospel singer phyliss mckoy joubert on myspace. joubert was already a cult figure for house aficionados thanks to -stand on the word-, a song she wrote and performed with her -celestial choir- in 1982 that became a staple of the club scene in new york. it resurfaced as a mysterious bootleg in 2000. julien, who d fallen in love with the song, was eager to remix and officialy rerelease it. when he finally reached out to phyliss, she explained the multitrack tape had been lost. the only thing to do was rerecording it-along with 10 other tracks. today on french label elias, julien and the joubert singers are releasing -stand on the word- in its original and unique 1982 version (mistakenly named after larry levan) and 3 brand new mixes including a fresh dimitri from paris remix. that s how the good lord works!

when it arrived on the progressive house scene in 2000, it quickly made the rounds as a tune to be reckoned with. played by nearly everyone in the industry, its haunting vocals and psychedelic synths captured the minds and hearts of ravers worldwide.

3 track single from tatham, mensah & lord & ranks on 2000 black

gold coloured vinyl in deluxe pantone gold sleeve – limited to 2000 units with downloadcode included.
first time on 12” since the original 2007 press. finally back on wax, the hot 8 brass band’s legendary cover of marvin gaye’s sexual healing gets a special release for record store day 2016. pressed on gold coloured vinyl and housed in a deluxe pantone gold sleeve, this special package features the original edit of sexual healing alongside fresh new edits for the dancefloor. this stone-cold classic has been a fixture in radio, club and festival sets across the world for almost a decade and only continues to grow in popularity.

romina johnson is a vocalist that needs little introduction, known worldwide for her chart-smashing moving too fast single back in 2000, and now more notably for being part of the hugely successful disco group odyssey, her amazing songwriting & performing talents have taken her right to the dizzy heights of musics elite.

cromby is an exciting addition to the london house music scene: originally hailing from belfast he has made camp in the british capital and brought his mpc 2000 xl with him. the young man who has grown up listening to chez damier and moodymann makes use of the japanese sampler from akai in a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. on his * planets and parks ep* cromby displays a very nice balance between a traditional deep house understanding and a forward thinking attitude and is thus just perfect for tenderparks’s idea of musicality. as far as the artwork of the record is concerned the beautiful black and white image is the last part of tenderparks current series concieved by art director till sperrle and photographer magdalena bichler. and as you ve come to expect from tenderpark all tracks have been mastered and cut by helmut erler at dubplates & mastering once more.

bbe is proud to present jigmastas grassroots (the prologue deluxe edition), lovingly re- mastered in full, expanded form, along with added bonus material & rare b sides. the deluxe double vinyl edition is housed in a gatefold sleeve.

from deep within the shadows, grant steps out with his debut album *the acrobat* on enigmatic label the lauren bacall. lush atmospherics lift up each of the high-flying tracks on *the acrobat*, crafting a sense of euphoria and ease that is reminiscent of such deep house from late 90s early 2000 inspired by labels such as early plastic city, deep4life, and svek.

after one new ep from coopers kim rapattis dum records is re-releasing some of his biggest classics on this douple a-side release. mono junk’s channel b was first time on vinyl on trope records 1995 and melody boys monotone fantastique on dum records 1994 (dum-014). never ending grooves for you pleasure.

wiederveröffentlichung eines sagenumwobenen dub reggae album auf dem wiederbelebten englischen label burning sounds in einer hochwertigen 180gram edition (re-mastered und mit linernotes). das originalalbum erschien 1978 auf dem label jamaica sound (mit der katalog-nr. jslp 006), europäische pressungen gab es in 1979 für frankreich bei rca und für deutschland bei der fa. bellaphon. laut experten finden sich hier dub-versionen der bunny lee studio band the aggrovators zu dillingers warrior, sugar minott und weiteren noch nicht identifizierten originalen!

different house style from new york based juice records!
vinyl only, 4 raw cuts that reminds the classic house from deep88.

fatdog records returns after a break, offering contributions from 3 artists new to the label - the rutan, tom mc connell and mark hand. fdr003 offers a development from the deep house template on the last ep, this time taking us further into deeper detroit territories. mark hand offers us drexciyan techno in the form of cold feet. the rutans fable sits somewhere between vakula and some of henrik schwarzs earlier dub-house experiments, while fat dog takes us to the murky back alleys of his mind with jaffa cakes. finally tom mc.connells juniper takes us into wonkier groove rhodes stylings which rounds off the ep very nicely indeed. support by john heckle, afrikan sciences, lay-far, enrico (neroli), sonars ghost (2000 black), burnski, wolf music

the new bulgarian label caph comes up with their first release with 3 original classic tracks from the talented french duo zendid and a rework by the odd boys. definitely a record with a personality. limited 300 copies / no repress.

the fourth instalment from the jens camp comes in the form of the herman the dog ep! the a-side contains two popping tracks full of pumped up house, chunky bass and floating synth lines, whilst the flip taps into techno territory, plunging the low end into darkness and sprinkling with squelchy acid rain!