ehre wem ehre gebührt ! rerelease dieser knackig zeitlosen 12inch vom schweriner gerberei dj. emotional und zwingend zugleich, besonders zu beachten : der b 2 track > skyscraper< für alle basic channel / maurizio / dub techno fans. für die besonderen momente der party !!!
the sentinel invites you further into his dark and menacing psyche. the deepness and electrotronic funk is bounceing right out of your speakers infectious percussion, dark, funk filled sounds playing on your paranoia. one of the killer tracks on this records is wrong time which gets straight into some electro funk bass with warm eery synths and mysterious lyrics and a deep space musical atmosphere. you might very well get lost in this one. get down and get real low and engross yourself in the thick funk and idiosyncratic german vocal from down under. great release on this cool label..
on la manie oliver koletzki released originally the track mÜckenschwarm. after oliver koletzki left la manie because of his own career, michael sehte get into the project and brought his anarchistic character in the new tracks. and here they are, the new tracks. >drecksbeat< sounds like it s called. dirty, nasty, horrible. the consequential continuation of >mückenschwarm<. it will be transform the dancefloor into a pillow fight and jawing match at the same time. the b-side track >the cocka hola company< is affected by the homonymous wonderful book of michael forsakken. the gloomy matrix retrieves memories of old ebm-days. it is sallied by a an elegiac melody. its for the dj who will not shrink from kitsch. see you at the floor. the weasel-quick children from downtown are back!
the quest is an amount of styles literally jammed into the main mix take a heavy dose of house hip hop soul and afro and mix it up with hectic tribal rhythms jumpy beats and a touch of ragga and you are only halfway there flip for an excursion into deep latin jazz territory
there could be no better start into 2006 than a brand new steve bug single. with >smackman< on the a-side poker flat label boss steve bug delivers another hip shaking track handwritten in his unmistakeable but fresh style. >i-thought< on the -side starts with a clever beat-construction and a great bassline before some smart sound-gimmicks lead over to the first break. still minimal, but with an incredible groove and great melodies both tracks are sure to leave lots of nice damage on the dancefloor
side a borrows from johnson and youngbloods the funk is in the music to create a dubbed out instrumental that stands up well next to the original the other side takes a break from the end of gqs make my dream a reality and turns it into a heavy disco workout
a hearty helping of tribal house with driving tribal rhythms complimented by a sinister vocal stab and a minimal bassline on a minimal percussive outing on the flipside the dub take sees label boss francois k lending a hand giving the track a bit more peaktime appeal by beefing up the drums nicely and retooling the bass into a funky groove (sb)
these 3 new cuts are inspired by the imagery of artist/counter culture icon b.d.r, craft by steve stoll into a litling barrage of snare hits, pounding bass, swirling synth lines, full on charging drums in a hard minimalist style !!
the a side is an epic hard techno journey with its long snarling intro before dropping into a sledgehammer like driving track before breaking again into what can only be described as a riff straight from hell. if you have enough energy left turn to the flip where you have a very clinical deeper, groovier cut with swirling synths and lots of atmosphere. its not that often that a super fresh piece of techno like this comes along so dont miss out. massive support from adam beyer, chris liebing and christian smith
the truly steve rachmad, appearing behind aliases such as sterac, ignacio, dreg, parallel 9, adverse match and sterac electronics brings you a kind of monotone & minimal beat with dub elements. for those who love basic channel, chain reaction, moritz von oswald, maurizio.. this is the work of a producer who has honed his skills over many years and many releases. his devotion to his dreams and inspirations drives him safely into the successful future
mark & john = mark o sullivan & john dahlbäck! an extra-fine ep including three amazing tracks. the titletrack most dangerous animal in the zoo is a banging acid-techno track which will set dancefloors on fire with its punching kickdrum, dark synth-lines, distorted vocals and the hammering hihats. trap 2 builds slowly into a more minimal acid track with a floating melody while last chance to see is a very dark track with a speric atmosphere, manic whispers and a spooky melody
another hyperpop tune! the way you feel insidelooks set to be their biggest hit yet. the radio mixis another great example of their definition of pop music. charming vocals, bubbling moog-synthesizers and rattling guitars make it a catchy soundtrack of bittersweet summerdreams. the cracklin campfire mixis recorded live under a clear starry sky on the spanish costa daurada. that night, these two fellas fell into a state of trippinemotions, wired under the influence of nature and silence. the flip takes a turn into the clubs and starts with the schizo mix. this tune is made for uptempo breakdancing battles. a zigzagging uprockthrough the minefield of an 909 oldschool thunderstorm surrounded by acid blurps and distorted vocal cuts. finally the guest mix is from cay taylan, who became famous with his debut album su(2004, couch records). he surprises with a punchy 4-2 the floor burner and also with a good chance to be a club floorfiller
brandnew john dahlbäck label!! the a-side outside features straight techno beats & rough and dirty bass riffs, which definitely show no mercy. on the flip youll find stripped down bassline workouts with that special sweden touch, that we all love so much…. this simply fits into the boxes of the global techno neo rave maniac elite.. manos arriba! here comes the ne pistolero!
jacking and driving, the track also features the vocals of filip g whose yeah's have the effect of an additional instrument.'i cant get up' on the b-side is a slightly darker track that smells like old-school techno spirit. the manic synth-line balances on squeaking and clanking rhythm patterns. this one will definitely will find its way into your hips in a second
the remixes from the legendary lfr01 (2001) transformed into the hard mayhem techno style of 2005. state of the art remixes by: mayhem man (working vinyl, carnage, definition of mayhem), viper xxl (kne deep, animasola, working vinyl) & frank kvitta (kne` deep, insane, carnage)
these two tracks arent just tracks - ever changing, twisting & turning explorations into deep, electronic tech house music. played by hendrik schwarz, nathan fake..
this is an amount of styles literally jammed into the main mix. take a heavy dose of house, hip hop, soul and afro and mix it up with hectic tribal rhythms, remix with more with afro - latin tribal flavour
hit machine frank popp jumps into the time machine and travels from the swinging sixties to the neon-lighted 80’s hidden under his alter ego maria ghoerls without leaving his cheekyness behind: cheap casio's, vintage electro beats updated with some modern clickety clack, thick synth basslines, rock antiques and strange voice snippets are expertedly mashed up for maximum rave effect!
opens with some great percussion and percolating synths before a big bassline comes into play and it's off to the big room for this dark tracky house gem as the bassline is joined by a gereat analog synth hook and some subtle filters. aka johnny fiasco
super+ totally re-freaks the track into two electro-punk versions with energetic distorted guitar riffs and enough effects on the vocals to give them a whole different slant. lil devious main mix cuts out the vocals and is more hypnotizing than hanussen with its spiraling loops. for those who like it sweet n mellow theres also a pleasurebar remix working those strings to great effect.
fantastic story of a lost alien visiting planet earth and being introduced to club culture by a girl. the story continues and - as usual when it comes to ghettotech-lyrics - things get explicit.. on the flipside we have jesper dahlbäck on a remix tip, transfoming the whole track into a stomping, straightforward primetime context!
a bass-driven groover, with a few techy elements complimenting the solid bassline, menacing vocal sample, and crisp beats. the dub mix fattens up the bass and slows the tempo a tad, turning the track into a dubbed-out house funker. on the reverse, how long is a bit brighter than it counterparts on the other side
we are proud to present >into the great wide yonder<, the second album of anders trentemoeller and the follow up of the highly succesful >the last resort< (2006). just like his debut, which struck a chord with new audiences all around the world, >into the great wide yonder< is a truly remarkable album, offering as much depth and soul as its predecessor, yet sounding ultimately fresh and different.
anything goes vol.7, the latest vinyl release ep from rollover edit service is back. delve into the italian music scene of the 70s and early 80s with four meticulously edited gems.
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