excellent selection

double cd pack with full of trance classic antems ... the art of trance – 90s trance classics only ist ein must-have für jeden fan von 90s rave und trance, der in den legendären 90s mitgefeiert hat und für alle, die den spirit einer großen club-Ära erleben wollen. armin van buuren, scooter, members of mayday, robert miles und viele mehr stehen auch heute noch für unvergessene sounds – trance classics eben!

2cd digipak , incl 20 booklet

compiled by luca venezia aka curses.

club house selection

ansome is back on perc trax for his 2nd longplayer. the cd comes in a metal case with booklet included.

the second in the all gone series sees electronicmusics most revered spokesman join forces with one of the worlds leading live acts to create a mix spanning deep tech house, though acid grooves and all that lies between.

supported by laurent garnier, severino panzetta (horse meat disco), chris fortier, andrew weatherall, sŽbastien chenut (scratch massive), marvin & guy, juan soto, justin robertson, yan wagner, peo watson, tici taci, guido le saint (2cv), neil scott (el diablo s social club), pin up club, jorkes (freeride millenium), mufti, sean johnston, andrew claristidge, pulp disco and the outcasts, flemming dalum, billy scurry

the new album from cypress hill

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

super-jewel case, 8 page booklet
everything begins with changes, whether you re moving geographically or emotionally. aeraÕs album ãthe sound pathÓ tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album ãoffseason travellerÓ in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabotÕs hivern discs. with these, aeraÕs sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with ãthe sound pathÓ aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralfÕs music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, youÕll never lose track, because this path is beautifully illuminated.

cinematic soundscapes open the gates of the throbbing city, electro and techno beat alternate continuously, enriched by acid synths of disparate nature and distortion, creating the preconditions for the arduous end of the journey.

2cd digipack + booklet - includes 21 classic tracks + 2 previously unreleased titles. review on acid jesus, the first of many collaborations between roman flŸgel and jšrn elling wuttke. including 2 unreleased tracks! situated in germanyÕs then blistering techno scene and especially a mirror of frankfurt at the time (and it s holy label trinity of playhouse, klang and ongaku), flashbacks are also a feedback loop to what was happening in the uk and the usa. flŸgel and wuttke succeeded with their own and unique take on it, that owned as much to underground resistance and the belleville three as it did to sven vŠth and andrew weatherall.

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fŸr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflŸsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fŸr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. -in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.- all the music was recorded live onto a cd burner, through a cheap mixer. john would sit on a chair, in his living room, surrounded by five to 15 machines, and just keep programming and jamming until the track was ready to be recorded. there were no overdubs Ð recorded all live

nice price deal !!!

solaronemusic is proud to announce this special record. andreas left us suddenly at june 20th in 2016 after long health problems. around that time we finished with him - the worst of gehm - release. he was so happy about this project!!! even one week later we got the terrible message that he died. we put alot of love and effort in this project to give him his last big monument! special thanks to all his friends and labels like mathematics recordings, abstract acid, creme organization, psycho thrill and of course bunker. rip in andreas! we will never forget you!

john frusciantes foregrow doesnt sound like any acid test record, or any record, thatÕs come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciantes using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

one of the original chicago labels which pioneered the international house music scene! feat. marshall jefferson, adonis, phuture, virgo, frankie knuckles, master c&j, mr.fingers, pleasure zone, hercules, ron hardy..

special edition 2 cd digipack , includes debut album: * on acid* on cd2 for the first time ever on cd!
when recondite, aka lorenz brunner, emerged with his debut lp for acid test (2012s on acid), we were still learning about the german producers inward-looking dance floor sound. a few years later, his sinewy jams have proved near universal -- like an underground zelig, hes fit perfectly everywhere from r¿dhŒds dystopian to ghostly international and innervisions. acid test also allows recondite the chance to indulge his more outrŽ tendencies and a welcomed return it is.

to celebrate their weekly residency at ushuaia in ibiza, the united ants crew has recruited dj sneak, tapesh and los suruba for a bulky three-disc mix-up. predictably, its us house veteran sneak who steals the show, delivering a disc that flits between his usual pounding, loop-heavy productions, dense african rhythms, sun-kissed, party-friendly deep house, and the latin acid house of apollonia

the latest chapter in the electronic evolution of guitarist john frusciante features a new project under his trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. frusciantes desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into acid tests growing canon of modern, 303-focused dance music.

pala roland tings is melbournes jack-track anomaly with a penchant for acid coastlines and nebulous rhythms.

bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.

der berliner alex ridha aka boys noize ist eine anerkannte internationale marke des techno/electro genres. seine kooperationen sind stets prominent und fachlich exzellent besetzt. so erscheint die remixversion seines drittlings out of the black mit nagelneuen remixen von top produzenten wie audion (matthew dear), oliver, jimmy edgar, blood diamonds, housemeister und mmm, sowie mit eigenen neuen dj-edits, welche sich zu top-interpretationen der chemical brothers, chromeo und justice gesellen, ganz zu schweigen von den features seiner buddies snoop dogg und siriusmo. multidirektionale, qualitative, elektronische musik vom berlin basierten anarchokollektiv boysnoize records!

melancholic techno, space out acid house, minimal wave, or even bittersweet synth pop call

jerome derradjis past compilations, 122 bpm: the birth of house music, in the dark: the soul of detroit & the american boogie down have received widespread critical acclaim and were great sellers in north america, europe and japan. chicagos original house music is seeing a huge resurgence of popularity around the world as proven by the recent reissue compilations on strut, soul jazz, demon and more. bang the box! is part 2 of a 2 series compilation, on the work of matt warren and miguel garcia. includes 14 unreleased tracks

the light fantastic is a dancefloor orientated club album with a range of influences like Ð deep house, vintage synthesizers, classic boogie, disco, chicago jack, acid house, and even a dash of full-throttle rave revivalism.

fŸr die 13. saison auf ibiza und die dazugehšrige warum-up summer mix-cd sind fŸr euch dies mal cassy und joris voorn am start!

touki ba banjul is a compilation of the gambian psych sensation guelewar who played a major part in the development of the afro manding sound. from 1979-1982 the band released four albums, featuring some of gembias best funk tunes.

from the golden beach of bali, goa and the balearics. this is beachclubbing,a heady, organic soundtrack of the very finest house music for a decidedly different clubbing experience. the alfresco party is nothing new. back when acid house was just a glint in the smiley faces eye, there was outdoor clubbing, a new and exciting expression of our primal urge to dance to a drum under the heavens. for centuries and even millennia, of course, tribal cultures around the world had been spinning wildly around fire, idol and one another without roof or shelter. in terms of pure, hedonistic, feel-good partying, there is nothing that quite compares to dancing with friends with the sun on your face and the sand between your toes. from the golden beaches of bali, goa or the balearics, this is beach clubbing, a heady, organic soundtrack of the very finest house music for a dedicatedly different outdoor clubbing experience.

legendary bournemouth-based trio aquasky return with their 8th studio album raise the devil featuring 16 bass-heavy party tracks which include guest vocals and collaborations from lee mortimer, engine earz experiment, daddy freddy, ragga twins, tenor fly, mr. thing, pyramid, acafool, deja, roisin brophy, didjelirium and bex riley. this album sees the trio take it back to basics and return to what people expect when they hear the name aquasky! having been solid friends since the heady days of rave and acid house, the guys first hit the studio together during the jungle era and in 1995 aquasky was born, signing immediately to moving shadow before going onto release on some of the biggest and best labels including polydor, botchit & scarper, reinforced, good looking records, hospital, southern fried and mr. bongo. in 2001 they took the decision to launch their own imprint passenger as a place where they had free reign to unleash their full creativity and develop both their sound and the sounds of other acts.

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space... excellent 11 track modern electronic album !!

dicke dj mixe hat die green & blue 2011 zu bieten etwas dubbig von raresh und etwas housig von sascha dive

2 cds from the underground house scene in paris at the turn of the millenium. incl. black strobe, soha, jovonn & dj deep, krikor, phil weeks .. and more

sam c. is back with more oldschool shoes.

the mental groove classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder olivier ducret, a pivotal figure in switzerlands acid house and rave-era party scene.

reissue , rsd 2024, the cult hit remastered for 2024, featured on coloured splatter vinyl, alongside remixes from erol alkan, damian lazarus and max cooper, limited to 750 copies.

2023 reprerss! / binary digit’s second ep on new label zeitnot. five club-ready cuts encompassing acid, electro and techno. on the a side you have two fast paced 135+ acid electro tracks in the form of crook acid and sneaking out of the club. untitled 38490 conjures up images of euphoric rave house whilst untitled 2 goes for a straight up dmx krew electro vibe. zeitnot is a collaborative project between anil lal (furthur electronix) and jordan carnall (seven hills). our ethos is simple: to showcase/release quality electronic music on hand stamped, white label vinyl. from electro to acid techno, breaks to braindance, these cuts were pressed with the club in mind. dark rooms and smoke machine required.

dark journey through techno, electro & acid.

skylax welcomes back maximilian skiba