the shadeleaf music label has finally got your attention it seems ! breakthrough 12 s across their first 5 releases have firmly established thatmanmonkz s label of love as a heavyweight deep house contender ! ever keen to open up the crease to new batsmen, the guys have assembled a deadly duo of big hitters for their their sixth innings. belarus, not perhaps the first place you d think of when it comes to solid house music, but four walls have certainly dropped more than their fair share of jams across labels of note like kolour ltd & traxx underground. here s he s teamed up with fellow grodno resident funkyjaws for a style that s firmly fixated with the roots us house blueprint, but with a fresh take, that s all their own. saine ought to need no introduction, but for those at the back, across a mere handful of releases (his sleazybeats ep was one of our fastest selling...ever !) this young talent has made quite a mark - his drifter ep on must have is one of our favourite house 12 s of recent times. what better way to demonstrate the shadeleaf spirit of collaboration then getting these two established up-and-comers to reinterpret each other s work ? live organic percussion, and the warming hiss and glow of machine circuits conspire to deliver perfectly balanced hip-shaking equations and low end theories. and that s just the f side !. flip for the s side (get it ?) and we re into theoesque territory, with a rasping riff snaking through some deft rhodes work and to-the-bone rhythms, while four walls & funkyjaws offer up a swinging and irresistible rub to wrap it all up top shelf tackle ladies and gents

skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! what a special one we have here on skylax classic! damien zala, the man who put out the superb album ‘lonely happiness’ on rowtag records in late 2012, who gets heavy support from the great theo parrish, dishes up six special tracks for our next release. before diving in, it is well worth noting that a selection of damiens album tracks had remixes by the likes of house icons such as dj jus-ed, rick wade and boo williams! if those names register even the slightest blip on your radar, which they should, then this record might be the treasure youve been searching for. damiens sampling technique has a certain air of grandeur to it. shake vibration makes this apparent right from the start with intricate layers of vocals, guitar licks and keys. all my respect and come around both follow suit whilst dizzie picks up the b side with a bit more energy and frenzy compared to what has come before it. the record rounds out with two tracks taking things a bit deeper. stay where you are drives forward with filtered pad chords that accompany jazzy sax and vocal cuts while conversely, z to the jz brings in a moodier vibe with its jazz samples and smoky drums. do not miss the chance to get such a gem of a record from damien zala!, c l a s s i c ! a must to have in every djs collection. essential item no digital

first in series of recently uncovered box bangers, from e. myers. not much is known about e. myers, nor whether he is currently active, or where this really came from. what is known is that this could line up aside shep pettibone to modern house and techno, and that there is plenty more to come. needless to say, limited edition one sided white label.

the new bomb on echocord colour comes from brendon moeller. brendon already did releases on echocord and echocord colour before, also on his monikers echologist and beat pharmacy. words from the artist: much in line with the label aesthetic, i set out with these trax to explore the dubbier hypnotic side of techno music. my goal was to present 3 trax that could be played at different times of the evening because ttheres nothing like giving a dj who has to carry a bag of vinyl around the world a record where each track can be played in one night! of course, the question rremains, are you a dj that wants to play 3 trax like this? if yes, buy this now.

young pulse is back on gamm with vol.2 in his paris edits series. if you bought the first ep and liked what you heard we re confident this one will be in your box also. starting off we go straight to the club with enjoy & relax , a soulful disco stomper that is reworked (or remixed?) to perfection by young pulse. on the b side you ll find a jazzy bossa edit of soul classic it s a shame together with a feel good disco-funk edit of gq s classic shake . classic gamm material, no fuzz

its time for phonogramme to explore different styles and releasing one of its most successful project ! from france, kris tidjan composes music layers in the high sphere of soul jazz. playing most instruments by himself and singing, he also presents music live with musicians. on his first ep floating therapy he comes with feel the love & mystic bantu trip, african music accents & a strong rare groove touch, mastercut oriented under the supervision of professor inc. a1 featuring fela kuti s accent with an additional sax played by christian rodenberg while a2 reaches a 11:11 timing with peacefulness and aerial feeling.on the other side we go deeper into the artist s influences, ethnic vocals melted with tidjans * son of the sun* beautiful refrain & meimouna coffi at vocal chorus, some soul jazz broken beat like we rarely hear today, very strong and contributing to the genre greatly, * shining from the deep space*. for the b2 professor inc brings you a remix of feel the love in two part with a soulful vibe and deep house touch in the spirit of what he has already done for the label before.

eddie c s ever reliable red motorbike is on the move again another 12- edition this time around as fake glasses & noodleman take a side each of caribbean sunshine to warm us all up dancehall succinctly describes what s on offer on the a side, a seriously heavy dubwise number for the swayers and one-foot skankers in the dance on the flip noodleman follows his acid tinged killer from the last 12- with another 303 laced gem acid ting is pure roots vibes with a bubbling acid line riding the groove rev em up - next stop kingston town

mulen marks the arrival of its second vinyl with the release aloft from tish. this kiev-based lady is definitely seen as a key player in the ukrainian underground. the original mix of aloft is stripped-down vogue techno with a funky baseline and tick-tock percussion. the track is flashing out the skippy, atmospheric style one might call mulen s signature sound. under number two we have samples of silence where tish explores possibilities of rhythm and space. the track progresses through a clean path of precision drums to a warmer meditative lead. on the b-side cadenza native valentino kanzyani plugs 9 minute remix of the titled aloft. quoting a minimal running techno, kanzyani stockpile some much-needed tension while keeping the arrangement uncluttered. his hypnotic groove beneath a blunted and ponderous baseline deliver us a darker, more cosmic vibe.

after an a-side debut on m_red ltd’s heady 10’’ series, shadowy outfit overall severity return with their first full outing for key vinyl. much like the slabs of steely sonic wares that have paved the way before it, “knowing the healing” presents three works of on-point dance floor material we’ve come to associate with the underground tastemaker. “explain pain” is the ep’s aggravated opener. a pounding kick and itchy percussion unfurls into a din of claps and noises, spliced with melodious peals and a low-slung sort of groove. “backfiring nerves” is one of those cool peak-time weapons: frantic yet subtle, deeply groovy and plied with much-loved vintage crashes. “parasympathetic” then concludes in the form of a chugging basement bomb awash with bleary acid tones, crystal hats and muted dissonant chimes. all in all, “knowing the healing” marks a powerful entry into the ring from these ones-to-watch newcomers.

the nose of clarity (one + two) is obscure and mystical techno with a hypnotism rhythm construct. part one is coming for the long nights in the clubs and bringing darkness dance moves. part two is more deeper and darker with a slowly trippy and layered loop sound. on the flip side the obsession (from don«t«be on acid ) dwntmpos rework is downtempo sound in perfection. the rhythm is going straight in the head and bring the deepness with a slowly pitched vocal in front of all understanding. the second rework is more dub influenced with warm chords, delays and echos from a other galaxy. the vinyl is hand stamped and numbered and comes with a a4 graphic art print. mastering by xergio c—rdoba at eternal midnight mastering studio madrid, spain

for our second release in our catalogue we are proud to present a neoteric collaboration between two artists that have blended their respective musical styles to forge a three track extended play that thoroughly underlines our notion of proposing forward thinking aesthetics on one side we have wrong assessment, a young milanese artist that combines gritty synth lines with rumbling drum patterns whilst on the other we have m_rec boss max_m, a well known and experienced purveyor of the genre that delivers his undeniable touch and contribution to the ep, locking down a solid conception of their take on techno this three-tracker dictates a path that takes you from the spacey synths you find on the a sides toe tag where the two artists join forces, to the truly captive nature of max_ms nose out all the way to wrong assessments scaphoid that sums up the three tracks with a dashing rhythm through a percussive use of synthesis

a small studio visit in dresden expanded to a studio session and from a studio session they developed two tracks. mariano and daniel published one of it, a timeless, spherical one, on this everlasting treasuries 5 ep on vekton black. on the b-side of the record maki and lorenzo present their vekton black debut with a trippy, minimal and very creative track. call it modern house whatever ...

showcasing the deeper side of papa records, papa deep is back with an incredible new volume, stylishly put together by one of house musics modern masters, eric ericksson. hailing from stockholm, sweden, eric has been crafting his sound over the last decade, having had significant releases on derrick mays label fragile, carl craigs label planet e communications and also jimpsters, freerange label. eric has exclusively remixed 4 tracks - the realm & v one chance, the company superstar, the realm feat. tony momrelle time and a very special drum rework to ralf gum feat. monique bingham take to my love. for all lovers of deep & soulful house music, this is one release not too miss out on

the eagerly anticipated release of the epic & beautiful 10 mins 12seconds of drifting, hypnotic house music that is pbr streetgang remix of charlotte oc. vaunted by a full gamut of international djs, one in particular felt so inspired after hearing it he had to make his own version, fortunately, this man was paul woolford. so making its exclusive appearance into the world on the b side of this limited edition pressing, the paul woolford re-version.

released in 1979 queen samantha’s “take a chance” has gone down in disco history as an all time classic. produced by former aphrodite’s child bassist harris halkitis and featuring elongated naked “dj friendly” drum breaks and uplifting vocals and synths the record was sure to be a hit in discotheques on it’s initial release. the record was a huge success and has been sampled, edited and re-appropriated countless times, it even captured the ears and minds of the nascent hip hop movement that was brewing in new yorks bronx neighbourhoods a few years after it’s release with afrika bambaataa including it on his game changing “death mix” session with jazzy jay in 1983. both sides of the 12&#8243,,,,,, are bona-fide disco gold, pairing queen samantha’s soaring vocals with the stripped back, percussion heavy back drop of halkitis and his band. “take a chance” still sounds as fresh, epic and driving today as it did in ‘79 and still finds favour with forward thinking disco dj’s who include it in sets now. this is only one of many underground disco classics that the mighty miami based tk disco label brought to the world, officially re-mastered, re-pressed and re-issued in conjunction with joe stone / tk disco

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

copenhagens tartelet records reach their 30th release in style! this va birthday party features label regulars like uffe alongside a whos who of modern german house heads. tito wun & damiano von erckert from the cult ava imprint, cosy up alongside mpc wielding giants like max graef & glenn astro (alongside regular sidekick inmyrmind) submerged funk loops, off kilter chord work and sharp disco percussion share a packed dancefloor with heavily delayed hip shakers (swing set to the high 70s) elsewhere gritty, tightened up 4/4 sample house rocks out alongside neck snapping mid-tempo cuts, all concocted from a wholesome melting pot of four decades of black american music. its raw & for the floor, you couldnt ask for more

seven davis jr back on the scene with this killer live bonus 12 inch of p.a.r.t.y., easily one of the hottest sides to land this year. pressing on purple vinyl.

the first two tracks that were ever made after the formation of ontal in 2011 are opening the first release in the ontal series. however, the b side contains 2 versions of a collaboration with a well-known noise sculptor and one of ontal s influences - 2nd gen.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

the second of the three vinyl eps featuring tracks from perc trax’s ‘slowly exploding’ compilation groups together three of the label’s main artists and closes with a producer making his perc trax debut. the a1 slot goes to label boss perc, whose ‘hyperlink’ builds on the sound of the dancefloor tracks of his last album with a huge kick giving way to swooping 8-bit chords whilst sawf’s ‘goves’, already tried and tested by perc over the last few months is an unrelenting breakbeat monster. on the b-side truss delivers one of the stand-out tracks of this series, with the surgeon supported analogue juggernaut that is ‘brockweir. closing things off is drvg cvltvre, who lowers the tempo but not the intensity with one of his trademark 303 workouts.

another one from the chicago legend. a-side features a re-issue of a classic,freddys dead. b-side features another unreleased one from 88-92. tip!

new kid sublime house fire, a quick 300. tip! kid sublimes back in the ballroom series, a homage to the first clubs appearing and dance music like disco, r&b and house was played. a tribute to “the warehouse” from chicago on the westloop (hence the loop –side b), where frankie knuckles (r.i.p.) used to dj as a resident. beside the term “house” derived from that particular era, the first volume of the back in the ballroom series is a record where kid sublime takes you back to the dance-floor. for the fans of that timeless sound by pioneers like steve -silk- hurley, frankie knuckels or a nowadays kenny dixon jr..ready for another kid sublime classic? b-boy house with that amsterdam twist!!

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

washington dc collab between ppu and beautiful swimmers. check! comes with the soothing sleepy head with its laid back keys on one side and the gogo inspired funk of dunks on the flip!

three is the number, basement toolz the titel. once again rat life records is taking mickey on a night out to the sewer. here are two tracks made by credit 00 with a borrowed tr 909 drum machine. side a is called korg the groove, as the title already reveals, its inspired by a classic detroit techno cut. can you tell which one it is? on the flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.

nice price deal !!! antinote are very pleased to announce a new release by their good friend from bordeaux, a chap known as panoptique whose first 12- is a heavy -mixed live to tape- bomb of hard rocking techno covering the whole of side one, dj perfection for those hazy dawn warehouse moments. side two sharply delivers an introspective ambient journey, with two compositions that balance intensity and beauty as with a memorable cocktail on a special morning. his second record is already in the works, so keep your eyes and ears open for more from panoptique, a welcomed new member of the antinote team

watch out, it is one track/remix cut over 2 sides to ensure more sound volume. 16 minutes each side, total of 32 minutes! anyone who takes it upon themselves to contemplate over the history of house music, along with its highlights and key players, will inevitably stumble upon dj pierres name sooner or later. the chicago born producer and dj has been living and breathing underground dance music, namely house, since its inception in his very own hometown. for this very special get physical release, weve decided to pay homage to dj pierres contribution to the worldwide dance community by way of an epic re-release of that most iconic of tracks, >what is house muzik<.

• an organic, cold pressed and nutritionally balanced new 4 track ep from dont !
dont returns with a brand new various artists ep and the first in a new series that takes over where the * rumpus room* records left off.. * square meal* is designed to present to you a nutritionally balanced techno record, food for thought as well as for feet.. containing absolutely no artificial constituents but plenty of roughage and active ingredients !
the a side contains 2 heavy bangers, and the b side, 2 slices of amazingly quirky and rocking wonky style techno. man of the moment joe farr steps up and serves us a heavy one, dense, big boned techno music that manages to morph into gabba and back out again. this one is causing a stir whenever its played and fits perfectly with the dont ethos of extreme idea implementation! next up cursor miner returns to the label with a demented banger that has been road tested extensively during his live sets and comes with a health warning.. flip the record over for 2 slices of beautifully freeform wonky techno, the first coming from newcomer - sane and the second from dont veteran * edit*

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

until recently, the legendary ricardo villalobos was the only one to remix acclaimed norwegian folk singer mari kvien brunvoll. ricardo s -celestial remix- of the track -everywhere you go-, has been widely played in the underground music scene this year. the italian dj,producer marco faraone, who s music has also made it into labels like desolat, all inn and moon harbour, loved mari s voice, and decided with his friend piegaja, to remix a different song called > something inside<, just for fun, himself and in his own dj sets. but when mari heard it, she decided to officially release it !!! check this masterpiece rework! limited one-sided vinyl 12 140gr gatefold! vinyl only

limited nice price action
the next burning slab of wax from alphahouse sees a new name added to the techno world, as a well-established artist releases here in his own private way. savvy ears out there might recognize the sound of bipolar from the sun drenched early morning sets of a few big name djs, so you can be sure this is one for the summer. for the b-side, butane takes the original and twists it into a moody, drummy afterhours trip, complete with a k-bending late climactic rush.

limited nice price action
bleepy electrohouse bomb with cool vocal samples comes one sided includes 2 different versions

brilliant new balearic house ep from copenhagens music for dreams label. the opening track came to life when two danish djs - mads dalholt and zimino - made their own remixed version of al jawalas *go east* for playing out. mfd label head kenneth bager heard it, loved it, tested it out on his coma club dancefloor and it drove the crowd nuts with people literally screaming for more rewinds of this pumping horn-blasting oriental in-your-face party track. if you are a fan of acid arab and 80s leo mas/afredo style amnesia dancefloor madness then this one is for you. on side b we have the debut track from mads dalholt and partner landers - *zengo* is a sexy uplifting house groover with spacey keyboards, afro vocal hooks and a lively sax. followed by a second landers/dalholt cut, the slower more balearic *aelba* is built around a simple melodic guitar riff with some mellow xylophone bringing a warm sunshine feel. great debut for the young danes.

this ep is the second ep of a 2 records series, by steve romani aka db_24 on his own label modular machine records, pressed as limited edition white vinyl, following mmr03 (urban maze ep). the two records follow the 4 urban works eps released on ac records. this one features 3 detroit electro tracks per side, built around the 2 parts *the quest* and *modular machine*. *automatic* is dedicated to old school electro. made with hardware vintage machines for analog sound lovers in the tradition of former detroit electro.

from the copenhagen underground comes a new raw house label. both known and up and coming talents contribute with anonymous releases on a series of two trackers exclusively on vinyl. for the first release we have a rare filter house workout with a disco sample filtered to perfection to give you that hypnotic feel when everything melts apart and comes together again in that breakdown. for the b-side we have another classic house exercise, one of those chop chop rollers that just keeps the floor going with its eternal bassline and an organ riff sampled and resampled into obscurity.

• three superb new collaborations from brothers
• another fine bundle of established artists go head to head...
and make a return for the 6th instalment on brothers, hooking up with 3 fresh new artists, adding to the labels growing roster of techno talent.
headless horseman makes his debut ride out for an external label, laying down a bad boy broken beat stepper with and for a brutal but grooving a side offering. for b1 earwiggle boss and one half of tinfoil, sunil sharpe, teams up with and to serve up the pounding slab of acidic techno that is security breach. the final track for bros006 sees and and d.carbone collaborate on a relentless 4x4 acid bomb.
three collaborations that you may not see again so grab this record while you can...
mastered by matt colton at alchemy // artwork: ryan self

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

two deep jams with a dashing black & white mystique around them. check the b-side: late night club appeal! what it felt like to be so wanted, so adored. no one had ever felt like that about me. it was all so dramatic. always in the wee small hours when it seemed to me that the world was ours - that we were the world.

flyance records introduce two news producers on board.on the a side, two tracks from the young and talented georgian producer hvl. he gives us some kind of cinematic energy on his deep and acid tracks. on the b side, flyance presents the atmosphere of the mysterious and amazing producers monotix. they drop two dubby and mental tracks. ka one & st-sene presents an experiemental and ambient interlude on a3.

time for a new release from the head of music is love, the one and only oli furness. *you* is a superb 3-tracker with shows olis dark, deep and energetic side.

ltd nice price - banging phunked up electrohouse rework 2007

discomaths 002 brings us clips sweetest and most emotional side. further removed from his techno facet, but no less intense!

limited one sided 12 inch , with fresh versions, high class deep house, 90s athmo

my mind made of darkness, has known continuously interrupted flash taken back by the stronger, following ones. ii&#769,,,,,ve felt my limbs moving without having control. the other side of me, the most unknown to me, the most instinctive one, took place. dissimilar sounds have battered my most secret dreams, without giving them peace anymore. never existed soulsi&#769,,,,,s foot steps have obscured my silence, giving me only restlessness. eyes open again, suddenly, silence. -utopian soul-

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

chaise longue aka slikk tim delivers a fantastic deep cut with early deep house sound reminiscence of early guidance recordings, beautiful keys, deep baseline and a live guitar. bittersuite - straight up late night house music, deep and emotional pads with amazing keys, perfect track to complete the side side b delivers a exceptional track by a secret artist - not much needs to be said, just check the track & your understand what its all about. js gruvs is new guy from the french department, his track is deep groovy late night grover, accompanied by soulful keys and old school baseline, quality track - deep for the heads

limited 300 copies / full picture sleeve /! we all know fred ventura, and it’,s nice to see that he is coming back again with a new track, co-written and co-produced with phil r., who along with having been a respected deep house and electronic music producer for years, is now wellknown for owning the only italian factory of vinyl records: phonopress. the track is a classic italo disco anthem, and there is an alternative, more “,italo-funky-disco”, version in the b-side. the sound and the track’,s structure overall are the typical ones from the mid 80’,s. this record is a must-have for all italo-disco lovers, oldtimers, fred ventura’,s fans and collectors. the finishing is high-end, with a cover coated with opaque uv, black innersleeves, and shrinkwrapping. the limited, multicolored splatter 180g edition manufactured with manual presses comes with a special sticker in the upper-left corner