dub versions of the 2nd album con todo el mundo by texan trio khruangbin

compiled by belgian dj and eclectic connoisseur, lefto.

the fourth album from slovenian trio _irom.

the new album from multi-instrumentalist emily wells.

third part of z recordsÕ jazz dance fusion series, compiled by colin curtis.

tempos futuros is low-end-led brazilian futurism from one of brazilÕs most prolific and influential bassmen. as one third of legendary trio azymuth, alex malheiros has pioneered a unique fusion of space-funk, samba and jazz since the early seventies.

3 x cds

the sophomore album from brooklyn folk soul trio holy hive on cd.

the highly anticipated fourth album from cyprus-based trio monsieur doumani.

sophomore album from contemporary classical trio quest ensemble, incorporating elements of jazz, folk and traditional music.

the 3rd album from texas trio khruangbin.

the king of edits is back

defected presents david penn on 2 cd compilation

remastered re-issue of the legendary dj-kicks set by kemistry & storm, originally released in 1999.

soundway presents a collection of soca and calypso on double cd.

big crown proudly presents the debut album from californian trio brainstory.

the debut album from boston based heavy blues trio ga-20.

compiled by pete gooding and mark barrot. enchanting ibizan institution la torre continues its compilation series with volumen tres, an incredible fifteen track release that draws inspiration from the islands hedonistichistory.

incl. mp3 download ! incl. tracks by nico schwind, pachanga boys, dapayk & padberk and many more

stanton warriors - 2xcd (cd 1 unmixed, cd 2 mixed)

jeep kjellberg, tomas barford and tomas hoffding aka whomadewho showcases pop, indie, techno, disco, punk and funk and anything they can imagine on the new watergate compilation 26

the new album from danish electronic trio system is a special kind of collaborative effort with piano magician nils frahm. his purpose-built improvisations on synth, organ and piano served as source material for the members of system (thomas knak, anders remmer & jesper skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks ÕnÕ cuts electronics into vivid soundscapes. over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. ranging from the mellow bliss of the title track to echoes of 90Õs and 2000Õs electronica and ambient sequences frequented by mesmerizing movements and sounds. the blending of piano and digital tones and noises into emotive pieces might instantly recall the work of alva noto and ryuichi sakamoto, though system and frahm come to quite different results.

phenomenal chicago house by trio mutant beat dance (traxx aka melvin oliphant, beau wanzer and steve summers)

steiger are a piano trio trying to find a balance between composition and improvisation through the use of experimentation and electronics. the trios highly anticipated sophomore album give space was recorded at 7 different locations, with the music composed to fit and fight these locations within a dialogue of acoustics, atmospheres and appetition.

the french trio evergreen (previously name we are evergreen) grew up listening to pop music from the us and the uk. yet, like many of the most influential artists of todays french pop scene (fishbach, halo maud, etc.) they value both french and english to deliver their message. this new album Ôoverseas was recorded with ash workman (franŤois & the atlas mountains, metronomy, christine and the queens), and see the band use a warm sound loaded with synthesizers and draw influences from the likes of django django, air or metronomy to craft percussive electro-pop songs.

nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbšsen party girl von michelle gurevich, das den gleichnamigen franzšsischen film inspirierte. wehmźtige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dŠnischen song glemmer du, die vertonung von inger christensens poem for death, sowie den song bee dance. beide tontrŠger erscheinen wieder in topausstattung: cd als exklusives mixset, inkl. bonus-download-code mit allen ausgespielten tracks in wav/mp3-formaten, inkl. eines mehrseitigen booklets mit persšnlichen liner notes zu jedem track im pappschuber.

cd compilation incl. tracks by soulsearcher, purple disco machine & boris dlugosch, king unique, cleptomaniacs, the shapeshifters, ron hall & the muthafunkaz and more

far out monster disco orchestra returns with black sun, its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering brazilian jazz-funk trio azymuth, a full orchestra with arrangements split between arthur verocai and azymuths late maestro jose roberto bertrami, plus members of the legendary rio funk group banda black rio.

im november 2017 gaben young fathers, bestehend aus alloysious massaquoi, graham >g< hastings und kayus bankole, bereits bekannt, dass sie die arbeit an einem neuen album abgeschlossen haben. das 12-track-album mit dem titel cocoa sugar erscheint am 9. mŠrz 2018 via ninja tune. cocoa sugar wurde im laufe des jahres 2017 geschrieben und im hauptquartier der band aufgenommen ihrem kellerstudio. das album zeigt das trio in neuer klarheit und ist ohne zweifel ihr bisher sicherstes, selbstbewusstestes und vollstŠndigstes statement. es folgt dem 2015 veršffentlichten, aufsehenerregenden werk -white men are black men too-. bereits 2014 erschien das mercury-prize-prŠmierte debźt dead. cocoa sugar hat, wie alle young fathers releases, eine starke, eigenstŠndige visuelle €sthetik (cover-fotografie von julia noni, kreativ-regie von tom hingston) und wird auf cd, lp und digital erhŠltlich sein. cd im card-sleeve inklusive lyric poster

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

>music is the silence between the notes.< the french composer claude debussy once said. the german trio wareika, consisting of florian schirmacher, henrik raabe and jakob seidensticker, love the silence between their notes, even if their music is often fully loaded with many detailed sounds, rhythms, melodies and intercultural sound links.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

jo‹o paulo esteves da silva, m‡rio franco and samuel rohrer together combine all the qualities that are currently making this most classical chamber-music format of jazz so successful. intuitive understanding, transparent flows of communication between the musicians, their actions and reactions, soloistic sequences that continue the balanced flow of sounds, as well as musical culture and noblesse. this trio does not boast but trusts the spaces between the notes. yet its music develops a pull, gently insisting, that becomes ever more plausible

beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded ¾private collection® album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two ¾private collections® are already considered classics by the jazz-dance community.

3 cd compilation incl house and disco classics feat. kraak & smaak, tschik, crazy p, sandy b, joey negro, todd terry, mike dunn, hot chocolate , shapeshifters, clivilles & coles, swing 52 , lenny fontana, atfc, gusto, kristine w, joe smooth, gino soccio and many many more

the/das ist ein aus der formation bodi bill hervorgegangenes musikprojekt von fabian fenk (gesang) und philipp koller (elektronik, mix), das 2012 in berlin gegrźndet wurde. der bandname soll eine neutrale bedeutung haben und in keine bestimmte richtung verweisen. ihren sound nennen die beiden techno tenderness, was in etwa chilliger afterhour-musik bzw. new romantic house entspricht. diesen fanden die geneigten hšrer auf bislang źber einer handvoll veršffentlichungen, darunter der lp -freezer- von 2014. dessen innig ersehnter nachfolger erscheint auf dem italienischen, von dj tennis gefźhrten label life and death. wŠhrend bei frźheren releases eher der homelistening-aspekt betont wurde, gibt das produzentenduo auf -exit strategies- verstŠrkt clubfreundliche seiten von sich preis. dafźr vermengen die zwei ziemlich geschickt, geschmackssicher und facettenreich ursprźnglichen techno berliner prŠgung und organische soundschleifen miteinander und wźrzen das ganze mit verspielten kinematografischen details. ein aufwŠndiges verfahren, dessen umsetzung von losen skizzen źber die ersten arrangements und immer wieder neuen †berarbeitungen bis zum finalen mix im studio rund drei jahre dauerte.

featuring a host of luminaries from the world of soul & r&b, chart-topping songwriter and award winning producer mike city presents new album Ôthe feel good agenda vol.1Õ. earning his big break back in the year 2000 as writer and producer of a #1 hit in the form of Ôi wishÕ performed by carl thomas, mike went on to work with brandy, rihanna, angie stone and jamie foxx as well as penning sunshine andersonÕs smash hit Ôheard it all beforeÕ. renowned for his deeply rooted, melodic production style and distinctive vocal arrangements, mike city consistently finds himself in-demand from a-list hip hop, r&b and pop artists, as well as finding favor in dance music circles during recent years. placing him inside their Ôtop 100 soulful house artists of 2016Õ, traxsource declared mike Òone of the soulful sceneÕs most in-demand producers, singers and songwritersÓ and Òa name synonymous with quality music, no matter the genreÓ. a highly accomplished vocalist in his own right, Ôthe feel good agenda vol.1Õ sees mike take centre stage, showcasing a selection of previously unreleased songs with a little help from his friends. best described as r&binfused dance music, the album boasts cameo vocal appearances from leading lights of the urban music scene including: faith evans, lalah hathaway, dwele, teedra moses and the man whose voice kick-started mikeÕs stellar career, carl thomas.

praise poems vol.5 zeigt erneut, dass es bei musik immer auch um ein gefźhl geht. musik = emotion = stimmung! jeder einzelne song auf diesem album ist ein meisterstźck, das seinesgleichen sucht. diesmal mit dabei: gunn high school jazz reunion, keither florence, robert cote, plas johnson, charlie chisholm boss-tet, u.v.a.

in february of 1971, larry ray and bill szymczyk fled an earthquake and a debauched l.a. music scene to claim their own slice of utopia in denver, colorado. after meeting and bonding at abc-dunhill, where ray landed as general manager, and where szymczyk had breezed in from new york fresh off his first real hit as a burgeoning engineer/producer with bb kings. the thrill is gone theyd often daydreamed about starting their own label.

samuel rohrer, the multi-faceted, forward-thinking percussio- nist and producer behind the arjunamusic label, the ambiq trio and a wealth of other musical projects, has set out on his own with a new full-length solo album range of regularity as a double ep set with a deceptive title if ever there was one: the sonic experience of this record is, in fact, a highly irregular one (and a highly welcome one at that). constructed almost entirely upon electronically-treated recordings of acoustic in- strumentation, with a bare minimum of synthesizer voicing, ror vibrates with a compelling organicism as if old-growth black forest trees had conspired together to make an album of ultra-modern improvisational music. indeed, the record feels limned with contributions from some other intelligence, despite being a clear extension of the fluid, percussion-driven musical technique that rohrer has exhibited in previous years.

psychedelic new jazz trio, pioneers in the tel aviv music scene, mainly by introducing through this band a brand new sound, blending jazz with rock and electronics. guitarist/pedal master yonatan albalak, drummer/producer aviv cohen (aka sol monk) and bass player gilad abro, are all well-known jazz-oriented musicians, constantly performing around the world with various projects. the three create under the name of layerz since 2010. things on top of each other is their second album, written and recorded during a 3 days session in the studio. it feels like a natural progression from memory tower their first album recorded in 2012. this album has a distinctly more beats-oriented approach. guests in the album are pianist nitai hershkovits, vocalist kerendun and vocalist marina maximilian blumin.

over the last few years dexcell have been in high demand for their remixing talents. with official remixes under their belt for some seriously heavyweight acts such as ellie goulding and philip george through to the more underground acts like hybrid minds and bcee, an album of original material was long overdue. not content with just rolling out the beats, dexcell have drafted in some of the finest vocal talent around today. from the underground jungle influenced impulse to the peak time radio friendly running to the laid back melody ofÔover the influence, under the blue showcases just what the trio of dave, adam and sammie (aka dexcell) can do. support from beats 1, friction, high contrast, spectrasoul, camo & krooked, bryan g, s.p.y, nu:tone, zero t

2 cd compilation incl. kiddy smile, red rackem, kings of tomorrow, sonny fondera, eil escobar and many more

dutch electronic music trio, noisia, have revealed the remixers for their forthcoming outer edges remixes album. released on 7 april, the compilation brings together remixes of last summers outer edges studio album from the likes of bassnectar, ivy lab, machinedrum, amon tobin, camo & krooked, mat zo, dyro, the upbeats, mefjus, and more.