here we have a double a-side 12-inch, with an intriguing new development of the secondo sound. still banging, still aimed at the club but with a sense of maturity and laid-backness, that the previous secondo material for dreck records might not have been centred around. the whole outlook has become more house orientated and we are very excited about this new mixture of the secondo splice-funk with the steadiness of early 90s house generating its own idiosyncratic sound. on the a-side, i think im gonna likeestablishes the housey mood of the 12straight off. a brief vocal sample is dotted over a relaxed rhythm until a break mid-track introduces the second half to its full extent and bloom. ædoktor panglosson the b-side continues with the mid-tempo flavour set out by the aside and is defined by a steady build up towards a disco sample beautifully placed towards the end of the track, where a heavy bass line cuts short the euphoria of disco strings. the sampling and references in both tracks have been pushed to the background and mentioning any of them would not do this exciting new material any justice. its all fresh!

early 90s mini-lp by todd terry.

five tracks in pic sleeve on textured paper w/inner bag listing track details. recordings from late 90s to 2009 in a variety of styles encompassing the things he does. mostly typical kdj house, with some nice analogue synth work, an analogue >noise< track, and a jazz piece. contains extra vinyl crackle between the tracks to go with the title. check!

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

second release of barraput with a new of biggest 90s release. edit by mop.

banging hardtechno remake of the 90s classic stereo murder. hard rolling beats and a monster break. at the b-side a live version recorded at miss djax live performance at u60311 frankfurt germany. just in time for the summer festivals and heavy supported by pet duo: >its a hit!<

allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

space ranger comes from the stars. the trio based in stuttgart have a wide experience and an unlimited love for music. in their previous disguises they have done remixes for the likes of kool & the gang, sugababes and kurtis blow, but now they are absolutely focused on this new project. space is the place. he three members their dj careers in late 80s / early 90s and they are strongly influenced by the deep club sound of those days. combining sophisticated production skills, a huge range of analogue equipment and a long-term experience of what works on dance floors around the world they know how to move the crowds. by accessing to samples taken from a huge collection of old-school dance, disco and soul records they are creating the distinctive and sophisticated house and disco sound of today

these days presents an impressive compilation of six drum tools/beats on a single 12inch especially made for dj use. our favorite beat-makers, from radio slave to marlon d and jerome sydenham, contribute exclusive drum moments from new-school new york to more chicago jacking and techno. comes with a beautifully curated nostalgic 90s cover. essential!

one of the best house track from sneak !! one of the second wave of influential chicago house producers and a member of the vanguard of late- 90s starts a new label for his classic production since 1993.for his first release, the killer track called love released in 1995 on 83 west is for pure house track lovers & collector items. bonus, a new remix by sneak himself ! you cannot miss this release

ltd clear vinyl !! ww 150 copies !!! one of the best house track from sneak !! one of the second wave of influential chicago house producers and a member of the vanguard of late- 90s starts a new label for his classic production since 1993.for his first release, the killer track called love released in 1995 on 83 west is for pure house track lovers & collector items. bonus, a new remix by sneak himself ! you cannot miss this release

a welcome return for jaime read who has been releasing quality deep house and techno since the mid 90s via his own push ii shove label, tenth planet, fragmented and ugly music. here he drops a timeless ep of house and techno rythims to great effect. messages from outer space is a deep slice of timeless 808 driven electro soul. name no names moves along with spaced out keys and a sax line reverbed to great effect. no relief has that old school chicago house sound with piano stabs and a lush string breakdown. digital acid wraps it up sounding much like the title suggests with deep 808 bass and floor smashing snares

new black acre special armed response unit returns with a party rocker celebrating an era the artist is too young remember and the a&r was too high to remember.
pumpin like reeboks: an adrenaline soaked dose of pure nosebleed speed garage rave crossbred with dubsteps bassonics and 90s b-boy swagger. raffertie hits his stride with his most accessible & anthemic work to date. pounding 4x4 kicks bounce off cylon bass cannon blasts and crashing 808 claps battle rave sirens for dominance of the air space. clipped vocal edits and pinpricks of distorted noise are littered though out this blood pressure raising carnival ride as a constant reminder that this is party music with intellect.

evoking memories of the heady days of 90s house, toby delivers lashings of guitar licked funk and powerfully warm bass. polished to perfection by the sultry vocals of ilhem. this is one track that is calling out for sea, sunshine and beautiful people!

ferrispark records has always been known for its devotion to unique and soulful releases heavily influenced by the deep sounds of detroit and chicago. carrying on in the same manner is scott fergusons, disco and deep house infused, >midwest born & bred ep<. the first mix of >keep on lovin me< mixes dirty detroit rawness with chi-town acid to get dance-floors stirring while the second mix is more reminiscent of mid-90s nyc and chicago house. in the late hours of the night, flip the record over for the seriously grooving, slow, deep, and druggy, >staggerin & stumblin<.

the disaffected sleeping beauty ernestina has awaken! destroyer, its not a name its a mission. here are four wicked tracks destined to destroy any party, the dj desk, the location and actually all that is unfortunate enough to be around... dirty kickdrums and screaming classic samples, this is one of italys finest! during the 90s ernestina wrote musical history in italy and all across europe. the original track has been made when the destroyer was 16 years old and thats our remake of this classic! ernestina is back. she is angry. the sh-evil is hungry!

he is the talented french man that has been in the music scene since the mid 90s. he has actively produced for several labels among which confused recordings, break new soil, definitive, different, datapunk, goodlife and international deejay gigolo records. now he is starting up a new platform, called signature by kiko, where he will be sharing his latest works with you.

limited edition reissue of the special disco version of bill withers 1979 classic you got the stuff, a magnificent funky disco cut with a super cool five minute groovin cosmic section that was made famous again in the 90s after being chopped up by dj harvey for his black cock free range ep. still sounding stunning today, this track will rock any discerning floor and remains a huge favourite with disco djs. the original changes hands for top dollar so grab a copy of this stone cold classic while theyre around. dont sleep!

laying low in the cut after the much lauded >recession vol.1< mix album and his wrily-titled futuristic crossover >euro dance hit<, caravan label head honcho julian smith aka october returns from deep studio retreat with possibly his best, certainly most forward thinking dance floor record to date. as always october takes a big slice of his inspiration from the detroit techno sound of the 80s and early 90s which is clearly evident on the second cut on this plate in particular. however you simply cannot ignore his perhaps more euro-centric dub tendencies and broken-beat rhythm principles that always inform his overall composition and production ethos.

nice first release with the hague, bunker sounding tracks with flirts to italo disco and electro. a sound that is retro-ish late 90s (1999?) just before electro clash became so big.

italian shooting star nicholas delivers a sick 90s house ep after the highly succesful swde003 .. dropping some serious maws style pressure. side a, presents >take me away<. imagine a classic chandlers production of the mid 90s side b, offers 2 tracks only a touch retro house. >if you believe< reminisces of luther v. happy summer tune, and bring back the 90s! >the way<, has a more r n b appeal mixed with house

slamming 90s infected joey negro vocal - disco house monster / incl dub mixes

lil tony is hotter than hot. while starting to dj and produce years ago, tony has been a staple in the scandinavian club scene since the early 90s. an amazing dj (actually one of the favourites around the moodmusic hq) and a talented producer, tony started with the fbi project with roberto rodriguez and kimmo oksanen before dropping some serious damage on raw trax vol. 1 last year on moodmusic. caned by everyone from luciano (he edited his own version of semble) to dj hell, tonys raw grooves cut the crap and moved people when other producers had to take a leak. hardworking, never forgetting his gentleman manners, tony is here to stay and raw trax vol. 2 is a bold new statement, and his best work to date. solid state takes the classic detroit influenced drum machine vs piano theme a step forward, a impeccable jam of 15 minutes with the beat keeping the pace, this has been roadproofed the last 6 months to good effect. the b-side karamba is a dry, tight driven tech-workout, perfect mixtool for the deeper techno as well as housier sets. it just works well. the closing checkpoint charlie is a tale of >lost in helsinki< – dark mean bass wanders around and gives space for the chuggin main line, monotonic body music at its best.

nice price deal !!! sr.click (juanjo matos) is an experienced dj from the end of the 90s who started producing electronic music in 2003 and in 2005 co-founded the inoquo netlabel. his minimal techno productions show an experimental spirit who has been able to assimilate many samples and mix them with galloping grooves, making up his unique style. after playing in sonar 2008 and participating in angel molinas wax session 3, the new techno label flatmate music based in barcelona is now releasing his first 12 inch.

>be at risk< was created at tracknotic studios located somewhere in the beautiful and magical hills of ibiza. it was recorded and produced by bea tricks and beatmaster g (producer/beatboxer) using state of the art class a equipment and a whole lot of good vibes. wide range of influences can be heard when listening to >be at risk< … such as: electro pop, punk rock, hip hop, old school, 90s techno …

big with: mathias kaden, nick curly, anja schneider, 2000and one, mihai popuviciu, sascha funke, luke slater, laurent garnier, gabriel andanda, willie graff, mirco violi, anthony collins, hermanez, leon, clive henry, andrew grant, sebbo, gabriel le mar, sebastian roya,.. after 9 evolving releases we are proud to present our 10th release on vinyl featuring non other than the inhouse producers and owners tania vulcano and tato. on the a side teflon is a percussive four on the four groove with a deep evolving old school stabs mixed with rolling crescendos that will keep that body moving hypnotically till the early hours of the morning...on the b tuccillo offer us dirty jam 96 could not have a better name to describe this track. dirty beats combined with revamped old school house stabs that remind us of the glorious 90s were house had invaded the worlds dancefloors with its infectious groove....hope you enjoy it!!!

classic 90s us house tracks!

a landmark house record to kick of this series. a very important release and produced by ron hardy - one of the most important djs at the time and instrumental in shaping the (chicago) house sound. real body music! this ep was released in 1985 and is one of the earlier trax releases (th 109). it remains one of the hardest to get and most in demand trax releases. originals go for over 100 dollars and even the late 90s repress is expensive, let alone the original limited edition white vinyl. we are happy have this available again in its full glory and remastered. first 300 copies will be white vinyl in tribute to the original

seasoned producer, musician and dj, mike monday has always been at the forefront of the uks electronic music scene. his skills have been honed and developed through years in the late 90s spent producing a variety of styles of music. time well spent indeed as this fertile training ground prepared him for the presentation of his critically acclaimed 2nd studio album, songs without words. heavily influenced by the dubstep and funky scene, yoppul has the ethnic sounds of london written all over it. its warm drums sounds, hefty bass and quirky melodies epitomize mikes signature sound and are a tribute to the soundtrack that is currently ruling his citys streets

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

mike dehnert delivers with this 12 on his own fachwerk label. after the stir of his limited md2 release another piece of black wax with some heavy deep bass driven techno tools. 3 powerfull overwhelming tracks that are still subtile and classy. 3 tracks that slowly push the bounderies of techno rooted in the berlin traditions mixed with some detroit flavor. especially the b track is a true killer with 90s style open off beat 909 hi-hats and great tension. wont be in stock forever... dont sleep!

dirt crew, hot from their recent 5 years compilation and the >blow< album on moodmusic, is again on the wall with another hot remixpack ...
>deep cover< was the standout track on the album and gets the remix treatment from 2 of the brightest stars on the deep house scene.
roberto rodriguez builds up a massive groover with similarities to mid 90s deep dish sound but injects a slice of analog funk to it, showing the talent and nourishment in his music.
vincenzo takes a deeper road, teasing the groove to slowly evolve into a tastemakers choice as we know him. deep, yet driving his mix fits perfect those early morning hands-in-da-air moments.

7 oz. records has come to its 4th release in vinyl. label founders siddharta and mr. rovat have finally put the last touches to their musical debut with windy city lights, an explicit dedication to the sound which influenced them in the 90s. its an ep which relives those chicago and detroit atmospheres, enhanced by the solo trumpet played by acclaimed musician omar valle, who gives it a unique jazzy mood intertwined with drum machines and old school tools, an attempt to have the record play in an analogic manner.
the remix was handed over to none other than to brothers vibe, an historical name in the north-american deep and house scene. the result is filled with dub echos, undoubtedly detroit and perfect for any set!

vakant continues its valt series with the third installment of uncompromising club tracks. started in 2008 with onur Özer and followed up by tolga fidan in 2009, dario zenker brings up valt3 in 2010. vakants representation in the decent south of germany locates belfort as close to detroit as its indefinite in time. was it written by little dario in the 90s? or maybe on a us tour in detroit itself with some helping hands? we dont know, but surely have a timeless piece of music here

the 2nd release of french producer anthony collins on mule electronic. anthony collins have released from get physical, freak n chic, bangbang!, curle and name a few. his biggest track >reeves< was included to the compilation of 10 years anniversary of circoloco@dc10. after the successful of last 12inch >upright bass< inc great foog remix, he came back with two modern deep house stuff. a side, >away from home< is early 90s house sound. its associated with the updated nuyorican soul sound or recent dj sprinkles release. if you like the recent underground us house like underground quality or that kind of release,you will like this song even if its more modern taste than them. bside, >hanging on< is jazzy, tribal minimal house sound. its a modern dj tool.

classic 90s nyc anthems

cool cover of the 90s nomad hit!!

re release of one of the hard to find early 90s ny deep house from nu groove!!! great laidback disco sample with spacey keys and beautiful vibe melodies...

played by richie hawtin, joris voorn, karotte, dubfire, anja schneider, laurent garnier, nick curly, monika kruse, gregor tresher and many more...
frankfurt based dj and producer pascal mollin ties up to his numerous productions in the early 90s with appearances on sven vaeths original harthouse imprint amongst others. the elephant ep is reflecting his most recent works, solid and groovy aesthetics of techno which is perfectly enhanced with this superb pan-pot remix.

with after midnight glocal evokes the solid influences that surrounded their process of musical maturation in the 80s and 90s. new wave / disco rock basses and drums mingle with house from chicago, gothic bass solos, post punk vocals, and soul falsettos and chords that make reference to the techno from detroit.

the black label is dedicated to bring forgotten gems out of the closet as well as to rework tunes near the inner core of the producers involved in the label. theres no formula but to touch base with the music we love, be it then inspired from 60 s motown, 70s disco, 80s boogie or 90s klf.

the 90s were without doubt the revolution of a genre of music called house music for those who remember when house was house. one of the biggest tunes in 1990, which made house music a crossover sound, was double dee feat. danny losito – found love. it was not just a record of many, it was the record of that time. now danny losito aka mr. double dee strikes again with a fantastic song and vocal performance in 3 versions to choose from.

detroit, 1993. the burden brothers, known for their octave one project and 430west record label, start a new sub label called direct beat. it was created to release the techno electro sounds of inner city detroit. in 1995 the label was in full effect and released music produced by friends such as tommy hamilton, keith tucker, mad mike banks, will web and them self.
now 15 years later we know that direct beat was one of the big influences on how electro and techno is today. together with underground resistance, axis, m-plant in detroit and some like minded people in europe and artists such as drexciya, aphex twin, autechre and dopplereffekt it changed the way people looked at techno... it broke away from the dominant 4/4 kick and brought back the funk and emotion that disappeared once house and techno became popular and mainstream music in the early 90s.
we are happy to bring back direct beat records by making some of its classics available for a new generation. this is a part of techno music history we may not forget about! especially in these days that people consume more and more of the format tracks. this shows that emotion, passion and energy creates much more then just a dj tool... it creates tracks that become part of peoples life! and not for just one or two months in your i-pod... but for the rest of your life in your record collection! timeless classic collection... must have!

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

raidens label always comes with something different from the usual d&b formula rubbish. martsmans track is very impressive, with his refreshing future sound. on the other side its business as usual from raiden with help from khanage, its funky, and not as full on as normal, but again right at the cutting edge. martsman got into drum&bass around the end of the 90s. debuting on new york based offshore recordings in 2005, he released on smaller as well as established labels like alphacut records or counter intelligence in the following years. in 2008, tracks on warm communications and hospital records sub label med school attract the attention of a steadily growing audience also from outside the drum&bass scene.

superhero by the glass, the second single off their upcoming album, is a pop leaning dancefloor track with an infectious hook. remixes come courtesy of uks luke solomon, founder of classic recordings with derrick carter, and all round house music champion. lukes mix is an old skool rave dub with pulsing percussion, trippy synths and a wonderful retro bassline. esl recordings ursula 1000 plays up the hip hopelements in the original production with 80s electro feel, shimmering hats and a 90s ravey vibe. finally newcomer bit thief brings an amazing nu house remix to the table with an incredible conga heavy mix which includes tenor sax honks and much much more… the glass are on tour in the usa in september and europe in october and december!!!

alex agore is dropping more of that great 90s influenced house tracks as on his on his debut releases a couple of months ago. that one sold out in a flash... and this is more of that same quality! classic tracks with warm chords (think rick wade, moodymann) deep basslines and pumping percussion. 4lux delivers another quality release!

john tejada was marooned in los angeles in the summer of 82. a strange place to grow up coming from vienna austria. even stranger considering the lack of techno there in the 90s. in a land of glowsticks and desert parties, tejada stuck to his love and development of his own unique electronic sound. fast forward to 2007 when detroit area native josh humphrey was also marooned in los angeles. it didnt take long for the two to meet and connect the cables on their modulars into a system twice as big. the result is marooned, palettes newest collaboration between john tejada and josh humphrey. the trio of songs reveal three sides to the duos work. the title track, marooned, joins humphreys modular synth work with tejadas beats and soothing pads, the result being a slice of beat-driven melodic techno created in a city where such sounds are rarely heard. melodiac continues from there with a lighter mood, with humphreys modular melodies and tejadas signature stabs and rhythms. rounding out the three is concrete safari, which largely focuses on humphreys modular fm synth work that slowly evolves into a cluster of tribal sounds, modular birds and grainy goodness. humphreys knowledge of synths and programming is quite extensive. he currently works with la based big city music, a dealer of modular and boutique synthesizers. it is also a place tejada frequents to test most of his gear

is kerowacks first follow-up single their acclaimed ep, the first ep. a is a heavy drum and electro synth four. it is partly a sentimental track, communing with one hand with the 90s warehouse techno revival, yet with the other hand, forging forward in the evolution of electrohaus, sacrificing nothing and tripping no cliche. fc kahuna lead the back-side of this release with a live rock acid disco reinterpretation, conjuring up an entirely different waking dream, untamed yet methodical, acoustic, analog, whacked out yet perfectly in control as fc kahuna always is.