wired records releases 4, 5 & 11 bundled up for a special prize!

prolific doesn’t begin to describe japan’s keita sano, who has come seemingly out of nowhere to become one of the most unique new voices in electronic music thanks to a wildly eclectic clutch of releases for much-hyped labels like 1080p, joakim’s crowdspacer, mister saturday night, spring theory, discos capablanca and more. building on that buzz, sano is unleashing still more head-twisting takes on house and techno via new york’s most excellent unlimited. label boss paul raffaele has found a kindred spirit in sano. their shared love of classic dance music and refusal to let genre or convention define their work makes mxu a natural home for the “sunset ep,” coming as it does on the heels of the category-smashing “oyama edit” 12” and a 7” of drum track edits by disco king danny krivit.

deluxe 31 track 180 gram 2x12 inch lp soundtrack to the citically acclaimed documentary *montage of heck*. personal home recordings of musical concepts and the wild imagination of rock icon kurt cobain. includes a digital download card for 320kbps mp4 audio of the entire soundtrack.

limited repress for this mighty double header of highly sought after disco funk rarities from tc james and his fist-o-funk orchestra. originally released on the tiny fist-o-funk label out of nyc, this impossible-to-find 12 inch boasts the incredible tripped-out walter gibbons mix of *get up on your feet (keep on dancin)*. weighing in at an impressive 11 minutes, this mix bears all the gibbons hallmarks - wild psychedelic synth sections, stretched out breaks and an amazing hypnotic dancefloor groove that never lets up the pressure for a second - immense! flip over for the magnificent saverese mix of *bumpsies whipping cream*, a funky-as-hell disco track filled with soaring guitar riffs, b-boy friendly percussion breaks and some very ecstatic female vocals. essential purchase.

june records presents concept 1210, a collaborative project between we are monsters, ratlife records, nation and june records. represented respectively by all the wild eyes (solar), credit 00, naughty wood, traxx, the pedestrian, villan x ,trenton chase and june. concept 1210 is a contemporary take on diy electronics, introducing nu-no wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. “my sin” by the pedestrian with credit 00 is a recording from a live performance in 2010 at hellerau festival in dresden. june s -the legion- is a studio recording made with a korg kpr-77 and a modular system that transits to electronic chaos. “character” is the result of the uninhibited collaboration between aficionados villan x and naughty wood offering a new demented take on diy electronics. * protection* is the outcome of the first collaboration between june and traxx resulting to riot electronics. *all the wild eyes* offers doggo with vocals by credit 00, a psychedelic - 10 minutes long - boss dr-55 driven piece. trenton chase s * prowler* is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

this newly inspired project has also been launched as a partnership with hometown friends - nitin and former art department band-mate kenny glasgow in support of an issue very close to their hearts - animal cruelty. white has recently begun work on maac (music against animal cruelty), a charity project started with long time friend and pulse radio founder wade cawood. the charity will serve as a fundraising initiative with plans to galvanize the support of the electronic music industry and to help raise money and awareness to protect african wildlife facing the threat of diminishing population or extinction. social experiment will serve as a non profit record label with 100% of proceeds donated to maac.

following the royal success that was maximum joy, alfresco is back with another release. 2015 marks ten years of alfresco disco parties. the label is still only young, however, but the crew bring their party planning, djing and producing experience into the label.

with one of the biggest artist lineups to have ever graced one ep, critical music presents phace, and his friends. the perfect outro for the labels most successful year yet. the double 12 inch includes a download code for all tracks as 320k mp3s.

early support by: marcel dettmann, takaaki itoh, gary beck, dvs1, adam beyer, randomer, jeroen search, speedy j, jonas kopp, tommy four seven,slam, mosca, psyk, paul mac, nx1, manni dee, progression, scalameriya, thomas hessler, juho kusti, ryuji takeuchi, mr jones, anfs, dustin zahn, kyle geiger, joton, paul birken, hector oaks, charlton, dario zenker, kwartz, dimi angelis, drvg cvltvre, stranger, mikael jonasson, arnaud le textier, dax j, jerome hill, 3.14, pfirter, echologist, darko esser, tripeo, endlec, stenny, clouds, i/y, rivet, henning baer, dave tarrida, rolf mulder, w.i.r.e, shdw, pacou, patrick dsp, ansome, sebastian krenzlin, rebekah, gareth wild, domenico crisci, perc, setaoc mass, j.tijn, radial, aiken, the black dog, ness, developer, exium, sawf, joseph capriati, svreca, shards, truss, truncate, myler, inigo kennedy, advanced human, operator

driven by analog machines, and with the italian artist s typically dark and gritty stamp on it, the ep is a masterclass in functional, club-focused minimalism, splatterings of acid run wild atop drum-machine rhythms and coarse, swirling pads. idga s two originals, -no pictures- and -no glitter,- land backed by a remix from lucretio of the analog cops, who twists the deep textures of -no glitter- into a slamming slab of raw analog house.

back from a whirlwind tour this summer that included glastonbury, melt & wilderness festivals plus a much-lauded residency at heart in ibiza, performing damian lazarus & the ancient moons eccentric and immersive debut album for the first time, the band unveil their third single, we will return. co-written by ali love, who also features on vocals, we will return is remixed by loves own infinity ink project, serge devant and joeski and veers the moons back to the dancefloor.

on the a side you will find sexy drummachines,the casio rz and the electribe mx1 getting in a wild penetration mode called -oldskool madness-, the electribe pushing deep garage chords in this banging beats and the casio rz-1 still jacking sharp as knife ! on the b side the slammin jack charmed the westerwäldersaw-tooth-tiger-beat from the japanese laserdose, a magnetic noise in anxious beats on epic breaks, a synaptic massage also for the headbangerballet and for all other ravers a whopping meal !

the 1964 marvin gaye album back on 180 gram vinyl with download code included.

for those not in the know mater suspria vision are one of last remaining first wave of witch house, proceed without prejudice, msv were a truly bizarre one of a kind group. combining cosmic style with early krautrock experimentation, bootleg vhs and a wild sense of humour, msv have been one of our favourite groups for a long time. we’ve taken their last lp antropophagus and run it through the giallo disco filter, featuring remixes by xander harris, parasols aka ali renault, antoni maiovvi and vercetti technicolor. mastered by alek stark, art by eric lee and cdx

parages 009 is ojpb (known as bowly) first ep on this label, a side project oriented house and disco. the a side starts with « pénétrante », a disco house track, with classic bassline and nice chords groove. on the second track, its simoncino’s remix. the italian with a strong taste for chicago house, signed on mathematics, lies and more… he turns the track into a wild west tune with deep sounds and melodic lines keeping the groove.b side starts with a deep percussive house track, super melodic and really catchy with a detroit influence…..you got to pay your dues man. last one is a super catchy disco edit that will stay in your head and bring some dance moves that you didnt know of.

emex is the emergent techno act of george apergis and alex retsis, powered by korg synthesizers. inspired by mathematics and digital electronics, already supported by marcel dettmann, truncate, drumcell, jonas kopp, bas mooy, pfirter, lag and many others. their debut ep is a conceptual fusion of dancefloor techno with atmospheric overtones, first track 00110001 is a minimal opener with pounding chords and detroit style influences, second track 00110010 progresses into darker territories while the fundamental grooves become infused with moody flavors and third track 00110011 transpires from harder realms, concluding the release with its almost acidic basslines and trippy arpeggios.
early support by marcel dettmann, drumcell, truncate, jonas kopp, bas mooy, pfirter, lag, dave tarrida, alex bau, alexander kowalski, developer, slam, mark broom, 2000 and one, mikael jonasson, damon wild, i/y, submerge, lee holman, arnaud le texier, antonio de angelis, ray kajioka, liss c., maceo plex, gel abril, paul mac, joseph capriati, sasha carassi, pierre deutschmann, carlio lio, marco bailey, axel karakasis, stanny franssen, sender berlin, angel molina, xpansul, krenzlin, noah pred, matt cooper, plural, will kinsella, patrik carrera, barker, enrico sangiuliano, matrixxman, gotshell, signal deluxe and many more

damian lazarus signs another classic from the enigmatic drumtalk, a revered producer who brings in the sublime singing talents of josa peit, signed to brandt brauer frick’s label for the invigorating and anthemic lose again. championed by gilles peterson, seth troxler, midland & huxley of late and attracting a large, loyal and diverse following from james holden and skream, wildcard shows drumtalks sinister sneer, a techno weapon shooting to kill. gamma makes playful experiments with sounds to great effect, a unique and eloquent record that sways with grace.

spherical collections of stars form around black holes in situ, that is, locally to their cosmic neighbourhoods. it is said that future space colonization will rely on sourcing supplies in situ. construction in situ uses raw materials at the site: colossal sculptures such as naqsh-e rustam, the leshan giant buddha and mount rushmore were built in this fashion. wild, organic machine grooves, with a mind’s eye on naked treetops and an early sunset. melody breathes out from dubwise fx, percussion by turns sinewy and floating, sub blasts and stripped synth arrangements. keys on air. spacious, witty, melancholic, deadly.

the latest release from breachs own naked naked imprint is brought to us by leeds based viers aka jordon saxton. part of the new wave of uk house and techno producers, the forward thinking producer already has five releases under his belt, including a 12inch on seb wildblood and apes church imprint. for his third outing on naked naked, jordon once again assumes his viers alias for another dose of dancefloor-ready techno

due to it s 10th anniversary, kittball records is going to release throughout 2015 a limited white vinyl series as special edition in four parts reflecting its most successful tracks within the past quarters. the first edition will include four original tracks by purple disco machine, in.deed & returd of the jaded on the a-side with paji and wild culture on the b-side pointing out the pearls from middle of 2014 until today.

the vinyl release of major lazers new album includes a cd with all tracks plus bonus remix of *all my love*.

nice price deal !!! darkstar bewiesen sich bereits mehrfach als vorreiter der britischen elektronikszene. sie arbeiteten u.a. mit künstlern wie actress, zomby und wild beasts zusammen. ihre frühen maxis auf hyperdub und die beiden alben north (hyperdub, 2010) und news from nowhere (warp, 2013) gelten als bahnbrechend. nun haben sie mit -foam island- ein werk geschaffen, das ihrer generation eine stimme gibt. die produktion reicht von expansivem uptempo-pop über dichte atmosphäre und mutierten neptunes-r&b bis hin zu ungezwungenen sound-experimenten. harte digital-rhythmen und live-percussion treffen auf farbenfrohe synths, in die aidan whalleys leadvocals nahtlos integriert werden. ein perfektes electronic-pop-album, das so nur in 2015 entstehen konnte.

dutch powerhouse creme organization started a brand new label entitled jericho one. the man behind the first ep is berlin based brit bnjmn, who has released on label like delsin and rush hour and has a strangely melodic, lo-fi sound. opener skur is a hurried techno jam with frosty textures and bleak industrial vibes. it sets the vibe for the total feeling of the ep which is way more floor facing compared to bnjmn s earlier productions. this is a truly out there and wild ep that once again finds bnjmn experimenting on the outer fringes of the techno world in his own unique, distorted way.

dualshock present their first 12- ep, jungle on resopal. -jungle- features three fresh berlin house sounds and one digital bonus. -wild jungle- kicks off the vinyl and initially drops the energy before exploding with mediterranean life and dubby melodies included for good measure. -marshmellow- then pushes us back into the club as a techy rhythm and repeated vocal hook draw us to the floor while -trust- twist offers itself in the form of a synth loop that lends an exotic edge. spicy and addictive.

first pressing in very limited red 180g vinyl.

andre kronerts seminal exu ep gets a comprehensive rework from some of the most outstanding on the scene. tense and sinister new cuts from kronert introduce both sides of the release, whilst the label calls upon remixes from berlin mainstays efdemin and ed davenport, as well as hollands finest export juan sanchez, plus stockholm ltd label boss par grindvik alongside fellow swede peder mannerfelt.

retaining the slurred vocal of the original, efdemin layers thundering effects over chasmic bass in his mix of into the zone, which saw heavy rotation last year. meanwhile davenport brings a wild yet streamlined intensity to c.o.d.e.2.
side b sees grindvik team up with mannerfelt to provide a joint interpretation of into the zone, which they manipulate into a peak-time epic, with a soaring melody over hammering toms. finally, juan sanchez channels funk through roll the dice with a twitchy, groove-laden rework.

the spirit of exu is made physical once again via 12 inches and 27 minutes of wax.

deep dark industrial ambient. a slowly evolving soundscape with boiling buzzing sounds, resonating through the dark world.the berserk was perhaps one of the world s best fighters, which in old norse time sworn allegiance to the norse god odin. before a battle berserkers excited each other up and occurred in bearskin or wolf skin, hence the word berserk. in the beginning of the battle they performed exceptionally talented, indifferent battlers, but in close combat they fell into berserk. then they howled like wild beasts, probably to frighten the enemy and incite their comrades and themselves, and then get into rages. a berserk in battle were said not to bother about any injuries, and was therefore until the enemy, or they died.
pressing on translucent orange coloured & black splattered vinyl.

good ratio music looks deep into the brume and strikes gold with the first ep from carlo on the imprint. forget me not is a record that plays directly into one of the strengths of the artist: melting a coherent whole from ephemeral parts. carlo keeps it rather fiercely on the house grooves, creating a far out sound with his fluent pulse and motif-based melodic improvisations. a unique sound that makes this three tracker remain to him at any spot. on the flip side kresy delivers a solid remix of the main track, forget me not. where he tames the wild things and crowns himself as their king.

the next hot white label series comes from a new producer and label of the same name from ireland called xerophkz. as the name would suggest this is techno with purpose and intent designed with the dancefloor in mind. the a-side brings two direct punishing cuts, while the b-side goes deeper balancing out the ep nicely. styled on techno from early 90s while also embracing the new school sound this release offers a unique style and sound not often found in the current climate....
early support from bas mooy, delta funktionen, function, gareth wild, lakker, fran hartnett, sunil sharpe and more.

nice price deal !!! cymawax explores the far reaches of our sonic galaxy with its next 12 inch only release, an exciting seven song set from evocative uruguayan-norwegian vocalist camilla luna. camilla is known as one half of luna & bazis on wahwah45s, with producer friend bhlb, and as vocalist for trulz & robins releases on eskimo and dance disorder’s ”metallic italic“ (bpitch control). her years of improvising vocals with musicians and djs at renowned oslo clubs like blaa, jeager, and the villa have given camilla a knack for accompanying electronic rhythms with haunting, tuneful melodies. for the open up ep, camilla joins producer bhlb for soulful and raw vocals recorded in one take over futuristic, bass-heavy, and delightfully offbeat tracks. the styles and tempos vary wildly, but the sound throughout is unified in a deceptively organic ex machina woman-meets-machine vibe. in the title cut, the almost tribal percussion summons exotic, benevolent spirits when combined with camilla’s temptatious crooning. the twisted r&b of ”wut r u gwonna do“ could almost be a secret collaboration with the likes of flying lotus. and ”f.o.c.- transmits a slightly intimidating techno stomp that would make all heads on the dance floor turn towards the dj and immediately take notice. these are just a few of the otherworldly audio nuggets found within the open up ep … there are more treasures to unveil. excavate soulfully.

seminal chicago acid house compilation fully remastered and spread over 2 x 12- for the first time. dj pierre... maurice joshua... lidell townsell... jack frost... mr. lee classics all here... re issued in conjunction with trax 2015.

bahdeni nami besticht mit einer vielzahl an kollaborationen mit produzenten aus dem elektronischen bereich, die einmalige interpretationen des bereits etablierten sounds von omar souleyman liefern: four tet ist erneut mit an bord, gilles peterson ist mit dabei, modeselektor steuern 2 dance-tracks bei und legowelt liefert einen remix des titeltracks. das neue album wurde in instanbul aufgenommen, omars wohnsitz, und der sänger wurde dabei standesgemäß von traditionellen musikern begleitet. unermüdlich bringt omar souleyman seine wilden dance parties in alle ecken der welt vom sxsw, über konzerte im rahmen der verleihung des friedensnobelpreises, hin zu rock-clubs auf der ganzen welt.

lost my dog co-founder pete dafeet releases the second single from his critically acclaimed debut album the root, the soul. my love is raw is classic deep house: gritty chords, fierce vocal snippets, and roughshod beats that bring dj pierre s wild pitch to mind. manuel tur s remix adds menace to the original s simplicity. a stripped-back groove that builds to a crescendo of acid, synths, and tribal rhythms - as turbulent and demented a seven minutes you ll find this side of dc10.

no room for air is the sister label to wild oats offering a fresh take on the soulful side of our interests exclusively in 7inch format. in hopes to explore different aspects of music, nrfa was created to showcase our favorite genre-defying artists in tandem with wild oats.

over two decades ago, roland leesker would play and produce with artists that are legends today. slaving away with ricardo villalobos in his living room, creating loops with john selway at new york s satellite basement, working as a light jockey for joe jam and marc spoon, cooking the heat together with cajmere and ata at the wild pitch club, or running various record shops around the globe. since then, he’s invested much of his time, knowledge, heart and soul into electronic music to further the scene and support the art. now, he’s returned to the studio with his production partner philipp maier also known as sante to bring you a new instant classic, ‘my warehouse’ in a way, you could say ‘my warehouse’ has been in the making for 25 years. in that time roland leesker has studied the music, gathering inspiration from the sounds, people and experiences along the way and putting them all together to create his perfect sound. ‘my warehouse’ is a bass-laden house killer, with intense kicks and a gritty, in-your-face bassline.

after baazs successful album red souvenirs, office recordings is coming up with three wild remixes by dorisburg, christopher rau and s.a.m.

j.c. touches down, going to the farthest reaches of the sonic landscape and returning with a portrait of the flying sky. dark brooding techno with a emotional edge, not for the faint of heart. masterful artistry at work and the first full length on the growing boards label.

re-release of ian pooleys classic wildpitch infected house bomb, dont you be afraid. originally released on force inc. us in 1995. comes with a new dj friendly edit by ian himself.

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

4th part of 5 years of gruuv

this release from unknown deetroit is pressed on red vinyl and is limited to only 666 copies. featuring 6 tracks, including one with backwards music, this is sure to appeal to fans of the previous 12 inches. hand stamped white labels taking the sound from wild pitch and deep to techno and jack!

9 track lp of original material from zoovox. made with classic sounds of ana-digi machines of yore and filtered through some norman whitfield-in-jamaica 3d psychedelic dub. music to ride to the depths in your submarine, then climb tropical volcanoes with your gorilla pals.

finally putting to rest a one-year break, retreat is back in full swing in order to bring more heat this summer thanks to the busted moniker ep from quarion! with four tracks that showcase a jazzier, somewhat wilder side of the retreat co-founder, busted moniker has the stamp of a producer on top of his game, squeezing out all of the funk from his machines and letting loose without too much over-thinking. can you handle it?

iron me debuts on resopal for a grand sonic journey not only to the vibrant heart of the dancefloor. coupling contemporary 4/4 tracks with a bit unusual resopal style breakbeatish-tinged soundscapes and deep deep dub, iron me acts as both a skillfully composed portfolio of personal memories and a sublime collection of charming cuts. his unique mélange of emotional and functional elements works exceptionally well for the full-length format. each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. red bodden is an album for dancing wildly, relaxing, hoovering the house and losing yourself. a true musical journey.

following markus suckut debut on the label, its now the first time on be as one for eduardo de la calle, one of the most interesting and passionate producer weve had the pleasure to work with, a master in its own craft: deep, melodic and thoughtful techno. for this release weve picked up two very special cuts from eduardo, pushing eduardos limits to the next level.

white asega co-­owner jack dixon wrote new curtains after a friend who was coming wildly off the rails told him he was a good producer but his tunes were boring. the original version was really sparse and about 300bpm. when jack moved to new york the parts got lost, so he remade the track a dozen times. this was the version we all liked best, although jack never wants to hear it again in his life. it sounds tough and tropical. our friend troy gunner remixed it, and turned it into something so loud and slamming it will knock your teeth out. after telling jack to stop making boring music, mark kodiak spent two horrendous years working with jamie kodiak on a song they ve called taargus. it nearly destroyed their friendship forever but we think it was worth it. it has brutal weapon sounds, nasty snares and an incessant “yo” that has been described as “annoying and unnecessary”. the artist tom pounder has created a blinding video for it that contains brand new colours. french born bass genius bambounou stepped up to remix the track, taming the wild stems into a hypnotic early­morning house stepper. it took us approximately 2000 exhausting facebook group chats, four cross­atlantic flights and one divorce to get to this point. we hope you will enjoy this record for the rest of your lives. rip ken tulley.

you might have heard of happa by now. hes the leeds native who first burst onto the electronic scene in 2013 with his blistering 12inch-single beat of the drum/ bring it back, the wildly precocious teenager (also known as samir alikhanizadeh) who won instant fans in the likes of mary anne hobbs, loefah and even four tet, the one who scorched a trail with his dark, bass-heavy sledgehammer house, which sounds quite unlike anything else out there right now.

killer gene hunt double pack from 1995… 9 killer tracks spread across 2 discs… heavy duty jackers! re mastered and repressed 2015.. goes for serious money second hand. released in conjunction with trax / maad records. come and get some!!!

bahdeni nami besticht mit einer vielzahl an kollaborationen mit produzenten aus dem elektronischen bereich, die einmalige interpretationen des bereits etablierten sounds von omar souleyman liefern: four tet ist erneut mit an bord, gilles peterson ist mit dabei, modeselektor steuern 2 dance-tracks bei und legowelt liefert einen remix des titeltracks. das neue album wurde in instanbul aufgenommen, omars wohnsitz, und der sänger wurde dabei standesgemäß von traditionellen musikern begleitet. unermüdlich bringt omar souleyman seine wilden dance parties in alle ecken der welt vom sxsw, über konzerte im rahmen der verleihung des friedensnobelpreises, hin zu rock-clubs auf der ganzen welt.

:-crimini- is a new independent label born from the experience of some members of the mighty kitchentstudio3, based in bologna italy. the first release contains on the first side three track by nas1 duo. the young duo work at the kitchenstudio3 since 2011, where they produced a lot of good stuff, including a track featuring kyle hall (released by wild oats music), their debut ep on bosconi records, two tracks released by nick anthony simoncino s hotmix records, and many other cool works. on the other side there is a power track, spinning at 45 tmp, produced by the mysterious grienkho, appeared on pushmaster records and austerity, and kosmik, legendary record collector from south of italy.