the faze action brothers released their fifth studio album entitled body of one last year and to continue the celebration they have recruited some heavy weight talents to give their spin on three tracks from that album. first, the brothers take on the remix duties of magic touch, giving it a dub house reboot that could be the sound track to countless sunsets this summer. next up is a deft dub mix of the same track by maxidiscs cohort and globe trotting dj, dicky trisco. on the flip side we have the balearic powerhouse that is phil mison, remixing echoes of your mind into an electronic, down tempo feast with additional bass, guitar and keyboard played by the man himself. the final mix on this 12inch is provided by emotional response curator and head honcho stuart leath under his chuggy guise, delivering an organic dub mix of faze actions floating world

number three in the four part schleiben series from emotional response arrives with dont dj and tropical hi-fi at the controls. the former is the current creative endeavour of florian meyer, founder of the diskant label and one of the more experimental and academic producers to surface from dusseldorf in recent times. he also forms one third of the durian brothers. meyers kosmose is a 20 minute piece which explores the link between polyrhythmic percussion and brooding electronics understandably, its ripe with introspective qualities. offering some contrast, northern australian producer tropical hi-fi turns in oceanic mythology, a meandering journey through found sounds, psychedelia, folk music and more which sounds like listening to sued b-sides whilst tripped out on acid.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

official re-issue of larry heards the housefactors project!another one of his classics!raw and relentless tracks that went so far from any electronic dance music from that period that to date this is still recognized as larry heards signature sound. with his mr fingers and fingers inc. projects going towards club use, this and his gherkin jerks showed another side of him maybe a darker side,but for sure a more raw and different side with music that sounds as if it came from another planet.jacking tracks that to date only larry heard have made like this. many producers have been inspired or tried imitate his sound with all good intentions, but still, gherkin jerks and the housefactors are some of the most unique projects in house music history. play it loud originally came out in 1988 (!) on black market records. and how cool is it to see an official re-issue on the original label by the original guys who did this almost 25 years ago!eternal respect to larry heard and a big thanks to black market records for making this important record available again.

2015 repress ...walk on in, walk on in, walk on in…. these are the words you ve no doubt heard reverberating around clubs and festivals all year. the man behind this gospel-powered beast is none other than welsh-born, berlin residing doc daneeka. walk on in will be released on 4th november on limited vinyl and digital, with the slightly darker but equally demolition friendly b-side trife pt ii. support so far from jamie xx, joy orbison, oneman, jd twitch, will bankhead and panorama bar stalwarts nick hopner and nd baumecker.

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own. the label became a hotbed for emerging and established names as markantonios own productions sat alongside releases from the likes of jospeh capriati, davide squillace, rino cerrone, & paco osuna. away from the studio he established himself as a global dj, taking his own unique sound on to the road, across europe and beyond and garnering fans wherever he went.

lakehead returns to nabla for a second release by evolving his rendition of unearthly ambient pads with a tasty three track ep. two parts testimonial, one part interpretation, this record emulates ‘90’s groovy techno with modern melancholic keys tantalizingly hovering over fog drenched surfaces. the a-side sees us start with ‘1991,’ an assertively murky tune that immediately intoxicates with the introduction of keys that manage to invigorate and remain melancholic. following bewitching synth work, a throbbing energetic bass line pieces this number together while releasing suppressed emotion. a true anthem! on the flipside, nabla welcomes zaphod salmon to the fore with a well-taken, minimalist approach in remixing ‘1991’. by sparingly using snippets of hi-hats, claps and snares, zaphod creates formidable tension in an onrushing build up. this mixture of harmonic sounds sensibly reintroduces key elements of the original in a sensation shrouded in suffocating haze. ‚workout trax’ maintains the straight-faced groovy vibe with intermittent bleeps and filthy cymbal work whose jacking undercurrent will keep your feet moving. with its rhythmic nature beat, ‚workout trax’ represents machine funk at its finest. like the moon the strength of its gravitational pull will create a powerful tide swiping unsuspecting subject towards the dancefloor, whetting your appetite by precisely ending when the hypnotic swirl begins to form

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

nick the record teams up with dan tyler (idjut boys) for a fresh edits mission, a record mission ! as you d expect from one of the uk s most respected record dealers and an idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot
vinyl only - one press

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

vilod = ricardo villalobos & max loderbauer
it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine....
ps , as an additional feature each vinyl side contains a hidden floorfriendly dj loop

the second part in the hudd traxx 10th anniversary *now & then* compilation sees tracks from luna city express, sek, iz & diz and rick wade. berlin duo luna city express serve up a lush deep house groove that builds throughout the track, and will bring a smile to the faces of those who follow them on their beloved moon habour recordings. sek uses slick beats, trippy leads, a driving bassline and some *thug life* vocals to ensure this one has future classic written all over it. go back in time (to 2006 to be precise) on the then side to find iz & dizs *happy*. the words epic & journey are often misused in music but both can be mentioned about this track. it had devastating effect on first release and is set to do the same again nearly 10 years later. rick wade closes things out in fine style to fly the detroit flag on an all chicago / detroit side.

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

dungeon meat are back with a bang and start 2015 with a mighty slam of the hammer. the 4th ep to come from the dungeons and a special one as the boys enlist one of their long time inspirations point g aka dj gregory to deliver his first ep for the label. this heavy 3 track collection marks the first collaboration between the parisian don and leeds finest beat butchers. an alliance that will have fans of both artists hot under the collar. dm are very honoured to be the first label outside of point gs own imprints to release a full ep from him. here point g delivers a selection of his trademark stripped back club bangers ready to do the damage on any dance floor. if this is a taste of things to come then we can t wait to hear what is served up in the near future from this united force.

for the first reference, sounds of the city is happy to welcome the mysterious spirit of the black 808, responsible for one of the hottest pieces of wax in 2013 for eargasmic recordings in chicago. invasion of the black bass is also following the eargasmic record in terms of style. it s warm in every way and infectious. let s get invaded with invasion of the black bass and invasion of the black house. both tracks share the same chords grid, one could be a reinterpretation of the other. both are very warm and melodic. frenzy in firenze on the other side demonstrates sb8s skills for groovy tools and more dj oriented tunes.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

jaumet is back,but not alone,he asked 3 remixers to revisit his track la visite.on the a side,we have a brand new band from duseldorf,the wilde jagt.we know the boys from their previous band,der rauber und der prinz(released of desolat)which a favorite from everyone at versatile.thet deliver a surprising mix of la visite,in a pure kraut fashion(neu is not that for).on the flip,the french man low jack turns the tune into a dub marécage.multi layered music typical of the low jack.and finally,gilb r,so inspired by jaumet,delivers his own ambiant version of one the highlight of jaumet s album,midnight man(a tribute to i:cube who use to come at the studio at night at that time)

limited one-sided white label... played already by joy orbison and co

this is the fifth release on the 6-volume surgeon reissues label srx, collecting together an important selection of one-off tracks and highly limited rarities. fivo appeared on a release on round records and pagga featured on the underground uk compilation release by kickin records. the b-side features 2 tracks from the mythical thx1139 which was previously only available on 50 white labels in 1996.

we re proud to announce our second 12- single in 2015 which features never-before-heard (on any medium) rare live performances from cv313. the first track is a rare reversion of the classic -dimensional- piece released back in 2007 (echospace 002), recorded live in tokyo at club air. for the b side we ve done our best to restore one of our favourite live moments captured at arma17 in moscow, russia, a deeply moving affair somewhere between the clouds above and the water below, spaced out sonic submersion...

anakronik is the brainchild of andrey, one half of the audiotheque duo, who ve been involved in the scene for a while now albeit with discreet output. through anakronik their vision and ideas of timeless, spaceless music, that just is, will be revealed, starting off with their own, purpose-named, genesis debut single. the original version will see you through a mellow, heartfelt journey spanning the entire first side of the record. warm and discreet yet mufti-dimensional in it s drive and commitment, it s surely going to be a delight to dance to on any floor. the flip-side sees master of groove and mystery cristi cons doing what he does best, re imagining the original into a rolling sensual experience that will surely excite your senses and dancing feet throughout it s duration.

limited one sided ! jel ford remix , an epic open air anthem for sure

title track joyride kicks things off with a straight up 909 beat, complete with scifi sweeps and classic wood block percussion, quickly working its way into an very subtle groove with every element working effectively to keep it fully funk laden. sideways completes the a side of the release and gets going right from the beginning. pumping percussion takes hold and hits the ground running before a perfectly weighted synth hook lashes over the top with henning playing with the synths lfo to creative effect. dust takes things down a notch as swirling pads drape themselves over a serious 909 beat. henning lets this one loop out, letting the subtle variations in the synths do the work as the 909 holds the beat solid and reminiscent of early berlin/detroit dub techno crossovers. mars attacks closes of the ep and does so in particularly fine fashion. a more broken beat affair this time from henning and he really works his machines into a sonic warfare of bass tones and tweaked out synths that sear through the crashing percussion workout.

vinyl only - one press! nick the record teams up with dan tyler (idjut boys) for a fresh edits mission, a record mission! as you d expect from one of the uks most respected record dealers and an idjut sidekick, these are delightfully obscure but utterly deadly cuts lovingly extended and amended for those of discerning ear, and a lightness of foot

invade records goes vinyl only! ilario liburni brings us a 2 tracker. crackling beats and hypnotic synths on one side and a jet flyby on the flip side.
btw: 180gr pressing

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. spread across three 12inches & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by hawtin and the rest of the minus crew, while retaining a strong sense of houles unique character and identity. now its the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and marc has called in some of the very best in techno talent to give restore a fresh makeover.

contium is a berlin based techno duo formed by bruno giordana and jonas schenkyr. the record opens with *the p-wave*, a heavy bottom-end, dance floor-oriented track, with echoed sounds and reduced grooves creating real club vibes. feel the great spatial depth given by the air between the beats. the track on the b side is called *aeromagnetic dub*, and this one goes even deeper. the percussion and chords deliver an incredible rhythm that gradually hypnotizes the listener. it features local field recordings and filtered, brushed, acoustic drum-loops.

quickly becoming one to watch in the techno circles, john shima is making waves with his fresh approach to that classic detroit sound. his contribution for boe is nothing short of a stunning representation of underground electronic music. prototype is a sonic ode to industry: blueprinted in the motor city and forged in sheffield. it s heads down for the dance floor with shimmering metallic overtones and a side order of robot jack. ancient skies points more towards chicago stylings capturing the melancholy party vibe of early cajual records with crystal clear production skills and neat arrangements. transducer is groovy experimental techno that could have easily sat on the much-revered objet d art. it s electronic music that will stand the test of time. rounding off the ep in fine style is true distance. a stunning ambient piece with deep pads and swirling melodies that complement and round of the ep perfectly.

jaumet is back, but not alone: he asked 3 artists to revise music from his latest album la visite. on the a-side, we have a brand new band from düsseldorf, called die wilde jagd. we know those boys from their previous band der räuber und der prinz, released on desolat, which is a favorite from everyone at versatile. they deliver a surprising mix of la visite, in pure kraut fashion. neu is not that far... on the flip-side, the frenchman low jack turns la visite into a dub marshland, multilayered as is typical for low jack s music. and finally, gilb r delivers his own ambient version of one of the highlights of jaumet s album, midnight man, a tribute to i:cube who used to come to the studio at night.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

bomb! first release on subwax black label series sees the swedish dream team signing ibrahimovic on the a-side making the debut in fine style. the track camp nou is one hell of a techno belter and will leave no serious techno crowd unremarked. on the b-side the new face from the east velez weaves together patterns inspired by dusty machines, black magic and slavic paganism for the track black wool.

for the dataphysix fans and trainspotters here finally on vinyl! one of the tracks that has been played by heinrich mueller 2 years ago in a special podcast he did for resident advisor. this was one of the unknown tracks and finally it gets an official release. no further info on the producer, just a well produced one sided 12inch with doodles etched in spiral on the b-side. its needles to say there is a limited amount of these.

roberto capuano releases his first single on truesoul with two exceptional tracks that show a techier side to roberto s sound and one that impresses throughout. the title track never stop has been a highlight in adam beyers sets and its easy to understand why. the creeping vocal and driving drums are an inaugural part of the track before the uniquely pleasing pads drop in and create a gripping and immersive track to get lost in. around is a techier track that implements a throbbing underlying bass line that sits and keeps the track driving under a roaring vocal.

a1 - the newness- combines dystopian sound landscapes with dubby atmosphere and whoopy beats. b side opens with - g.i.r.r engine-, reminiscent to -never engine-, one of cristian s best works up to date, blueprint of minimal techno with no additions. last but not the least, - box engine 124- slows speed down a bit and finishes the ep with dark and funky though spacey trip to another dimension.

back at it again, taking the true essence of the “jacking” sound of chicago house and putting it’s own stamp on it is what obsolete music technology has done with their new 12&#8243,, entitled, “volatile.” warbling, wobbling, distorting, sinisterly acidic basslines abound is the best way to describe this release! for dance floors only! you have been warned! “volatile” starts off with some 707 drums intro and then fading in, is this tripped out, bubbling bass sound that sends you off a cliff! just when you think that’s all to the track, dark, melancholic pads comes in for added atmos-fear! rounding out the a-side is “killin,” with it’s 2 acid style basslines, one sounding at a high octave and the other at a lower octave. riffs playing separately sounding great, but when played together, there is something slightly, mentally off. on the b-side, “broken siren” is high energy! 808 tom drums bringing the funky low end while a short, electronic piano lick drenched in warm, fuzzy, flange effect. setting it off is a decayed sine wave, mimicking an actual alarm sound. lastly, “electric current” best describe this distorted acid bassline and its tweaking filter and resonance controls over jacking 808 drums

rnt is turning 10 releases old with this special and varied ep from michael the lion. known recently for his work on soul clap records, michael flexes his edit skills on this one, flipping some funk on the a-side with any time, and serving up classic italo cheek with the don.the b-side erupts with the disco-house-bringer-downer get more and finishes smooth with a fresh take on a wellworn sample with 909s and herb, a coproduction with sammy bananas, of fool s gold record fame. this milestone record is a choice celebration of the quality that the rnt label has come to personify.

picking up where the green aid ep left off, pn002 continues to encapsulate the labels ethos of delivering bass-laced custom-built club music that transports listeners to that unique place only quality club music can. title track glacier way is a pacey low slung affair that combines shimmering synths, rasping kicks and otherworldly bass breaks. another fine a side from the budding producer, and one that is sure to set the tempo across planet earth.

the three sides of audrey and why she s all alone now/no one is looking at u recorded in new york city between 2011 - 2015

for their second vinyl release, talahachi have gathered together another group of kindred spirits. opening proceedings is marvis dee s inside outside , introducing a new project for jacking house tracks by the man also known as sub-aquatic techno and electro maestro jeremiah r. sharing side a is one half of the deep space orchestra in the guise of haku with a high-tech incantation to the sun. on the flip side, vancouver s esb gives a slightly mellower pace to hands of the city . finally, cliff lothar, egyptian eyeliner & orgue electronique form an unholy trinity as the flexible fellas with a live jam session, pervocative .

klik records is proud to welcome a new addition to its roster, 9west. the 9west project made its first steps back in 1998 in thessaloniki, greece, by two music lovers above all, tikis and george. they both love the deeper side of things with many jazz and soul elements, maintaining a raw and kicking sound. their free of crippling nostalgia music wins you over with consistency, tension, and dynamics as well as a sensibility, one would usually expect from house music. 9west pursues an unexacting fusion of quantum jumps and tradition - including effortless melodies and hook lines.

flumo limited returns in the form of a translucent blue 10 inch, slice of blue acid from el_txef_a. the release features 2 originals that incorporatesthe emotive and deep vocals of terence mckenna and is packed full off 303 beats, ready to do the work on the dance floor. side a of this double sider comes in the form of ‘neurotransmitters communication’, a 9 minute roller which blends heavy bass beats and piercing vocals into on ocean of squelching undertows. for side b, el_txef_a presents us with ‘fear vs love’, intertwining flutters of break beat around chugging acid melodies, and leaving the listener with a perfect combiantion of sonics. this is one piece of wax that is almost certainlly an essential for your record bag, a homage to the warehouse raves of times past and a melting pot of acid acoustics.

dm003 gets the black maths series off the ground. black maths is all about the most introspective of the rhythms that can get the dance floor on fire. one artist per side displaying their separate musical universes with one common link: mystery. a mystery that goes from placid to oppressive, sometimes even bordering on unnerving. black maths is above all an exciting journey through sound.

one sided album teaser .. in limited supply..

strange happenings are going on down at scrutton street, ec1. with release after release cementing the names of those based or working out of the studio bunker, a desire for pushing the boundaries of electronic music is primary with little concern for whats hip. so if anyone can tim can and here with his newly birthed pseudonym comes junior fairplay. with a one-sided release and remix to his name on crimes of the future a glimpse has been offered of whats in store, but how do you like me now? gives it straight.

public possession under the influence 05 is the first various artists compilation on pp. four tracks made for your pleasure. reworked to be heavily used. kicking off with the already notorious flyer edit by samo dj featured in various mixes and high in demand - finally available on vinyl. on a2 bell towers takes over the controls to deliver another one of his italo tools. where does he get it from? who knows. 100% rhythm in motion. flip sides! you get introduced to a new member of the pp family: tamas jones, one half of the australian duo hey convict, re-does an underground classic, your dj bag is crying in joy! tambien is finishing off things with their dubbed out version of a dutch synth pop cut.

future times is proud to present a fascinating, brutal 12 inch from brazilian producer japa habilidoso, aka guerrhina from 40% foda/maneirissimo crew!! a side * funk do sindicalismo* goes for relentless, almost abusive rhythm collage, this cut is the most punk shit that ft has so far had the pleasure of releasing. ruff rugged n raw!!! the flip, * agronomia setorial* , cuts more dance and djshapes, and rides bugged piano loops and a collage of voices and noises to perfection. this is one for the mutants!

here at nang towers we are really happy to have back slovenian talent sare havlicek, without any doubt one of our favourite producers, and to present you all his latest creation *movies for lovers*. sometimes we like to try something a bit different. often the process of creating an album can be a not-so-simple task: which tracks are the singles? which is the breather track? do we have ten songs? have we covered all the bases? the list goes on. sometimes the answer is to throw convention out the window and just try to harness a burst of energy and get it down on eighteen minutes-a-side of vinyl. we gave sare the following brief: lock yourself in a studio for four weeks and come up with a piece of cohesive work. abandon the formulas, do some experimenting and (most importantly) try some things you wouldnt normally do. *movies for lovers* is the result of that session and encapsulates the feeling of the journey sare embarked on to bring you this album.

anonymous is a regular tune in chris liebings sets across the world since summer 2014. the track has been selected by rebekah on her mind sets compilation on clr. anonymous is a subtle groove driven techno tune designed for the dancefloor. on the flip side of clr087 emerson takes us on a cinematic journey with his very own too many people talking (not enough information). a mesmerizing ambient tune that invites us to get into emersons universe. anonymous ep by emerson is surely one clr release not to be missed. its big! (chris liebings words)

parages music presents their 8th release. on the a side there is a track by honesty, german dj-producer, half of slope music, signed on cabinet records and sonar kollektiv. he delivers for parages a big house track, full of warm chords, strong claps and a moving bassline. better drop this one at peak time ! the remix is done by the one and only moonstarr, broken beat pioneer and classy remixer. a man who knows everything about detroit techno, hiphop and bossa. moonstarr chop honestys track into a fast groovy tune, bassline and chords are losing control! on the b side its adjowas tune orient. the man is producing a lot recenlty, signed on freerange, dont be afraid and happy skull. this track is made live with vintage gear and is tape recorded. orient is a boogie electro bomb, super vintage synths, maximum groove bassline, and dusty reverb. a must have.the remixer on this side is basic soul unit, not necessary to introduce this one. top producer, dj and remixer. it is his 2nd appearance on parages. bsu switches adjowa’s track into a dub affair, basement feel, 808, masterclasstune.