i.b.m. is steve poindexter with hieroglyphic being. 6 tracks of industrial/ electro/noise dedicated to skinny puppy. one of the tracks was liscensed to gigolo records. originally out in 2002
old skool chicago tech-house. not our usual style, but this is so deep and dubby we couldn t resist. for fans of the relief label, mike dearborn, and the recent steve poindexter record (which featured a heiroglyphic being cut). just as funky as it is techy. dope
jamal moss aka hieroglyphic being verffentlicht sein lang erwartetes soloalbum the disco s of imhotep- auf technicolour/ninja tune! jamal moss hat sich einen einwandfreien ruf als produzent sowie als live-performer von hypnotisierendem, experimentellem elektro und free jazz aufgebaut, der in seiner heimat chicago und seinen beziehungen zur schpferischen underground club-szene wurzelt. inspiriert durch ron trent, dj rush und ron hardy, wurde jamal moss von den visionren und produzenten steve poindexter und adonis ausgebildet. diese brachten ihm die drum machines nher, die das rckgrat der bewegung waren und ihn zu seinen frhen streifzgen durch die musikproduktion ermutigten. seitdem verffentlicht er flei§ig ber sein eigenes label mathematics recordings sowie labels wie rvng intl. und soul jazz / sotu. seine stellung, als unverwechselbare, kreative kraft, verfestigte moss auch durch seine zusammenarbeit mit marshall allen von sun ra arkestra und noleian reusse (als africans with mainframes). unverwechselbar ist auch seine art, musik zu machen: er vereint seine antike herkunft und musikalische dna mit einer leidenschaft zum experimentieren, erschaffen und setzt musik als heilmittel ein.
erik truffaz zählt zweifellos zu den umtriebigsten jazzmusikern unserer zeit. der bekannte blue-note-kuenstler demonstrierte bereits auf mehr als zehn hoechst abwechslungsreichen alben zu welch abenteuerlichen grenzüberschreitungen er mit seinem jazztrompetenspiel in der lage ist.
early 80s modern soul classic with blue-eyed exhilaration! the entertainers first album is now being reissued for the first time on lp, and is a smash hit with livin for the summer!
this record has been created as a resource for sample-based music producers and provides a selection of 4/4 grooves and breaks: from minimalist to intricate, straight to swung, and also includes single hits of vintage kicks, snares, hi-hats, toms and cymbals, all recorded at ata records studio a with 1960s analog recording gear onto 2 tape before being mixed and mastered for vinyl. simon allen is the drummer and co-founder of british funk quartet, the new mastersounds. since the band formed in leeds, uk in 1999 he has played drums on all twelve of their studio albums and toured extensively across north america, europe and japan. on his adventures with nms, simon has jammed with funk and soul-jazz legends such as fred wesley, pee wee ellis, maceo parker, art neville, lou donaldson and melvin sparks, as well as fellow drummers bernard purdie and zigaboo modeliste, all of whose music has profoundly influenced his deep pocket approach to the drum kit.
philip lawn ist ein italienischer musikproduzent, mitbegründer von turbokitchen, der auf labels wie motek und my favorite robot recordings veröffentlicht hat.
mic mills and furious frank debut together with the fourth release on rhythm works. the adelaide duo with strong ties to untzz twelve inch, pieced together the album of genre twisting acid and electro after being lent a legendary roland system 100 which features across the nine track album that comes digitally with each 7. produced and mixed at palazzo 184, take your time and let your mind melt as you pass through the three palms.
originally released in 1990, royal trux twin infinitives is being re-issued in all its (yet to be translated) alien glory, by fire records. comes on silver coloured double vinyl in sleeve with monochrome artwork and download code.
la/joshua tree based sugar candy mountain deliver carefully built psychedelic odes in the style of jacco gardner and tame impala. limited pressing on strawberry lime splatter vinyl.
arnos a poil commercial album, originally released in 1999, is being released for the very 1st time on vinyl and with 6 rare and unreleased bonus tracks. tracklist includes the hit european cowboy.
repress - fly free is the newest ep by jon dixon on his hi-tech jazz label, 4evr 4wrd (forever forward). he collaborated with 2 good friends and detroit legends, john jammin collins and al ester to create two unique edits that best suit their personal dj style. he is no stranger to both jazz heads and techno innovators. hes played with urs timeline with mad mike, carl craig to jazz great marcus belgrave. i wanted to make something that could be the theme song for a detroit summer regardless of where you re going or coming from, jon said. i wanted to create a song that was perfect for cruising down jefferson heading to belle isle, or being stuck in downtown traffic after a game. jon dixon took something so familiar to the people of detroit and transformed it into a piece the world can dance to.
rasmus hedlund presents his third full length album on the ljudverket label. the diverse tonal range of the cuts showcase further experimentations in dub. the title far has a deeper meaning stating some personally reached milestones and also being the word for father in hedlunds native language swedish.
les innocents post-partum album originally released in 1996 is being for the very 1st time on vinyl with 4 rare and demo bonus tracks. tracklist includes the hits colore and un monde parfait.
heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.
modern obscure music welcomes the sun god for the anticipatory organization. this is a fantastically powerful three track ep to move the body and the mind. it is the work of a distinctive producer who focuses on powerful rhythms and ear catching melodies.
for the sun god, music has a healing power and the club has the ability to bring people together. he is respectful to the history of electronic music and where it comes from, but still pushes forward with his spiritually rooted yet technologically aware sound.
the sun god is jamal moss aka the hieroglyphic being. therefore, this is actually his return to the label. he remixed pedro vian s dancing hindus as the hieroglyphic being, which was released on mom001.
radioactive miami bass experiments - slime-coated dubby techno - nervous electro - and beautifully melodic, selectively not-ambient electronica. the second record on nascent san francisco label left hand path comes from bay area artist c.l.a.w.s. who offers up four cuts that chart a pathway through techno s outer reaches, a perfect platter for the intrepid at-home listener and essential fodder for the adventurous dj.
comes complete with full colour artwork sleeve and handmade paper insert designed by the artist.
in a world where no safeguards seem sufficient and our collective future is slowly being swallowed up by the depths of the ocean, funeral future conjures up a brainstorm of mythological mermaid phantasmagoria.
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