jason little continues his quest and drops the sequel in a series of very string hard techno collaborations. he ignites his already pretty popular label with a solid outburst of roughness featuring the one and only dj rush. now its time for his friend felix krocher to pitch in his analogue anger! jasons mask is about to be big and you know it

mekanik and mk records labelboss manu kenton from belgium is known for his diversity in taste and productions. he released numerous successfull productions and remixes on respected labels like alphatbet city, lupp and genetic. here he once again demonstrates what cutting edge anger the man can put into music. a seriously effective harder pumpin techno ep

spirit plays a great role in dj bones music and dj sets. longevity 4 journeys from motherland africa to north america. motherland is sharp beats and stabbing rhythms symbolizing the chaos and anger during the abduction of slaves in africa. deep down is a negro spiritual with cries of pain and sorrow from the souls who >survived< the passage

superhuit presents the latest boogymanns ep. five funky & soul house tracks produced by boogymann. this ep reinforces the atmospheric idea of 70s soul music and its sensorial force forgotten today

2cd mit 16seitigem booklet

top selection, cd mit 19 tracks im umweltfreundlichen ecopack, sleevenotes mit ausführlichen trackinfos.

der britische kŸnstler und produzent adam gibbons veršffentlicht als lack of afro seit 15 jahren funk & soul-durchtrŠnkte releases auf freestyle und loa records. inspiriert von klassischen filmkomponisten wie john barry und john williams, aber auch von jŸngeren vertretern wie david holmes, schrieb gibbons den soundtrack the last bastion zu einem imaginŠren film, der nie erscheinen wird. der film ist eine art utopischer themenpark, der ewige erfŸllung verspricht. the last bastion ost ergŠnzt die beeindruckende diskografie des produzenten um ein weiteres highlight

the prodig s seventh studio album, no tourists will be released on their take me to the hospital label via bmg. in a career approaching 30 unpredictable, uncompromising years, the prodigy have become that rare artist whose influence can be felt across all walks of life. continually defining (and re-defining) electronic music, the band have clocked up a staggering 6 number 1 albums, played to many millions around the world, and remain as relevant and respected as ever. though much has changed in the musical and social landscape, what remains a constant is the prodigy s resolute focus on following their own path, their own way. this, perhaps, is the true meaning of no tourists , and in 2018 the anger, urgency, and irrepressible spirit of the prodigy has no doubt never been more needed

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

oliver schories features a killer tracklisting on 2 cds with darius syrossian, oliver deutschmann, ramon tapia, anja schneider and many more

decadent yet depraved, the debut album by belief defect, finds shelter and complicity in raster as home and label. familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, belief defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries or expectations earned or self imposed and find the clearest, most direct path to their music for themselves and the listener. at the core of the album is the music that inspired them, the conclusion of countless recordings listened to in their formative years that ultimately result in a life-long devotion to electronic music: from dance floor to primal anger and self-annihilating noise, to transcendental, ambient escapism and intense self-reflexive sonic layering. the result is a soundtrack for this apocalyptic time, an uncompromising reflection on the state of mankind and its uncertain future Ð underscored by a sense of religious and secular demise referenced in track titles, samples, and soundscapes scattered throughout the album. yet, more than a political statement Èdecadent yet depravedÇ is an introspective journey, turning each listener into a spiritual soul-seeker staring into the abyss, reaching for some kind of cathartic truthfulness.

over 36 tracks in the mix across 2 cds, ray has handpicked a selection of dread recordings artists to feature on this album. tracks and exclusive vip remixes from ray keith, blade runner, margaman, mr explicit, serum & dark soldier plus many more.

fresh from the success of the peace of mind lp, mindtech recordings present their latest album project from belgian neurofunk duo human error! alongside their solo sinecore and t-psy aliases, sylvain colmant and gilles de ro have been collaborating as human error since 2010. with releases on close2death, future funk music and trust in music and their first album released by kaizaÕs t3k imprint in 2012, the duo have been a formidable force on the belgian scene for some time now. between a busy schedule playing shows all over europe they have spent the last two years in the studio gathering their best tracks, and now human error take their journey to the next level as their sophomore lp ÒintersectionÓ drops on mindtech.

born kenny dixon jr., moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the motor city. dj-kicks will be dixonÕs first ever official multi-artist dj mix. across 75 minutes and 30 tracks, moodymann creates a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. in addition to cuts from his own creative circle, the mix features 11 exclusive moodymann edits.

featuring a staggering 20 original productions and remixes, saved records are proud to present their 100th release

phil weeks is a house music purist. whether djing or producing, the parisian with the huge personality delivers raw beats influenced in equal measure by classic chicago house and nu-school french flair, underpinned with a hip-hop attitude. his long running robsoul recordings also defines him as one of the most skilled label heads in underground house music

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

der 2007 album der editors!