vor gut vier jahren debütierten london grammar mit ihrem album »if you wait«, mit dem sie in ihrer heimat großbritannien bis auf platz zwei der charts kletterten.
ein geheimtipp ist das trio also schon lange nicht mehr, ein tipp aber ganz bestimmt. das liegt an ihrem einzigartigen mix aus electronica, trip-hop und indie-pop, den sie 2017 sogar noch perfektioniert haben: auf ihrem neuen album »truth is a beautiful thing«.
die vinyl-lp erscheint inklusive downloadcode.

white label with hand-stamped. in a world over easy-come-easy-go overnight success stories, artists like kiwi are a rare find. steadily refining his skills as a dj and producer since the mid 00’s, whilst amassing a back-catalogue with labels such as optimo, disco halal and futureboogie, his trajectory encompasses an eclectic range of influences, making him something of a sonic wild card. with shards of disco, techno and fuzzy electronica always present, it’s seems fully logical that he can count the likes of erol alkan, andrew weatherall and dj harvey as fans. now, making his debut on moda black, kiwi delivers a surreal trip that balances raw energy with e-moment goosebumps, perfectly backed up by remixes from cult favourites lord of the isles and willie burns

udacha just gets better and better with every release, branching out into ever more exciting shapes and styles beyond their house and techno foundations. on this album from indoor plants, wild fourth world visions collide with hardware processes in a dazzling display of transcendental music for those who like their thought-provoking tunes to pack a punch. the likes of -targitaus- deconstruct club music conventions in a quest for new rhythmic purpose, and yet the soundsystem pressure is expertly sculpted out of the daring shape of the music. elsewhere there s surrealism in abundance, as on the wonderfully weird -hunch-, and that s just scratching the surface of this truly essential lp.

new talent from detroit. hazmat s infinite silence ep is as deep as they come, and is the first release in a new series of detroit artist releases from third ear. following on from third ear s landmark detroit beatdown series, the new detroit deep series of releases is just that. hazmat has played keyboards for artists such as bilal and mary j blige, as well as detroit legends kenny dixon jr, amp fiddler and delano smith. along the way, he started to make his own beats and his own tracks and is now ready to take things to the next level. he also plays keys with motown legacy artists touring bands, such as the the four tops, the detroit spinners, the gap band. it s not all about the beats and the synths, though. hazmat s work using the talkbox is right up there.

zone records welcome a real legend in the form of cardopusher for their next ep, a five track affair that is arresting from the off. venezuelan born cardopusher is now based in barcelona and co-founded the classicworks label. his diverse and experimental sound takes him from techno to electro to acid to rave to house, all with his own singular perspective. always fusing ideas with great skill on labels like super rhythm trax, zodiac 44 and bnr, he now comes correct for zone. kicking things off is the raw and raucous ‘nothing left to believe in.’ it is a macho tune with fractured vocals, wild synths and slap funk drums all sounding industrial and tortured. then comes blast cut, a more dynamic and stripped back electro groove with a corrugated bassline and metallic synth stabs all sounding informed by the past but looking to a distant future.

limited 100 copies vinyl only. technologic sound research finds its simmetry in a point among past, present and future. kr/lf platform, founded in italy by kill ref in 2016 really aims at it. krlf003 split vinyl release named purple split (from the cover colour) signed by the british patrick cooper (coefficient) on the a side and by the colombian alexander soto (gotshell) on b side. it&#146,s the first krlf release including digital bonus tracks: d-meson and t1995. supports: dave clarke, chris liebing, dax j, ilario alicante, joseph capriati, paula temple, randomer, carl craig, marco bailey, danny tenaglia, paco osuna, don rimini, sasha carassi, slam, damon wild.

on the a side - fresh aus das legalize lambada vaterland, the ex-yu! we bring you two white magic truffles one a jazz-funk original number courtesy of anelidi and the other a bangin-disco-stomper edited by lule. for the b side 2 more precious black truffles, dug out by our wild boars on their recent trips to the motherland - africa. our main man mikeburns delivers a mental-afro-hand-raiser while albion caters a deep-teeth-clencher. recognize and legalize!

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

the fifth release in ygroks limited catalog debuts the dkm project of samantha waldram, a native of barcelona. the a1 is her rework of the sound poem titled little ali hommage to forough farrokhzad by giorgio sancristoforo, a contemporary italian sound artist. the heavy rolling groove makes her track compatible with any dancefloor while still keeping the wild psychedelic flavor of the piece. giorgios original piece opens the b side with its disorienting collage of bells, modular bleeps and cresting, tumbling waves of persian syllables. the ep closes with a stripped down beat and soundscape tool in the finest ygrok tradition

berlin based arttu has been dropping his dusty fat beats across numerous techno labels including philpot, clone and 4lux for a few years but it was 2016’s track ‘hoodies’ on arttu’s own imprint cyblo that caught the attention of accidental label boss matthew herbert (and which remains firmly in herbert’s record bag). arttu was invited onto the accidental jnr roster and has delivered a chunk of techno with so much swing it made donkey kong blush. arttu takes the most simple of jazz bass hooks and loops across a rigid kick, it’s when those hats kick in that the groove goes fucking wild. the presence of us native roberto q ingram on vocals brings a full detroit gangster flavour to the party. initially arttu and roberto had an idea to record a simple and sweaty track with roberto on the mic and arttu at the control of some dusty old machines. the result, ‘bass trakk’ is exactly that: roberto dropping lyrics over a raw beat and a massive bassline. the ep is rounded off with a deep bit of techno ‘debris’ with all the trappings of the darkest hour of a berlin winter in which it was recorded.

creme organization returns in july with four searing electro cuts from dutchman ekman. mixing up west coast electro with tougher, more textured techno styles in recent releases for berceuse heroique and bedouin record, this artist is as much about the past as the future and proves that across this new and impressive set of tracks. doomsday argument is not as dark as you would expect form the name: its a lithe and slippery electro affair with crisp snares and gurgling bass all topped off by a freaky top line. the great filter mixes up distorted bass with rippling glass synths and sounds both spooky and cosmic, then post singularity day picks up the pace with a quick and urgent drexcyian style that is restless, dynamic and busy. last of all antifragile is a wild acid workout with rocking beats and ripping 303s that twitch every nerve in your body.

nice price deal !!! early support from : dj wild , chris carrier hermanez , sehou , andre crom , matteo spedicati

t.v. baby is a project that came to life during 2016 in a makeshift hideaway deep within a remote corridor of industrial new york city. the romantic isolation of their decaying surroundings leant its vibe to the otherwise occupied musicians as they intuitively explored their formative musical experiences, while playing at shifting their roles around within the band. from these changing dynamics the close friends debut album dignity dont dance was born. it comes on the label deus records, an imprint that continues the great independent ny tradition of dropping highly danceable music with rootsy, rock n roll swagger.

sharif laffrey is one of the great unsung heroes of detroit s dance music scene, having been instrumental in putting on parties in the motor city for many years and spinning records in all kinds of legendary spots. when he s not busy promoting, laffrey also finds time to turn out productions under aliases such as quadrant and maersk. primarily though, his recent work has been under his own name for the likes of love on the rocks and discos capablanca, who he returns to here with a single sided sure shot entitled always. it s a heated, jacking club track that screams of laffrey s detroit roots, with an early house thrust and wild 80s-style sampling that will set the party alight.

st173 is the first various artists effort on kastil’s stale imprint. the 3rd installment of 2017 showcases the most active artists from the stale stable (kastil & irazu).
kastil opens up the record with the noteworthy tones of “carucci” while madrid based irazu offers a wild adventure that’s constructed around his usual paranoidsynth work and frantic fx with “introversion”.
basel native ben kaczor is offering a piece of acidic techno on “sick acido” and desroi explores the dystopian side of electronic music with his “disprocess”.

samo records second release comes from australia s tunnel signs, who has previously released on cutters records, nein records, days of being wild, to name a few. -ultraviolet,- a ready-for-the-floor collaboration with moderna (ghostly, lumiere noir), blends a stick-in-your-head vocal with hard electro for radiantly retrofuturistic results. -carbonate- emanates classic industrial vibes with a heavy, pumping bassline and soaring, melodic synths. the markus gibb (rttb) remix of -ultraviolet- strips the original of its prominent synths while adding a healthy dose of slinky, hypnotic beats and dissonant samples. wt records willie burns turns -carbonate- into a big-room-rave anthem: driving rhythms punctuated by noisy squelches under heavy synth loops.

brand new label from strip steve.

the 7 year anniversary ep! dame-music is proud to present its 35th release, which also marks the special occasion of their 7th birthday. to celebrate, bloody mary has invited friends both new and old to the label for this various artists release. for the label s 35th release, bloody mary welcomes two new artists, the analogue cops and milton bradley, otherwise known by his alias alien rain. as well as this, she has invited label friend boo williams back to dame-music once again. the analogue cops present their track shonen jump on the a-side alongside milton bradley vs bloody mary s collaboration track tales from space . the b-side sees boo williams deliver a full side with his track animation .

dutch psych-rock artiste jacco gardner, and production partner in crime, the percussive culprit behind many a twisted tropical beat, nic mauskovic, have teamed up for a devilish ep of cinematic, balearic disco for their debut ep as bruxas. wielding a love for the wild and exotic, más profundo is a record influenced by the black arts, the sun, and the love of making nostalgic, summertime music.

the best of jimmy cliff on 180 gram vinyl with download code included.

formidable 3 track 12inch from the far north. sabothoka on the side a delivers a real cry for freedom in the form of an afrobeat disco dancefloor crowd pleaser that will make you smile, this track was a rune lindbaek floorfiller at the infamous club nomaden in oslo, norway. on side b changeling kicks off and does not disappoint, with its peak time acid house guitar loop, heavy head nodding drums and vocal it s a surefire winner. finally on b2 we have strong, a carnival style dubbed out reggae vibe with some cheeky effects and subtle flows. long live the wild pitch! dj support: todd terje rune lindbaek rahaan severino (horse meat disco) yyyes please all tracks i like yam who yeah some killer vibes there agent 86 (melbourne) oh man killer material thank you so much. andy carroll (cream/ibiza)

from ras_g: “the god spell beat tape just happened. i always make quick freestyle beats at work. i work at a “wrekastow” so i m always surrounded and listening to random records and after my bluntch breaks. i would come in make a few quick joints on my spaceprogram 303 and i just ran thru the gospel section that round and in 2 weeks i had. the gospel of the godspell.”

field recordings from the cook county water table” ist brokebacks debütalbum aus dem jahr 1999. das vinyl ist seit über einer dekade vergriffen und wird nun seit langem erstmalig wiederveröffentlicht. das album enthält gastbeiträge von noel kupersmith (chicago underground), joshua abrams (natural information society), rob mazurek (exploding star orchestra, chicago underground), mary hansen (stereolab), john herndon und john mcentire (tortoise).

“looks at the bird” ist brokebacks drittes album aus dem jahr 2003. das vinyl ist seit über einer dekade vergriffen und wird nun seit langem erstmalig wiederveröffentlicht. das album enthält gastbeiträge von stereolabs laetitia sadier und mary hansen sowie noel kupersmith (chicago underground), rob mazurek (exploding star orchestra, chicago underground), john mcentire (tortoise), aki tsuyuko und chad taylor (chicago underground, marc ribot). das vinyl erscheint mit bedruckten innenhüllen und einem mp3-download-coupon.

for our second release of 2017 we welcome ukraine’s finest, yan cook to eartoground records.
a go-to producer for many dj’s, his techno is definitely a force to be reckoned with, on the dance floor and his signature haunting atmospheres and pounding basslines leave a lasting impression.
tracks created for the release hold their own individual place in any set. from the intensity of buran to the slick movement of magnetized, the full track list has been tried and tested with excellent response throughout.
hope you enjoy.
being played and supported by the likes of: marcel dettmann, sigha, dax j, rem co, truncate, gareth wild, chris liebing, antigone, etapp kyle, francois x.

here again another japanese artist does his debut release on bosconi extra virgin, daisuke kondo from okayama drops a delicious 4 tracks ep featuring a special reinterpretation from italian duo nas1, not new to the bosconi fam, who also appeared on wild oats and more recently released on berlin label money sex. -roof dancer ep- starts with the subtle and hypnotic house jam of -everybody-, a groovy and bouncey deep house track enriched with funky elements and delayed keys going all along the track, in real daisuke s trademarked style.on a side second cut there s the -roof dancer- tune who gives the title to the ep, a funky and extra warm broken beat jam dense of organic latin percussions and jazzy vibes..and it feels like a real band jamming on a beach! nas1 rework for -exit- opens the b side with a pumping, tribalish and unconventional freestyle jazz-house jam for your freaked out moments on the floor or even a -stand up!- track for your opening sets, something for theo s fan..the ep ends with the chuggy beat of -passion-, a track which reminds some of best moodymann s classic atmospheres or even those soulful loungey tunes from the late 90 s. tasteful beats for your summer!

their 5th album titled, the fifth state of consciousness, is a double lp produced in peaking lights dreamfuzz studio over the last two years. it s both a departure from the new and a return to the old with a whole new twist on the psychedelic dub-pop they ve become know for. self released...from the heart! gatefold sleeve. big tip!

having emerged from the murky waters of the tape scene on always human and summer isle, strahinja arbutina follows up on a first 12- for bank records nyc with this sterling sure shot for the excellent bliq label. there s a range of styles displayed across fox venom, but the tracks are held together by the immersive, droning atmospheres that linger in the background of the productions. -fox venom- lurches under a heavy cloud like the best subterranean techno should, while -teabagging mystery- gets locked into a deathly minimal groove. this is music for the graveyard shift, although deemonlover s -so solid mix- of -fox venom- does inject some wild breakbeat action into the gothic surroundings

during kris baha s migration north, an introduction with berlin cult figure dane//close has led to power station s latest offering and debut mini lp the miniature industrial complex. originally released on limited cassette via noisekolln tapes, the lp brilliantly displays the sameheads resident s appetite for all things wave, industrial and weird, with an eye firmly to the floor. opener rockbox plays like a forgotten b-side dub, 80s drums chug as brazen noises bounce off a delicately nostalgic lead. fourth voice slings low, incessant bass drones as sci-fi vox and metallic hits to the rhein. mercy mercy increases the tempo, an arpeggio leads the way as intensity rises, unnerving samples introduce a flurry of gunshot snares. flip over to ancient rome , a dancefloor musica lirica complete with a forward baseline, air raid sirens and raw drum workouts, the fall of the roman empire! not part of the original cassette release, beard maintains the energy, wild guitar shreds in a neurotic ritmo frenzy alan vega crossing into 2016 dance floors faintly comes to mind. and lastly rounding out with fine experimental ender thunder ...mayday

america, location 12 wurde aus dispatchs (chad urmston, pete heimbold und brad corrigan) wunsch heraus geboren, sich zu einander und zu ihren fans zu committen, sowie eine positive wirkung auf gesellschaften in der ganzen welt zu erzielen. produziert von john dragonetti (the submarines) und aufgenommen im panoramic house, einem in den hügeln von stinson beach in kalifornien abgelegenen studio, markiert america, location 12 eine rückkehr zu alter stärke für die band. gemastert hat die 11 songs dave cooley (animal collective, m83).

straight from the ghetto!
dance mania re-release from 1997 with a new hot chicago house remix by south side underground in 2017.
mastered at schatz.mastering.studio
supported by dj deeon & dj krime

your lost property is ready for collection. the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound about who is behind them, but it seems likely pbr streetgang may have something to do with it, that or ghost of walter gibbons, we cant be sure. from the obscure and rare proto electro gem endo to the adriatic, windswept euphoria of rimini cruising and then a sultry, spacey one night stand that is hott in the city .on the flip, the classic re-cut of do it yer sen it s vocal message ringing as true up on the bleak moors of yorkshire as it does on the mean streets of new york. finally say anything takes us home on a wing and a prayer, a perfect end of the night record

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

the one and only joey beltram delivers a remix of jungle love with a techno electrifying spinoff complete with strong drum basslines and favoured by the industry s best. matt sassari gets deeper and darker than ever in this classic techno must have. audio kode is a beast calling to the signatory sound of de-noize with driving techno, heavy drums and bass, and raw heart-stopping beats that have appealed to richie hawtin and the likes. joey beltram s remix reached beatport s top charts at #47 and stayed there for almost a month, boosting both audio kode and de-noize records. support from joseph capriati, richie hawtin, marco carola, danny tenaglia, paco osuna, monkidj, dmc worldmagazine and plenty more!! matt sassari s track met with early success reaching #29 on beatport s top 100 in techno and climbed to #19 traxsource s chart, staying there for over a month. support from richie hawtin, romanolito, marco carola, paco osuna, joseph capriati, skober, hollen, dformation and more.. richie hawtin played this track on his livestream several times and at space ibiza opening party during hawtin s enter event. this was followed by plays by notable djs during the summer festivals and numerous related tweets to richie hawtin and tons of support by his followers. track fully supported by more including skober, hollen, dubfire, dj boris, danny tenaglia, nicole moudaber, tocadisco, mark antonio, meat katie, anderson noise, angy kore, tom laws, tiga and more

this superbly crafted bob marley set (2lp + download code) compiled and annotated by french journalist vincent tarrière, chronicles the story behind this legendary article “the wild side of paradise” published by rolling stone magasine in 1973 through the memories of photographer arthur gorson and features a handpicked selection of bob marley’s best songs, recorded at his creative peak, during the late 60s and early 70s, when he was working with producers bunny lee, leslie kong and lee perry.

parisian von grall contributes a new records four track counting ep to the planet rhythm black series.
“tracking happiness” is a lush piece of esoteric techno that spans over six minutes and showcases von grall’ s artful approach to contemporary eletronics.
“case history” is a percussion laden cut that delicately changes further on with slabs of fx while maintaining it’ s mystic atmosphere. “state of being violin” is a state of the art piece of techno music completed by deep percussion and moments of wild fx. “self portraits” serves as the closing track.
this cut showcases taints of experimental electronics and dystopian techno.

inflicted releases #003, 011 & 016 all bundled up for one special price!

jungle gym records presents “water tour”, a split 12” from dravier and ciaran lawless. an hour trapped in time, our tour guide takes us from secret cove to open water, dense fog throughout. dark shapes beneath the waves spark paranoid imagination running wild. though our hearts pull back to shore, we left our mind at sea.

the collected double vinyl album from robert palmer is a selected overview of his music, some lesser known tracks are alternated with hits like -every kinda people-, -johnny and mary-, -pride-, -addicted to love- and many more.
limited edition of 750 numbered copies on 180 gram audiophile white vinyl. housed in a gatefold sleeve with 4 page insert/booklet.

brooklyn based 369 records returns with its second release, a split 12 featuring artist co la and jeremy hyman. a side is laced with the freaky self extended edit of co la s -barricade-. this track sculpts sound into a club ready fast pace tune sure to leave people intrigued and begging for more. on the b side jeremy hyman introduces a hypnotic melody unlike many you have heard before. building on this melody it slaps you with the clap, and beats you with the bass. dance floor tested , this release is not your average twelve inch. both co la and jeremy hyman have a rich discography and sick pedigree before their solo careers. co la aka matthew papich played in ecstatic sunshine ( carpark records) before starting his solo project co la (software records, primary information) , and also a key contributor to lifted (pan records) jeremy hyman is a rare breed. a classically trained drummer who has played for more legendary bands than one can name (ponytail, dan deacon boredoms, animal collective, lifted) . he has recently started a wild independent self titled electronic solo career. he has already released tracks on future times records

the time’s classic 2nd album (produced by jamie starr aka prince) on limited green marbled vinyl.

soul jazz records’ new boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. featured here are some the earliest hip-hop records that came out of new york city following the enormous commercial success of the first ever rap record, ‘rapper’s delight’ by the sugarhill gang, in september 1979. artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. by the end of the year there were 30 hip-hop singles, all released by independent new york labels. the following year there were over 100 more, and so on.
boombox 2 is a triple 180g vinyl set (+ download code) that features extensive text, exclusive interviews and stunning photography by jamel shabazz, martha cooper and others.

house crime bounce back into the mix following the utterly essential steven bc release with this sixth jaunt through tough and rough beats from the backalley of the house music story, this time narrated by anthony fade. the drums are dirty distorted machine splatters, the synths wobble under the weight of their own fuzziness and the samples crunch like they fell prey to the ropiest of mpcs, and that s precisely why fade s jams are so damn hot. wild 9 (acid mix) is especially potent, using a simple but deadly 303 line and all kinds of hectic textures, and bout it manages to make melodic deep sound as mean and nasty as it ever should.

das beste vom besten von the bosshoss auf doppel-vinyl im klappcover.

(locked groove, nuno de satos remixes) something happening somewhere and mary go wild combine their forces for a very special record, containing two cuts by presk and remixes by locked groove and label honcho nuno dos santos.

one of the core members of the apollonia family is the mastermind behind the label’s latest release. shonky steps up with his first solo ep since ‘plombiére’ which dropped in july 2016. full of funky flavours and that distinct ‘shonky style’, the new ep consists of four brand new tracks produced exclusively for apollonia. each track emanates its own unique vibe, while reppin’ shonk’s irresistible groove. on side a we have ‘tyrolien’, a jaunty number with bright tones and a tight, rolling groove. shonky injects it with a series of unusual fx and what sounds like an wizened old creature, speaking about ‘the foulest stench in the air’. it’s a superb combination and sets the ep off to a great start.next up is ‘beat street’ which has a heavier set of beats, which stomp down as a marauding b-line gets to work. tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. the track is minimal in its make up, but deep and engrossing, classic shonky material.flip the vinyl over and we have ‘torro rosso’, a bold, stomping workout with fresh percussion and a jovial analogue riff. as the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. the final track is titled ‘serpent a&#768,,, sonnette’ and swithes the vibe. it’s loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. this one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. feel the glow!once again shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint, danceable, unusual and utterly captivating. grab the new ep now!

wunderschönes neues album von sam genders aka diagrams in kooperation mit der 90(!)-jährigen poetin dorothy trogdon aus washington. auf der basis von folk-inspirierten songs setzen sich zwei generationen über wissenschaft und natur auseinander. die produzenten kristofer harris (smoke fairies, clock opera) und mike lindsay (tunng, speech debelle, low roar) geben den songs ihren warm-analogen bzw. leicht elektronischen touch.

for our 225th release on freerange we welcome an exciting new austrian producer who goes by the name demuja. his mary janes theory record caused something of a stir when it came out at the start of the year on his fledgling vinyl-only label muja. having now clocked up over 300k plays on youtube and reportedly being offered for silly money on discogs it’s clear to see there’s a buzz on this guy, and when you check his music you’ll hear why. taking his inspiration from classic deep house but with a rough and raw approach, demuja can sit proudly alongside the likes of ross from friends, mall grab or rimbaudian riding the new wave of fresh, contemporary house. on his freerange debut, the move ep offers up four original tracks, eachwith their own distinct flavour. opening the release we have title track move spring into action with simple rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to demuja. next up b.o.o.m offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action. flipping over we have into my brain which brings some acid-tinged italo vibes and a jacking beat to proceedings whilst the closing track turn me on cuts up a much- loved paradise garage classic for a warm, soul-infused slice of classic, bumpy house music