‘etra’ is the second lp from portugese manuel carvalho, and can be seen as an extension of the ideas and themes explored on his debut 12” ‘citadel’ for paralaxe editions. here across 9 tracks manta breathes life and light into the potentially heavy exploration of the manifestation of the human ego in architecture, and our perceptions of inner/outer space. the weight of such ideas manifests itself in an sound realm where radiophonic interstellar explorations collide head on with a smooth yet brutalist techno vision. the vinyl lp includes a download code.

label founder mire composes the debut release on nuthe recordings. hailing from east london he sets the tone for the label with his own vision of techno and experimental music. the first track on the ep is distorted silhouettes a dark pulsating, bass heavy techno cut. sitting on the flipside is entropy this is more melodic, with a twisted analogue synth lead throughout and a pumping 4x4 kick. the final track is a haunting droney soundscape which which cuts like a razor at points and tails off as an outro into whats coming next on the imprint.

dead fader returns with his new album *glass underworld*. dead fader is the alter ego of john cohen - former brighton resident, now based in berlin - who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinemascope sound worlds. *glass underworld* became a very personal exploration for john, developing further his emotionally tinged brand of techno which he established with the previous ep sun copter. furthermore, the film interstellar visually influenced the album, mapped as an image for cohens tracks to exist in. the vinyl release is limited to 300 copies and comes with download code included.

cromies quietly become one of las most vital house producers. following a killer debut for nyc-based label peach alongside fellow eastsider sage caswell (with a remix by none other than kyle mf hall), hes been patiently honing his craft. his unique, amped-up vision of house music comes into full view with his amadeus debut, at interfaces.

the inaugural release, slag heap comes as a collaborative 12” between london-based producer and live act aggborough and rising talent ashworth. together, the pair present an enticing and focused vision of mystic techno. borrowing depth and energy from the purest of sources to create immersive techno soundscapes, “slag heap” is a truly magnetic listen that never loses its collective coherence.

last trasmissions from solaris was inspired by the stanislav lems novel solaris, a journey into techno-soul emissions explored by the talent of passenger. it combines a subdole sci-fi atmosphere with solid techno approach and scientific electro incarnation. here you can find a direction if your soul needs an utopian vision of the future. the closest thing to detroit we have been able to produce over the years.

the chicago based perpetual rhythms label welcomes trinidadian deep to the family for their 6th release, native bush ep. trini is known for his deep, spiritual, and tribal sounds on labels such as ron trents future vision records and neroli.the same holds here for his ep three deep house tracks exuding love through percussive and atmospheric vectors.

powder is a young producer raised in rural japan, now living in tokyo. she wakes daily at 6am, squeezes onto a packed subway and commutes to a bland office building where her day is consumed by the electronics industry — a banal world of blank stares, uniforms, data entry and soliciting phone calls. she cherishes her lunch break, a solitary hour of astral projection where her daydreams cull inspiration for another life, her nocturnal routine. at 9pm the day closes, as her co-workers flock to the izakaya for beers, powder rushes to her micro home-studio to exorcize her daily demons, constructing a tropical temple to house her immaculate vision. she slaves away, unabashed until sunrise, when her routine begins again, however, todays lunch break is an escape into her headphones where she will revisit her soundtrack inspired by lights, colors, hometown memories, and the imaginary worlds where the fruits of her labour will live.

again the berlin based instrumental trio: max loderbauer, c. puntin and s. rohrer. incl.download code

the first years, from his first album in 1976 to his 7th in the middle of the 80’s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyones advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections, such a success would have burnt most of the others wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

* peverelist and hodge remix two tracks from the reverse livity sound label catalogue for a sampler 12 inch to be released ahead of a new dnuos ytivil label compilation *reverse vol 1* in october this year.
* a pioneer of his own vision of the uk sound, peverelist transforms hodges amor fati in to a signature writhing mesmeric groove whilst on the flip side hodge irons out bruces * tilikum* into a booming, epic late night tool.

very limited 2015 repress! supported by: luciano, loco dice, raresh, tania vulcano, nick curly, reboot, sebo k, valentino kanzyani, laurent garnier, matthias tanzmann, ben watt, jimpster, federico molinari, ray okpara, martinez, frank roger, varoslav, okain, kiki, anthony collins.. all inn records look to kick-start 2011 on full throttle, and return to their homeland, for a label debut from, premiesku aka. livio & roby vs george g. the premiesku project was launched with releases for desolat and cecille, and it gives all inn records great pleasure to join those labels, with todays stunning three track ep. a collection that perfectly portrays their music vision. lead track >hooman< matches precise house beats, with a contrasting and cascading waterfall of twinkling keys. >virgula doi< takes us deeper. with its electronic bassline, and smooth stabs, it gives off some real >west coast< swing. rounding out the ep is >patru<. a wonderfully cinematic piece, with lalo schifrin-esque cymbal work, hammond stabs and wandering key melody, it is the pièce de résistance!

the first installment of the label is created by four great artists who are joton, pulse one, kalter ende and the creator of this proyect sarf in which they have tried to capture in each of its tracks his vision of techno. four tracks that will not leave anyone indifferent focused to break the dance floor.

bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

nice price deal !!! future times is back in the mix, expanding the sound and vision of the label with the latest in their compilation series, vibe 3!

future times is back in the mix, expanding the sound and vision of the label with the latest in their compilation series, vibe 3!

future times is back in the mix, expanding the sound and vision of the label with the latest in their compilation series, vibe 3!

hulks of heavy industry lay strewn around, primitive yet shot through with a cracked futurist vision. red rusting mother loads could have lain there for years, a henge to post industrialism. time to open the sluice gate and slide the fetid bulk into the bloated brine of the next high tide. surfing out across the broth its bow breaks the water, sending a long lazy wave like treacle slapping the side of the wharf. slaughter-phonic noises pulsate from within the lead encased carburettor. on the blistered deck great knotted balls of chain lie rusting for ever, atrophied by age and despair

6th release of the parisian label d.ko records. this record is a tribute to the club « le malibv » which recently closed and where d.ko held countless parties. « le malibv » offered the opportunity to a lot of young djs and promoters from the new generation to present themselves in the french capital. as a duty and for the memorable parties they held there, the label wanted to thank the club for all the good vibes shared. each artist in this record has played at le malibv on a d.ko party and present his vision of a night there.

repress !!! fasaan records from malmo, swedens latest label incarnation has arrived: chalice records!

b-stock! one corner is broken. bolstered by the unshakable body of work behind it, brooklyn-born berlin-based techno label chronicle reaches its milestone tenth release with its gaze fixed dead ahead. ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. more important though is to remind those tuned in to take heed, because the next step is always the most significant. from the artists crafting the music at its beating heart to the all-important design that packages the records, chronicle is a label that pulls no punches in its creative vision. given that the vision in question matches unbridled futurism with elegance and intensity, consider this a warning is a fitting title for a salvo of sounds that set the tone for where chronicle will head in its coming chapters.
the double 12 inch includes a cd, featuring all traks from the vinyl plus 6 bonus tracks.

born 31 years ago in geneva (ch), pascal brings his gritty mellow tones and extra shuffled patterns to the traxx underground familly. strongly routed into jazzy vinyl samples, black speaches and spatial atmosphere, the 3 tracks composing « wise man s decision ep » take inspiration from the past to showcase a true vision of what slow-deep-house should be in 2015. at last but not least, the great fred p came to make his hands dirty, delivering a true reshape of -wise man s decision-, offering us a tunnel from where it ain t easy to escape. vinyl only release!

2nd album from gary numan & tubeway army from 1979. vinyl re-issue, mastered from hd digital 96/24 transfers of analogue tapes.

dead fader returns with new ep sun copter, which precedes a forthcoming full length album. *sun copter* introduces a new sound as dead fader s pallet gains new range and depths, using analogue technologies in conjunction with the digital techniques he is well known for. dead fader is the alter ego of john cohen, former brighton resident, now in berlin, who has worked relentlessly since 2007 to realise his vision of electronic music. his tracks are characterised by pioneering sound explorations, which on one hand oscillate between sonic extremities and on the other hand carefully craft cinema-scope sound worlds. the vinyl release includes a downloadcode.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

es ist schon beeindruckend, wie philipp neben den sommerlichen festivals, vielen radiokonzerten und unzähligen ausverkauften clubshows parallel so ein meisterwerk wie -2:33- aus dem Ärmel schüttelt. der junge mann hinter -wolke 4- hat noch mehr asse im Ärmel, mehr geschichten zu erzählen, mehr musik in die welt zu schicken! was nun auf -2:33- zu hören ist, sind gewachsene, große songs, vielschichtig produziert, mit allen instrumenten, die sinn machen für einen singer/songwriter, der auch mit dem pomp der großen bühnen mithalten kann. und dann diese ruhige und gleichzeitig unglaublich intensive stimme, die viel zu erzählen hat, dabei nie aufdringlich wird. -2:33- ist eine einladung zum zuhören. der charme des berliners wird von der produktion nicht verschluckt, sie spielt seinen authentischen songs voll und ganz zu, unterstützt sie, passt zu seiner natürlichen stimme. sie lädt den hörer ein, in philipps geschichten einzutauchen. irgendwie ist da etwas wunderbares, sehr charmant und bodenständig geblieben, hat aber gleichzeitig deutlich an musikalischer vision gewonnen.

phooka releases two tracks on love blast records: an intense techno ep focused on dark ambient drones and bassline. -armspin- was made for the dancefloor, mental groove and an insistent rhythm. -floating drops- is a more experimental vision of what techno could be, with big kick, breakbeat and deep aggressive synths. -throwing technques- is a glimpse into the techno genre, coming as limited 12s-­sided, first 100 silkscreened on one side.

fifth release from lohouse on townhousemusic. we are happy to present cottam from britain on townhousmeusic 05 vinyl. cottam has concentrated on developing his own style, he did remixes for luv jam on phonica’s label and also some releases on 20:20 vision, quintessentials and wolf music, just to name a few. about a groove thang ep contains three deeply warm house/tech tunes, with a touch of raw and oldshool elements. very special. strictly limited vinyl.

young argentine artists franco & herman gonzalez give us a second lost in time vision of space and life. with the crazy circular melody of *basic variation*, the broken rythm of *encrypted sound* and the hard strike of *cyclic* they honor the underground way taken by prima luce records. the ep finish by a nice touch from 04lm who made a remix of *cyclic* and joins the project with his personal approach.

lucky, the third single from ghost culture, is a distinct slice of haunting vocal performance and psychedelic electronica. co-produced by erol alkan, it is also perhaps the strongest showcase yet of ghost cultures burgeoning prowess as not only a natural studio experimentalist but also as a confident and compelling songwriter, creating music that’s both instantly memorable and yet always intriguing. complimenting the original recording of lucky is a remix from the pioneering matthew dear in his audion guise, whose celebrated talent for bridging esoteric elements of techno, pop and dub lends itself perfectly to exploring the detailed and subtle layers of ghost cultures unique vision. the remix drops on vinyl and via digital stores in mid september, just head of greenwoods hotly anticipated next london headline show at corsica studios on the 23rd. dont miss it.

ataraxia: a state of serene calmness - and a highly appropriate title for two tracks that epitomise simon garcias singular vision of the hypnotic potentiality of house. on the back of his residency at madrids motel club, a busy international tour schedule, and high praise from an array of luminaries including laurent garnier, garcia touches down on poker flat for the second time very much on the crest of a wave.

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.after showing a raw and anarchic vision of techno with deikean s debut release, the forsaken cell keeps on exposing a radical and experimental face with, this time, a brighter and oniric aspect. this ep, debut of the&#30703,,&#28608,,solid system, presents itself as a fine mix of industrial and psychedelic textures inspired by the diversity and eclecticism ubiquitous in the rave culture. thus this character, as discreet as he is, shows up at the scene: naked, assuming from the outset to be as much influenced by the bass music sharp rhythmic and dusty textures of industrial dub techno, that warm colorings and transcendent sounds of psychedelic music

its that time again at ccb headquarter for reaping the harvest of another good year for the label. the paris club music, volume 3 is here and the journey is better than ever. once again the full crew worked hard to deliver this time a more contemplative yet still percussive set of tracks exploring the dance music of tomorrow. first in the field bambounou and french fries teams up for mizu ni idou suru an intimate slow mo thing playing with intricate rhythm textures and dusty key stabs fading away in the back.

following the success of *elecktro diktators - the french dissidents vol.1* compilation published early this year, new flesh records proudly presents the return of infamous umwelt delivering another collectible output on his own electro label! much anticipated *when future and past collapse* combines firing snares with rolling 808 kicks, acid lines, sub-bass and driving futuristic melodies, all packed in this sophisticated ep. umwelts aesthetics and dystopian vision has never been so dazzling. we could write more about it, but why dont you give it a listen (at your own risk of course)? expect nothing but depths, terrific tales, and authentic secrets about the origins of mankind in this must have five-tracker.

the sylvan structure ep is a debut for anja zaube and het at the same time. the sound of this untitled 4-track ep is driven by the vision of deep-dark sonical forests: a 1is taking the dancer from the floor to a far away soundscape. on a 2 anja experiments on the ambient side of sound. raising and boosting until it all sheds. b 1 is definitely located on a forest glade, where you can find the hope, that is needed. the glitchy sound of b 2 together with its’ catchy main pattern is combining abstraction with groove.

tomoki tamura s pure house label holic trax is back with more trend setting hits with this excellent new ep from tuccillo, djebali & john dimas. tuccillo is very much on a roll at the moment - he makes everything from deep house to tech to chill out to disco and does so on labels like visionquest and 2020 vision as well as of course holic trax.

colorhadoo makes his amphia debut with two enticing tracks while cristi cons delivers the house s remix. on the a side we are presented with * j strawbberry*, an atmospheric track which slowly slips away into a mind-bending realm, where broken voices come and go under different shapes and the listener is engaged by occasional eclectic explosions. a beautiful work and trouble waiting to happen when properly used. side b has cristi cons taking the interpretation duties of the main track. the remix keeps the general mood of the original with a twist, everything is wrapped around a tight groove with shattering low end work, ideal for those early mornings. we continue with * zanzibar*. this second track on side b takes the artistic vision into reverse. no more voices to be heard, huge spaces are reduced to just a solid groove. the track is guided by hypnotic pads and sounds while the emblematic percussion section is conducted by none other than colorhadoo himself. dont listen to this in the dark!

aus music continue their expeditious release schedule and follow up records from dj t., youandewan and geeeman with another addition to the label from saints & sonnets boss michael dodman aka huxley. having released a slew of eps through aus as well his debut album blurred back october 2014, huxley returns with a cross-genre 12inch that demonstrates perfectly why hes remained a long term staple for the label. few artists have held their ground as well as huxley. across an acclaimed catalogue thats seen releases on hypercolour, 2020 vision and tsuba he has managed to astutely touch on many bases whilst constantly keeping his output fresh and relevant. now - 6 years since his breakthrough collaboration with ethyl on cecille numbers, huxley reaffirms his position at the top of the tree and presents his 2.0 ep: 4 prime-time cuts bursting with powerful drum work, charming vocal samples and tape driven synths all deftly arranged to do serious damage on the floor.

a renowned producer from the barcelona scene, pedro vian has taken a significant step forward in his career with the creation of modern obscure music. from this platform he is able to shape his vision of today’s electronica, releasing material from likeminded artists while creating his own sound, combining silky dance rhythms with an experimental approach and dark atmospheres. so far vian has collaborated with artists like alex trochut, ital, hieroglyphic being, sunny graves and federico sancho, among others. pedro vian is the new alter ego for pettre, who has already released tracks on hivern and for several years was one half of the duo aster, the exciting project whose house music still echoes in the eardrums of its fans. this time pedro vian presents black toms ep, a new release accompanied with inga copeland and pye corner audio reinterpretations. the publication of this record will be in mid june. cover photographs by adria cañameras

this 12 comes full circle feat. a remix by further reduction and two mixes by answer code request.

kepler is no exception to that approach. a tough groove, backed by an enormous bass drum marches forward, while the looped melody patterns keep the energy flowing. the well-structured break downs and crisp hats will provide maximum impact on a proper dancefloor near you. cosmic vision takes us on an excursion into deep space. the sleek slow burner morphs tripped-out, effect filled pads with funk-driven percussion sounds. going full throttle midway, after a mysterious voice starts leading the way.

cotton claw is a brand new project that brings together four french producers : lileanarrative, zo aka la chauve- souris, yoggyone and zerolex. real live band, each on his pad controller, cotton claw takes us into their world tinged of powerful club music, fluffy house music using massive analog synth, unstoppable arpeggios and sexy granular melodies. the four members of cotton claw, have met in order to play together each part in live, to create a new modern live band, to take and give pleasure to the dancefloor, and give their vision of club music.

we are very happy to announce the 2nd release of smallevilless jacques bon in this year. this time he collaborated with legendary chicago house artist virgo four. their in a vision is one of our most fav chicago house track. jacquess sweet original version and our long time friend superpitcher made great rework

‘streetlight soul’ is the inaugural release on new imprint gnosis. this four track ep is the fifth myriadd record, following 12-s for crème organization, pinkman and signals. the past decade has seen releases from the artist under a variety of pseudonyms including acid phreex (djax-up-beats), mantra (bunker, abstract acid, solar one music) and monofonix (iwari, cataclyst). across the ep, myriadd remoulds the template of vintage chicago house, acid and deep house into his vision of modern house music. opening with midnight obsession , working a dark hypnotic bassline into an endless groove of crisp jacking drums and soul stirring melody, all primed for maximum effect at 4am when lost in the smoke and strobes. visions of love is driven by a juno bassline, a classic palette of tumbling, infectiously funky drums, warm, enveloping synth atmospherics and elevated by lush, celestial string work which comes off like some fantasy mr fingers + virgo psychedelic jam. the ep’s titular track goes deeper into the night with 909 claps, off-kilter snare hits, melancholy synth and ethereal melodies that ascend and dissolve into neon clouds. closer back to nature is a trip into blissed out, tropical house sounding like a lost balearic classic re-tweaked for the 21st century..

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

alexi delanos *goodbye s4* reworked by mental vision, loud neighbor, derek marin and butane.

>figmentation< stefan vincents debut on traut muzik, including two tracks, a remix from the label boss and also a locked groove. >delusional< is an authentic killer, a perfect weapon to activate the dance floor with dubby chords and classic 909 percusions. on the same side jonas kopp, minimizes the original providing his talented vision of techno music. >a drones loneliness< is a timeless track with the unmistakable touch of detroits sound, while >one< closes the record with a functional techno tool for djs.

this is the second piece of moira audio vinyl only series: colours. 4 tracks, from 4 moira audio s artists drawed around one colour by each record. moiraltd002 - red ep with: 7mirror, niukid, fellowtraveller, khristian k, kristian veron vinyl only.

up next on made of concrete is gathaspar with his gathsoland ep. with straight sounds and dark beats, gathaspar takes it down to the realm of shades. after the vocal heavy intro of gathsoland the subkick abducts you into areas of unknown soundscapes. through the stormy pads of the vision in cooperation with echologist the ep is brought down to a round figure by the combination of traditional elements of techno and modern interfaces in the last track the lover of ursa major.