a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

an absolutely stunning album. its like an electronic emotional version of people like fink or piers faccini. this album is simply superb. vitall laurent garnier, very smooth, lush and deep. excellent, really! michael mayer, after nicolas jaar and pantha du prince, lee burton has brought the romance back into electronic music. a powerful album. raveline: a wonderful album with sophisticated arrangements, which turns out to be a little gem of melancholy and attract not only fans of smart elektronikexkurse, but also connoisseurs of elegant, unique and timeless pop music.partysan.net “une pop avant-gardiste et douce a decouvrir” sciences et avenir.thats part of the reviews lee burton received within the last three months from the press around the globe for his latest album release busy days for fools on klik records. being really ingenious lee burton managed to create a unique output that combines the sound of the german electronica with the greek temperament and the south american laid back feeling.busy days for fools is the stoner side of electronica. on july the 16th klik records present on a limited edition vinyl, pt. 01 of the remix series on original lee burton tracks from the likes of skinnerbox, mr statik, scsi -9 and finally on vinyl, nhars firelfy remix that reached on youtube more than 1.000.000 views so far

man make music’s julian neumann drops his debut for third ear and what a debut it is. four unique cuts of glinting, glistening techno, dark and bright and beautifully balanced. the groove in every track kicks and steps. this ep might be julian neumann’s first for third ear but it’s unlikley to be the last.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

played and supported by josh wink, dvs1, dj sneak, norman nodge, brendon moeller, alan fitzpatrick, arnaud le texier, luciano and more.danish kid from 91 living in the outskirts of aarhus. first release ever on bio recordings.been listening to house music the last 5 years, which he is strongly influenced by.not so much bullshit about this young kid - he loves making house music.keep an eye out for him in the future!the three remixes signed by optic (zeecc, riot riot, etc.) fingers in the noise (eintakt, dewtone) and fabio scalabroni complete this pearl of deep and dub.

since its launch at the end of last year, bristols elastic dreams has been making a name for itself with its own take on the underground sound of house, techno & electronica. at the heart of that success has been the music of label boss a sagittariun, whose previous singles the circle stops somewhere & carina have received critical acclaim and support from key djs such as francois k, ripperton, huxley & lawrence to name just a few. now the elusive head honcho is back with a new ep, born under 22 stars featuring 3 new cuts.

funkalicious james is one half of disco-house super-duo childhood 87, along with his old pal le loup. their >caught up< edit on airdrops aux-rec imprint back in january 2010 got some mouths talking and feet sliding. funkalicious james is now back with his debut solo ep and airdrop is really glad to bring it to you on vinyl today. the parisian born producer prepared two explosive cuts for his a-side, starting things mellow with >call on groove< and speeding it up a notch on >broken hips<. on the flip, douze -- another young parisian producer who appeared on the last hold youth record by seuil and le loup -- brings back a certain touch of french filtering, in the classiest manner. finally, it didnt take us much time to figure out who would be the most appropriate airdrop trooper to round this record off… john spring signs the deal, with a feverish version

highly recommended!unity is the first single taken from third sides forthcoming album unified fields, that will be released on restoration records in september 2012. third side is the project of the analogue cops and panorama bar resident steffi, their collaborations, which have been released exclusively on restoration, have been of the most interesting jams of the last years. the original unity, a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes. the rework made by blawan (sheworks/hessle audio) smashes the parts of the composition with overbearing oldschool british manners and the result is a broken shuffled industrial hammering. on side b, steffis remix is relentless, rushing and carefully build:her attention for the processing of every detail transforms the original tune into an hypnotic breathtaking excursion. the last treatment is performed by the nightjars, an unidentified project that has brought down a particular attention for its debut ep on vae victis records. with a bossy employ of the most advanced analogue equipment, the nightjars slash an incendiary attack of warehouse garage.

sadly betty botox is no longer with us. she departed planet earth in 2010 and leaves a gaping hole amongst all those who knew her. she left behind a dat tape in her studio with the final ep written on the cover in lipstick, which her closest confidants feel she wanted to be her last statement to the world. so, after a slight delay, two years later, 4 tracks that were regular features in her musically wayward dj sets are now available for her to fans to hear and play. combining her love for psyche funk, cosmic synth, space rock and late 70s stadium rock these reworkings, remixes, refixes and reproductions of known and unknown tracks are sure to be hits on non-conservative dance floors everywhere.

the title track has kenny larkin vibes, with the max d style cosmic twists we love down here. slick is sick too! features a remix from another certified hemp eater, terekke, who amazed us with awesome white label on l.i.e.s. last year ... killer package on this excellent label.

on her first ep, a.n.i.c.e. composed a track which is deep and full of emotions. >wait for me< is the official wake-up call for all the daydreamers and dally fairies. its marvelous vocals capture the listeners attention. dj le rois remix is more the four to the floor part of this ep. because of the driving bassline not even the last foot will stand still. >the dawn< is boosted by percussion elements and vocals that can only be sung by fairies underline this emotional track.
support by mathias kaden, daniel stefanik, brothers vibe, matthew dear, salvatore freda, tim green, david durango, ...

next up on fit sound - a split 12 inch that combines the way out sounds of chicago from veteran producer marcus mixx and the modern raw detroit sound from label owner fit, aka aaron fit siegel, whose last release on fxhe has been tearing clubs up world wide!

instruments of r.i.p.ture. after 3 years and 9 releases covering edits, remixes and original productions, instruments of rapture hammers the final nail in its own coffin with the delivery of part 10. the triple vinyl release includes a special selection of unreleased tracks (with vinyl exclusives) and remixes from friends and family of the label. a limited cd will be released in late june with exclusive material from the labels vaults. the final release party will be held in glasgows infamous sub club on bank holiday sunday june 3rd with 6th borough project and ooft alongside the revenge debuting his new live set.

little is known about the norwegian bunny & bear duo known simply as the glue. their last appearance with us came courtesy of kolour ltd and we knew right then that these boys were in-store for their own ep with us and we are pleased to announce that it has finally come to fruition.
remix duties see the return of the incomparable dead rose music company to the kolour fray. he takes the title track and rubs it into a chunky piece of dancefloor business that has without a doubt turned into one of our favorite remixes to date.
we here at the kolour recordings family of labels cannot express just how much we appreciate your continued support. for all the gig spins, various chart support, podcast plays, and reviews .. from the bottom of our hearts .. we thank you very much.

2012 repress !!! patrik skoog kak agaric isnt only one of the youngest veteran tech­no and house producers from sweden, he is also one of the most interesting and inspired. though incredibly versatile, the sustained energy in his sets and productions are equally exceptional. in the last two years, agaric established the club tracks 10 inch series on his label we are. besides his own stellar productions, collaborations with close friends shonky, waker bernard, ed davenport, and beaner have also graced the club tracks series. international support came from leading djs like richie hawtin, seth troxler, loco dice, ben klock, luciano, joris voorn, magda, laurent garnier, sven väth, and adam beyer.

that leather glove. that bum. one of the most recognizable and celebrated record covers from the noughties.
critics and audiences alike were blown away by the gargantuan success of the 2001 debut-album of this new york quintet, and we are still recovering from the aftershock ten years later. drawling vocals, bouncy basslines, gnarly guitar riffs, and a steadily chugging beat made >someday< and >last nite< the anthems of a new generation.
so put on your skinny jeans, tousle your hair, and find yourself a model, is this it will make you feel like the coolest kid on the new york block!
180 grams audiophile vinyl pressing.

limited handstamped, white coloured vinyl, raw analog chicago house!

limited 2013 repress. traut muzik presents one of the most forcefuls artists from the new techno scene of stockholm. sponsored by skudge, santiago naura aka bleak is kicking the board this year with his high quality productions which they have a very own style and sound. we are proud to present his first and not last ep called the jupiter theft ep, including a powerful remix by skudge.

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

the third and last format:b vinyl-package is adjusted! subject matter still is the current album restless which has been taken on by big name artists of the international surroundings of the two. in pole position a1 this time is the italian uto karem. he took a shot at piano man and hits the keys just like we are used to from format:b. with his version of socks & sandals the dutch dj madskillz comes around the corner. its his second pounding release on formatik records after his carnival chaos ep. a debut however is given by the also italian artist fernando tessis who keep his eyes upon warped and who went into the remix battle with trumpets and timpani giving no less attention to his demonstration of his garland of corn on b2.

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

philpot finally presents reboot joy confession’,s album debut! after two fantastic 12inches for us in the last two years we decided it was time to collect all these fine tracks they presented to us, but weren t really 12inch single material.now, beautifully skit-connected, it all makes for one outstanding album, flawlessly fusing boombap, latin, jazz, psychedelica and raw house aesthetics and so much more!so, take some time out, make yourselves comfortable and let them put a spell on you!

hot on the heels of midlands placement ep, aus returns with a remix 12inch featuring lone & motor city drum ensemble. both producers deliver deep, melodic reinterpretations of the originals, with lone accentuating midlands signature sound (whilst flawlessly incorporating his own neon tinged atmospherics) and mcde dubbing out the original, pushing it into throbbing raw cuts territory. both producers are at the top of their game. lone is dominating 2012 with a residency at manchester hot-spot hoya:hoya, a full length dropping in may via r&s that will surely occupy the top of many year end lists, and remixes for radiohead, tensnake & underworld already under his belt. jazz enthusiast motor city drum ensembles sample-based raw cuts series made him a household name within the deep house scene and last years dj-kicks mix set him apart from the pack with its on point mixing and musical diversity. his notable november 2011 boiler room set is considered one of the finest, and is just another example of why mcde has been, and will remain to be, a musical force to be reckoned with. next up on aus will be an ep from bicep & friends with a remix from panoramabar resident steffi.

a retrospective compilation of etienne de crecys work in the last 20 years. essential tunes, remixes from 1995 to 2011 and unreleased tracks from 1992 to 2011. a total of 69 tracks on 6 x 12 inch vinyl in a collectors box.

great new kojak giant sounds 12 inch straight out of finland. deep euphoric vocal house music, while the b side is more stripped back with haunted vocals. very limited copies ... these wont last long.

souvenir presents ruede hagelsteins second single release >berlin< off last years debut album >soft pack< alongside his band the noblettes. last time round it was >a priori< with a bunch of remixes, and here >berlin< is featured in its original version.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

power play by jimpster, trickski, jacques renault, sevensol, andy ash, axel boman, manoo, sasse, dennis kahnn and the girl from ibiza last summer. johannes is being frank!

js is the half of the rks project and one of the minds behind earth mothern. for the fifth work of the label he produced a thick ep transfiguration of the dark side of the earth (mothern) which points out all his talent. the first track, when i met mary, heavily influenced by the early sound of berlin and detroit, is a dancefloorkiller. ocp rework the track with their bare gross minimalistic blueprint, mixing and recording on physical electronics as it is mandatory at the restoration headquarters. king korgs hypnotic synths and strong beats, pushing on melancholic pads. roll a groove for a savage ride… the last track, thinkin of you is a sweet late night house tune, evocating the skyline of chicago and detroit

lirum larum is a brand new joint of >efdemin< and >rndm< who are better known as >pigon< when they team-up in the studio or behind the decks. always riding the thin line between house and techno with a twist for the obscure they decided to have their own imprint from now on. lirum larum will publish music of their own project, from friends and other partners in crime. in that regard the first release is the perfect prototype of what can be expected in the future. the 1st release features a composition of their own in two mindblowing interpreations. no other than >function< (dave sumner of the splendid sandwell collective) and >tobias.< (who released a totally underrated outstanding album in ostgut last year!) provide their interpretations of pigons track >kamm< (originally released on beatstreet in 2008).

we first heard about these amazing remixes last year and have finally tracked down the japanese only 12 on which they were released. we have managed to secure literally a couple of boxes - so first come first served!

since the last studio album from pupkulies and rebecca three years have past in which things have gathered momentum and gained a life of their own.countless concerts in renownedclubs throughout europe were held resulting in an ever growing, snowballing fan basis a certain hype has arisen around the band occurring totally organically without being triggered by the press, self generating and in real time.the recent years have shown that pupkulies and rebecca have an appeal which covers all age groups, territories and scenes.

after the huge success of suonhos >the ghetto< 12 inch last year, we jumped at the opportunity to work together with him again. this is the first 12 inch from an ongoing project titled >the directors cuts<. five hard to find tracks each with deep funky flavour and not originally intended for the dance floor superbly reloved, rearranged and given that extra bit of suonho magic!

brand new project out of italy from obtanes francesco baudazzi ! features printed insert in clear poly bag francesco baudazzi, sometimes known as obtane amongst other secretive pseudonyms, is an electro-acoustic sound artist hailing from the tyrrhenian coast between la spezia and carrara on the west coast of italy and is renowned for producing truly dark atmospheric and droning conceptual music, enlivened with subtle, spacious field recordings and analogue synthesis. running the highly regarded zooloft recordings alongside giorgio gigli for the last five years. francesco has managed to create a highly respected sound dipping heavily into drone and industrial techniques, whilst retaining the truly hypnotic sound of early italian electronic music. making guest appearances away from his zooloft imprint label under his obtane monicker on labels such as synewave, sonic groove and strobescopic artefacts. surface welcome francescos first release under his birth name, for part two of the surface limited series focusing on the diversity that artists have to offer away from the constraints of their expected roles amongst the scene

the restless take a remix break! with their formatik 008, format:b presents three artists- each taking on a title of their current album to knit them in their own manner. at the head the berlin buddies pan-pot, shake the a1 with a breeze of rave-charm as usual right out of their sleeve, rocking the track liquid to its climax then glazing the peak with the smooth voice of fran. on b1 dj pp accelerates. gabriel rocha is how hes called in real life, is one of the south-american stars of the scene, delivering an energetic remix of oversexed. last but not least: the winner of the remix-contest in which format:b has listened through a house-high pile of promos is tobi kramer- a young artist of the neighborhood, who has been casted showing his talent by making out of socks and sandals one more time a club-hit.

manuel tur returns to freerange following some brilliant eps including foolin on delusions of grandeur and more recently the sublime deepness of about to fall on mildpitch, the label he runs with dplay. recent remixes include those for jazzanova, azari & iii and wildbirds and peacedrums on dixons philomena label. manuel is also one half of ribn alongside langenberg and their releases have recently got rave reviews following releases and remixes on ovum and poker flat. jimpster continues to be in demand as a remixer and dj with his recent remixes for terrence parker on systematic and freak seven on 2020 vision both storming into the top tens of the major online house charts. he currently holds number one on traxsource deep house with his freak seven remix. king britt has had an amazing return to form the last year or so with his remix of jay haze for contexterior and his planet e release proving why he is such a versatile and accomplished producer. already being played and charted by by ame, deetron, agoria and steve bug.

marcos cabral and jacques renaults latest on the prowl 12 inch features the return of andy ash, the man who dropped >another world< with them last year (otp007) as well as a grab of edits on otp party breaks way back in 2010. as is to be expected with the talented, young producer, the ep is all groovy, bouncy, high-octane house with a hardy injection of disco glitz.

last year s acclaimed sea power & change ep, a melancholic project from the mind of celebrated portuguese powerhouse tiago, is now revisited through the lens of three essential esp institute artists. side a gives us a take on strange fruit by our heroes soft rocks — a smacked up dub/boogie rendition leaving the beautifully dark mood intact whilst twisting the the rhythms toward the tough side. on side b, secret circuit (eddie ruscha of laughing light of plenty, and soon to release his solo release for esp) stuffs wild combination in his saddle and takes us for a ride through a futuristic version of the wild west with a funky bassline and distant whistles, only to be rounded out by a blissed-out epic re-rendering of yesterday is gone by somberero galaxys jonny nash. its a family affair.

check the guns are back with the second to last instalment in their tape edit series. it is onwards and upwards for 004 where side one sees a deconstructed work out of the fatback bands >the girl is so fine<. track 2 >house down< is a no holds barred party tune for the discerning dance floor that will do all the work for you. on the flip >sugar samba< is a rework of the london records classic from julia and co. finishing off we have an edit of heatwaves >super soul sister< which is a gem of a vocal funk track that gives as good as it gets and leaves you wanting more.

following the stunning album that (finally) surfaced on tirk records last year, seventeen-piece live disco band escort arrive on sister label nang via red music by popular demand with two of the most prevalent cuts from the album, cameleon chameleon & starlight, remixed by anglo-japanese powerhouse max essa, and red records label boss and ilija rudman. ilijas cut of cameleon chameleon is as funky as they come, enveloping strains of the originalin his silken synth work and driving dance-floor percussion. edits of adeline micheles vocal hook are teased in throughout, beautifully done but never deriving from the fact that this is strict dancefloor stuff. next up, max essa delivers a stomping rendition of long time favourite, starlight. his cut stays true to the original, retaining vibe, funk and feeling, but giving it that subtle injection of house that is just made for peak time at the dance. if you like your disco live, the escort collective has a couple of uk dates penned in for march / april 2012, so keep em peeled!

acquiring success in the spring of 2009 with the release one of the years biggest dancefloor tracks, the last twelve months has seen an amazing run of productions from alex celler, his is a story of talent married to dedication and resulting in increasing success.

those cheeky texans are back with another sure fire strictly vinyl only four tracker of funky disco jams, disco reggae shananigans and boogie bullets. over the last 4 years the killer disco & funk crew have dropped almost 20 releases across their 45 & 12 inch labels all with one sole purpose to provide you the dj with enough ammunition to destroy the dancefloor with musical firepower . with their exclusive range of exclusive edits & tracks many fans have been picked up on the way including danny krivit, idjut boys, greg wilson, faze action to name but a few

hurry up, kerri chandler & art department with slamming deep house remixes !!!

nice price deal !!! after putting out three synthesizer-free albums, the magnetic fields are returning back to synths with a fresh approach: >most of the synthesizers on the record didnt exist when we were last using synthesizers,< he notes. the songs — none over three minutes long — were recorded in los angeles, san francisco and new york with merritts usual cast of collaborators: claudia gonson, sam davol, john woo, shirley simms, johny blood and daniel handler.
code for free digital download of this album included.

>the loudest engine< is the third studio album of london-based australian indie rock band howling bells. the album originally came out last september. the band wrote most of the material whilst on the road supporting coldplay during the viva la vida tour.
180 grams audiophile vinyl pressing including full colour insert. features the bonus track arrows (acoustic version).

as we welcome the new year its time to kick it off in seasons fashion with a massive ep from our german brother and no other sole kitchen!
this is his 3rd installment for the seasons limited imprint over the last couple of years and could not be more excited to kick off 2012 with a brand new ep.
>the groove< track warms up the ears on the ep and sets you up for >inspiration to write< which also features some heavy hitters (jullian gomes, pablo fierro, scope & sydney young) on remix duties.
this record was designed to be play loud, music that makes you move!