ltd 325 copies , 180gr vinyl
campaign trail is new imprint started by the italian half of the black venison label duo. the first release coming via fellow italians die roh. tongue in cheek artwork, but heavy hitting and raw house music.

trevor jackson erlang mit playgroup und als output labelbetreiber (lcd soundsystem, four tet) weltweiten ruhm, später stellte er die strut samplerserie metal dance zusammen. nun erhielt er den auftrag, die elektronische seite des adrian sherwood-labels on-u sound abzubilden, was ihm mit vorliegenden 27(!) tracks auch vorbildlich gelang. die doppel-cd/dreifach-lp science fiction dancehall classics bietet einen perfekten einblick in die früh-1980 er szene, als electro, dub und post-punk kollidierten. neben favoriten von african head charge, mark stewart + the maffia und dub syndicate finden wir den bislang unbekannten track dead come alive aus der frühphase von neneh cherry, sowie zahlreiche tunes, die erstmals auf cd erscheinen, darunter von bim sherman, tackhead und der späteren massive attack-sängerin shara nelson.

nice price deal !!! darkstar bewiesen sich bereits mehrfach als vorreiter der britischen elektronikszene. sie arbeiteten u.a. mit künstlern wie actress, zomby und wild beasts zusammen. ihre frühen maxis auf hyperdub und die beiden alben north (hyperdub, 2010) und news from nowhere (warp, 2013) gelten als bahnbrechend. nun haben sie mit -foam island- ein werk geschaffen, das ihrer generation eine stimme gibt. die produktion reicht von expansivem uptempo-pop über dichte atmosphäre und mutierten neptunes-r&b bis hin zu ungezwungenen sound-experimenten. harte digital-rhythmen und live-percussion treffen auf farbenfrohe synths, in die aidan whalleys leadvocals nahtlos integriert werden. ein perfektes electronic-pop-album, das so nur in 2015 entstehen konnte.

here comes the final chapter in androids three laws trilogy vinyl series. in this third part, the label elegantly moves away from its past and makes way for new theme, new sounds, and new breed of artists that have been closely representing this label for the past year.

adesse versions started out as a re-edit series, with humble ambitions of releasing a couple of white labels, nothing more, nothing less. it kept growing with both original productions and remixes appearing. it didn t take long until tracks such as pressured, modal and justified appeared on charts and the records found their way to such esteemed people as derrick may, larry heard, gilles peterson and of course mad mats & tooli. since then it s been an ongoing theme with kevin gormans music, yes that s his real name. always well received and played by many.

trouble in paradise records presents four raw minimal dance tracks from h. bergqvist. from the deep of stockholm northwest suburb johannesfred trouble 002 explores some of bergqvist s rawest material to date, stumbling between ramshackle party vibrations, below-sea-level emissions and intergalactic noise, this release is a dedication to his hometown. stockholm.

beneath usual is the new project of arnaud levasseur, also know under the name of noon (sfx recordings). band and records label at the theme time, created only to design deep electronic music !

after lotr005 had been deleted (sadly) we have an alternate version which we would like to introduce you too. same tracklisting, same fantastic sound, slight different edit!

the imprint of the french man lazare hoche is back for his tirtheenth with release presenting some killer cuts for the debut ep of voltery & medicis.

black vinyl - played by dvs1, answer code request, ben sims, rolando, nick höppner, blawan, radioslave, zadig, heiko laux, franck roger, josh wink&#8232,,,,,....
a new re- issue is coming from merv! two old and lost tracks from merv from 95 and 98 are coming in a new re- issue! while deepchord in america, or the thule- crew from island have been inspired from the basic channel blueprint sound coming from berlin, tempted a small group of artists their own interpretation! the new and sounding like a manifestation from basic channel-sinewy, full of energy, strongly cauterized in mind, wanted to get rediscoverd! in the year 1995, arose * melted vein*! hypnotized, slowly but full of strength it became back to the theme. merv educed their own variation- their own soul. you can hear it by the track dust-, from 1998 the further development! pads and melodies, from different galaxys, mixed with ascending chords, kept together with the 909. two tracks, two epic tracks- the pure merv- magic! both of them have been re-masterd at the traditionally berlin mastering studios d&m!

key vinyl don their scouting caps once again for another split ep featuring fledgling and debuting talents. first up is the plant worker. this french dj and producer isn’t exactly new to the game, but as the plant worker he’s been slowly journeying down harder, rawer trajectories—as the name may suggest. with a trio of eps out already, “iota 001” and “iota 002” continues his exploration into purer techno forms with two cuts of deep, probing, loopy floor material. then on the flip, key vinyl unveil the first works from masked newcomer transient x4. “lost in perceptions” is a jangling sic fi trip to techno’s bleak and pitch-black periphery, whilst “ways to space” sends its cosmic theme off for a spell in the basement, coming out as a monstrous peak-time send off.

vinyl only. the second release from nicolas lutz s my own jupiter. 3 quirky tracks which work well for the floor by dhs. bomb!!

with each successive volume of throne of bloods moon rock compilations, the new york label attains a deeper appreciation of electronic musics most chakra-massaging tendencies, participating in a communal dialogue devoted to a new dynamic beyond the confines of the dance floor.

triple vinyl pack for all highway records fans, containing these eps:
- hwr005: nikitin - gorod theme
- hwr012: modul - keegan / farwalker
- hwr013: slideshow park - shining

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

continuing its ongoing theme of releasing records influenced by our vast universe, deep space, spirit and consciousness, meander presents the scorched earth ep by konrad black, a selection of advanced 101 techno infused break-beat science. with his sparse, yet highly considered discography, mr. blacks first output for meander draws key inspiration from recent earth-bound meteorites and the blinding light that follows.

perhaps it is something in the water or just plain vodka, we really have no idea but one thing is for sure - there is something special about those moscow disco heads. they sure know how to find a perfect beat and re-edit it to perfection. after lay-far it is now time for arsenii to step into the basic fingers arena. both sides on this 12 are filled with jazz-funk and library infused disco at its best. *allegria* sounds like bob james is jamming with the headhunters and on the flip *turbo* with its generous use of synthesizers almost has an outer space theme. essential indulgence for disco heads & connoisseurs everywhere.

al & tone are back with 2 new dancefloor heaters! their crate digging pays off as al goes to work on “silly-, a groovy up-tempo disco tune while tone comes through with a slam dunk, carving up the disco funk jam “dis-go theme” on the flipside. 2 cuts to get the party started. on 7 inchvinyl!

released for the first time on vinyl is max richter’s emotive and minimal score to damon lindelof’s tv series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. richter’s approach explores the feelings of the protagonist’s family, the garveys, through intimate, small scale music. he tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. max richter is a classically trained composer that defies boundaries. trained at the royal academy of music and finishing his studies under the tutelage of avant-garde composer luciano berio in florence, richter’s career has followed many paths. his musical output ranges from ballets (wayne macgregor’s infra), reinventions of classical works (vivaldi’s four seasons), collaborations with the future sound of london, roni size and vashti bunyan to writing scores for film and tv (waltz with bashir, lost and found, last days on mars) and solo work (memoryhouse, the blue notebooks, 24 postcards in full colour).

around 1980 menko konings (em.) started the dutch underground formation s.m. nurse, first together with jos jak and later also with anneke stempher. s.m. nurse experimented with collage-like music and were inspired by n.y.-ultra, disco e.g. the band mainly performed in the amsterdam ultra-circuit (oktopus, paradiso), clubs and discotheques. they were played regularly on the famous radio programmes radionome and spleen and performed live on radio in the villa of the vpro in hilversum. they also contributed to the theme cassette turkish delight of the label ding dong and there was a cassette release on the label top tape. at the end of 1983, s.m. nurse split up.<vr />limited edition of 500 copies.

featured: four bona fide artists, accomplished and historically rooted deeply in the underground. drivetrain (detroit, usa) – take your time…a grove which the dance floor simply cannot deny. derrick thompson unleashes a bewitching bass line atop a relentlessly galvanizing drum track. flavorful female vocal samples raise the energy to maximum capacity. black jack (aberdeen, scotland) – “the earth grid”…moving just a little deeper, the melody of rich chords and pads guide the constant pulsating bass with effeminate whispers chanting through the occasional twisting synth refrain. fbk (columbus, usa) – “his brief moment of clarity”…boosting the tempo just a tad, a herculean debut production which intelligently punches and stabs dynamic waves of rhythmic sound patterns of perpetual electronic motion. rob belleville (soest, netherlands) – brightened horizon…a first offering on soiree records, spontaneously spotlighting late night ambiance. percussions swing to the bounce of the bass riff as the keyboards chime the infectious theme. -rooted and grounded deep-

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensität aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits während der vergangenheit in der band cashpunk künstlerisch zusammengearbeitet haben.
das limitierte orange-transparente doppel-vinyl erscheint im klappcover, inklusive downloadcode.

bosh! matrixxman, who has appeared on labels such as dekmantel and unknown to the unknown, comes through utterly correct and most vertical with his debut album for sam valenti s ghostly international stable - by now an institution of electronic dance music worldwide.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

very sexy disco theme on fever zone

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

twenty-eight homespun stunners from the alamo city s scrappiest souleros. the royal jesters were the kings of san antonio s cross-cultural teen scene in the 1960s, soundtracking lovelorn slow dances with their heart-sick harmonies. for the first time, english oldies gathers the best early doo-wop, r&b, and blazing latin rock and soul from these tex-mex masterminds - a simmering melting pot of diverse regional flavors, best served hot.

“footwork”—the very word indicates a movement of the feet that is “work” (as in an effort to achieve). its joyous social party nature sits within a lineage of african american history that includes the infamous soul train dance tunnel and hip hop dance circles. however, as footwork continues to become more popular, we should not forget that at its essence it is a highly evolved battle form. this is the central theme one feels listening to the stunning “fingers, bank pads & shoe prints,” the second album from rp boo, the man credited with inventing the footwork genre with a 1997 track “baby come on” (recently re-released on the planet mu ep “classics vol. 1”).

galcher lustwerks second release on his own lustwerk music imprint presents more tracks off the revered blowing up the workshop promo mix, 100% galcher, as well as a bonus dub of the title track. these murky, chugging club anthems continue lustwerk s tradition of menacing synths, hard hitting percussion and smokey hip hop vocals.

top-balearic-compilation, zusammengestellt von 2 kennern der szene: chris coco, langjähriger dj und kurator der real ibiza serie, und jim breese, resident-dj im café mambo auf ibiza und produzent der ku de ta albumserie. durch und durch bezaubernde und inspirierende sounds von cantoma (aka café del mar-dj phil mison), nils frahm, afterlife, lisbon kid (aka rui da silva), nick & samantha (produziert von chris coco), u.v.a.

audiophile quality reissue on 180 gram vinyl, includes download code for the full album.

statue is a new percussion-based dance project erected by two unique drummers, tom gould and nicolaas oogjes. having become known for laying rhythmic foundations of seminal melbourne dance bands worlds end press and no zu, the pair have now joined forces to unveil statue, a strange new landmark in the dance music landscape. combining raw material from synthesizers, and a combination of drum machine and live percussion, statue is a monument to the human element of dance music culture. drawing upon inspiration from the organic rhythm of acts like floating points, pachanga boys and ricardo villalobos they have forged a deep, minimal and unique signature sound that has taken shape in this debut release. commissioned by cutters records, built casts a peculiar shadow on the dance floor. prepare to be moved by statue!

territories wold ex france, ex poland the first time ever on vinyl: the original soundtrack of zbigniew preisner /kieslowski / 3 clolours / trois coulours / 3 farben: blue / bleu / blau 1lp+cd

nice price deal !!! 3rd volume of our series moog your body. and back with the same formula, 4 artists that have passed through the legendary club barcelona. the album kicks off with mind over matter from abandoned footwear, american exillon project that delights us with a theme idm cosmic touches that will make you dance endlessly acid. then tempest 303 one lysergic lash roy of the ravers attacking with all his cacharreria to offer his sound classic acid. on the flip side, we have the theme trapped in a fit of malaria of drvg cvltvre a slow-cooked dark and hypnotic acid pump. and finally, the issue of snuffo its killing me dismisses the disc with a dance track narcotic halfway between the acid house and the new beat.

2015 repress - - - following on from the (unwanted) success of the former 2-step journeyman remixers first ep, the pair return to rip open a second and possibly third arsehole of truly cosmic proportions.

for our seventh excursion into sound, we bring you 2 weapons from different sides of the globe, but with a common theme.
we welcome to the label two extremely talented sound sculptors from mexico, kaban & di rugerio. both boast a string of innovative sounds released on some top notch labels, but here they have teamed up to bring us something really special. *overflow* is a swirling nemesis of a track, with crashing drums and tribal percussion flowing around huge electrical pulses that inject pure energy into the dancefloor.
boom merchant follows up last years hugely successful *stars/green symphony* with another perfect balance of rhythmic and melodic elements. *surge* is a track that always generates a huge reaction, built around a tight groove with plenty of action in the low end. it is literally smeared with electrical charge and doused in layers of harmonic goodness.
we hope these tracks put a smile on your face.

contributions by the likes of panama brown, roberto auser, gesloten cirkel and i-f staple hit by tandy ogmo!

nice price deal !!! shrinkwrapped gatefold 2x12 lp featuring alltime classic house / club tunes
bomb the bass - beat dis / s express - theme from s express / mickey oliver - in ten si t / ralphi rosario - i want you / marshall jefferson - move your body / black & white brothers - put your hands up / gala - let a boy cry / double dee - found love / wink - higher state of consciousness (tweakin acid funk)

this is the 20th anniversary 2015 expanded edition of one of soul jazz records earliest definitive releases: *nu yorica : culture clash in new york city – experiments in latin music 1970-77*, a stunning and ground-breaking collection of music bringing together latin, soul, jazz, funk and more from the melting pot of new york city in the 1970s.
out-of-print for more than ten years this new edition has been fully digitally remastered with new tracks, additional photography and is released as a new edition of two super-loud super-heavy separate volumes of double vinyl (download code included).
nu yorica! is one of soul jazz records most critically acclaimed albums of all time. the album features seminal latin artists such as eddie palmieri, joe bataan, machito, ocho, grupo folklorico, cortijo, ricardo marrero, cachao and many more.

we are pleased to announce the first of a special vinyl ep series, to anticipate some of the forthcoming rebirth releases. the first volume include music from c.vogt & patrick jeremic, villanova and brisa. c.vogt follows the success of the infamous in 2014 with after all it s you , a collaboration with his fellow producer patrick jeremic. son of the violinist k.vogt and a great musician, chriss started studying the piano and saxophone and rapidly entering walls of the world of electronic music ! live drums, bass and another fantastic rhodes theme, this is pure class ! adrien and marco aka villanova hail from france and have really put their sound on the map in recent times. they have recently released music on labels like my favorite robot, cocoon and no19 music and recently played clubs like rex in paris and space in ibiza. monk is the debut track for rebirth records to anticipate the release of their ep, a monster piano number ready to fire the dancefloors....

brilliant four track vinyl with a great variety

helsinki - suomis dj candle in the wind with classic driven acid house lp on finnish iron magnesium records. traditional ingredients such as tr-808 and latin cousin 727, monophonic synths, african and 80s guitars are included. note this is not purist tb-303 acid house, but real acid house record with that little finnish twist on melodies. acid is in your head, dont forget that.

we have come to expect the unexpected from aybee. always showcasing different sonic tapestries his burek debut holds true to this theme.

courtesy of just listen records and cpr (caxton press) emcee killa and grim reaperz combine to bring you their brand new project zapatista. dervied from the zapatista movement in chiapas, mexico during the 1990s both artists have adopted a philosphy of mind and music through the movements of the zapatistas with an aim to enlighten people of their existence.

the maghreban is new to house music, and doesnt really listen to house music, which isnt necessarily a bad thing. he has worked extensively in other genres under other names. looking at house from these sideways perspectives perhaps gives him an interesting angle on it. this second release sees the maghreban expand his sonic palette somewhat, taking in some african sounds but also continuing along the vintage theme of his first 12 inch. radio play from benji b (bbcr1), thristian (nts), support from ben ufo (rinse/hessle), brian not brian (going good/kristina records), gatto fritto (international feel), sasa (in flagranti, nts), leri ahel (mutant disco).

beguilingly fizzy electro vibes kick off the debut effort from the latest addition to nous ever expanding plethora of talent.

the endurance club was launched in london on friday 13th november 2009 and ran as a regular party for the next three years. the aim was to treat electronic body music as an important genre in its own right rather than just a sub genre of industrial music, whilst linking it to early house and techno, belgian new beat and synthesizer dance music in general. body party is a tribute to all those that were part of the endureance club and to the artists that made the records we danced to.

its all about the bangin keeping with the theme of the ep, the duo lay down a maximum big room monster intended for the last wallflower as well as the serious party-animal. minimalistic 4×4 married to magical chords with the hot & cool vocal tradeoff. celebration techno. large mechanics (modulation dub mix) stripped & delivered proper by detroits own dj k1. straight, no chaser. alien fm mantra (station to station id) not a track, but a vocal id directly from the groups antenna/used as a dj tool voice over in sets. eerie broadcasted vocal concept and description left clear of music. a puzzlebox recordings staple

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.