bang for your buck, 3 for the price of 2 - proper house tunes from the escapism musique headquarters including emv005 / emv006 / emv007.

copenhagen’s music for dreams label is releasing the third edition of their popular sunset sessions series curated by kenneth bager on limited edition vinyl. ‘music for dreams – the sunset sessions #3’ is compiled by danish dj, producer and club owner extraordinaire, kenneth bager (aka dr baker), the label boss music for dreams and one of the most prominent curators of balearic and chill out music.

with previous releases on tuskegee music coming from the trio the martinez brothers, jesse calosso and phil moffa under their soundview alias as well as kool d and trouw resident william kouam djoko, next in line sees the return of bas ibellini with his first full length ep on the label in the form of friendship

duo from somewhere just outside of los angeles, little is known about them, but what you need is this: a prolific non-stop stream of countless releases for labels like opal tapes, handmade birds, beläten and chondritic sound. a truly weird approach that mixes up early industrial and exotic infatuations, cheap gear electronics and world music, obnoxious drones and beach-like radiance. again, primitive drumming and eastern traditions heritage, twanging guitars and dub reverbs. adhoc just premiered *dreary commonplace*.

agostino casillo, born in 1985, begins to approach music in the late 90s, influenced by the house sounds that characterize those years. never shut up in one genre, his desire to experiment led him to deepen the knowledge of all the trends related to electronic music, from house to techno, from deep to nu disco. out of every scheme, his productions are very eclectic. he is currently resident in one of the most innovative party of neapolitan underground scene, nice to be. in 2013 he release his first track “sick” on stop clone music, in january 2015 his second track “my vision” was released on “nice to be records”. make it right ep is an abstract of all is musical background caught up into four great tracks.

thick silence and a return.
statement breach. feet moving.

nice price deal !!! tadd mullinix returns to the lesser spotted charles manier avatar for the second album release on his bopside label, and the first under this guise following releases for nation and ghostly. the resulting 11 track album is mostly new material with a lineage of inspiration that can be traced back decades, from box banging ebm club trax to spectral beatless excursions. drawing influence from a variety of sources but still a cohesive, engaging listen - ‘american manier‘ is destined to become a future underground classic.

classy compilation with excursions into electronic reggae & footwork.

1 per customer, brawther and alixkun present a collection of 15 underground japanese house tracks from the early days of electronic dance music, back when the genre was sweeping across the globe. ahead of a related documentary project titled house in japanese characters, the compilation is the first to showcase the works of japanese house on an historical and global level, with classics and rare-as-a-hen s teeth tracks. carefully selected by brawther and his sidekick ailxkun, this is a nectar of deep grooves and blissful melodies that form the blueprint of the japanese house sound. legends like soichi terada, yukihiro fukutomi or the ecstasy boys are back to back with unsung hearoes like takecha, magic ware or katsumi hidano. aimed at the house music lover and overall music enthousiasts, this compilation is the one stop shop of all things early japanese house, unveiling the mystery behind it all and shining a brand new light on it, dusted and remastered, for your listening pleasure.

another floorfriendy techno 12 inch on arts

after contributing a remix for our label in 2011 daniel stefanik now returns to raum with his first solo single under his new moniker dlsk.
the a side * sense of doubt* is a bit more stripped down and melodic, as the b side and also the title track of this release * subterraneans* is more of a jazzy house groove, that simply doesn’t stop rolling and keeps the tension with subtle variations and other nice little gimmicks. as always we truly hope that you enjoy these tracks as much as we do and we are happy to have daniel back on board as for sure he can be called one of germanys top notch producers.

after remixing idriss d’s “alger”, eduardo de la calle returns to memento records with a 2 tracker. the spanish vinyl maestro, analog solutions label owner and beatz documentary maker delivers 2 majestic cuts of deep techno at its best, inspired by the early ricardo villalobos music released on kanzleramt or playhouse some 15 years ago. following the same ideas of building and de-constructing sound patterns made up of pure minimal elements, eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. the ep was made in a week of intense and mesmerizing studio work. * die einführung* is a 10 minute number where korg poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. * sonst werden* is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

this record won the 1964 french prize grand prix du disque. this is an absolutely amazing recording, done in one non stop only time in simone signorets own parisian flat. simone signoret, cult french actor, reads la voix humaine by jean cocteau. according to jacques canetti himself, this performance was one of the very best and most intense he ever recorded. even if you dont understand french, you will feel simone signorets incredible poignancy.

welcome to the anticipated fourth installment of the the opium audio series. featuring two brand new, deep and trippy tracks by label-owner destrict himself, the fourth opium audio release also comes with lots of heavy additives. >goodbye fellas< represents a miles-deep and atmospheric structure while >becose i do< unfolds into a subversive drum-driven beast. young blood kashawar went on to remix destricts >goodbye fellas< in a deep romantic and uplifting way – not only after-hour-material! further on hardworksoftdrink programming-heros felix reifenberg and thilo dietrich remixed >becose i do< in their well known tradition for talented on-point producing-skills that never lacking craziness. not to stop there, opium audio 004 features two locked groove tracks by well known romanian artist vid and the dutch talent roon. 180g pressing and vinyl only.

after debuting on rebirth with their new alias easy to remember (inspired by the famous song from st germain of the same name) niro and elia perrone release now on their own unclear label. the ep contains two originals backed by three remixes.royal rumbles obscure synth melody and obsessive pitch changes pave the way to sinister background noises and beats, whereas jazz cowboys free style drumming, syncopated rhythm and xylophones blur the line between house music and free improvisation. minimonos remix of royal rumble brings the kick drum to the fore and adds a staccato bass line coupled with some stop & gos that spice up the vibe of the track. giulio etiopes rendition of jazz cowboys adds some deep pads, flute sounds and a trumpet sample leading into a dreamy break, with def safaris dark rework turning it instead into a galloping percussive tool.

we never let go: more hip edits - this time provided by edit piafra & johannes albert. starring unlimited vinyl only with music to make you dance. these tunes were rediscovered in a lonesome backyard in monza, italy. straight recorded from original cheese plates and abletoned up for todays dj needs. now stop the talking please. play it, say it!

eine weitere 12 inch maxi mit vier großartigen songs der reggae-künstler linval thompson (im doppelpack), ranking trevor und papa tullo.

2015 has been an outstanding year for django django with the release of their inventive second album ‘born under saturn’ which was met with rave reviews across the board. continuing that success, the band are ready to unleash four fresh mixes of the latest single ‘pause repeat’ which, as we’ve come to expect from django’s remix packages, are about as on point as it gets. the package starts out with an african beat paired with parisian synths on debruit’s indie dance mix. night slugs’ bok bok offers stop-start disco-infused euphoria. italy’s clap! clap! brings in off-kilter rhythms and infectious bubbles of analogue bass. finally one half of legendary glaswegian duo optimo, jd twitch, heads into deep, dubby and progressive techno territory.

friends and fans of tramp records in general, and of the feeling nice series specifically, will be feeling even nicer this time around with the release of this deep and soulful new collection: feeling nice volume 3. these recordings have been painstakingly sought-out and unearthed from as far away as hawaii, canada, and jamaica (in addition to the usual texas, ohio, and georgia). this music has been carefully transferred (in some cases form the sole known copy) and remastered to the highest standards of audio quality. the double vinyl lp comes in gatefold sleeve with bonus 7 inch and download code.

loco dices influential desolat label looks to belgium born italian producer bimas for a firing new ep that feature four great club cuts.

the homesick team have broken into marquis hawkes secret vault and dug up four great edits that have had great responses from his public during the past few months. now available on a solid 180g records meticulously mastered to sound as awesome and modern as they were when they first got released.

repress !!

the first trackman ep went out on ideal trax in 1995, a six track, two vinyl ep spanning trippy, classic acid cuts, detroit and chicago influences, sheffield bleep and manchester hacienda rave era overtones. trackman has now been lovingly remastered and re-issued on infrastructure, with a bonus track paradise included, which featured later on the 1996 dont stop ep also a classic in it s own right.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s. in an age where corporate anonymity reigns supreme and music is being treated like aural wallpaper, the sources series will go back to a time when record labels really meant something via their a&r policies, their ground-breaking releases, their everyday modus-operandi and their general philosophies

after releasing countless collectable and in-demand 7in singles and making a name for themselves in the contemporary raw funk and soul scene, the soul surfers drop their debut album soul rock, a magnum opus of raw, gritty soul and greasy funk featuring eminent guests from the aforementioned scene that birthed their sound. soul crooners myron & e break out of their smooth vocal personas and deliver a decidedly more stripped down and visceral performance in the lead-off single you can run (but you cant hide) from my love that also promises to be a dance floor filler. co-collaborators jj whitefield from the poets of rhythm and malcom catto of the heliocentrics add their signature touch on two of the albums heavier cuts raw and stop fooling around. label-mate, multi-instrumentalist and studio genius shawn lee lends his vocal, guitar and mixing board talents to time is a gun while noted producer didier from the soul investigators gets in on the mix, vibes, and percussion on the heavy slow-burner astra. smoove & turrell round out the album with the blue-eyed soul stomper straight up

the first vinyl edition of the label moonrise hill material presents the differents artists work which will composed the label. funk to ambient, with proper jazzmen groove, where the house music predominate and appears like gold in every tracks with something which united them. the vinyl starts with « fucked up jazzmen », powerful track with jazz and hip hop influences from folamour, french producer which the last release on fauxpas musik is a love declaration to the sampling and to the 20s grooves until today. next listen with « jack my sista » from kaffe crème, french producer who takes the auditor in a perpetual modulation of the pads and bass under a syncopated rhythmic, between a real game and the tr-808. there is passion and percussions talent that comes to his classic formation in acadamy. the other side begins with « manhattune » from ethyène, soul anthem from 70s mixed to a proper chicago deep house rhythmic. after a empty period, the french producer annonces his next releases for the coming months, where samples and groove found a paramount place. the release ends on « cosmic spirals » from the lyonese okwa, who reveals his love to the electronic sounds for a half path ballade between dark walks and dance floors. after a great ep « preacher », in which he develops a returns to the 90s house music. focused on poetic house music, from the one that you can t stop dancing on to the one that you want to keep for yourself, the label defends the preciousness of every musical journey and the sensibility through beautiful stories.

the a&r edits return with a double-header from hot digits head honcho fingerman. the brighton producer grew up listening to his parents enviable steely dan record collection and for his comeback outing on a&r has retouched the de la soul-sampled classic, peg. a tight circle of djs have road tested this rework over recent times and we ve been inundated with requests for its release. in 1970, new york session drummer bill curtis merged the fatback jazz beat of new orleans into a street funk band and signed his outfit to perception records. over the next decade, they incorporated jazz and disco into their signature funk style, before moving in an r&b direction in the 80s. during this period, american pop success proved elusive, but the group made regular appearances in the uk singles chart, hitting the top twenty three times with (are you ready) do the bus stop , (do the) spanish hustle and i found lovin it s the latter, an anthem on the uk black music scene in 1984, that has been served up here by fingerman, a staple at his casablanca jazz club residency in brighton and now available on wax for the first time.

the television screen is the retina of the minds eye david cronenberg, videodrome 1983. passarella death squad lynchpin danny passarella collaborates with london techno producer perc to create 5 soundscapes echoing erotica viewed through supercharged synapses to accompany the recent series of artworks created by danny passarella that share similar voyeuristic obsessions. lavishly colourful, the listener is drawn towards them, like an obsessive james woods slithering into his television in the climactic sequence of cronenberg’s horror classic videodrome. available as a limited edition 12- see-through blue vinyl release, the 5 tracks act as an abstraction and intensification of the mood set with their previous collaboration temperature s rising .

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.

white asega co-­owner jack dixon wrote new curtains after a friend who was coming wildly off the rails told him he was a good producer but his tunes were boring. the original version was really sparse and about 300bpm. when jack moved to new york the parts got lost, so he remade the track a dozen times. this was the version we all liked best, although jack never wants to hear it again in his life. it sounds tough and tropical. our friend troy gunner remixed it, and turned it into something so loud and slamming it will knock your teeth out. after telling jack to stop making boring music, mark kodiak spent two horrendous years working with jamie kodiak on a song they ve called taargus. it nearly destroyed their friendship forever but we think it was worth it. it has brutal weapon sounds, nasty snares and an incessant “yo” that has been described as “annoying and unnecessary”. the artist tom pounder has created a blinding video for it that contains brand new colours. french born bass genius bambounou stepped up to remix the track, taming the wild stems into a hypnotic early­morning house stepper. it took us approximately 2000 exhausting facebook group chats, four cross­atlantic flights and one divorce to get to this point. we hope you will enjoy this record for the rest of your lives. rip ken tulley.

very limited 2015 repress! all inn records have already proved to be massively popular with the biggest names throughout 2010, and their latest release is set to increase yet again, the buzz surrounding the romanian imprint. all inn s fifth installment comes from the turin sensation that is rills... having grown up in the shadow of italy s motor city in the heart of mirafori, in a city of non stop musical turmoil. it was the beauty of the electronic melody that first snared rills. in the mid 2000 s the national and internationally renowned promoter xplosiva spotted the young blossoming talent and enlisted him as resident. since that time, rills has shared the dj booth with the worlds finest, as the likes of ricardo villalobos, carl craig and akufen have all felt the heat of his burning hot warm-up sets

the virgo ep is the 4th of mutewax’s non-stop output, featuring french artist cømpass. vindemiatrix is a classy, uplifting peak-time track that sneaks up behind you. if you were thinking of leaving the dance floor. think again. spica lays heavy on the kick-drum & thick bass-lines. it’s a mind-winding trip which reveals a mature twist on the classic acid tweets. arcturus bounces joyfully across the dance-floor and picks up the pace with its hard-hitting acid notes and infectious rhythms. porrima beautifully stirs the emotions - the melodic rhythms predict a sweet future, yet it retains an atmospheric nostalgia for all things which must pass.

this album is another chapter in the ongoing there s-muchmore-to-brazil than-bossa-nova saga. it s filled with disco-eratracks produced for the brazilian domestic marketplace, some of which were hits, others which were quite obscure. what binds them all together - besides their common origins, time period and overall musical approach - is the fact that their reputation has been steadily transcending brazils borders. this has allowed these tunes to find their place on set lists, want lists and in the crates of the world s most discerning djs and tastemakers.

long awaited and right in time for summer: sandrow m follows up his much loved -prayervan ep- from 2013. being one of uncanny valley s mainstays since the very start, the dresden based artist once again proves his versatility as well as his knack for synth based melodies with his new ep -kuiper belt rose-. sandrow m seems to love singing along with catchy tunes as much as dancing in the club. we hear it in every note, whether it s the dreamy title track, the elegant -dream controlling- or -next stop hessdalen- which is a veritable dance floor bomb thanks to the rising synths. finally, the aptly titled -miss you again- proves that sandrow m doesn t need a kick drum to move us

mr. gerald henderson aka jammin gerald a true chicago house legend to the family! we are happy to bring you this great release from 1997 back & re-mastered on vinyl! (originally released 1997 as dance mania 220)

42 copies only worldwide mint sealed stock imported from salsoul offices nyc original 1994 stock! this 4 lp box set set is a smash hit. one listen to songs such as: its good for the soul, salsoul rainbow, and tangerine and you too will be hooked. there is a great mix of instrumental and vocal tracks. this brings us all back to the good days of whirling strings and wailing woodwinds. you must purchase the compilation your money will be well spent!

as with the best techno, the best minimalist records, the best krautrock ventures, this first model alpha lp hints at a weird sense of time, not totally of the past, not totally of the future, not at all of the present. something in between, a time travel machine that can take you on a random journey. listening to those tracks is a bit like making time’s flow stop.

ltd to 300 copies... for its eagerly awaited 11th release, unclear records present giulio etiope feat. giak & hester. the riverside ep sees the klang club residents deliver 3 super stylish tracks backed by a manic remix by gerry read, a mind blowing musical experience that stands out once more as a true masterpiece on the labels catalogue. title track * riversides* classy piano chords and kaleidoscopic mood bring up colourful visions, while the gerry read remixs staccato groove and improvisational stop & go swings are purely jazz inspired, surrounded by free flowing sounds and a pounding speedy beat. * summertime* is built around a steady tom-and-shaker groove, with atmospheric vocals and dreamy pad melodies, while * e15 2rg* is introspective and dark, its aqueous percussions slinking off with time stretch effects.

danny worrall‘s masterworks music imprint is set to press it’s first vinyl, just in time for some summer love. the four-track ep will pulled together a selection from their vol.1 compilation, a season-fitting jam from dr. packer‘s boogie grinder ep, and a brand new cut from the on fire get down edits boys which will be exclusive to the vinyl as well as cuts by midnight riot’s yam who? & coutel… the new label has already released a sturdy batch of modern disco and house music and has upcoming ep’s in the pipeline from the likes of dave gerrard, rayko, queen & disco and p-sol to be on the lookout for.

stephane lefrancois & jameson gilvarry team up for the latest 12inch from the secret music label and find inspiration from a canine icon of space travel. laika is named in honour of the first cosmonaut dog, depicted here on the cover art and lefrancois and gilvarry convey her journey through an uplifting, rolling techno cut that doesn t seem to stop building. complementing the original is a remix from dantiez saunderson who strips down the groove, while giving it a swung, offbeat feel. staying true to the original, this version also introduces another layer of melodic synths, extending the journey, making it deeper and moody. the booming, clean low end and bouncy high end keep the groove propelling forward.

more late 70s westcoast yachtpop you can almost dance to. delivered on heavyweight 180 gram double vinyl in gatefold sleeve

*the shakes* is matthew herberts first album under the name herbert since 2006s dark orchestral disco fantasy *scale* (k7!). the album deals with intensely personal issues such as raising young children against a backdrop of an increasingly unstable world and, amongst other things, utilizes the sound of used bullets and shells from ebay as part of its soundscape. herbert himself suggests that the record can be seen as a treatise on how *music helps to motivate, provide respite and divert us from the challenges of the everyday* and that it is *electronic music for the soul*.
the double vinyl lp comes in gatefold sleeve and includes a download code for the full album plus 4 bonus mixes.

2 years after the release of his first solo album, favorite recordings presents solar, the second album by acclaimed brazilian composer lucas arruda, and the 100th release of the label! comes as double 12 inch vinyl in gatefold sleeve.

on the first release for mannella on his own imprint, the ice is broken by generous strings and subdued synths. revisiting “space candyman” with his distinctive stamp, marieu blows up every emotion in a swirl of high spirited techno. the b side displays all the intensity of this release, starting by the pure beat of the original mix. lucretio s remix is a mighty vision of “letters from mars” with a dogged bustle of reverberated drums and filtered chords. consider a tree for a moment: we just see and enjoy its beauty, but it must develop its roots under the ground to bloom all its beauty and grows up strong. in much the same way, jt series sinks his particular sound in a ground covered music grove. so, the fruits of our tree, are a collection of sounds thought out of the box. mannella, that runs this berlin based label, never stop explores the vast world ingrained in his machines. a sensorial techno contaminated by the most varied influences.

it s fair to say khijda s debut ep on especial was one of the highlights of the label to date. mustafa - in original form and remixed to distraction by timothy j fairplay - became the soundtrack for many a summer party, while abul was perfect for those deeper late night afters. ... played by jonny 5, dj sofa, ali renault, gitchell moore, the legendary 1979 orchestra, dynamicron (los grandes/our nights), jack pattern, lurid music

remastered re-issue on 180 gram vinyl of the 1967 linda jones debut album. includes a bonus 7 inch.

hailing from berlin, but spiritually from chi-town, snuff crew are back in your area with some freshly served up basement goodies once again. following on from basement jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare i say it, they go even harder this time. stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you, four tracks obviously engineered for use in the club, whether its the massive kick in ‘what it is’ or the ravey acid lead in ‘88cents’. the jams on the b-side may do the most damage. ‘remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. i know snuff crew are real analog guys though, in sound and mentality, so hearing basement jams #2 for the first time had me so excited once again.

after dark: nocturne ist ein infiziöses groove-monster, das körper, geist und seele gleichzeitig animiert. bill brewster, der auch als co-autor der dj-historie last night a dj saved my life brillierte, gelingt mit dieser top-selektion eine weitere meisterleistung. einmal aufgelegt, einmal reingehört, lassen einen diese positiven vibes nicht mehr los. groove, funk, disco, pop, house - party-rhythmus non-stop! mit komplett exklusiven und unveröffentlichten tracks & mixes von charli xcx (lindstrom remix), the emperor machine, hugh mane und zweimal hotel motel. und raren perlen von plastic bertrand(!), adriano celentano(!), rudy norman und coalkitchen. after dark: nocturne is ein massives schwarzes loch von einem dj-set, das dich auffrisst und nie wieder entlässt.

bitter moon has criss-crossed europe to gather a trio of heavy house hitters for lunes de fiel vol. 2. creme organization prodigy innershades gets the show on the road with the synth slamming groove of -moments of euphoria-. new beat memories bounce alongside rumbling rhythms in track guaranteed to ignite speakers. next stop is germany with snuff crew and -your hands-. the jack experts fillet their trademark raw edges for a smooth and soulful piece of late night chitown. smoke curls around chords, claps are softened as samples turn in a twilight haze. the final destination, italy, is bathed in the 303 sunshine of -#acid-. the white rabbit recordings founder uses the building blocks of chicago to produce a fluid floor filler. cymbals, cow-bells, toms and snares are soaked in a devilish brew of acid. bohemian body jerk to a 4/4 beat to bring down the curtain on this latest instalment of lunes de fiel.