bitches you better be ready! rushmore drops 4 stone cold thuggee out houz pro to grime bangers to heat yo azz up…. this shit goes off in the klubbbbbb!

james brown mixed up by norman cook aka fatboy slim, tim rogers and streets ahead.

one of seth troxlers trio of fledgling labels, play it say it has already made its mark with stone cold killers from sharam (deep dish) and most recently clarian. wasting no time with its next assault: play003 comes courtesy of the uk dance pioneer just be (matthew bushwacka formally of layo & bushwacka).

nice price deal !!! parisian fellow stephane laporte joins the antinote crew with a very introspective and dreamy full length record. it features 11 tracks of homemade synthetic scapes and weird atmospheres. stephane works at night on a 4 track akai tape recorder set up on a cosy fur carpet. while listening to fourrure sounds you will likely meet françois deroubaixs ghost or may even have an early kraftwerkian feeling. the world that stephane laporte has built through this lp is unique. antinote hope you will enjoy this cold yet warm synthetic trip.

flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.

now nighttripper records is born! the first is from the us native scott scheferman it is a cold stomper with jerky sounds and stomping distorted 909 kick. on a pleasant bpm still playable in any techno set. watch out for this guy! on the remix we have robert armani who delivers a minimal but ruthless effort for the big room and will please the hardcore fans on the b side orlando strikes back as the nighttripper with some funky mayhem!

erstmalig erscheint das zweite album der französischen post-punk/cold wave-band complot bronswick von 1986 als limitierte vinylauflage (300 exemplare). clear blue vinyl. inkl. download code.

last year moscow records set up sub-label moss co and each release so far has introduced a new set of artists. for this third release it is nu zau, aka stefan gabriel zamfir and loopdeville, aka d zlatinov. nu zau debuted on fear of flying in 2012 and his 2013 was prolific with seven releases added to his name. he provides an 11-minute drum track, *cumse cuvine*, that is filled with kooky and super minimal, squeaks, tweets and vocal samples, a fine production. loopdevilles kick drum on *piance* in comparison to zaus a-side is standout, and here he provides a cold and moody track designed for those deeper moments of the night. it is the london-based producers third release after debuting in 2013 with two 12 inches, one of which, phantasmagoria, inaugurated new label delooped.

the classic song of the siren is yet another sublime piece of deepest nyc house music from the legendary ronald burrell under his aphrodisiac alias. a stone cold nu-groove classic from 1990, this record has always been a firm favourite with discerning house heads & those in search of a more sublime groove. here, re-mastered & re-issued in its original form, song of the siren is a must have piece. a mysterious, melodic journey that transcends time, sounds fresh & works perfectly no matter how late or how early it is on the dance-floor.

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

joel hood makes escapist friday night music heard through the haze of a foggy monday morning. the north yorkshiremans music transports you straight out of a cold working town and drops you into a hazy world of intercontinental sonic voyaging, taking in fragments of family holidays and adult travel adventures cut and pasted into instrumentals that evoke dj shadow, twin peaks and the avalanches stargazing in the middle of nowhere, with hoods voice weaving between it all. already profiled by the guardian and music week plus picking up support from rob da bank and bbc6music, his debut ep for international feel features four tracks of psychedelic fusion carrying hints of 80s nostalgia amidst hedonistic futurism.
pressing on 180 gram vinyl.

the dixon avenue basements jams star ascends to the heavens and beyond with a cold crushin killer from modini. these are bonafide summer jams, just in time for the lick of heat we re having and perfect for slamming on whilst you scrape the melted tarmac off the road with a twig and guzzle bombastically coloured fizzy drinks. or alternatively, if you happen to be a fully grown-ass person, a 3-day roof party might do the do. the cut of modini s jib takes the shape of fully fledged funk cloak woven from the silk of the brazilian wandering spider, and adorned with jewels purchased on the black market from what is believed to have been a cache belonging to black caesar, most likely from his days of pillaging the florida keys circa 1718ad. bleepy house jams and halloween synth flurries belting out the mix, slabs of knee-grazing boogie and bulldozing dance floor drama - modini: hear thy name and know the essence of rhythmic grooooove. with this release dabj presents the first in a series of limited edition monotone prints (pictured below) from dan axon - simple ink on paper describing the energy of dabj, it s origins, people, music, direction and future.)

void vision is a philadelphia based solo female minimal synth / cold wave project from shari wallin. already included by rough trade in their seminal synth wave compilations, the single is anticipating her full lenght *sub rosa*, out for mannequin records later in 2014. remix by vanzetti & sacco aka jos van galen with the otto kraanen, the boss of the acclaimed bordello a parigi from rotterdam! limited edition of 300 copies on aqua vinyl.

west end classic repress! vocal and dub versions of this 1982 stone cold classic. re issued in conjunction with west end / verse music.

incl agaric remix! paraphrase may attempt to preserve the essential meaning of the material being paraphrased. edgar peng the master of paraphrasing back on ursl with a super funky ep from venus!

listening to the sound of konfetti klub ensemble creates associations of those sparkling drops that run down the side of an ice cold drink on hot summer days. it’s a very refreshing and delicious listening experience, it’s both stimulating and soothing. if you think the formula brass players + club groove is somewhat worn-out, you will be pleasantly surprised. pomelo comes with bouncy offbeat rhythms, and when the trombone hits in there’s clearly an air of balkan sound. however, around the middle of the track it turns into a joyful freestyle session. mollono.bass puts a bit more emphasis on beats, bass and pressure in his version, in other words: even a bit more emphasis on the dance floor. rotwein und sommerverbot gives a groovy hint why konfetti klub ensemble describe their sound as live brass house – it’s extremely jazzy and casual, a live session rather than a programmed arrangement. even more so schwankel, as it vibrates effortlessly between intricate musical deepness and sheer to-the-floor euphoria. last but not least there is a track exclusively for the digital release: stranddub – beach dub. let’s put it like that: there’s a damn good party happing at this beach.

last month saw the re-release of the this stone-cold classic from 1988. now we give you the re-edits from the black madonna, adjowa and jimpster.

with a decade of presenting exciting new talent behind them, crosstown rebels press on, signing up belgian duo raw district for their impressive debut on the label after a storming sophomore release on defected sub label dftd put them firmly on the radar. the ragged star ep featuring live vocalists ellipsis and giorgia angiuli is two compelling original cuts combining hypnotic, swinging grooves in the languidly deep detroit-laced ragged star and contrasting textures and tempos and ethereal voice in turn away. throw in stone cold killer tech rethink by house music demi-god josh wink and you have more than enough bangers for your buck.

bouq.aid takes action developing the sound of helpfor 3 years civil war has been going on in syria - 4 million people have been fleeing from their own country - 2.6 million people live in refugee camps. these facts make our blood run cold.

badabim badabum here we go again, the shimmy sham sham team brings you another little nugget of love for your summer bacchanals. the season of cold cocktails, skin roasting under the sun and long afternoon spent under a willow tree is finally back. hallelujah! this one is dedicated for those of you who are searching for something better, searching for someone to love and searching for a way to rise higher.

eddie c is known for his work with endless flight, jiscomusic, red motorbike, 7 inch of love and and and. lumberjacks head honcho marcel vogel is happy to welcome him after wrecking many a party together. get it together already found its way into marcel s boiler room set. and what it is was rescued from a batch of neglected older tracks that eddie had made early on in his carrer but is actually a stone cold banger that s tearing apart every dancefloor.

emotional especial call time on their first series of releases and do so in style, taking a detour to san francisco for a 12- that features reworks of latter-day synth experimentalists inhalt. the specific focus here is occupations, last years ep for the killer dark entries label which showed a distinct progression in the inhalt sound to capture a contemporary take on synth wave/cold wave/dark wave (delete as appropriate

eosophobia - a morbid fear of daylight. a title fitting of primary colours latest release by the australian duo, the echo inspectors. conceived on a dark autumn night, eosophobia is a creation of the strange and disturbed. entities materialize, delicate and shy, these beings thrive in the dark. their conviction becomes evident as the night sky turns a darker shade of black, a pulsating and heaving sub sonic landscape emerges for the creatures of the night. life is short lived as dark turns to light, they scampering in to the shadows. resoe, copenhagen s ruler of the deep and dub, takes control of this creation. forming and reconstructing it in to a more powerful, ravenous creature. a fear of light fuels this being to become menacing, unstable and unpredictable. vigour builds swiftly, seething as the cold autumn night goes on. confidence only grows stronger and stronger as the night feeds its hunger only to be destroyed with a sudden shard of light, withering to oblivion.

this is a special ltd release of only 200 – for those situations where no-one wants to see the dawn.

reform is the first work by stave. the album is an exercise in precision and spacialization, with isolated electronics and icy beats producing a grisaille of vaporized metals. tracks move from disembodied murk and blunted pulses to sustained forcefulness. touch points include techno, ambient and industrial predecessors, all bent gravitationally towards a dark, cold and unsettling soundworld.
the vinyl lp includes a download code for the full album.

der detroiter produzent apollo brown liefert mit -thirty eight- ein instrumentalalbum, dass geschickt die lücke zwischen 70er blaxploitation-soundtracks von größen wie curtis mayfield oder marvin gaye und den hip hop-platten, die von ihnen sampleten, überbrückt. der new yorker rapper roc marciano wird auf zwei stücken der bonus 7 inch gefeatured.

belgian cold wave story off is a side project from chesko of der klinke. marble splash white/red numbered vinyl, limited to 298 copies

liquid swords instrumentals and -battle scene- print bundle. this bundle includes the 2-lp white and black instrumental vinyl housed in an original screen printed jacket, and the 18x18 inch print of the albums -battle scene-. to have the complete instrumentals and this amazing art print is essential for any gza and wu-tang fan and collector.

beau wanzer (l.i.e.s, nation, mutant beat dance) and dan jugel are juzer. strong 90 s techno heritage on this stone-cold killer e.p for anthony parasole s the corner.

wow.. such release. very house. much vinyl! the wise meme-tainted words of doge ring out wide across the internet and now come stamped onto wax with this mysterious white label release, featuring analogue house cuts spanning chicago, detroit, new york... this be the fiyaaaah! limited run so don t sleep!

you will recognize the feelings in follow me home it captures the moment between the intense, ritualistic celebration of a night on the town and the quiet return home. in a cold world, we try to cling to the sensations of togetherness and of belonging before the morning comes.

imagine the early 80ies, cold war is on its peak, you are a young lad in american occupied germany and dont feel like joining the army. what you gonna do? there is not much choice. you could crash your dads car into the next bridge and get invalided out or you just move to the island of west berlin and buy a drum machine?

it is a two heads job. parisians producers pawn heart and fareed (also half of the techno duo society of silence) deliver a first split ep. for over a year, influenced by the raw sound of detroit and chicago, they were exchanging tips and compositions, catching each other, when possible, in the cold but intense urban landscape, drawn between northern paris neighbourhoods and banlieue.

the mysterious antenna project drops a new limited 12 inch on the pinkman imprint. cold east european house tracks topped with melancholic vocals. straight from the attic, all recorded on the fly. comes with cover and label artwork designed by the artists themselves

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

time for another dirty south rider, going deep south back to the a. its been two years since his landmark debut on peoples potential unlimited, now b is back with his latest long play entitled -ii-. eight previously unreleased selections from hotlanta producer wes gray, recorded over the past couple of years at his home studio. moon b s signature slank rhythms and cutting basslines you ve grown accustomed to are all here.

cgi is proud to present the debut of 2 new duos who are experts at making their synths and sequencers sweat divine moisture. lyman-alpha forest is a new collaborative project between producers grey people (proper trax, finale sessions) and talk (deconstructure). as a duo they work to bring acid into new territories with their heavy, low-slung approach to producing melodic-and-spacious yet tight-and-focused slow-burning club-weapons. whether or not this is due to a stroke of compositional genius or if it is simply a side effect of the high levels of sizzurp found in the tap water in their hometown of nashville is irrelevant, but the effect is intoxicating all the same. travel 7 hours up i-65 and you will end up somewhere in chicago where afterburner spends long cold winter nights painting vivid synthesized tapestries as epic as the citys skyline. the duo of nicholas reed (windbreaker) and travis thatcher (voice of saturn) employ an aresnal of modular and analog gear to produce lushly cinematic tracks that chug along like classic moroder productions while simultaneously evoking the rich melodicism of kraftwerk. whether you listen to them at home in the headphones or on the dancefloor in the club, these tracks will take you on a wild ride.

red axes is niv arzi and dori sadovnik, two young men who have always lived in tel-aviv and have been making music together since the noughties. ballad of the ice is their debut album. their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. more than a summary, this lp is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

kiwanuka, a 25 year-old uk native of ugandan heritage, was raised in north london where he split his time between session work and local gigs. along the way, having found footing as a solo artist, he was signed to communion records, then polydor, and has since performed throughout europe and north america too touring in direct support of adele. he made his way through nashville this past summer with just enough pause and aplomb to commit these morsels to tape. the a-side *you ve got nothing to lose* is an original composition, featuring the buzzards dominic davis on upright bass and cory younts on piano, joined also by fellow balladeer lillie mae rische on fiddle. their contributions transform his work into a stone-cold groove with almost orchestral underpinnings, making it a fitting extension of their previous blue series. the single also features a chilling rendition of townes van zandts infamous *waitin round to die* on the b-side, the perfect compliment to the timbre and mood of the a-side.

abstract darkness from san fran based duo, red light. cold and dark heavyness... limited to 250 copies on 7 inch vinyl.

pavel khudyakov aka brain crisis. a young producer making a sound that teebee has described as *like aliens mining a colony out of metal* and the producer to watch in 2014. brain crisis *hands up* is proper rude bwoy skanker and has become one of the biggest tunes in calyx & teebees dj sets. on the flip brain crisis & teddy killers join forces for *local 2* a cold piece of d&b pressure. creating a track that is full of bruising bass, techno fear & frantic drums.

more driving techno cuts from the selected edits project. the a-side sees italian techno mainstay giorgio gigli team up with edit select, while the flip side offers two massive remixes of asperity from the very first edit select release: first, a stone cold killer from cassegrain, then edit select himself joins forces with markus suckut to revisit the track.

dehnert has continued to steer his fachwerk label through the techno undergrowth and it has now amassed more than 25 releases in all. at the heart of the labels output has been dehnerts own increasingly experimental techno and this new album is testament to the producers continued exploration of the form. where framework was, in the words of mike himself, focussed on the heavy techno form, this album explores broken bass, swinging house and beatless electronic experimentalism amongst other things. i love to release music. i still enjoy the album writing process very much, says mike, before adding, i have noticed that sometimes the succe ss of a track depends on the light at club, which is why the album is called lichtbedingt, meaning depends on light! the album starts off with a suitably sombre intro that features cold, slowly shifting synths.

top quality remastered reissue of oses very rare and sought after old school vocoder electro jam *computer funk*, a stone cold classic with an awesome phat analogue bassline and some of the best vocoder vocals ever recorded. originally released back in 83 on the tiny florida label bound sound and produced by the great james mccauley, this is miami electro at its finest and it is easy to see why it has become such a holy grail with djs and collectors. must have.

the ever consistent kat edit label reaches release number 19 with a 4 tracker from all round super ace dj, selector and producer mr jonny miller who has recently released via the gamm label.

after an overwhelming start with the illustrious artist cuttlefish & asparagus, who did an immense job both on black suns homonym and ishs dont stop, kalakuta soul records come back with another deep set of disco gems, touched by the hand of one of the most respected heads of the genre.

a stone cold classic gets the dense & pika treatment.

three eps on im a cliche from 2012 and a bunch of eps, tracks, remixes and edits on international imprints such as correspondant, relish, days of being wild, throne of blood, kill the dj and more, made red axes gain respect throughout all the cold-ravers community.

population one serving it up cold and reduced... another totally heavy offering from td, on his own imprint

steve lees (the project club) above machine label returns with another superb release from acclaimed italian duo almunia their last single for am was a best-seller, and their celebrated output through paul mudd murphys claremont56 label, including the recent pulsar lp has seen the their blissful & uplifting balearic sound win over many a new follower *find my way* is a gorgeous, acoustic guitar led vocal number, conjuring up twilight beach side boogie, balmy breezes and ice cold drinks. marius circus gets to work on the b side, taking the irresistible melodies to a much later, darker dancefloor. laying a foundation of squelchy moog style bass and a toughened up rhythm track before heavily effected guitars sweep across the mix elevating the whole thing to near transcendental heights! a superb release and addition to the above machine catalogue.